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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9D303 it is the complementary color #562CFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9D303. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9D303 shade: #AED300, #BFE511, #D0F724, #E1FF37 and #F2FF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9D303. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9D303 shade: #A9D303, #98C100, #87AF00, #769D00 and #658B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9D303 shade: #A9D203, #D2C403, #D28C03, #D25403 and #D21C03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9D303 shade: #A9D203, #70D203, #38D203, #03D205 and #03D23D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9D303 shade matches the following richer shades: #A9D203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9D303 shade: #A9D203, #9EC114, #94B025, #8A9F37 and #7F8D48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9D303 shade: #D28D03, #D2C503, #A9D203, #72D203 and #3AD203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9D303 shade: #678101, #88AA02, #A9D203, #C9FB04 and #D2FB2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9D303 shade: #A9D303, #03D256 and #A903D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9D303 shade: #A9D303, #03A9D2 and #D203A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9D303 shade: #A9D303, #03D256, #2C03D2 and #D2037F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9D303 shade: #A9D303, #03D294, #2C03D2 and #D20341

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 99 / 17

HEX #A9D303

RGB 169 211 3

HSL 72.12, 0.97%, 0.42%

LAB 79.06, -36.07, 78.03

 

Complementary color

CMYK 66 / 83 / 0 / 1

HEX #562CFC

RGB 86 44 252

HSL 252.12, 0.97%, 0.58%

LAB 39.26, 70.26, -94.5

 

CMYK 18 / 0 / 100 / 17

HEX #AED300

RGB 174 211 0

HSL 70.52, 1%, 0.41%

LAB 79.38, -34.09, 78.7

 

CMYK 17 / 0 / 93 / 10

HEX #BFE511

RGB 191 229 17

HSL 70.75, 0.86%, 0.48%

LAB 85.58, -35.29, 82.34

 

CMYK 16 / 0 / 85 / 3

HEX #D0F724

RGB 208 247 36

HSL 71.09, 0.93%, 0.55%

LAB 91.71, -36.33, 84.81

 

CMYK 12 / 0 / 78 / 0

HEX #E1FF37

RGB 225 255 55

HSL 69, 1%, 0.61%

LAB 95.08, -32.69, 83.81

 

CMYK 5 / 0 / 71 / 0

HEX #F2FF4A

RGB 242 255 74

HSL 64.31, 1%, 0.65%

LAB 96.37, -25.16, 79.77

 

CMYK 20 / 0 / 99 / 17

HEX #A9D303

RGB 169 211 3

HSL 72.12, 0.97%, 0.42%

LAB 79.06, -36.07, 78.03

 

CMYK 21 / 0 / 100 / 24

HEX #98C100

RGB 152 193 0

HSL 72.75, 1%, 0.38%

LAB 72.77, -34.73, 73.07

 

CMYK 23 / 0 / 100 / 31

HEX #87AF00

RGB 135 175 0

HSL 73.71, 1%, 0.34%

LAB 66.38, -33.34, 67.75

 

CMYK 25 / 0 / 100 / 38

HEX #769D00

RGB 118 157 0

HSL 74.9, 1%, 0.31%

LAB 59.86, -31.93, 62.32

 

CMYK 27 / 0 / 100 / 45

HEX #658B00

RGB 101 139 0

HSL 76.4, 1%, 0.27%

LAB 53.2, -30.51, 56.78

 

CMYK 20 / 0 / 99 / 18

HEX #A9D203

RGB 169 210 3

HSL 71.88, 0.97%, 0.42%

LAB 78.77, -35.61, 77.81

 

CMYK 0 / 7 / 99 / 18

HEX #D2C403

RGB 210 196 3

HSL 55.94, 0.97%, 0.42%

LAB 77.99, -11.6, 78.59

 

CMYK 0 / 33 / 99 / 18

HEX #D28C03

RGB 210 140 3

HSL 39.71, 0.97%, 0.42%

LAB 63.72, 18.03, 68.53

 

CMYK 0 / 60 / 99 / 18

HEX #D25403

RGB 210 84 3

HSL 23.48, 0.97%, 0.42%

LAB 51.89, 46.9, 61.08

 

CMYK 0 / 87 / 99 / 18

HEX #D21C03

RGB 210 28 3

HSL 7.25, 0.97%, 0.42%

LAB 45, 65.81, 57.56

 

CMYK 20 / 0 / 99 / 18

HEX #A9D203

RGB 169 210 3

HSL 71.88, 0.97%, 0.42%

LAB 78.77, -35.61, 77.81

 

CMYK 47 / 0 / 99 / 18

HEX #70D203

RGB 112 210 3

HSL 88.41, 0.97%, 0.42%

LAB 75.79, -56.18, 74.21

 

CMYK 73 / 0 / 99 / 18

HEX #38D203

RGB 56 210 3

HSL 104.64, 0.97%, 0.42%

LAB 74.15, -69.54, 72.21

 

CMYK 99 / 0 / 98 / 18

HEX #03D205

RGB 3 210 5

HSL 120.58, 0.97%, 0.42%

LAB 73.63, -74.24, 71.36

 

CMYK 99 / 0 / 71 / 18

HEX #03D23D

RGB 3 210 61

HSL 136.81, 0.97%, 0.42%

LAB 73.84, -71.52, 58.68

 

CMYK 20 / 0 / 99 / 18

HEX #A9D203

RGB 169 210 3

HSL 71.88, 0.97%, 0.42%

LAB 78.77, -35.61, 77.81

 

CMYK 20 / 0 / 99 / 18

HEX #A9D203

RGB 169 210 3

HSL 71.88, 0.97%, 0.42%

LAB 78.77, -35.61, 77.81

 

CMYK 18 / 0 / 90 / 24

HEX #9EC114

RGB 158 193 20

HSL 72.14, 0.81%, 0.42%

LAB 73.19, -31.98, 71.14

 

CMYK 16 / 0 / 79 / 31

HEX #94B025

RGB 148 176 37

HSL 72.09, 0.65%, 0.42%

LAB 67.64, -27.52, 62.2

 

CMYK 13 / 0 / 65 / 38

HEX #8A9F37

RGB 138 159 55

HSL 72.12, 0.49%, 0.42%

LAB 62.06, -22.35, 49.94

 

CMYK 10 / 0 / 49 / 45

HEX #7F8D48

RGB 127 141 72

HSL 72.17, 0.32%, 0.42%

LAB 56.12, -16.22, 34.88

 

CMYK 0 / 33 / 99 / 18

HEX #D28D03

RGB 210 141 3

HSL 40, 0.97%, 0.42%

LAB 63.96, 17.49, 68.69

 

CMYK 0 / 6 / 99 / 18

HEX #D2C503

RGB 210 197 3

HSL 56.23, 0.97%, 0.42%

LAB 78.25, -12.1, 78.79

 

CMYK 20 / 0 / 99 / 18

HEX #A9D203

RGB 169 210 3

HSL 71.88, 0.97%, 0.42%

LAB 78.77, -35.61, 77.81

 

CMYK 46 / 0 / 99 / 18

HEX #72D203

RGB 114 210 3

HSL 87.83, 0.97%, 0.42%

LAB 75.87, -55.55, 74.31

 

CMYK 72 / 0 / 99 / 18

HEX #3AD203

RGB 58 210 3

HSL 104.06, 0.97%, 0.42%

LAB 74.19, -69.21, 72.26

 

CMYK 20 / 0 / 99 / 49

HEX #678101

RGB 103 129 1

HSL 72.19, 0.98%, 0.25%

LAB 50.2, -24.79, 54.36

 

CMYK 20 / 0 / 99 / 33

HEX #88AA02

RGB 136 170 2

HSL 72.14, 0.98%, 0.34%

LAB 64.95, -30.56, 66.44

 

CMYK 20 / 0 / 99 / 18

HEX #A9D203

RGB 169 210 3

HSL 71.88, 0.97%, 0.42%

LAB 78.77, -35.61, 77.81

 

CMYK 20 / 0 / 98 / 2

HEX #C9FB04

RGB 201 251 4

HSL 72.15, 0.97%, 0.5%

LAB 92.32, -41.32, 88.93

 

CMYK 16 / 0 / 82 / 2

HEX #D2FB2C

RGB 210 251 44

HSL 71.88, 0.96%, 0.58%

LAB 92.96, -37.13, 84.26

 

CMYK 20 / 0 / 99 / 17

HEX #A9D303

RGB 169 211 3

HSL 72.12, 0.97%, 0.42%

LAB 79.06, -36.07, 78.03

 

CMYK 99 / 0 / 59 / 18

HEX #03D256

RGB 3 210 86

HSL 144.06, 0.97%, 0.42%

LAB 74.05, -68.81, 48.57

 

CMYK 20 / 99 / 0 / 18

HEX #A903D2

RGB 169 3 210

HSL 288.12, 0.97%, 0.42%

LAB 42.99, 78.52, -64.09

 

CMYK 20 / 0 / 99 / 17

HEX #A9D303

RGB 169 211 3

HSL 72.12, 0.97%, 0.42%

LAB 79.06, -36.07, 78.03

 

CMYK 99 / 20 / 0 / 18

HEX #03A9D2

RGB 3 169 210

HSL 191.88, 0.97%, 0.42%

LAB 64.2, -21.71, -30.98

 

CMYK 0 / 99 / 20 / 18

HEX #D203A9

RGB 210 3 169

HSL 311.88, 0.97%, 0.42%

LAB 47.79, 79.18, -32.01

 

CMYK 20 / 0 / 99 / 17

HEX #A9D303

RGB 169 211 3

HSL 72.12, 0.97%, 0.42%

LAB 79.06, -36.07, 78.03

 

CMYK 99 / 0 / 59 / 18

HEX #03D256

RGB 3 210 86

HSL 144.06, 0.97%, 0.42%

LAB 74.05, -68.81, 48.57

 

CMYK 79 / 99 / 0 / 18

HEX #2C03D2

RGB 44 3 210

HSL 251.88, 0.97%, 0.42%

LAB 27.45, 68.38, -90.25

 

CMYK 0 / 99 / 40 / 18

HEX #D2037F

RGB 210 3 127

HSL 324.06, 0.97%, 0.42%

LAB 46.04, 74.68, -9.36

 

CMYK 20 / 0 / 99 / 17

HEX #A9D303

RGB 169 211 3

HSL 72.12, 0.97%, 0.42%

LAB 79.06, -36.07, 78.03

 

CMYK 99 / 0 / 30 / 18

HEX #03D294

RGB 3 210 148

HSL 162.03, 0.97%, 0.42%

LAB 74.98, -57.78, 18.79

 

CMYK 79 / 99 / 0 / 18

HEX #2C03D2

RGB 44 3 210

HSL 251.88, 0.97%, 0.42%

LAB 27.45, 68.38, -90.25

 

CMYK 0 / 99 / 69 / 18

HEX #D20341

RGB 210 3 65

HSL 342.03, 0.97%, 0.42%

LAB 44.45, 70.42, 26.95

 

Description

Color code: HEX #A9D303 | qconv.com Color code: HEX #A9D303 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 211 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 211 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 99 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 99% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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