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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9C275 it is the complementary color #563D8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9C275. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9C275 shade: #AEC270, #BFD483, #D0E696, #E1F8A9 and #F2FFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9C275. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9C275 shade: #A9C275, #98B062, #879E4F, #768C3C and #657A29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9C275 shade: #A9C274, #BEC274, #C2B174, #C29C74 and #C28774

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9C275 shade: #A9C274, #94C274, #7FC274, #74C27F and #74C294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9C275 shade matches the following richer shades: #A9C274, #AED264, #B4E254 and #BAF244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9C275 shade: #A9C274, #A3B284, #9DA294, #9892A5 and #9281B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9C275 shade: #C2B174, #BEC274, #A9C274, #95C274 and #80C274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9C275 shade: #819E45, #97B558, #A9C274, #BACE91 and #CCDBAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9C275 shade: #A9C275, #74C29C and #BB74C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9C275 shade: #A9C275, #74A9C2 and #C274A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9C275 shade: #A9C275, #74C29C, #8D74C2 and #C2749A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9C275 shade: #A9C275, #74C2B4, #8D74C2 and #C27482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 40 / 24

HEX #A9C275

RGB 169 194 117

HSL 79.48, 0.39%, 0.61%

LAB 75.02, -21.19, 35.94

 

Complementary color

CMYK 38 / 56 / 0 / 46

HEX #563D8A

RGB 86 61 138

HSL 259.48, 0.39%, 0.39%

LAB 32.15, 29.25, -39.28

 

CMYK 10 / 0 / 42 / 24

HEX #AEC270

RGB 174 194 112

HSL 74.63, 0.4%, 0.6%

LAB 75.3, -19.85, 38.91

 

CMYK 10 / 0 / 38 / 17

HEX #BFD483

RGB 191 212 131

HSL 75.56, 0.49%, 0.67%

LAB 81.73, -19.99, 37.75

 

CMYK 10 / 0 / 35 / 10

HEX #D0E696

RGB 208 230 150

HSL 76.5, 0.62%, 0.75%

LAB 88.07, -20.09, 36.62

 

CMYK 9 / 0 / 32 / 3

HEX #E1F8A9

RGB 225 248 169

HSL 77.47, 0.85%, 0.82%

LAB 94.32, -20.17, 35.54

 

CMYK 5 / 0 / 26 / 0

HEX #F2FFBC

RGB 242 255 188

HSL 71.64, 1%, 0.87%

LAB 97.64, -14.91, 30.67

 

CMYK 13 / 0 / 40 / 24

HEX #A9C275

RGB 169 194 117

HSL 79.48, 0.39%, 0.61%

LAB 75.02, -21.19, 35.94

 

CMYK 14 / 0 / 44 / 31

HEX #98B062

RGB 152 176 98

HSL 78.46, 0.33%, 0.54%

LAB 68.47, -21.1, 37.12

 

CMYK 15 / 0 / 50 / 38

HEX #879E4F

RGB 135 158 79

HSL 77.47, 0.33%, 0.46%

LAB 61.8, -20.95, 38.32

 

CMYK 16 / 0 / 57 / 45

HEX #768C3C

RGB 118 140 60

HSL 76.5, 0.4%, 0.39%

LAB 55, -20.71, 39.46

 

CMYK 17 / 0 / 66 / 52

HEX #657A29

RGB 101 122 41

HSL 75.56, 0.5%, 0.32%

LAB 48.07, -20.35, 40.41

 

CMYK 13 / 0 / 40 / 24

HEX #A9C274

RGB 169 194 116

HSL 79.23, 0.39%, 0.61%

LAB 75, -21.32, 36.43

 

CMYK 2 / 0 / 40 / 24

HEX #BEC274

RGB 190 194 116

HSL 63.08, 0.39%, 0.61%

LAB 76.55, -13.09, 38.72

 

CMYK 0 / 9 / 40 / 24

HEX #C2B174

RGB 194 177 116

HSL 46.92, 0.39%, 0.61%

LAB 72.35, -2.63, 33.41

 

CMYK 0 / 20 / 40 / 24

HEX #C29C74

RGB 194 156 116

HSL 30.77, 0.39%, 0.61%

LAB 66.91, 8.68, 26.29

 

CMYK 0 / 30 / 40 / 24

HEX #C28774

RGB 194 135 116

HSL 14.62, 0.39%, 0.61%

LAB 61.7, 20.23, 19.29

 

CMYK 13 / 0 / 40 / 24

HEX #A9C274

RGB 169 194 116

HSL 79.23, 0.39%, 0.61%

LAB 75, -21.32, 36.43

 

CMYK 24 / 0 / 40 / 24

HEX #94C274

RGB 148 194 116

HSL 95.38, 0.39%, 0.61%

LAB 73.64, -29.16, 34.4

 

CMYK 35 / 0 / 40 / 24

HEX #7FC274

RGB 127 194 116

HSL 111.54, 0.39%, 0.61%

LAB 72.47, -36.42, 32.66

 

CMYK 40 / 0 / 35 / 24

HEX #74C27F

RGB 116 194 127

HSL 128.46, 0.39%, 0.61%

LAB 72.11, -38.14, 26.36

 

CMYK 40 / 0 / 24 / 24

HEX #74C294

RGB 116 194 148

HSL 144.62, 0.39%, 0.61%

LAB 72.52, -34.29, 15.72

 

CMYK 13 / 0 / 40 / 24

HEX #A9C274

RGB 169 194 116

HSL 79.23, 0.39%, 0.61%

LAB 75, -21.32, 36.43

 

CMYK 17 / 0 / 52 / 18

HEX #AED264

RGB 174 210 100

HSL 79.64, 0.55%, 0.61%

LAB 79.62, -28.91, 50.03

 

CMYK 20 / 0 / 63 / 11

HEX #B4E254

RGB 180 226 84

HSL 79.44, 0.71%, 0.61%

LAB 84.35, -35.42, 62.49

 

CMYK 23 / 0 / 72 / 5

HEX #BAF244

RGB 186 242 68

HSL 79.31, 0.87%, 0.61%

LAB 89.09, -41.33, 73.44

 

CMYK 13 / 0 / 40 / 24

HEX #A9C274

RGB 169 194 116

HSL 79.23, 0.39%, 0.61%

LAB 75, -21.32, 36.43

 

CMYK 8 / 0 / 26 / 30

HEX #A3B284

RGB 163 178 132

HSL 79.57, 0.23%, 0.61%

LAB 70.38, -13.3, 21.83

 

CMYK 3 / 0 / 9 / 36

HEX #9DA294

RGB 157 162 148

HSL 81.43, 0.07%, 0.61%

LAB 65.86, -4.41, 6.66

 

CMYK 8 / 12 / 0 / 35

HEX #9892A5

RGB 152 146 165

HSL 258.95, 0.1%, 0.61%

LAB 61.61, 5.98, -9.18

 

CMYK 19 / 29 / 0 / 29

HEX #9281B5

RGB 146 129 181

HSL 259.62, 0.26%, 0.61%

LAB 57.22, 17.27, -25.01

 

CMYK 0 / 9 / 40 / 24

HEX #C2B174

RGB 194 177 116

HSL 46.92, 0.39%, 0.61%

LAB 72.35, -2.63, 33.41

 

CMYK 2 / 0 / 40 / 24

HEX #BEC274

RGB 190 194 116

HSL 63.08, 0.39%, 0.61%

LAB 76.55, -13.09, 38.72

 

CMYK 13 / 0 / 40 / 24

HEX #A9C274

RGB 169 194 116

HSL 79.23, 0.39%, 0.61%

LAB 75, -21.32, 36.43

 

CMYK 23 / 0 / 40 / 24

HEX #95C274

RGB 149 194 116

HSL 94.62, 0.39%, 0.61%

LAB 73.7, -28.8, 34.49

 

CMYK 34 / 0 / 40 / 24

HEX #80C274

RGB 128 194 116

HSL 110.77, 0.39%, 0.61%

LAB 72.52, -36.09, 32.74

 

CMYK 18 / 0 / 56 / 38

HEX #819E45

RGB 129 158 69

HSL 79.55, 0.39%, 0.45%

LAB 61.26, -24.4, 42.51

 

CMYK 17 / 0 / 51 / 29

HEX #97B558

RGB 151 181 88

HSL 79.35, 0.39%, 0.53%

LAB 69.71, -25.07, 43.61

 

CMYK 13 / 0 / 40 / 24

HEX #A9C274

RGB 169 194 116

HSL 79.23, 0.39%, 0.61%

LAB 75, -21.32, 36.43

 

CMYK 10 / 0 / 30 / 19

HEX #BACE91

RGB 186 206 145

HSL 79.67, 0.38%, 0.69%

LAB 79.97, -17.06, 28.18

 

CMYK 7 / 0 / 21 / 14

HEX #CCDBAE

RGB 204 219 174

HSL 80, 0.38%, 0.77%

LAB 85.28, -12.76, 20.48

 

CMYK 13 / 0 / 40 / 24

HEX #A9C275

RGB 169 194 117

HSL 79.48, 0.39%, 0.61%

LAB 75.02, -21.19, 35.94

 

CMYK 40 / 0 / 20 / 24

HEX #74C29C

RGB 116 194 156

HSL 150.77, 0.39%, 0.61%

LAB 72.69, -32.67, 11.65

 

CMYK 4 / 40 / 0 / 24

HEX #BB74C2

RGB 187 116 194

HSL 294.62, 0.39%, 0.61%

LAB 58.93, 40.38, -29.43

 

CMYK 13 / 0 / 40 / 24

HEX #A9C275

RGB 169 194 117

HSL 79.48, 0.39%, 0.61%

LAB 75.02, -21.19, 35.94

 

CMYK 40 / 13 / 0 / 24

HEX #74A9C2

RGB 116 169 194

HSL 199.23, 0.39%, 0.61%

LAB 66.51, -10.99, -18.31

 

CMYK 0 / 40 / 13 / 24

HEX #C274A9

RGB 194 116 169

HSL 319.23, 0.39%, 0.61%

LAB 58.81, 38.14, -15.24

 

CMYK 13 / 0 / 40 / 24

HEX #A9C275

RGB 169 194 117

HSL 79.48, 0.39%, 0.61%

LAB 75.02, -21.19, 35.94

 

CMYK 40 / 0 / 20 / 24

HEX #74C29C

RGB 116 194 156

HSL 150.77, 0.39%, 0.61%

LAB 72.69, -32.67, 11.65

 

CMYK 27 / 40 / 0 / 24

HEX #8D74C2

RGB 141 116 194

HSL 259.23, 0.39%, 0.61%

LAB 54.08, 26.49, -37.36

 

CMYK 0 / 40 / 21 / 24

HEX #C2749A

RGB 194 116 154

HSL 330.77, 0.39%, 0.61%

LAB 58.31, 35.75, -7.34

 

CMYK 13 / 0 / 40 / 24

HEX #A9C275

RGB 169 194 117

HSL 79.48, 0.39%, 0.61%

LAB 75.02, -21.19, 35.94

 

CMYK 40 / 0 / 7 / 24

HEX #74C2B4

RGB 116 194 180

HSL 169.23, 0.39%, 0.61%

LAB 73.28, -27.36, -0.52

 

CMYK 27 / 40 / 0 / 24

HEX #8D74C2

RGB 141 116 194

HSL 259.23, 0.39%, 0.61%

LAB 54.08, 26.49, -37.36

 

CMYK 0 / 40 / 33 / 24

HEX #C27482

RGB 194 116 130

HSL 349.23, 0.39%, 0.61%

LAB 57.63, 32.36, 5.56

 

Description

Color code: HEX #A9C275 | qconv.com Color code: HEX #A9C275 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 194 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 194 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 40 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 40% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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