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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9C744 it is the complementary color #5638BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9C744. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9C744 shade: #AEC73F, #BFD952, #D0EB65, #E1FD78 and #F2FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9C744. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9C744 shade: #A9C744, #98B531, #87A31E, #76910B and #657F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9C744 shade: #A8C642, #C6C142, #C69D42, #C67A42 and #C65642

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9C744 shade: #A8C642, #84C642, #61C642, #42C647 and #42C66B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9C744 shade matches the following richer shades: #A8C642, #B3DA2E and #BDEE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9C744 shade: #A8C642, #9DB256, #929F6A, #888B7D and #7D7791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9C744 shade: #C69C42, #C6C042, #AAC642, #86C642 and #63C642

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9C744 shade: #768C2A, #90AC33, #A8C642, #B7D062 and #C5D982

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9C744 shade: #A9C744, #42C679 and #AE42C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9C744 shade: #A9C744, #42AAC6 and #C642AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9C744 shade: #A9C744, #42C679, #5F42C6 and #C6428F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9C744 shade: #A9C744, #42C6A1, #5F42C6 and #C64267

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 66 / 22

HEX #A9C744

RGB 169 199 68

HSL 73.74, 0.54%, 0.52%

LAB 75.88, -28.26, 59.77

 

Complementary color

CMYK 54 / 70 / 0 / 27

HEX #5638BB

RGB 86 56 187

HSL 253.74, 0.54%, 0.48%

LAB 34.79, 46.51, -64.52

 

CMYK 13 / 0 / 68 / 22

HEX #AEC73F

RGB 174 199 63

HSL 71.03, 0.55%, 0.51%

LAB 76.19, -26.56, 62.15

 

CMYK 12 / 0 / 62 / 15

HEX #BFD952

RGB 191 217 82

HSL 71.56, 0.64%, 0.59%

LAB 82.55, -27.09, 61.59

 

CMYK 11 / 0 / 57 / 8

HEX #D0EB65

RGB 208 235 101

HSL 72.09, 0.77%, 0.66%

LAB 88.81, -27.51, 60.76

 

CMYK 11 / 0 / 53 / 1

HEX #E1FD78

RGB 225 253 120

HSL 72.63, 0.97%, 0.73%

LAB 95, -27.84, 59.78

 

CMYK 5 / 0 / 45 / 0

HEX #F2FF8B

RGB 242 255 139

HSL 66.72, 1%, 0.77%

LAB 96.93, -20.57, 53.68

 

CMYK 15 / 0 / 66 / 22

HEX #A9C744

RGB 169 199 68

HSL 73.74, 0.54%, 0.52%

LAB 75.88, -28.26, 59.77

 

CMYK 16 / 0 / 73 / 29

HEX #98B531

RGB 152 181 49

HSL 73.18, 0.57%, 0.45%

LAB 69.43, -27.7, 60.07

 

CMYK 17 / 0 / 82 / 36

HEX #87A31E

RGB 135 163 30

HSL 72.63, 0.69%, 0.38%

LAB 62.88, -26.95, 59.6

 

CMYK 19 / 0 / 92 / 43

HEX #76910B

RGB 118 145 11

HSL 72.09, 0.86%, 0.31%

LAB 56.21, -25.97, 57.78

 

CMYK 20 / 0 / 100 / 50

HEX #657F00

RGB 101 127 0

HSL 72.28, 1%, 0.25%

LAB 49.43, -24.7, 53.91

 

CMYK 15 / 0 / 67 / 22

HEX #A8C642

RGB 168 198 66

HSL 73.64, 0.54%, 0.52%

LAB 75.52, -28.32, 60.16

 

CMYK 0 / 3 / 67 / 22

HEX #C6C142

RGB 198 193 66

HSL 57.73, 0.54%, 0.52%

LAB 76.4, -13.42, 61.78

 

CMYK 0 / 21 / 67 / 22

HEX #C69D42

RGB 198 157 66

HSL 41.36, 0.54%, 0.52%

LAB 66.91, 5.49, 51.86

 

CMYK 0 / 38 / 67 / 22

HEX #C67A42

RGB 198 122 66

HSL 25.45, 0.54%, 0.52%

LAB 58.34, 24.61, 42.4

 

CMYK 0 / 57 / 67 / 22

HEX #C65642

RGB 198 86 66

HSL 9.09, 0.54%, 0.52%

LAB 50.75, 43.38, 33.55

 

CMYK 15 / 0 / 67 / 22

HEX #A8C642

RGB 168 198 66

HSL 73.64, 0.54%, 0.52%

LAB 75.52, -28.32, 60.16

 

CMYK 33 / 0 / 67 / 22

HEX #84C642

RGB 132 198 66

HSL 90, 0.54%, 0.52%

LAB 73.34, -42.06, 57.21

 

CMYK 51 / 0 / 67 / 22

HEX #61C642

RGB 97 198 66

HSL 105.91, 0.54%, 0.52%

LAB 71.77, -53.31, 55.07

 

CMYK 67 / 0 / 64 / 22

HEX #42C647

RGB 66 198 71

HSL 122.27, 0.54%, 0.52%

LAB 70.87, -60.28, 51.74

 

CMYK 67 / 0 / 46 / 22

HEX #42C66B

RGB 66 198 107

HSL 138.64, 0.54%, 0.52%

LAB 71.29, -55.48, 35.29

 

CMYK 15 / 0 / 67 / 22

HEX #A8C642

RGB 168 198 66

HSL 73.64, 0.54%, 0.52%

LAB 75.52, -28.32, 60.16

 

CMYK 18 / 0 / 79 / 15

HEX #B3DA2E

RGB 179 218 46

HSL 73.6, 0.7%, 0.52%

LAB 81.8, -34.29, 73.2

 

CMYK 21 / 0 / 89 / 7

HEX #BDEE1A

RGB 189 238 26

HSL 73.87, 0.86%, 0.52%

LAB 87.99, -39.95, 82.99

 

CMYK 15 / 0 / 67 / 22

HEX #A8C642

RGB 168 198 66

HSL 73.64, 0.54%, 0.52%

LAB 75.52, -28.32, 60.16

 

CMYK 12 / 0 / 52 / 30

HEX #9DB256

RGB 157 178 86

HSL 73.7, 0.37%, 0.52%

LAB 69.24, -21.39, 44.13

 

CMYK 8 / 0 / 33 / 38

HEX #929F6A

RGB 146 159 106

HSL 74.72, 0.22%, 0.52%

LAB 63.3, -13.72, 26.18

 

CMYK 2 / 0 / 10 / 45

HEX #888B7D

RGB 136 139 125

HSL 72.86, 0.06%, 0.52%

LAB 57.25, -3.76, 7.1

 

CMYK 14 / 18 / 0 / 43

HEX #7D7791

RGB 125 119 145

HSL 253.85, 0.11%, 0.52%

LAB 51.38, 7.78, -13.25

 

CMYK 0 / 21 / 67 / 22

HEX #C69C42

RGB 198 156 66

HSL 40.91, 0.54%, 0.52%

LAB 66.65, 6.03, 51.58

 

CMYK 0 / 3 / 67 / 22

HEX #C6C042

RGB 198 192 66

HSL 57.27, 0.54%, 0.52%

LAB 76.13, -12.91, 61.51

 

CMYK 14 / 0 / 67 / 22

HEX #AAC642

RGB 170 198 66

HSL 72.73, 0.54%, 0.52%

LAB 75.65, -27.51, 60.34

 

CMYK 32 / 0 / 67 / 22

HEX #86C642

RGB 134 198 66

HSL 89.09, 0.54%, 0.52%

LAB 73.45, -41.34, 57.36

 

CMYK 50 / 0 / 67 / 22

HEX #63C642

RGB 99 198 66

HSL 105, 0.54%, 0.52%

LAB 71.85, -52.74, 55.17

 

CMYK 16 / 0 / 70 / 45

HEX #768C2A

RGB 118 140 42

HSL 73.47, 0.54%, 0.36%

LAB 54.84, -22.16, 47.42

 

CMYK 16 / 0 / 70 / 33

HEX #90AC33

RGB 144 172 51

HSL 73.88, 0.54%, 0.44%

LAB 66.27, -26.53, 56.03

 

CMYK 15 / 0 / 67 / 22

HEX #A8C642

RGB 168 198 66

HSL 73.64, 0.54%, 0.52%

LAB 75.52, -28.32, 60.16

 

CMYK 12 / 0 / 53 / 18

HEX #B7D062

RGB 183 208 98

HSL 73.64, 0.54%, 0.6%

LAB 79.65, -24.64, 51.14

 

CMYK 9 / 0 / 40 / 15

HEX #C5D982

RGB 197 217 130

HSL 73.79, 0.53%, 0.68%

LAB 83.5, -20.28, 40.59

 

CMYK 15 / 0 / 66 / 22

HEX #A9C744

RGB 169 199 68

HSL 73.74, 0.54%, 0.52%

LAB 75.88, -28.26, 59.77

 

CMYK 67 / 0 / 39 / 22

HEX #42C679

RGB 66 198 121

HSL 145, 0.54%, 0.52%

LAB 71.51, -53.05, 28.39

 

CMYK 12 / 67 / 0 / 22

HEX #AE42C6

RGB 174 66 198

HSL 289.09, 0.54%, 0.52%

LAB 48.23, 62.07, -48.69

 

CMYK 15 / 0 / 66 / 22

HEX #A9C744

RGB 169 199 68

HSL 73.74, 0.54%, 0.52%

LAB 75.88, -28.26, 59.77

 

CMYK 67 / 14 / 0 / 22

HEX #42AAC6

RGB 66 170 198

HSL 192.73, 0.54%, 0.52%

LAB 64.95, -21, -23.09

 

CMYK 0 / 67 / 14 / 22

HEX #C642AA

RGB 198 66 170

HSL 312.73, 0.54%, 0.52%

LAB 50.46, 63.16, -28.59

 

CMYK 15 / 0 / 66 / 22

HEX #A9C744

RGB 169 199 68

HSL 73.74, 0.54%, 0.52%

LAB 75.88, -28.26, 59.77

 

CMYK 67 / 0 / 39 / 22

HEX #42C679

RGB 66 198 121

HSL 145, 0.54%, 0.52%

LAB 71.51, -53.05, 28.39

 

CMYK 52 / 67 / 0 / 22

HEX #5F42C6

RGB 95 66 198

HSL 253.18, 0.54%, 0.52%

LAB 38.56, 45.76, -64.77

 

CMYK 0 / 67 / 28 / 22

HEX #C6428F

RGB 198 66 143

HSL 325, 0.54%, 0.52%

LAB 49.36, 59.46, -14.27

 

CMYK 15 / 0 / 66 / 22

HEX #A9C744

RGB 169 199 68

HSL 73.74, 0.54%, 0.52%

LAB 75.88, -28.26, 59.77

 

CMYK 67 / 0 / 19 / 22

HEX #42C6A1

RGB 66 198 161

HSL 163.18, 0.54%, 0.52%

LAB 72.31, -44.52, 8.17

 

CMYK 52 / 67 / 0 / 22

HEX #5F42C6

RGB 95 66 198

HSL 253.18, 0.54%, 0.52%

LAB 38.56, 45.76, -64.77

 

CMYK 0 / 67 / 48 / 22

HEX #C64267

RGB 198 66 103

HSL 343.18, 0.54%, 0.52%

LAB 48.11, 55.1, 8.09

 

Description

Color code: HEX #A9C744 | qconv.com Color code: HEX #A9C744 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 199 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 199 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 66 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 66% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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