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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9B2DF it is the complementary color #564D20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9B2DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9B2DF shade: #AEB2DA, #BFC4ED, #D0D6FF, #E1E8FF and #F2FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9B2DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9B2DF shade: #A9B2DF, #98A0CC, #878EB9, #767CA6 and #656A93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9B2DF shade: #A9B2DF, #AEA9DF, #BDA9DF, #CCA9DF and #DAA9DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9B2DF shade: #A9B2DF and #A9A9DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9B2DF shade matches the following richer shades: #A9B2DF, #9FACE8, #96A5F2 and #8C9FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9B2DF shade: #A9B2DF, #B2B8D5, #BCBFCC, #C5C5C2 and #CFCBB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9B2DF shade: #A9CFDF, #A9C0DF, #A9B2DF, #AEA9DF and #BDA9DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9B2DF shade: #6D7CC9, #8B97D4, #A9B2DF, #C7CDEA and #E5E8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9B2DF shade: #A9B2DF, #DFA9DD and #C7DFA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9B2DF shade: #A9B2DF, #DFA9B2 and #B2DFA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9B2DF shade: #A9B2DF, #DFA9DD, #DFD6A9 and #A9DFAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9B2DF shade: #A9B2DF, #DFA9CD, #DFD6A9 and #A9DFBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

Complementary color

CMYK 0 / 10 / 63 / 66

HEX #564D20

RGB 86 77 32

HSL 50, 0.46%, 0.23%

LAB 32.68, -2.74, 27.57

 

CMYK 20 / 18 / 0 / 15

HEX #AEB2DA

RGB 174 178 218

HSL 234.55, 0.37%, 0.77%

LAB 73.48, 6.95, -20.58

 

CMYK 19 / 17 / 0 / 7

HEX #BFC4ED

RGB 191 196 237

HSL 233.48, 0.56%, 0.84%

LAB 79.99, 6.67, -20.85

 

CMYK 18 / 16 / 0 / 0

HEX #D0D6FF

RGB 208 214 255

HSL 232.34, 1%, 0.91%

LAB 86.37, 6.19, -20.65

 

CMYK 12 / 9 / 0 / 0

HEX #E1E8FF

RGB 225 232 255

HSL 226, 1%, 0.94%

LAB 92.11, 2.06, -11.91

 

CMYK 5 / 2 / 0 / 0

HEX #F2FAFF

RGB 242 250 255

HSL 203.08, 1%, 0.97%

LAB 97.82, -1.71, -3.31

 

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

CMYK 25 / 22 / 0 / 20

HEX #98A0CC

RGB 152 160 204

HSL 230.77, 0.34%, 0.7%

LAB 66.65, 6.89, -23.43

 

CMYK 27 / 23 / 0 / 27

HEX #878EB9

RGB 135 142 185

HSL 231.6, 0.26%, 0.63%

LAB 59.89, 7.25, -23.26

 

CMYK 29 / 25 / 0 / 35

HEX #767CA6

RGB 118 124 166

HSL 232.5, 0.21%, 0.56%

LAB 52.97, 7.65, -23.12

 

CMYK 31 / 28 / 0 / 42

HEX #656A93

RGB 101 106 147

HSL 233.48, 0.19%, 0.49%

LAB 45.88, 8.12, -23.02

 

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DF

RGB 174 169 223

HSL 245.56, 0.46%, 0.77%

LAB 71.35, 13.07, -26.56

 

CMYK 15 / 24 / 0 / 13

HEX #BDA9DF

RGB 189 169 223

HSL 262.22, 0.46%, 0.77%

LAB 72.58, 17.74, -24.58

 

CMYK 9 / 24 / 0 / 13

HEX #CCA9DF

RGB 204 169 223

HSL 278.89, 0.46%, 0.77%

LAB 73.9, 22.53, -22.45

 

CMYK 2 / 24 / 0 / 13

HEX #DAA9DF

RGB 218 169 223

HSL 294.44, 0.46%, 0.77%

LAB 75.21, 27.08, -20.33

 

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

CMYK 24 / 24 / 0 / 13

HEX #A9A9DF

RGB 169 169 223

HSL 240, 0.46%, 0.77%

LAB 70.97, 11.55, -27.18

 

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

CMYK 31 / 26 / 0 / 9

HEX #9FACE8

RGB 159 172 232

HSL 229.32, 0.61%, 0.77%

LAB 71.35, 9.14, -31.57

 

CMYK 38 / 32 / 0 / 5

HEX #96A5F2

RGB 150 165 242

HSL 230.22, 0.78%, 0.77%

LAB 69.33, 13.21, -40.21

 

CMYK 44 / 37 / 0 / 2

HEX #8C9FFB

RGB 140 159 251

HSL 229.73, 0.93%, 0.77%

LAB 67.53, 16.6, -47.98

 

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

CMYK 16 / 14 / 0 / 16

HEX #B2B8D5

RGB 178 184 213

HSL 229.71, 0.29%, 0.77%

LAB 75.17, 3.84, -15.27

 

CMYK 8 / 6 / 0 / 20

HEX #BCBFCC

RGB 188 191 204

HSL 228.75, 0.14%, 0.77%

LAB 77.47, 1.47, -6.88

 

CMYK 0 / 0 / 2 / 23

HEX #C5C5C2

RGB 197 197 194

HSL 60, 0.03%, 0.77%

LAB 79.44, -0.54, 1.49

 

CMYK 0 / 2 / 11 / 19

HEX #CFCBB9

RGB 207 203 185

HSL 49.09, 0.19%, 0.77%

LAB 81.55, -1.72, 9.46

 

CMYK 24 / 7 / 0 / 13

HEX #A9CFDF

RGB 169 207 223

HSL 197.78, 0.46%, 0.77%

LAB 80.95, -8.98, -12.05

 

CMYK 24 / 14 / 0 / 13

HEX #A9C0DF

RGB 169 192 223

HSL 214.44, 0.46%, 0.77%

LAB 76.96, -1.05, -18.06

 

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

CMYK 22 / 24 / 0 / 13

HEX #AEA9DF

RGB 174 169 223

HSL 245.56, 0.46%, 0.77%

LAB 71.35, 13.07, -26.56

 

CMYK 15 / 24 / 0 / 13

HEX #BDA9DF

RGB 189 169 223

HSL 262.22, 0.46%, 0.77%

LAB 72.58, 17.74, -24.58

 

CMYK 46 / 38 / 0 / 21

HEX #6D7CC9

RGB 109 124 201

HSL 230.22, 0.46%, 0.61%

LAB 53.9, 14.97, -41.8

 

CMYK 34 / 29 / 0 / 17

HEX #8B97D4

RGB 139 151 212

HSL 230.14, 0.46%, 0.69%

LAB 63.65, 10.2, -32.58

 

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

CMYK 15 / 12 / 0 / 8

HEX #C7CDEA

RGB 199 205 234

HSL 229.71, 0.45%, 0.85%

LAB 82.78, 3.71, -14.99

 

CMYK 7 / 5 / 0 / 4

HEX #E5E8F5

RGB 229 232 245

HSL 228.75, 0.44%, 0.93%

LAB 92.12, 1.4, -6.64

 

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

CMYK 0 / 24 / 1 / 13

HEX #DFA9DD

RGB 223 169 221

HSL 302.22, 0.46%, 0.77%

LAB 75.63, 28.35, -18.56

 

CMYK 11 / 0 / 24 / 13

HEX #C7DFA9

RGB 199 223 169

HSL 86.67, 0.46%, 0.77%

LAB 85.9, -17.31, 23.88

 

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

CMYK 0 / 24 / 20 / 13

HEX #DFA9B2

RGB 223 169 178

HSL 350, 0.46%, 0.77%

LAB 74.37, 21.13, 3.1

 

CMYK 20 / 0 / 24 / 13

HEX #B2DFA9

RGB 178 223 169

HSL 110, 0.46%, 0.77%

LAB 84.54, -24.65, 21.8

 

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

CMYK 0 / 24 / 1 / 13

HEX #DFA9DD

RGB 223 169 221

HSL 302.22, 0.46%, 0.77%

LAB 75.63, 28.35, -18.56

 

CMYK 0 / 4 / 24 / 13

HEX #DFD6A9

RGB 223 214 169

HSL 50, 0.46%, 0.77%

LAB 85.32, -3.95, 23.39

 

CMYK 24 / 0 / 23 / 13

HEX #A9DFAB

RGB 169 223 171

HSL 122.22, 0.46%, 0.77%

LAB 84.04, -27.33, 19.99

 

CMYK 24 / 20 / 0 / 13

HEX #A9B2DF

RGB 169 178 223

HSL 230, 0.46%, 0.77%

LAB 73.29, 6.57, -23.63

 

CMYK 0 / 24 / 8 / 13

HEX #DFA9CD

RGB 223 169 205

HSL 320, 0.46%, 0.77%

LAB 75.12, 25.5, -10.59

 

CMYK 0 / 4 / 24 / 13

HEX #DFD6A9

RGB 223 214 169

HSL 50, 0.46%, 0.77%

LAB 85.32, -3.95, 23.39

 

CMYK 24 / 0 / 16 / 13

HEX #A9DFBB

RGB 169 223 187

HSL 140, 0.46%, 0.77%

LAB 84.38, -24.47, 12.07

 

Description

Color code: HEX #A9B2DF | qconv.com Color code: HEX #A9B2DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 178 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 178 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 20 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 20% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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