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Color name
HEX #A98C52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A98C52 it is the complementary color #5673AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A98C52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A98C52 shade: #AE8C4D, #BF9E60, #D0B073, #E1C286 and #F2D499

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A98C52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A98C52 shade: #A98C52, #987A3F, #87682C, #765619 and #654406

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A98C52 shade: #A88B51, #A87351, #A85C51 and #A85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A98C52 shade: #A88B51, #A8A351, #96A851, #7FA851 and #67A851

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A98C52 shade matches the following richer shades: #A88B51, #BC923D, #D19928, #E59F14 and #F9A600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A98C52 shade: #A88B51, #948465, #807E79, #6C778D and #5770A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A98C52 shade: #A85C51, #A87451, #A88B51, #A8A251 and #97A851

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A98C52 shade: #705D36, #8C7443, #A88B51, #B79E6B and #C5B087

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A98C52 shade: #A98C52, #5CA851 and #6851A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A98C52 shade: #A98C52, #51A88B and #8B51A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A98C52 shade: #A98C52, #5CA851, #516EA8 and #9D51A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A98C52 shade: #A98C52, #51A85F, #516EA8 and #A8519A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 51 / 34

HEX #A98C52

RGB 169 140 82

HSL 40, 0.35%, 0.49%

LAB 59.71, 3.42, 34.88

 

Complementary color

CMYK 50 / 34 / 0 / 32

HEX #5673AD

RGB 86 115 173

HSL 220, 0.35%, 0.51%

LAB 48.58, 6.14, -34.17

 

CMYK 0 / 20 / 56 / 32

HEX #AE8C4D

RGB 174 140 77

HSL 38.97, 0.39%, 0.49%

LAB 60.15, 5.14, 38.15

 

CMYK 0 / 17 / 50 / 25

HEX #BF9E60

RGB 191 158 96

HSL 39.16, 0.43%, 0.56%

LAB 66.81, 4.25, 36.79

 

CMYK 0 / 15 / 45 / 18

HEX #D0B073

RGB 208 176 115

HSL 39.35, 0.5%, 0.63%

LAB 73.35, 3.51, 35.48

 

CMYK 0 / 14 / 40 / 12

HEX #E1C286

RGB 225 194 134

HSL 39.56, 0.6%, 0.7%

LAB 79.79, 2.87, 34.23

 

CMYK 0 / 12 / 37 / 5

HEX #F2D499

RGB 242 212 153

HSL 39.78, 0.77%, 0.77%

LAB 86.14, 2.31, 33.05

 

CMYK 0 / 17 / 51 / 34

HEX #A98C52

RGB 169 140 82

HSL 40, 0.35%, 0.49%

LAB 59.71, 3.42, 34.88

 

CMYK 0 / 20 / 59 / 40

HEX #987A3F

RGB 152 122 63

HSL 39.78, 0.41%, 0.42%

LAB 52.9, 4.36, 36.26

 

CMYK 0 / 23 / 67 / 47

HEX #87682C

RGB 135 104 44

HSL 39.56, 0.51%, 0.35%

LAB 45.95, 5.53, 37.61

 

CMYK 0 / 27 / 79 / 54

HEX #765619

RGB 118 86 25

HSL 39.35, 0.65%, 0.28%

LAB 38.86, 7.01, 38.64

 

CMYK 0 / 33 / 94 / 60

HEX #654406

RGB 101 68 6

HSL 39.16, 0.89%, 0.21%

LAB 31.61, 8.92, 38.68

 

CMYK 0 / 17 / 52 / 34

HEX #A88B51

RGB 168 139 81

HSL 40, 0.35%, 0.49%

LAB 59.33, 3.45, 34.92

 

CMYK 0 / 32 / 52 / 34

HEX #A87351

RGB 168 115 81

HSL 23.45, 0.35%, 0.49%

LAB 53.15, 16.95, 27.15

 

CMYK 0 / 45 / 52 / 34

HEX #A85C51

RGB 168 92 81

HSL 7.59, 0.35%, 0.49%

LAB 47.72, 29.82, 20.07

 

CMYK 0 / 52 / 52 / 34

HEX #A85151

RGB 168 81 81

HSL 0, 0.35%, 0.49%

LAB 45.36, 35.72, 16.92

 

CMYK 0 / 17 / 52 / 34

HEX #A88B51

RGB 168 139 81

HSL 40, 0.35%, 0.49%

LAB 59.33, 3.45, 34.92

 

CMYK 0 / 3 / 52 / 34

HEX #A8A351

RGB 168 163 81

HSL 56.55, 0.35%, 0.49%

LAB 65.84, -9.57, 42.76

 

CMYK 11 / 0 / 52 / 34

HEX #96A851

RGB 150 168 81

HSL 72.41, 0.35%, 0.49%

LAB 65.81, -19.69, 42.38

 

CMYK 24 / 0 / 52 / 34

HEX #7FA851

RGB 127 168 81

HSL 88.28, 0.35%, 0.49%

LAB 64.25, -28.83, 40.14

 

CMYK 39 / 0 / 52 / 34

HEX #67A851

RGB 103 168 81

HSL 104.83, 0.35%, 0.49%

LAB 62.91, -37.48, 38.21

 

CMYK 0 / 17 / 52 / 34

HEX #A88B51

RGB 168 139 81

HSL 40, 0.35%, 0.49%

LAB 59.33, 3.45, 34.92

 

CMYK 0 / 22 / 68 / 26

HEX #BC923D

RGB 188 146 61

HSL 40.16, 0.51%, 0.49%

LAB 63, 6.81, 49.63

 

CMYK 0 / 27 / 81 / 18

HEX #D19928

RGB 209 153 40

HSL 40.12, 0.68%, 0.49%

LAB 66.89, 11.27, 62.63

 

CMYK 0 / 31 / 91 / 10

HEX #E59F14

RGB 229 159 20

HSL 39.9, 0.84%, 0.49%

LAB 70.53, 16.26, 71.79

 

CMYK 0 / 33 / 100 / 2

HEX #F9A600

RGB 249 166 0

HSL 40, 1%, 0.49%

LAB 74.45, 20.89, 78.3

 

CMYK 0 / 17 / 52 / 34

HEX #A88B51

RGB 168 139 81

HSL 40, 0.35%, 0.49%

LAB 59.33, 3.45, 34.92

 

CMYK 0 / 11 / 32 / 42

HEX #948465

RGB 148 132 101

HSL 39.57, 0.19%, 0.49%

LAB 55.82, 1.14, 18.98

 

CMYK 0 / 2 / 5 / 50

HEX #807E79

RGB 128 126 121

HSL 42.86, 0.03%, 0.49%

LAB 52.83, -0.21, 2.98

 

CMYK 23 / 16 / 0 / 45

HEX #6C778D

RGB 108 119 141

HSL 220, 0.13%, 0.49%

LAB 49.86, 1.03, -13.33

 

CMYK 46 / 31 / 0 / 36

HEX #5770A2

RGB 87 112 162

HSL 220, 0.3%, 0.49%

LAB 47.27, 4.79, -29.8

 

CMYK 0 / 45 / 52 / 34

HEX #A85C51

RGB 168 92 81

HSL 7.59, 0.35%, 0.49%

LAB 47.72, 29.82, 20.07

 

CMYK 0 / 31 / 52 / 34

HEX #A87451

RGB 168 116 81

HSL 24.14, 0.35%, 0.49%

LAB 53.39, 16.38, 27.47

 

CMYK 0 / 17 / 52 / 34

HEX #A88B51

RGB 168 139 81

HSL 40, 0.35%, 0.49%

LAB 59.33, 3.45, 34.92

 

CMYK 0 / 4 / 52 / 34

HEX #A8A251

RGB 168 162 81

HSL 55.86, 0.35%, 0.49%

LAB 65.56, -9.04, 42.44

 

CMYK 10 / 0 / 52 / 34

HEX #97A851

RGB 151 168 81

HSL 71.72, 0.35%, 0.49%

LAB 65.89, -19.28, 42.49

 

CMYK 0 / 17 / 52 / 56

HEX #705D36

RGB 112 93 54

HSL 40.34, 0.35%, 0.33%

LAB 40.48, 2.16, 25.16

 

CMYK 0 / 17 / 52 / 45

HEX #8C7443

RGB 140 116 67

HSL 40.27, 0.35%, 0.41%

LAB 50.06, 2.77, 30.4

 

CMYK 0 / 17 / 52 / 34

HEX #A88B51

RGB 168 139 81

HSL 40, 0.35%, 0.49%

LAB 59.33, 3.45, 34.92

 

CMYK 0 / 14 / 42 / 28

HEX #B79E6B

RGB 183 158 107

HSL 40.26, 0.35%, 0.57%

LAB 66.2, 2.05, 30.03

 

CMYK 0 / 11 / 31 / 23

HEX #C5B087

RGB 197 176 135

HSL 39.68, 0.35%, 0.65%

LAB 72.67, 1.4, 23.79

 

CMYK 0 / 17 / 51 / 34

HEX #A98C52

RGB 169 140 82

HSL 40, 0.35%, 0.49%

LAB 59.71, 3.42, 34.88

 

CMYK 45 / 0 / 52 / 34

HEX #5CA851

RGB 92 168 81

HSL 112.41, 0.35%, 0.49%

LAB 62.4, -41.03, 37.47

 

CMYK 38 / 52 / 0 / 34

HEX #6851A8

RGB 104 81 168

HSL 255.86, 0.35%, 0.49%

LAB 40.66, 30.22, -43.69

 

CMYK 0 / 17 / 51 / 34

HEX #A98C52

RGB 169 140 82

HSL 40, 0.35%, 0.49%

LAB 59.71, 3.42, 34.88

 

CMYK 52 / 0 / 17 / 34

HEX #51A88B

RGB 81 168 139

HSL 160, 0.35%, 0.49%

LAB 63.03, -33.38, 7.03

 

CMYK 17 / 52 / 0 / 34

HEX #8B51A8

RGB 139 81 168

HSL 280, 0.35%, 0.49%

LAB 44.52, 39.76, -37.32

 

CMYK 0 / 17 / 51 / 34

HEX #A98C52

RGB 169 140 82

HSL 40, 0.35%, 0.49%

LAB 59.71, 3.42, 34.88

 

CMYK 45 / 0 / 52 / 34

HEX #5CA851

RGB 92 168 81

HSL 112.41, 0.35%, 0.49%

LAB 62.4, -41.03, 37.47

 

CMYK 52 / 35 / 0 / 34

HEX #516EA8

RGB 81 110 168

HSL 220, 0.35%, 0.49%

LAB 46.62, 6.39, -34.36

 

CMYK 7 / 52 / 0 / 34

HEX #9D51A8

RGB 157 81 168

HSL 292.41, 0.35%, 0.49%

LAB 46.82, 44.89, -33.55

 

CMYK 0 / 17 / 51 / 34

HEX #A98C52

RGB 169 140 82

HSL 40, 0.35%, 0.49%

LAB 59.71, 3.42, 34.88

 

CMYK 52 / 0 / 43 / 34

HEX #51A85F

RGB 81 168 95

HSL 129.66, 0.35%, 0.49%

LAB 62.15, -42.16, 29.86

 

CMYK 52 / 35 / 0 / 34

HEX #516EA8

RGB 81 110 168

HSL 220, 0.35%, 0.49%

LAB 46.62, 6.39, -34.36

 

CMYK 0 / 52 / 8 / 34

HEX #A8519A

RGB 168 81 154

HSL 309.66, 0.35%, 0.49%

LAB 47.68, 45.56, -23.8

 

Description

Color code: HEX #A98C52 | qconv.com Color code: HEX #A98C52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 140 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 140 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 51 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 51% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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