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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A981D5 it is the complementary color #567E2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A981D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A981D5 shade: #AE81D0, #BF93E3, #D0A5F6, #E1B7FF and #F2C9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A981D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A981D5 shade: #A981D5, #986FC2, #875DAF, #764B9C and #653989

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A981D5 shade: #A880D4, #BF80D4, #D480D3, #D480BC and #D480A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A981D5 shade: #A880D4, #9280D4 and #8080D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A981D5 shade matches the following richer shades: #A880D4, #A873E2, #A765F0 and #A657FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A981D5 shade: #A880D4, #A98EC7, #AA9CB9, #AAA9AC and #ABB79E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A981D5 shade: #8086D4, #9180D4, #A880D4, #BE80D4 and #D480D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A981D5 shade: #7E42C0, #9361CA, #A880D4, #BD9FDF and #D3BEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A981D5 shade: #A981D5, #D4809C and #80D486

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A981D5 shade: #A981D5, #D4A880 and #80D4A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A981D5 shade: #A981D5, #D4809C, #ADD480 and #80D4B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A981D5 shade: #A981D5, #D48083, #ADD480 and #80D4D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 39 / 0 / 16

HEX #A981D5

RGB 169 129 213

HSL 268.57, 0.5%, 0.67%

LAB 60.73, 31.78, -37.51

 

Complementary color

CMYK 32 / 0 / 67 / 51

HEX #567E2A

RGB 86 126 42

HSL 88.57, 0.5%, 0.33%

LAB 48.34, -28.51, 39.96

 

CMYK 16 / 38 / 0 / 18

HEX #AE81D0

RGB 174 129 208

HSL 274.18, 0.46%, 0.66%

LAB 61, 32.15, -34.23

 

CMYK 16 / 35 / 0 / 11

HEX #BF93E3

RGB 191 147 227

HSL 273, 0.59%, 0.73%

LAB 67.64, 31.42, -34.36

 

CMYK 15 / 33 / 0 / 4

HEX #D0A5F6

RGB 208 165 246

HSL 271.85, 0.82%, 0.81%

LAB 74.17, 30.74, -34.49

 

CMYK 12 / 28 / 0 / 0

HEX #E1B7FF

RGB 225 183 255

HSL 275, 1%, 0.86%

LAB 80.23, 28.05, -29.87

 

CMYK 5 / 21 / 0 / 0

HEX #F2C9FF

RGB 242 201 255

HSL 285.56, 1%, 0.89%

LAB 85.94, 23.77, -21.03

 

CMYK 21 / 39 / 0 / 16

HEX #A981D5

RGB 169 129 213

HSL 268.57, 0.5%, 0.67%

LAB 60.73, 31.78, -37.51

 

CMYK 22 / 43 / 0 / 24

HEX #986FC2

RGB 152 111 194

HSL 269.64, 0.4%, 0.6%

LAB 53.96, 32.59, -37.47

 

CMYK 23 / 47 / 0 / 31

HEX #875DAF

RGB 135 93 175

HSL 270.73, 0.34%, 0.53%

LAB 47.07, 33.47, -37.44

 

CMYK 24 / 52 / 0 / 39

HEX #764B9C

RGB 118 75 156

HSL 271.85, 0.35%, 0.45%

LAB 40.05, 34.39, -37.41

 

CMYK 26 / 58 / 0 / 46

HEX #653989

RGB 101 57 137

HSL 273, 0.41%, 0.38%

LAB 32.92, 35.34, -37.33

 

CMYK 21 / 40 / 0 / 17

HEX #A880D4

RGB 168 128 212

HSL 268.57, 0.49%, 0.67%

LAB 60.35, 31.82, -37.54

 

CMYK 10 / 40 / 0 / 17

HEX #BF80D4

RGB 191 128 212

HSL 285, 0.49%, 0.67%

LAB 62.73, 38.7, -33.65

 

CMYK 0 / 40 / 0 / 17

HEX #D480D3

RGB 212 128 211

HSL 300.71, 0.49%, 0.67%

LAB 65.07, 44.89, -29.28

 

CMYK 0 / 40 / 11 / 17

HEX #D480BC

RGB 212 128 188

HSL 317.14, 0.49%, 0.67%

LAB 64.21, 40.88, -17.67

 

CMYK 0 / 40 / 22 / 17

HEX #D480A6

RGB 212 128 166

HSL 332.86, 0.49%, 0.67%

LAB 63.5, 37.43, -6.28

 

CMYK 21 / 40 / 0 / 17

HEX #A880D4

RGB 168 128 212

HSL 268.57, 0.49%, 0.67%

LAB 60.35, 31.82, -37.54

 

CMYK 31 / 40 / 0 / 17

HEX #9280D4

RGB 146 128 212

HSL 252.86, 0.49%, 0.67%

LAB 58.32, 25.5, -40.87

 

CMYK 40 / 40 / 0 / 17

HEX #8080D4

RGB 128 128 212

HSL 240, 0.49%, 0.67%

LAB 56.86, 20.62, -43.27

 

CMYK 21 / 40 / 0 / 17

HEX #A880D4

RGB 168 128 212

HSL 268.57, 0.49%, 0.67%

LAB 60.35, 31.82, -37.54

 

CMYK 26 / 49 / 0 / 11

HEX #A873E2

RGB 168 115 226

HSL 268.65, 0.66%, 0.67%

LAB 58.11, 42.34, -48.92

 

CMYK 30 / 58 / 0 / 6

HEX #A765F0

RGB 167 101 240

HSL 268.49, 0.82%, 0.67%

LAB 55.9, 52.91, -60.27

 

CMYK 34 / 66 / 0 / 1

HEX #A657FD

RGB 166 87 253

HSL 268.55, 0.98%, 0.67%

LAB 54.04, 62.72, -70.5

 

CMYK 21 / 40 / 0 / 17

HEX #A880D4

RGB 168 128 212

HSL 268.57, 0.49%, 0.67%

LAB 60.35, 31.82, -37.54

 

CMYK 15 / 29 / 0 / 22

HEX #A98EC7

RGB 169 142 199

HSL 268.42, 0.34%, 0.67%

LAB 63.26, 21.26, -25.72

 

CMYK 8 / 16 / 0 / 27

HEX #AA9CB9

RGB 170 156 185

HSL 268.97, 0.17%, 0.67%

LAB 66.39, 10.7, -13.13

 

CMYK 1 / 2 / 0 / 33

HEX #AAA9AC

RGB 170 169 172

HSL 260, 0.02%, 0.67%

LAB 69.4, 0.93, -1.42

 

CMYK 7 / 0 / 14 / 28

HEX #ABB79E

RGB 171 183 158

HSL 88.8, 0.15%, 0.67%

LAB 72.89, -8.76, 11.3

 

CMYK 40 / 37 / 0 / 17

HEX #8086D4

RGB 128 134 212

HSL 235.71, 0.49%, 0.67%

LAB 58.41, 17.08, -40.83

 

CMYK 32 / 40 / 0 / 17

HEX #9180D4

RGB 145 128 212

HSL 252.14, 0.49%, 0.67%

LAB 58.24, 25.22, -41.01

 

CMYK 21 / 40 / 0 / 17

HEX #A880D4

RGB 168 128 212

HSL 268.57, 0.49%, 0.67%

LAB 60.35, 31.82, -37.54

 

CMYK 10 / 40 / 0 / 17

HEX #BE80D4

RGB 190 128 212

HSL 284.29, 0.49%, 0.67%

LAB 62.62, 38.39, -33.83

 

CMYK 0 / 40 / 0 / 17

HEX #D480D4

RGB 212 128 212

HSL 300, 0.49%, 0.67%

LAB 65.11, 45.08, -29.77

 

CMYK 34 / 66 / 0 / 25

HEX #7E42C0

RGB 126 66 192

HSL 268.57, 0.5%, 0.51%

LAB 41.43, 50.16, -56.45

 

CMYK 27 / 52 / 0 / 21

HEX #9361CA

RGB 147 97 202

HSL 268.57, 0.5%, 0.59%

LAB 50.71, 41.02, -47.23

 

CMYK 21 / 40 / 0 / 17

HEX #A880D4

RGB 168 128 212

HSL 268.57, 0.49%, 0.67%

LAB 60.35, 31.82, -37.54

 

CMYK 15 / 29 / 0 / 13

HEX #BD9FDF

RGB 189 159 223

HSL 268.13, 0.5%, 0.75%

LAB 70.14, 23.28, -28.32

 

CMYK 9 / 18 / 0 / 9

HEX #D3BEE9

RGB 211 190 233

HSL 269.3, 0.49%, 0.83%

LAB 79.93, 15.39, -18.65

 

CMYK 21 / 39 / 0 / 16

HEX #A981D5

RGB 169 129 213

HSL 268.57, 0.5%, 0.67%

LAB 60.73, 31.78, -37.51

 

CMYK 0 / 40 / 26 / 17

HEX #D4809C

RGB 212 128 156

HSL 340, 0.49%, 0.67%

LAB 63.21, 35.99, -1.02

 

CMYK 40 / 0 / 37 / 17

HEX #80D486

RGB 128 212 134

HSL 124.29, 0.49%, 0.67%

LAB 78.11, -41.39, 30.79

 

CMYK 21 / 39 / 0 / 16

HEX #A981D5

RGB 169 129 213

HSL 268.57, 0.5%, 0.67%

LAB 60.73, 31.78, -37.51

 

CMYK 0 / 21 / 40 / 17

HEX #D4A880

RGB 212 168 128

HSL 28.57, 0.49%, 0.67%

LAB 71.93, 10.82, 26.81

 

CMYK 40 / 0 / 21 / 17

HEX #80D4A8

RGB 128 212 168

HSL 148.57, 0.49%, 0.67%

LAB 78.75, -35.25, 13.86

 

CMYK 21 / 39 / 0 / 16

HEX #A981D5

RGB 169 129 213

HSL 268.57, 0.5%, 0.67%

LAB 60.73, 31.78, -37.51

 

CMYK 0 / 40 / 26 / 17

HEX #D4809C

RGB 212 128 156

HSL 340, 0.49%, 0.67%

LAB 63.21, 35.99, -1.02

 

CMYK 18 / 0 / 40 / 17

HEX #ADD480

RGB 173 212 128

HSL 87.86, 0.49%, 0.67%

LAB 80.48, -27.09, 37.41

 

CMYK 40 / 0 / 13 / 17

HEX #80D4B8

RGB 128 212 184

HSL 160, 0.49%, 0.67%

LAB 79.12, -31.91, 5.86

 

CMYK 21 / 39 / 0 / 16

HEX #A981D5

RGB 169 129 213

HSL 268.57, 0.5%, 0.67%

LAB 60.73, 31.78, -37.51

 

CMYK 0 / 40 / 38 / 17

HEX #D48083

RGB 212 128 131

HSL 357.86, 0.49%, 0.67%

LAB 62.57, 32.78, 12.32

 

CMYK 18 / 0 / 40 / 17

HEX #ADD480

RGB 173 212 128

HSL 87.86, 0.49%, 0.67%

LAB 80.48, -27.09, 37.41

 

CMYK 40 / 0 / 1 / 17

HEX #80D4D2

RGB 128 212 210

HSL 178.57, 0.49%, 0.67%

LAB 79.8, -25.92, -7.05

 

Description

Color code: HEX #A981D5 | qconv.com Color code: HEX #A981D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 129 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 129 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 39 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 39% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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