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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A97761 it is the complementary color #56889E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A97761. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A97761 shade: #AE775C, #BF896F, #D09B82, #E1AD95 and #F2BFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A97761. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A97761 shade: #A97761, #98654E, #87533B, #764128 and #652F15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A97761 shade: #A9765F, #A9625F and #A95F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A97761 shade: #A9765F, #A98A5F, #A99D5F, #A0A95F and #8DA95F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A97761 shade matches the following richer shades: #A9765F, #BD6E4C, #D06638, #E45F24 and #F85710

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A97761 shade: #A9765F, #957E73, #818587, #6D8D9B and #5A95AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A97761 shade: #A95F71, #A9625F, #A9755F, #A9895F and #A99D5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A97761 shade: #76503F, #91624E, #A9765F, #B78D7A and #C6A495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A97761 shade: #A97761, #84A95F and #5F67A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A97761 shade: #A97761, #5FA975 and #755FA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A97761 shade: #A97761, #84A95F, #5F93A9 and #845FA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A97761 shade: #A97761, #6EA95F, #5F93A9 and #9A5FA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 43 / 34

HEX #A97761

RGB 169 119 97

HSL 18.33, 0.3%, 0.52%

LAB 54.54, 16.78, 19.9

 

Complementary color

CMYK 46 / 14 / 0 / 38

HEX #56889E

RGB 86 136 158

HSL 198.33, 0.3%, 0.48%

LAB 54.09, -10.7, -16.96

 

CMYK 0 / 32 / 47 / 32

HEX #AE775C

RGB 174 119 92

HSL 19.76, 0.34%, 0.52%

LAB 55.04, 18.32, 23.52

 

CMYK 0 / 28 / 42 / 25

HEX #BF896F

RGB 191 137 111

HSL 19.5, 0.38%, 0.59%

LAB 61.75, 17.34, 22.11

 

CMYK 0 / 25 / 38 / 18

HEX #D09B82

RGB 208 155 130

HSL 19.23, 0.45%, 0.66%

LAB 68.36, 16.49, 20.83

 

CMYK 0 / 23 / 34 / 12

HEX #E1AD95

RGB 225 173 149

HSL 18.95, 0.56%, 0.73%

LAB 74.87, 15.75, 19.66

 

CMYK 0 / 21 / 31 / 5

HEX #F2BFA8

RGB 242 191 168

HSL 18.65, 0.74%, 0.8%

LAB 81.27, 15.09, 18.58

 

CMYK 0 / 30 / 43 / 34

HEX #A97761

RGB 169 119 97

HSL 18.33, 0.3%, 0.52%

LAB 54.54, 16.78, 19.9

 

CMYK 0 / 34 / 49 / 40

HEX #98654E

RGB 152 101 78

HSL 18.65, 0.32%, 0.45%

LAB 47.67, 17.82, 21.38

 

CMYK 0 / 39 / 56 / 47

HEX #87533B

RGB 135 83 59

HSL 18.95, 0.39%, 0.38%

LAB 40.66, 19.04, 23.07

 

CMYK 0 / 45 / 66 / 54

HEX #764128

RGB 118 65 40

HSL 19.23, 0.49%, 0.31%

LAB 33.53, 20.52, 25.02

 

CMYK 0 / 53 / 79 / 60

HEX #652F15

RGB 101 47 21

HSL 19.5, 0.66%, 0.24%

LAB 26.31, 22.28, 27.21

 

CMYK 0 / 30 / 44 / 34

HEX #A9765F

RGB 169 118 95

HSL 18.65, 0.3%, 0.52%

LAB 54.26, 17.12, 20.67

 

CMYK 0 / 42 / 44 / 34

HEX #A9625F

RGB 169 98 95

HSL 2.43, 0.3%, 0.52%

LAB 49.49, 28.36, 14.19

 

CMYK 0 / 44 / 44 / 34

HEX #A95F5F

RGB 169 95 95

HSL 0, 0.3%, 0.52%

LAB 48.82, 30.01, 13.25

 

CMYK 0 / 30 / 44 / 34

HEX #A9765F

RGB 169 118 95

HSL 18.65, 0.3%, 0.52%

LAB 54.26, 17.12, 20.67

 

CMYK 0 / 18 / 44 / 34

HEX #A98A5F

RGB 169 138 95

HSL 34.86, 0.3%, 0.52%

LAB 59.38, 5.86, 27.43

 

CMYK 0 / 7 / 44 / 34

HEX #A99D5F

RGB 169 157 95

HSL 50.27, 0.3%, 0.52%

LAB 64.46, -4.57, 33.94

 

CMYK 5 / 0 / 44 / 34

HEX #A0A95F

RGB 160 169 95

HSL 67.3, 0.3%, 0.52%

LAB 67.03, -14.65, 37

 

CMYK 17 / 0 / 44 / 34

HEX #8DA95F

RGB 141 169 95

HSL 82.7, 0.3%, 0.52%

LAB 65.64, -22.26, 34.96

 

CMYK 0 / 30 / 44 / 34

HEX #A9765F

RGB 169 118 95

HSL 18.65, 0.3%, 0.52%

LAB 54.26, 17.12, 20.67

 

CMYK 0 / 42 / 60 / 26

HEX #BD6E4C

RGB 189 110 76

HSL 18.05, 0.46%, 0.52%

LAB 54.55, 28.09, 32.28

 

CMYK 0 / 51 / 73 / 18

HEX #D06638

RGB 208 102 56

HSL 18.16, 0.62%, 0.52%

LAB 55.28, 38.71, 44.48

 

CMYK 0 / 58 / 84 / 11

HEX #E45F24

RGB 228 95 36

HSL 18.44, 0.78%, 0.52%

LAB 56.89, 48.95, 56.32

 

CMYK 0 / 65 / 94 / 3

HEX #F85710

RGB 248 87 16

HSL 18.36, 0.94%, 0.52%

LAB 58.8, 59.07, 65.74

 

CMYK 0 / 30 / 44 / 34

HEX #A9765F

RGB 169 118 95

HSL 18.65, 0.3%, 0.52%

LAB 54.26, 17.12, 20.67

 

CMYK 0 / 15 / 23 / 42

HEX #957E73

RGB 149 126 115

HSL 19.41, 0.14%, 0.52%

LAB 54.6, 7.02, 9.26

 

CMYK 4 / 1 / 0 / 47

HEX #818587

RGB 129 133 135

HSL 200, 0.02%, 0.52%

LAB 55.27, -1.07, -1.6

 

CMYK 30 / 9 / 0 / 39

HEX #6D8D9B

RGB 109 141 155

HSL 198.26, 0.19%, 0.52%

LAB 56.75, -7.76, -11.08

 

CMYK 49 / 15 / 0 / 31

HEX #5A95AF

RGB 90 149 175

HSL 198.35, 0.35%, 0.52%

LAB 58.75, -11.99, -19.56

 

CMYK 0 / 44 / 33 / 34

HEX #A95F71

RGB 169 95 113

HSL 345.41, 0.3%, 0.52%

LAB 49.27, 32.21, 3.12

 

CMYK 0 / 42 / 44 / 34

HEX #A9625F

RGB 169 98 95

HSL 2.43, 0.3%, 0.52%

LAB 49.49, 28.36, 14.19

 

CMYK 0 / 31 / 44 / 34

HEX #A9755F

RGB 169 117 95

HSL 17.84, 0.3%, 0.52%

LAB 54.01, 17.69, 20.33

 

CMYK 0 / 19 / 44 / 34

HEX #A9895F

RGB 169 137 95

HSL 34.05, 0.3%, 0.52%

LAB 59.12, 6.42, 27.08

 

CMYK 0 / 7 / 44 / 34

HEX #A99D5F

RGB 169 157 95

HSL 50.27, 0.3%, 0.52%

LAB 64.46, -4.57, 33.94

 

CMYK 0 / 32 / 47 / 54

HEX #76503F

RGB 118 80 63

HSL 18.55, 0.3%, 0.35%

LAB 37.75, 13.73, 16.43

 

CMYK 0 / 32 / 46 / 43

HEX #91624E

RGB 145 98 78

HSL 17.91, 0.3%, 0.44%

LAB 46.05, 16.56, 19.08

 

CMYK 0 / 30 / 44 / 34

HEX #A9765F

RGB 169 118 95

HSL 18.65, 0.3%, 0.52%

LAB 54.26, 17.12, 20.67

 

CMYK 0 / 23 / 33 / 28

HEX #B78D7A

RGB 183 141 122

HSL 18.69, 0.3%, 0.6%

LAB 62.1, 13.23, 16.26

 

CMYK 0 / 17 / 25 / 22

HEX #C6A495

RGB 198 164 149

HSL 18.37, 0.3%, 0.68%

LAB 69.98, 10.18, 12.45

 

CMYK 0 / 30 / 43 / 34

HEX #A97761

RGB 169 119 97

HSL 18.33, 0.3%, 0.52%

LAB 54.54, 16.78, 19.9

 

CMYK 22 / 0 / 44 / 34

HEX #84A95F

RGB 132 169 95

HSL 90, 0.3%, 0.52%

LAB 65.05, -25.73, 34.08

 

CMYK 44 / 39 / 0 / 34

HEX #5F67A9

RGB 95 103 169

HSL 233.51, 0.3%, 0.52%

LAB 45.63, 14.57, -36.44

 

CMYK 0 / 30 / 43 / 34

HEX #A97761

RGB 169 119 97

HSL 18.33, 0.3%, 0.52%

LAB 54.54, 16.78, 19.9

 

CMYK 44 / 0 / 31 / 34

HEX #5FA975

RGB 95 169 117

HSL 137.84, 0.3%, 0.52%

LAB 63.42, -34.78, 19.82

 

CMYK 31 / 44 / 0 / 34

HEX #755FA9

RGB 117 95 169

HSL 257.84, 0.3%, 0.52%

LAB 45.4, 25.57, -36.68

 

CMYK 0 / 30 / 43 / 34

HEX #A97761

RGB 169 119 97

HSL 18.33, 0.3%, 0.52%

LAB 54.54, 16.78, 19.9

 

CMYK 22 / 0 / 44 / 34

HEX #84A95F

RGB 132 169 95

HSL 90, 0.3%, 0.52%

LAB 65.05, -25.73, 34.08

 

CMYK 44 / 13 / 0 / 34

HEX #5F93A9

RGB 95 147 169

HSL 197.84, 0.3%, 0.52%

LAB 58.19, -11.35, -16.98

 

CMYK 22 / 44 / 0 / 34

HEX #845FA9

RGB 132 95 169

HSL 270, 0.3%, 0.52%

LAB 46.91, 29.98, -34.19

 

CMYK 0 / 30 / 43 / 34

HEX #A97761

RGB 169 119 97

HSL 18.33, 0.3%, 0.52%

LAB 54.54, 16.78, 19.9

 

CMYK 35 / 0 / 44 / 34

HEX #6EA95F

RGB 110 169 95

HSL 107.84, 0.3%, 0.52%

LAB 63.77, -33.68, 32.2

 

CMYK 44 / 13 / 0 / 34

HEX #5F93A9

RGB 95 147 169

HSL 197.84, 0.3%, 0.52%

LAB 58.19, -11.35, -16.98

 

CMYK 9 / 44 / 0 / 34

HEX #9A5FA9

RGB 154 95 169

HSL 287.84, 0.3%, 0.52%

LAB 49.4, 36.67, -30.13

 

Description

Color code: HEX #A97761 | qconv.com Color code: HEX #A97761 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 119 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 119 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 43 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 43% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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