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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A97751 it is the complementary color #5688AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A97751. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A97751 shade: #AE774C, #BF895F, #D09B72, #E1AD85 and #F2BF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A97751. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A97751 shade: #A97751, #98653E, #87532B, #764118 and #652F05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A97751 shade: #A87651, #A85F51 and #A85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A97751 shade: #A87651, #A88E51, #A8A651, #93A851 and #7CA851

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A97751 shade matches the following richer shades: #A87651, #BC743D, #D17128, #E56E14 and #F96B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A97751 shade: #A87651, #947965, #807C79, #6C7F8D and #5782A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A97751 shade: #A8515B, #A85E51, #A87551, #A88C51 and #A8A451

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A97751 shade: #704F36, #8C6343, #A87651, #B78C6B and #C5A187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A97751 shade: #A97751, #72A851 and #5251A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A97751 shade: #A97751, #51A875 and #7551A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A97751 shade: #A97751, #72A851, #5184A8 and #8751A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A97751 shade: #A97751, #58A851, #5184A8 and #A151A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 52 / 34

HEX #A97751

RGB 169 119 81

HSL 25.91, 0.35%, 0.49%

LAB 54.26, 15.11, 28.6

 

Complementary color

CMYK 51 / 22 / 0 / 32

HEX #5688AE

RGB 86 136 174

HSL 205.91, 0.35%, 0.51%

LAB 54.7, -5.97, -25.23

 

CMYK 0 / 32 / 56 / 32

HEX #AE774C

RGB 174 119 76

HSL 26.33, 0.39%, 0.49%

LAB 54.78, 16.8, 32.14

 

CMYK 0 / 28 / 50 / 25

HEX #BF895F

RGB 191 137 95

HSL 26.25, 0.43%, 0.56%

LAB 61.48, 15.68, 30.6

 

CMYK 0 / 25 / 45 / 18

HEX #D09B72

RGB 208 155 114

HSL 26.17, 0.5%, 0.63%

LAB 68.07, 14.71, 29.18

 

CMYK 0 / 23 / 41 / 12

HEX #E1AD85

RGB 225 173 133

HSL 26.09, 0.61%, 0.7%

LAB 74.56, 13.88, 27.87

 

CMYK 0 / 21 / 37 / 5

HEX #F2BF98

RGB 242 191 152

HSL 26, 0.78%, 0.77%

LAB 80.96, 13.14, 26.65

 

CMYK 0 / 30 / 52 / 34

HEX #A97751

RGB 169 119 81

HSL 25.91, 0.35%, 0.49%

LAB 54.26, 15.11, 28.6

 

CMYK 0 / 34 / 59 / 40

HEX #98653E

RGB 152 101 62

HSL 26, 0.42%, 0.42%

LAB 47.41, 16.32, 30.22

 

CMYK 0 / 39 / 68 / 47

HEX #87532B

RGB 135 83 43

HSL 26.09, 0.52%, 0.35%

LAB 40.43, 17.78, 31.96

 

CMYK 0 / 45 / 80 / 54

HEX #764118

RGB 118 65 24

HSL 26.17, 0.66%, 0.28%

LAB 33.35, 19.56, 33.68

 

CMYK 0 / 53 / 95 / 60

HEX #652F05

RGB 101 47 5

HSL 26.25, 0.91%, 0.21%

LAB 26.19, 21.68, 34.65

 

CMYK 0 / 30 / 52 / 34

HEX #A87651

RGB 168 118 81

HSL 25.52, 0.35%, 0.49%

LAB 53.89, 15.25, 28.11

 

CMYK 0 / 43 / 52 / 34

HEX #A85F51

RGB 168 95 81

HSL 9.66, 0.35%, 0.49%

LAB 48.39, 28.17, 20.96

 

CMYK 0 / 52 / 52 / 34

HEX #A85151

RGB 168 81 81

HSL 0, 0.35%, 0.49%

LAB 45.36, 35.72, 16.92

 

CMYK 0 / 30 / 52 / 34

HEX #A87651

RGB 168 118 81

HSL 25.52, 0.35%, 0.49%

LAB 53.89, 15.25, 28.11

 

CMYK 0 / 15 / 52 / 34

HEX #A88E51

RGB 168 142 81

HSL 42.07, 0.35%, 0.49%

LAB 60.13, 1.79, 35.9

 

CMYK 0 / 1 / 52 / 34

HEX #A8A651

RGB 168 166 81

HSL 58.62, 0.35%, 0.49%

LAB 66.67, -11.15, 43.74

 

CMYK 13 / 0 / 52 / 34

HEX #93A851

RGB 147 168 81

HSL 74.48, 0.35%, 0.49%

LAB 65.59, -20.92, 42.07

 

CMYK 26 / 0 / 52 / 34

HEX #7CA851

RGB 124 168 81

HSL 90.34, 0.35%, 0.49%

LAB 64.07, -29.97, 39.87

 

CMYK 0 / 30 / 52 / 34

HEX #A87651

RGB 168 118 81

HSL 25.52, 0.35%, 0.49%

LAB 53.89, 15.25, 28.11

 

CMYK 0 / 38 / 68 / 26

HEX #BC743D

RGB 188 116 61

HSL 25.98, 0.51%, 0.49%

LAB 55.6, 23.37, 41.51

 

CMYK 0 / 46 / 81 / 18

HEX #D17128

RGB 209 113 40

HSL 25.92, 0.68%, 0.49%

LAB 57.58, 32.79, 54.22

 

CMYK 0 / 52 / 91 / 10

HEX #E56E14

RGB 229 110 20

HSL 25.84, 0.84%, 0.49%

LAB 59.76, 41.83, 63.94

 

CMYK 0 / 57 / 100 / 2

HEX #F96B00

RGB 249 107 0

HSL 25.78, 1%, 0.49%

LAB 62.22, 50.6, 70.78

 

CMYK 0 / 30 / 52 / 34

HEX #A87651

RGB 168 118 81

HSL 25.52, 0.35%, 0.49%

LAB 53.89, 15.25, 28.11

 

CMYK 0 / 18 / 32 / 42

HEX #947965

RGB 148 121 101

HSL 25.53, 0.19%, 0.49%

LAB 52.85, 7.4, 14.91

 

CMYK 0 / 3 / 5 / 50

HEX #807C79

RGB 128 124 121

HSL 25.71, 0.03%, 0.49%

LAB 52.27, 0.94, 2.17

 

CMYK 23 / 10 / 0 / 45

HEX #6C7F8D

RGB 108 127 141

HSL 205.45, 0.13%, 0.49%

LAB 52.16, -3.62, -9.87

 

CMYK 46 / 20 / 0 / 36

HEX #5782A2

RGB 87 130 162

HSL 205.6, 0.3%, 0.49%

LAB 52.51, -5.87, -21.68

 

CMYK 0 / 52 / 46 / 34

HEX #A8515B

RGB 168 81 91

HSL 353.1, 0.35%, 0.49%

LAB 45.59, 36.71, 11.15

 

CMYK 0 / 44 / 52 / 34

HEX #A85E51

RGB 168 94 81

HSL 8.97, 0.35%, 0.49%

LAB 48.16, 28.72, 20.66

 

CMYK 0 / 30 / 52 / 34

HEX #A87551

RGB 168 117 81

HSL 24.83, 0.35%, 0.49%

LAB 53.64, 15.82, 27.79

 

CMYK 0 / 17 / 52 / 34

HEX #A88C51

RGB 168 140 81

HSL 40.69, 0.35%, 0.49%

LAB 59.59, 2.9, 35.24

 

CMYK 0 / 2 / 52 / 34

HEX #A8A451

RGB 168 164 81

HSL 57.24, 0.35%, 0.49%

LAB 66.11, -10.1, 43.09

 

CMYK 0 / 29 / 52 / 56

HEX #704F36

RGB 112 79 54

HSL 25.86, 0.35%, 0.33%

LAB 36.56, 10.61, 20.21

 

CMYK 0 / 29 / 52 / 45

HEX #8C6343

RGB 140 99 67

HSL 26.3, 0.35%, 0.41%

LAB 45.5, 12.64, 24.69

 

CMYK 0 / 30 / 52 / 34

HEX #A87651

RGB 168 118 81

HSL 25.52, 0.35%, 0.49%

LAB 53.89, 15.25, 28.11

 

CMYK 0 / 23 / 42 / 28

HEX #B78C6B

RGB 183 140 107

HSL 26.05, 0.35%, 0.57%

LAB 61.55, 11.95, 23.92

 

CMYK 0 / 18 / 31 / 23

HEX #C5A187

RGB 197 161 135

HSL 25.16, 0.35%, 0.65%

LAB 68.83, 9.5, 18.54

 

CMYK 0 / 30 / 52 / 34

HEX #A97751

RGB 169 119 81

HSL 25.91, 0.35%, 0.49%

LAB 54.26, 15.11, 28.6

 

CMYK 32 / 0 / 52 / 34

HEX #72A851

RGB 114 168 81

HSL 97.24, 0.35%, 0.49%

LAB 63.49, -33.65, 39.04

 

CMYK 51 / 52 / 0 / 34

HEX #5251A8

RGB 82 81 168

HSL 240.69, 0.35%, 0.49%

LAB 38.74, 24.88, -46.89

 

CMYK 0 / 30 / 52 / 34

HEX #A97751

RGB 169 119 81

HSL 25.91, 0.35%, 0.49%

LAB 54.26, 15.11, 28.6

 

CMYK 52 / 0 / 30 / 34

HEX #51A875

RGB 81 168 117

HSL 144.83, 0.35%, 0.49%

LAB 62.54, -38.16, 18.53

 

CMYK 30 / 52 / 0 / 34

HEX #7551A8

RGB 117 81 168

HSL 264.83, 0.35%, 0.49%

LAB 41.99, 33.65, -41.5

 

CMYK 0 / 30 / 52 / 34

HEX #A97751

RGB 169 119 81

HSL 25.91, 0.35%, 0.49%

LAB 54.26, 15.11, 28.6

 

CMYK 32 / 0 / 52 / 34

HEX #72A851

RGB 114 168 81

HSL 97.24, 0.35%, 0.49%

LAB 63.49, -33.65, 39.04

 

CMYK 52 / 21 / 0 / 34

HEX #5184A8

RGB 81 132 168

HSL 204.83, 0.35%, 0.49%

LAB 53.04, -6.7, -24.37

 

CMYK 20 / 52 / 0 / 34

HEX #8751A8

RGB 135 81 168

HSL 277.24, 0.35%, 0.49%

LAB 44.04, 38.63, -38.12

 

CMYK 0 / 30 / 52 / 34

HEX #A97751

RGB 169 119 81

HSL 25.91, 0.35%, 0.49%

LAB 54.26, 15.11, 28.6

 

CMYK 48 / 0 / 52 / 34

HEX #58A851

RGB 88 168 81

HSL 115.17, 0.35%, 0.49%

LAB 62.23, -42.25, 37.22

 

CMYK 52 / 21 / 0 / 34

HEX #5184A8

RGB 81 132 168

HSL 204.83, 0.35%, 0.49%

LAB 53.04, -6.7, -24.37

 

CMYK 4 / 52 / 0 / 34

HEX #A151A8

RGB 161 81 168

HSL 295.17, 0.35%, 0.49%

LAB 47.35, 46.04, -32.67

 

Description

Color code: HEX #A97751 | qconv.com Color code: HEX #A97751 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 119 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 119 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 52 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 52% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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