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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A97649 it is the complementary color #5689B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A97649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A97649 shade: #AE7644, #BF8857, #D09A6A, #E1AC7D and #F2BE90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A97649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A97649 shade: #A97649, #986436, #875223, #764010 and #652E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A97649 shade: #A77447, #A75B47 and #A74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A97649 shade: #A77447, #A78E47, #A7A747, #8DA747 and #73A747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A97649 shade matches the following richer shades: #A77447, #BB7334, #CE7221 and #E1710D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A97649 shade: #A77447, #94765B, #81776E, #6D7882 and #5A7995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A97649 shade: #A7474E, #A75B47, #A77447, #A78E47 and #A7A747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A97649 shade: #6E4C2F, #8A603B, #A77447, #BA895E and #C69E7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A97649 shade: #A97649, #67A747 and #4E47A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A97649 shade: #A97649, #47A774 and #7447A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A97649 shade: #A97649, #67A747, #477BA7 and #8747A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A97649 shade: #A97649, #4BA747, #477BA7 and #A447A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 57 / 34

HEX #A97649

RGB 169 118 73

HSL 28.13, 0.4%, 0.47%

LAB 53.89, 14.96, 32.56

 

Complementary color

CMYK 53 / 25 / 0 / 29

HEX #5689B6

RGB 86 137 182

HSL 208.13, 0.4%, 0.53%

LAB 55.33, -4.08, -28.84

 

CMYK 0 / 32 / 61 / 32

HEX #AE7644

RGB 174 118 68

HSL 28.3, 0.44%, 0.47%

LAB 54.42, 16.73, 36.04

 

CMYK 0 / 29 / 54 / 25

HEX #BF8857

RGB 191 136 87

HSL 28.27, 0.45%, 0.55%

LAB 61.11, 15.51, 34.47

 

CMYK 0 / 26 / 49 / 18

HEX #D09A6A

RGB 208 154 106

HSL 28.24, 0.52%, 0.62%

LAB 67.7, 14.46, 33

 

CMYK 0 / 24 / 44 / 12

HEX #E1AC7D

RGB 225 172 125

HSL 28.2, 0.63%, 0.69%

LAB 74.19, 13.56, 31.63

 

CMYK 0 / 21 / 40 / 5

HEX #F2BE90

RGB 242 190 144

HSL 28.16, 0.79%, 0.76%

LAB 80.58, 12.77, 30.36

 

CMYK 0 / 30 / 57 / 34

HEX #A97649

RGB 169 118 73

HSL 28.13, 0.4%, 0.47%

LAB 53.89, 14.96, 32.56

 

CMYK 0 / 34 / 64 / 40

HEX #986436

RGB 152 100 54

HSL 28.16, 0.48%, 0.4%

LAB 47.05, 16.28, 34.19

 

CMYK 0 / 39 / 74 / 47

HEX #875223

RGB 135 82 35

HSL 28.2, 0.59%, 0.33%

LAB 40.09, 17.88, 35.83

 

CMYK 0 / 46 / 86 / 54

HEX #764010

RGB 118 64 16

HSL 28.24, 0.76%, 0.26%

LAB 33.04, 19.83, 37.11

 

CMYK 0 / 54 / 100 / 60

HEX #652E00

RGB 101 46 0

HSL 27.33, 1%, 0.2%

LAB 25.92, 22.11, 36.45

 

CMYK 0 / 31 / 57 / 35

HEX #A77447

RGB 167 116 71

HSL 28.13, 0.4%, 0.47%

LAB 53.13, 15.06, 32.66

 

CMYK 0 / 46 / 57 / 35

HEX #A75B47

RGB 167 91 71

HSL 12.5, 0.4%, 0.47%

LAB 47.17, 29.08, 25.22

 

CMYK 0 / 57 / 57 / 35

HEX #A74747

RGB 167 71 71

HSL 0, 0.4%, 0.47%

LAB 43.03, 39.59, 19.84

 

CMYK 0 / 31 / 57 / 35

HEX #A77447

RGB 167 116 71

HSL 28.13, 0.4%, 0.47%

LAB 53.13, 15.06, 32.66

 

CMYK 0 / 15 / 57 / 35

HEX #A78E47

RGB 167 142 71

HSL 44.38, 0.4%, 0.47%

LAB 59.9, 0.48, 40.76

 

CMYK 0 / 0 / 57 / 35

HEX #A7A747

RGB 167 167 71

HSL 60, 0.4%, 0.47%

LAB 66.75, -12.93, 48.58

 

CMYK 16 / 0 / 57 / 35

HEX #8DA747

RGB 141 167 71

HSL 76.25, 0.4%, 0.47%

LAB 64.77, -23.81, 45.8

 

CMYK 31 / 0 / 57 / 35

HEX #73A747

RGB 115 167 71

HSL 92.5, 0.4%, 0.47%

LAB 63.13, -33.94, 43.48

 

CMYK 0 / 31 / 57 / 35

HEX #A77447

RGB 167 116 71

HSL 28.13, 0.4%, 0.47%

LAB 53.13, 15.06, 32.66

 

CMYK 0 / 39 / 72 / 27

HEX #BB7334

RGB 187 115 52

HSL 28, 0.56%, 0.47%

LAB 55.15, 23, 45.45

 

CMYK 0 / 45 / 84 / 19

HEX #CE7221

RGB 206 114 33

HSL 28.09, 0.72%, 0.47%

LAB 57.33, 30.82, 56.57

 

CMYK 0 / 50 / 94 / 12

HEX #E1710D

RGB 225 113 13

HSL 28.3, 0.89%, 0.47%

LAB 59.75, 38.67, 65.22

 

CMYK 0 / 31 / 57 / 35

HEX #A77447

RGB 167 116 71

HSL 28.13, 0.4%, 0.47%

LAB 53.13, 15.06, 32.66

 

CMYK 0 / 20 / 39 / 42

HEX #94765B

RGB 148 118 91

HSL 28.42, 0.24%, 0.47%

LAB 51.85, 7.8, 19.32

 

CMYK 0 / 8 / 15 / 49

HEX #81776E

RGB 129 119 110

HSL 28.42, 0.08%, 0.47%

LAB 50.67, 2.2, 6.33

 

CMYK 16 / 8 / 0 / 49

HEX #6D7882

RGB 109 120 130

HSL 208.57, 0.09%, 0.47%

LAB 49.85, -1.85, -6.86

 

CMYK 40 / 19 / 0 / 42

HEX #5A7995

RGB 90 121 149

HSL 208.47, 0.25%, 0.47%

LAB 49.52, -3.6, -18.67

 

CMYK 0 / 57 / 53 / 35

HEX #A7474E

RGB 167 71 78

HSL 355.63, 0.4%, 0.47%

LAB 43.17, 40.18, 15.75

 

CMYK 0 / 46 / 57 / 35

HEX #A75B47

RGB 167 91 71

HSL 12.5, 0.4%, 0.47%

LAB 47.17, 29.08, 25.22

 

CMYK 0 / 31 / 57 / 35

HEX #A77447

RGB 167 116 71

HSL 28.13, 0.4%, 0.47%

LAB 53.13, 15.06, 32.66

 

CMYK 0 / 15 / 57 / 35

HEX #A78E47

RGB 167 142 71

HSL 44.38, 0.4%, 0.47%

LAB 59.9, 0.48, 40.76

 

CMYK 0 / 0 / 57 / 35

HEX #A7A747

RGB 167 167 71

HSL 60, 0.4%, 0.47%

LAB 66.75, -12.93, 48.58

 

CMYK 0 / 31 / 57 / 57

HEX #6E4C2F

RGB 110 76 47

HSL 27.62, 0.4%, 0.31%

LAB 35.38, 10.81, 22.86

 

CMYK 0 / 30 / 57 / 46

HEX #8A603B

RGB 138 96 59

HSL 28.1, 0.4%, 0.39%

LAB 44.35, 12.75, 27.78

 

CMYK 0 / 31 / 57 / 35

HEX #A77447

RGB 167 116 71

HSL 28.13, 0.4%, 0.47%

LAB 53.13, 15.06, 32.66

 

CMYK 0 / 26 / 49 / 27

HEX #BA895E

RGB 186 137 94

HSL 28.04, 0.4%, 0.55%

LAB 60.9, 13.49, 30.3

 

CMYK 0 / 20 / 38 / 22

HEX #C69E7B

RGB 198 158 123

HSL 28, 0.4%, 0.63%

LAB 67.94, 10.03, 23.92

 

CMYK 0 / 30 / 57 / 34

HEX #A97649

RGB 169 118 73

HSL 28.13, 0.4%, 0.47%

LAB 53.89, 14.96, 32.56

 

CMYK 38 / 0 / 57 / 35

HEX #67A747

RGB 103 167 71

HSL 100, 0.4%, 0.47%

LAB 62.49, -38.21, 42.58

 

CMYK 53 / 57 / 0 / 35

HEX #4E47A7

RGB 78 71 167

HSL 244.38, 0.4%, 0.47%

LAB 35.82, 30.01, -51

 

CMYK 0 / 30 / 57 / 34

HEX #A97649

RGB 169 118 73

HSL 28.13, 0.4%, 0.47%

LAB 53.89, 14.96, 32.56

 

CMYK 57 / 0 / 31 / 35

HEX #47A774

RGB 71 167 116

HSL 148.13, 0.4%, 0.47%

LAB 61.86, -40.35, 18.09

 

CMYK 31 / 57 / 0 / 35

HEX #7447A7

RGB 116 71 167

HSL 268.13, 0.4%, 0.47%

LAB 39.6, 38.89, -44.73

 

CMYK 0 / 30 / 57 / 34

HEX #A97649

RGB 169 118 73

HSL 28.13, 0.4%, 0.47%

LAB 53.89, 14.96, 32.56

 

CMYK 38 / 0 / 57 / 35

HEX #67A747

RGB 103 167 71

HSL 100, 0.4%, 0.47%

LAB 62.49, -38.21, 42.58

 

CMYK 57 / 26 / 0 / 35

HEX #477BA7

RGB 71 123 167

HSL 207.5, 0.4%, 0.47%

LAB 49.85, -4.04, -28.75

 

CMYK 19 / 57 / 0 / 35

HEX #8747A7

RGB 135 71 167

HSL 280, 0.4%, 0.47%

LAB 41.92, 43.83, -40.89

 

CMYK 0 / 30 / 57 / 34

HEX #A97649

RGB 169 118 73

HSL 28.13, 0.4%, 0.47%

LAB 53.89, 14.96, 32.56

 

CMYK 55 / 0 / 57 / 35

HEX #4BA747

RGB 75 167 71

HSL 117.5, 0.4%, 0.47%

LAB 61.3, -46.8, 40.89

 

CMYK 57 / 26 / 0 / 35

HEX #477BA7

RGB 71 123 167

HSL 207.5, 0.4%, 0.47%

LAB 49.85, -4.04, -28.75

 

CMYK 2 / 57 / 0 / 35

HEX #A447A7

RGB 164 71 167

HSL 298.13, 0.4%, 0.47%

LAB 45.89, 51.6, -34.34

 

Description

Color code: HEX #A97649 | qconv.com Color code: HEX #A97649 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 118 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 118 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 57 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 57% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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