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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9761D it is the complementary color #5689E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9761D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9761D shade: #AE7618, #BF882B, #D09A3E, #E1AC51 and #F2BE64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9761D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9761D shade: #A9761D, #98640A, #875200, #764000 and #652E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9761D shade: #AA761C, #AA501C, #AA2A1C and #AA1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9761D shade: #AA761C, #AA9C1C, #91AA1C, #6BAA1C and #45AA1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9761D shade matches the following richer shades: #AA761C and #BA7A0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9761D shade: #AA761C, #99722C, #896D3D, #79694D and #69655D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9761D shade: #AA2A1C, #AA501C, #AA761C, #AA9B1C and #92AA1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9761D shade: #634510, #865E16, #AA761C, #CD8F22 and #DDA23B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9761D shade: #A9761D, #34AA1C and #3D1CAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9761D shade: #A9761D, #1CAA76 and #761CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9761D shade: #A9761D, #34AA1C, #1C50AA and #921CAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9761D shade: #A9761D, #1CAA2F, #1C50AA and #AA1C97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 83 / 34

HEX #A9761D

RGB 169 118 29

HSL 38.14, 0.71%, 0.39%

LAB 53.47, 12.41, 52.78

 

Complementary color

CMYK 62 / 39 / 0 / 11

HEX #5689E2

RGB 86 137 226

HSL 218.14, 0.71%, 0.61%

LAB 57.43, 10.2, -50.39

 

CMYK 0 / 32 / 86 / 32

HEX #AE7618

RGB 174 118 24

HSL 37.6, 0.76%, 0.39%

LAB 54.05, 14.52, 55.16

 

CMYK 0 / 29 / 77 / 25

HEX #BF882B

RGB 191 136 43

HSL 37.7, 0.63%, 0.46%

LAB 60.66, 12.74, 55.07

 

CMYK 0 / 26 / 70 / 18

HEX #D09A3E

RGB 208 154 62

HSL 37.81, 0.61%, 0.53%

LAB 67.18, 11.22, 54.25

 

CMYK 0 / 24 / 64 / 12

HEX #E1AC51

RGB 225 172 81

HSL 37.92, 0.71%, 0.6%

LAB 73.61, 9.93, 53.1

 

CMYK 0 / 21 / 59 / 5

HEX #F2BE64

RGB 242 190 100

HSL 38.03, 0.85%, 0.67%

LAB 79.97, 8.81, 51.84

 

CMYK 0 / 30 / 83 / 34

HEX #A9761D

RGB 169 118 29

HSL 38.14, 0.71%, 0.39%

LAB 53.47, 12.41, 52.78

 

CMYK 0 / 34 / 93 / 40

HEX #98640A

RGB 152 100 10

HSL 38.03, 0.88%, 0.32%

LAB 46.73, 14.41, 51.97

 

CMYK 0 / 39 / 100 / 47

HEX #875200

RGB 135 82 0

HSL 36.44, 1%, 0.26%

LAB 39.89, 16.76, 48.7

 

CMYK 0 / 46 / 100 / 54

HEX #764000

RGB 118 64 0

HSL 32.54, 1%, 0.23%

LAB 32.96, 19.41, 43.08

 

CMYK 0 / 54 / 100 / 60

HEX #652E00

RGB 101 46 0

HSL 27.33, 1%, 0.2%

LAB 25.92, 22.11, 36.45

 

CMYK 0 / 31 / 84 / 33

HEX #AA761C

RGB 170 118 28

HSL 38.03, 0.72%, 0.39%

LAB 53.59, 12.83, 53.27

 

CMYK 0 / 53 / 84 / 33

HEX #AA501C

RGB 170 80 28

HSL 21.97, 0.72%, 0.39%

LAB 44.76, 33.8, 45.47

 

CMYK 0 / 75 / 84 / 33

HEX #AA2A1C

RGB 170 42 28

HSL 5.92, 0.72%, 0.39%

LAB 38.35, 50.8, 39.6

 

CMYK 0 / 84 / 84 / 33

HEX #AA1C1C

RGB 170 28 28

HSL 0, 0.72%, 0.39%

LAB 36.86, 55, 38.2

 

CMYK 0 / 31 / 84 / 33

HEX #AA761C

RGB 170 118 28

HSL 38.03, 0.72%, 0.39%

LAB 53.59, 12.83, 53.27

 

CMYK 0 / 8 / 84 / 33

HEX #AA9C1C

RGB 170 156 28

HSL 54.08, 0.72%, 0.39%

LAB 63.68, -8.09, 61.94

 

CMYK 15 / 0 / 84 / 33

HEX #91AA1C

RGB 145 170 28

HSL 70.56, 0.72%, 0.39%

LAB 65.63, -26.21, 62.82

 

CMYK 37 / 0 / 84 / 33

HEX #6BAA1C

RGB 107 170 28

HSL 86.62, 0.72%, 0.39%

LAB 63.31, -41.28, 59.88

 

CMYK 59 / 0 / 84 / 33

HEX #45AA1C

RGB 69 170 28

HSL 102.68, 0.72%, 0.39%

LAB 61.74, -53.16, 57.88

 

CMYK 0 / 31 / 84 / 33

HEX #AA761C

RGB 170 118 28

HSL 38.03, 0.72%, 0.39%

LAB 53.59, 12.83, 53.27

 

CMYK 0 / 34 / 94 / 27

HEX #BA7A0C

RGB 186 122 12

HSL 37.93, 0.88%, 0.39%

LAB 56.47, 17.42, 60.66

 

CMYK 0 / 31 / 84 / 33

HEX #AA761C

RGB 170 118 28

HSL 38.03, 0.72%, 0.39%

LAB 53.59, 12.83, 53.27

 

CMYK 0 / 25 / 71 / 40

HEX #99722C

RGB 153 114 44

HSL 38.53, 0.55%, 0.39%

LAB 50.67, 8.06, 43.27

 

CMYK 0 / 20 / 55 / 46

HEX #896D3D

RGB 137 109 61

HSL 37.89, 0.38%, 0.39%

LAB 47.74, 4.89, 30.78

 

CMYK 0 / 13 / 36 / 53

HEX #79694D

RGB 121 105 77

HSL 38.18, 0.22%, 0.39%

LAB 45.23, 1.88, 18.1

 

CMYK 0 / 4 / 11 / 59

HEX #69655D

RGB 105 101 93

HSL 40, 0.06%, 0.39%

LAB 42.91, 0.02, 5.08

 

CMYK 0 / 75 / 84 / 33

HEX #AA2A1C

RGB 170 42 28

HSL 5.92, 0.72%, 0.39%

LAB 38.35, 50.8, 39.6

 

CMYK 0 / 53 / 84 / 33

HEX #AA501C

RGB 170 80 28

HSL 21.97, 0.72%, 0.39%

LAB 44.76, 33.8, 45.47

 

CMYK 0 / 31 / 84 / 33

HEX #AA761C

RGB 170 118 28

HSL 38.03, 0.72%, 0.39%

LAB 53.59, 12.83, 53.27

 

CMYK 0 / 9 / 84 / 33

HEX #AA9B1C

RGB 170 155 28

HSL 53.66, 0.72%, 0.39%

LAB 63.4, -7.56, 61.71

 

CMYK 14 / 0 / 84 / 33

HEX #92AA1C

RGB 146 170 28

HSL 70.14, 0.72%, 0.39%

LAB 65.71, -25.79, 62.91

 

CMYK 0 / 30 / 84 / 61

HEX #634510

RGB 99 69 16

HSL 38.31, 0.72%, 0.23%

LAB 31.68, 7.65, 34.89

 

CMYK 0 / 30 / 84 / 47

HEX #865E16

RGB 134 94 22

HSL 38.57, 0.72%, 0.31%

LAB 42.96, 9.78, 44.38

 

CMYK 0 / 31 / 84 / 33

HEX #AA761C

RGB 170 118 28

HSL 38.03, 0.72%, 0.39%

LAB 53.59, 12.83, 53.27

 

CMYK 0 / 30 / 83 / 20

HEX #CD8F22

RGB 205 143 34

HSL 38.25, 0.72%, 0.47%

LAB 63.95, 14.75, 61.85

 

CMYK 0 / 27 / 73 / 13

HEX #DDA23B

RGB 221 162 59

HSL 38.15, 0.7%, 0.55%

LAB 70.54, 12.37, 59.4

 

CMYK 0 / 30 / 83 / 34

HEX #A9761D

RGB 169 118 29

HSL 38.14, 0.71%, 0.39%

LAB 53.47, 12.41, 52.78

 

CMYK 69 / 0 / 84 / 33

HEX #34AA1C

RGB 52 170 28

HSL 109.86, 0.72%, 0.39%

LAB 61.28, -57, 57.29

 

CMYK 64 / 84 / 0 / 33

HEX #3D1CAA

RGB 61 28 170

HSL 253.94, 0.72%, 0.39%

LAB 25.94, 52.06, -69.04

 

CMYK 0 / 30 / 83 / 34

HEX #A9761D

RGB 169 118 29

HSL 38.14, 0.71%, 0.39%

LAB 53.47, 12.41, 52.78

 

CMYK 84 / 0 / 31 / 33

HEX #1CAA76

RGB 28 170 118

HSL 158.03, 0.72%, 0.39%

LAB 61.92, -48.06, 16.92

 

CMYK 31 / 84 / 0 / 33

HEX #761CAA

RGB 118 28 170

HSL 278.03, 0.72%, 0.39%

LAB 33.1, 59.41, -57.01

 

CMYK 0 / 30 / 83 / 34

HEX #A9761D

RGB 169 118 29

HSL 38.14, 0.71%, 0.39%

LAB 53.47, 12.41, 52.78

 

CMYK 69 / 0 / 84 / 33

HEX #34AA1C

RGB 52 170 28

HSL 109.86, 0.72%, 0.39%

LAB 61.28, -57, 57.29

 

CMYK 84 / 53 / 0 / 33

HEX #1C50AA

RGB 28 80 170

HSL 218.03, 0.72%, 0.39%

LAB 35.76, 17.57, -53.01

 

CMYK 14 / 84 / 0 / 33

HEX #921CAA

RGB 146 28 170

HSL 289.86, 0.72%, 0.39%

LAB 37.56, 64.16, -49.57

 

CMYK 0 / 30 / 83 / 34

HEX #A9761D

RGB 169 118 29

HSL 38.14, 0.71%, 0.39%

LAB 53.47, 12.41, 52.78

 

CMYK 84 / 0 / 72 / 33

HEX #1CAA2F

RGB 28 170 47

HSL 128.03, 0.72%, 0.39%

LAB 60.96, -59.33, 50.65

 

CMYK 84 / 53 / 0 / 33

HEX #1C50AA

RGB 28 80 170

HSL 218.03, 0.72%, 0.39%

LAB 35.76, 17.57, -53.01

 

CMYK 0 / 84 / 11 / 33

HEX #AA1C97

RGB 170 28 151

HSL 308.03, 0.72%, 0.39%

LAB 40.59, 65.74, -33.05

 

Description

Color code: HEX #A9761D | qconv.com Color code: HEX #A9761D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 118 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 118 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 83 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 83% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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