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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9575A it is the complementary color #56A8A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9575A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9575A shade: #AE5755, #BF6968, #D07B7B, #E18D8E and #F29FA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9575A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9575A shade: #A9575A, #984547, #873334, #762121 and #650F0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9575A shade: #A85659 and #A85656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9575A shade: #A85659, #A8566F, #A85685, #A8569B and #9E56A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9575A shade matches the following richer shades: #A85659, #BC4246, #D12D33, #E61820 and #FA040D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9575A shade: #A85659, #936B6C, #7F7F7F, #6A9493 and #55A9A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9575A shade: #A85686, #A85670, #A8565A, #A86856 and #A87E56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9575A shade: #713A3C, #8D484B, #A85659, #B67174 and #C48D8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9575A shade: #A9575A, #9CA856 and #567BA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9575A shade: #A9575A, #5AA856 and #565AA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9575A shade: #A9575A, #9CA856, #56A8A4 and #6256A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9575A shade: #A9575A, #83A856, #56A8A4 and #7B56A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 47 / 34

HEX #A9575A

RGB 169 87 90

HSL 357.8, 0.32%, 0.5%

LAB 46.96, 33.81, 13.69

 

Complementary color

CMYK 49 / 0 / 2 / 34

HEX #56A8A5

RGB 86 168 165

HSL 177.8, 0.32%, 0.5%

LAB 63.92, -25.69, -6.18

 

CMYK 0 / 50 / 51 / 32

HEX #AE5755

RGB 174 87 85

HSL 1.35, 0.35%, 0.51%

LAB 47.59, 35.24, 17.66

 

CMYK 0 / 45 / 46 / 25

HEX #BF6968

RGB 191 105 104

HSL 0.69, 0.4%, 0.58%

LAB 54.22, 34.09, 15.86

 

CMYK 0 / 41 / 41 / 18

HEX #D07B7B

RGB 208 123 123

HSL 0, 0.47%, 0.65%

LAB 60.79, 33.02, 14.32

 

CMYK 0 / 37 / 37 / 12

HEX #E18D8E

RGB 225 141 142

HSL 359.29, 0.58%, 0.72%

LAB 67.28, 32.03, 12.96

 

CMYK 0 / 34 / 33 / 5

HEX #F29FA1

RGB 242 159 161

HSL 358.55, 0.76%, 0.79%

LAB 73.71, 31.13, 11.76

 

CMYK 0 / 49 / 47 / 34

HEX #A9575A

RGB 169 87 90

HSL 357.8, 0.32%, 0.5%

LAB 46.96, 33.81, 13.69

 

CMYK 0 / 55 / 53 / 40

HEX #984547

RGB 152 69 71

HSL 358.55, 0.38%, 0.43%

LAB 40.22, 34.96, 15.67

 

CMYK 0 / 62 / 61 / 47

HEX #873334

RGB 135 51 52

HSL 359.29, 0.45%, 0.36%

LAB 33.49, 36.07, 18.15

 

CMYK 0 / 72 / 72 / 54

HEX #762121

RGB 118 33 33

HSL 0, 0.56%, 0.3%

LAB 26.87, 36.93, 21.36

 

CMYK 0 / 85 / 86 / 60

HEX #650F0E

RGB 101 15 14

HSL 0.69, 0.76%, 0.23%

LAB 20.6, 37.01, 25.13

 

CMYK 0 / 49 / 47 / 34

HEX #A85659

RGB 168 86 89

HSL 357.8, 0.32%, 0.5%

LAB 46.58, 33.86, 13.74

 

CMYK 0 / 49 / 49 / 34

HEX #A85656

RGB 168 86 86

HSL 0, 0.32%, 0.5%

LAB 46.51, 33.56, 15.46

 

CMYK 0 / 49 / 47 / 34

HEX #A85659

RGB 168 86 89

HSL 357.8, 0.32%, 0.5%

LAB 46.58, 33.86, 13.74

 

CMYK 0 / 49 / 34 / 34

HEX #A8566F

RGB 168 86 111

HSL 341.71, 0.32%, 0.5%

LAB 47.14, 36.43, 1.23

 

CMYK 0 / 49 / 21 / 34

HEX #A85685

RGB 168 86 133

HSL 325.61, 0.32%, 0.5%

LAB 47.85, 39.55, -11

 

CMYK 0 / 49 / 8 / 34

HEX #A8569B

RGB 168 86 155

HSL 309.51, 0.32%, 0.5%

LAB 48.69, 43.17, -22.83

 

CMYK 6 / 49 / 0 / 34

HEX #9E56A8

RGB 158 86 168

HSL 292.68, 0.32%, 0.5%

LAB 47.95, 42.56, -31.77

 

CMYK 0 / 49 / 47 / 34

HEX #A85659

RGB 168 86 89

HSL 357.8, 0.32%, 0.5%

LAB 46.58, 33.86, 13.74

 

CMYK 0 / 65 / 63 / 26

HEX #BC4246

RGB 188 66 70

HSL 358.03, 0.48%, 0.5%

LAB 45.68, 49.28, 24.57

 

CMYK 0 / 78 / 76 / 18

HEX #D12D33

RGB 209 45 51

HSL 357.8, 0.65%, 0.5%

LAB 46.54, 62.45, 37.72

 

CMYK 0 / 90 / 86 / 10

HEX #E61820

RGB 230 24 32

HSL 357.67, 0.81%, 0.5%

LAB 48.98, 72.1, 51.57

 

CMYK 0 / 98 / 95 / 2

HEX #FA040D

RGB 250 4 13

HSL 357.8, 0.97%, 0.5%

LAB 52.33, 78.72, 62.99

 

CMYK 0 / 49 / 47 / 34

HEX #A85659

RGB 168 86 89

HSL 357.8, 0.32%, 0.5%

LAB 46.58, 33.86, 13.74

 

CMYK 0 / 27 / 27 / 42

HEX #936B6C

RGB 147 107 108

HSL 358.5, 0.16%, 0.5%

LAB 49.25, 16.11, 5.73

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 28 / 0 / 1 / 42

HEX #6A9493

RGB 106 148 147

HSL 178.57, 0.17%, 0.5%

LAB 58.37, -14.49, -4.11

 

CMYK 50 / 0 / 2 / 34

HEX #55A9A6

RGB 85 169 166

HSL 177.86, 0.33%, 0.5%

LAB 64.21, -26.16, -6.31

 

CMYK 0 / 49 / 20 / 34

HEX #A85686

RGB 168 86 134

HSL 324.88, 0.32%, 0.5%

LAB 47.88, 39.7, -11.55

 

CMYK 0 / 49 / 33 / 34

HEX #A85670

RGB 168 86 112

HSL 340.98, 0.32%, 0.5%

LAB 47.17, 36.56, 0.66

 

CMYK 0 / 49 / 46 / 34

HEX #A8565A

RGB 168 86 90

HSL 357.07, 0.32%, 0.5%

LAB 46.6, 33.97, 13.17

 

CMYK 0 / 38 / 49 / 34

HEX #A86856

RGB 168 104 86

HSL 13.17, 0.32%, 0.5%

LAB 50.57, 23.65, 20.92

 

CMYK 0 / 25 / 49 / 34

HEX #A87E56

RGB 168 126 86

HSL 29.27, 0.32%, 0.5%

LAB 56.01, 11.22, 28.03

 

CMYK 0 / 49 / 47 / 56

HEX #713A3C

RGB 113 58 60

HSL 357.82, 0.32%, 0.34%

LAB 31.49, 24.35, 9.71

 

CMYK 0 / 49 / 47 / 45

HEX #8D484B

RGB 141 72 75

HSL 357.39, 0.32%, 0.42%

LAB 39.25, 29.46, 11.58

 

CMYK 0 / 49 / 47 / 34

HEX #A85659

RGB 168 86 89

HSL 357.8, 0.32%, 0.5%

LAB 46.58, 33.86, 13.74

 

CMYK 0 / 38 / 36 / 29

HEX #B67174

RGB 182 113 116

HSL 357.39, 0.32%, 0.58%

LAB 55.09, 27.65, 9.89

 

CMYK 0 / 28 / 27 / 23

HEX #C48D8F

RGB 196 141 143

HSL 357.82, 0.32%, 0.66%

LAB 63.97, 21.18, 7.24

 

CMYK 0 / 49 / 47 / 34

HEX #A9575A

RGB 169 87 90

HSL 357.8, 0.32%, 0.5%

LAB 46.96, 33.81, 13.69

 

CMYK 7 / 0 / 49 / 34

HEX #9CA856

RGB 156 168 86

HSL 68.78, 0.32%, 0.5%

LAB 66.32, -16.73, 40.62

 

CMYK 49 / 27 / 0 / 34

HEX #567BA8

RGB 86 123 168

HSL 212.93, 0.32%, 0.5%

LAB 50.65, -0.23, -28.03

 

CMYK 0 / 49 / 47 / 34

HEX #A9575A

RGB 169 87 90

HSL 357.8, 0.32%, 0.5%

LAB 46.96, 33.81, 13.69

 

CMYK 46 / 0 / 49 / 34

HEX #5AA856

RGB 90 168 86

HSL 117.07, 0.32%, 0.5%

LAB 62.38, -40.96, 34.9

 

CMYK 49 / 46 / 0 / 34

HEX #565AA8

RGB 86 90 168

HSL 237.07, 0.32%, 0.5%

LAB 41.4, 20.12, -42.6

 

CMYK 0 / 49 / 47 / 34

HEX #A9575A

RGB 169 87 90

HSL 357.8, 0.32%, 0.5%

LAB 46.96, 33.81, 13.69

 

CMYK 7 / 0 / 49 / 34

HEX #9CA856

RGB 156 168 86

HSL 68.78, 0.32%, 0.5%

LAB 66.32, -16.73, 40.62

 

CMYK 49 / 0 / 2 / 34

HEX #56A8A4

RGB 86 168 164

HSL 177.07, 0.32%, 0.5%

LAB 63.89, -25.96, -5.66

 

CMYK 42 / 49 / 0 / 34

HEX #6256A8

RGB 98 86 168

HSL 248.78, 0.32%, 0.5%

LAB 41.34, 25.61, -42.64

 

CMYK 0 / 49 / 47 / 34

HEX #A9575A

RGB 169 87 90

HSL 357.8, 0.32%, 0.5%

LAB 46.96, 33.81, 13.69

 

CMYK 22 / 0 / 49 / 34

HEX #83A856

RGB 131 168 86

HSL 87.07, 0.32%, 0.5%

LAB 64.57, -26.73, 38.08

 

CMYK 49 / 0 / 2 / 34

HEX #56A8A4

RGB 86 168 164

HSL 177.07, 0.32%, 0.5%

LAB 63.89, -25.96, -5.66

 

CMYK 27 / 49 / 0 / 34

HEX #7B56A8

RGB 123 86 168

HSL 267.07, 0.32%, 0.5%

LAB 43.79, 32.38, -38.6

 

Description

Color code: HEX #A9575A | qconv.com Color code: HEX #A9575A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 87 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 87 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 47 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 47% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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