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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A941CE it is the complementary color #56BE31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A941CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A941CE shade: #AE41C9, #BF53DC, #D065EF, #E177FF and #F289FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A941CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A941CE shade: #A941CE, #982FBB, #871DA8, #760B95 and #650082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A941CE shade: #A840CD, #CD40CC, #CD40A6, #CD4080 and #CD405A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A941CE shade: #A840CD, #8240CD, #5C40CD and #4040CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A941CE shade matches the following richer shades: #A840CD, #B12DE1 and #BB19F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A941CE shade: #A840CD, #9F53BA, #9667A7, #8D7A93 and #838E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A941CE shade: #5C40CD, #8240CD, #A840CD, #CD40CD and #CD40A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A941CE shade: #782695, #922EB6, #A840CD, #B761D6 and #C682DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A941CE shade: #A941CE, #CD4049 and #40CD6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A941CE shade: #A941CE, #CDA840 and #40CDA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A941CE shade: #A941CE, #CD4049, #66CD40 and #40CDC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A941CE shade: #A941CE, #CD6140, #66CD40 and #40ACCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 68 / 0 / 19

HEX #A941CE

RGB 169 65 206

HSL 284.26, 0.59%, 0.53%

LAB 47.84, 62.93, -53.95

 

Complementary color

CMYK 55 / 0 / 74 / 25

HEX #56BE31

RGB 86 190 49

HSL 104.26, 0.59%, 0.47%

LAB 68.77, -54.69, 58.28

 

CMYK 13 / 68 / 0 / 21

HEX #AE41C9

RGB 174 65 201

HSL 288.09, 0.56%, 0.52%

LAB 48.26, 63.05, -50.37

 

CMYK 13 / 62 / 0 / 14

HEX #BF53DC

RGB 191 83 220

HSL 287.3, 0.66%, 0.59%

LAB 54.48, 62.92, -51.15

 

CMYK 13 / 58 / 0 / 6

HEX #D065EF

RGB 208 101 239

HSL 286.52, 0.81%, 0.67%

LAB 60.74, 62.5, -51.71

 

CMYK 12 / 53 / 0 / 0

HEX #E177FF

RGB 225 119 255

HSL 286.76, 1%, 0.73%

LAB 66.84, 61.34, -50.73

 

CMYK 5 / 46 / 0 / 0

HEX #F289FF

RGB 242 137 255

HSL 293.39, 1%, 0.77%

LAB 72.22, 57.1, -42.14

 

CMYK 18 / 68 / 0 / 19

HEX #A941CE

RGB 169 65 206

HSL 284.26, 0.59%, 0.53%

LAB 47.84, 62.93, -53.95

 

CMYK 19 / 75 / 0 / 27

HEX #982FBB

RGB 152 47 187

HSL 285, 0.6%, 0.46%

LAB 41.68, 62.65, -52.95

 

CMYK 20 / 83 / 0 / 34

HEX #871DA8

RGB 135 29 168

HSL 285.76, 0.71%, 0.39%

LAB 35.71, 61.57, -51.45

 

CMYK 21 / 93 / 0 / 42

HEX #760B95

RGB 118 11 149

HSL 286.52, 0.86%, 0.31%

LAB 30.06, 59.18, -49.2

 

CMYK 22 / 100 / 0 / 49

HEX #650082

RGB 101 0 130

HSL 286.62, 1%, 0.25%

LAB 24.88, 54.96, -45.92

 

CMYK 18 / 69 / 0 / 20

HEX #A840CD

RGB 168 64 205

HSL 284.26, 0.59%, 0.53%

LAB 47.49, 62.93, -53.94

 

CMYK 0 / 69 / 0 / 20

HEX #CD40CC

RGB 205 64 204

HSL 300.43, 0.59%, 0.53%

LAB 52.96, 70.83, -44.33

 

CMYK 0 / 69 / 19 / 20

HEX #CD40A6

RGB 205 64 166

HSL 316.6, 0.59%, 0.53%

LAB 51.15, 65.12, -25.08

 

CMYK 0 / 69 / 38 / 20

HEX #CD4080

RGB 205 64 128

HSL 332.77, 0.59%, 0.53%

LAB 49.74, 60.45, -4.55

 

CMYK 0 / 69 / 56 / 20

HEX #CD405A

RGB 205 64 90

HSL 348.94, 0.59%, 0.53%

LAB 48.74, 56.99, 17.06

 

CMYK 18 / 69 / 0 / 20

HEX #A840CD

RGB 168 64 205

HSL 284.26, 0.59%, 0.53%

LAB 47.49, 62.93, -53.94

 

CMYK 37 / 69 / 0 / 20

HEX #8240CD

RGB 130 64 205

HSL 268.09, 0.59%, 0.53%

LAB 42.49, 55.15, -62.27

 

CMYK 55 / 69 / 0 / 20

HEX #5C40CD

RGB 92 64 205

HSL 251.91, 0.59%, 0.53%

LAB 38.46, 48.42, -69.01

 

CMYK 69 / 69 / 0 / 20

HEX #4040CD

RGB 64 64 205

HSL 240, 0.59%, 0.53%

LAB 36.3, 44.58, -72.64

 

CMYK 18 / 69 / 0 / 20

HEX #A840CD

RGB 168 64 205

HSL 284.26, 0.59%, 0.53%

LAB 47.49, 62.93, -53.94

 

CMYK 21 / 80 / 0 / 12

HEX #B12DE1

RGB 177 45 225

HSL 284, 0.75%, 0.53%

LAB 47.83, 75.09, -64.78

 

CMYK 23 / 90 / 0 / 4

HEX #BB19F4

RGB 187 25 244

HSL 284.38, 0.91%, 0.53%

LAB 49.24, 84.42, -73.15

 

CMYK 18 / 69 / 0 / 20

HEX #A840CD

RGB 168 64 205

HSL 284.26, 0.59%, 0.53%

LAB 47.49, 62.93, -53.94

 

CMYK 15 / 55 / 0 / 27

HEX #9F53BA

RGB 159 83 186

HSL 284.27, 0.43%, 0.53%

LAB 48.39, 48.09, -41.59

 

CMYK 10 / 38 / 0 / 35

HEX #9667A7

RGB 150 103 167

HSL 284.06, 0.27%, 0.53%

LAB 50.66, 30.47, -27.03

 

CMYK 4 / 17 / 0 / 42

HEX #8D7A93

RGB 141 122 147

HSL 285.6, 0.1%, 0.53%

LAB 53.69, 12.12, -10.79

 

CMYK 8 / 0 / 10 / 44

HEX #838E80

RGB 131 142 128

HSL 107.14, 0.06%, 0.53%

LAB 57.78, -6.76, 6.09

 

CMYK 55 / 69 / 0 / 20

HEX #5C40CD

RGB 92 64 205

HSL 251.91, 0.59%, 0.53%

LAB 38.46, 48.42, -69.01

 

CMYK 37 / 69 / 0 / 20

HEX #8240CD

RGB 130 64 205

HSL 268.09, 0.59%, 0.53%

LAB 42.49, 55.15, -62.27

 

CMYK 18 / 69 / 0 / 20

HEX #A840CD

RGB 168 64 205

HSL 284.26, 0.59%, 0.53%

LAB 47.49, 62.93, -53.94

 

CMYK 0 / 69 / 0 / 20

HEX #CD40CD

RGB 205 64 205

HSL 300, 0.59%, 0.53%

LAB 53.01, 70.99, -44.82

 

CMYK 0 / 69 / 18 / 20

HEX #CD40A8

RGB 205 64 168

HSL 315.74, 0.59%, 0.53%

LAB 51.24, 65.4, -26.12

 

CMYK 19 / 74 / 0 / 42

HEX #782695

RGB 120 38 149

HSL 284.32, 0.59%, 0.37%

LAB 33.03, 51.88, -44.39

 

CMYK 20 / 75 / 0 / 29

HEX #922EB6

RGB 146 46 182

HSL 284.12, 0.6%, 0.45%

LAB 40.32, 60.84, -52.26

 

CMYK 18 / 69 / 0 / 20

HEX #A840CD

RGB 168 64 205

HSL 284.26, 0.59%, 0.53%

LAB 47.49, 62.93, -53.94

 

CMYK 14 / 55 / 0 / 16

HEX #B761D6

RGB 183 97 214

HSL 284.1, 0.59%, 0.61%

LAB 55.55, 53.14, -46.11

 

CMYK 11 / 41 / 0 / 13

HEX #C682DE

RGB 198 130 222

HSL 284.35, 0.58%, 0.69%

LAB 64.36, 41.75, -36.64

 

CMYK 18 / 68 / 0 / 19

HEX #A941CE

RGB 169 65 206

HSL 284.26, 0.59%, 0.53%

LAB 47.84, 62.93, -53.95

 

CMYK 0 / 69 / 64 / 20

HEX #CD4049

RGB 205 64 73

HSL 356.17, 0.59%, 0.53%

LAB 48.42, 55.86, 26.88

 

CMYK 69 / 0 / 46 / 20

HEX #40CD6F

RGB 64 205 111

HSL 140, 0.59%, 0.53%

LAB 73.48, -57.76, 36.06

 

CMYK 18 / 68 / 0 / 19

HEX #A941CE

RGB 169 65 206

HSL 284.26, 0.59%, 0.53%

LAB 47.84, 62.93, -53.95

 

CMYK 0 / 18 / 69 / 20

HEX #CDA840

RGB 205 168 64

HSL 44.26, 0.59%, 0.53%

LAB 70.42, 2.51, 56.66

 

CMYK 69 / 0 / 18 / 20

HEX #40CDA8

RGB 64 205 168

HSL 164.26, 0.59%, 0.53%

LAB 74.56, -46.12, 7.61

 

CMYK 18 / 68 / 0 / 19

HEX #A941CE

RGB 169 65 206

HSL 284.26, 0.59%, 0.53%

LAB 47.84, 62.93, -53.95

 

CMYK 0 / 69 / 64 / 20

HEX #CD4049

RGB 205 64 73

HSL 356.17, 0.59%, 0.53%

LAB 48.42, 55.86, 26.88

 

CMYK 50 / 0 / 69 / 20

HEX #66CD40

RGB 102 205 64

HSL 103.83, 0.59%, 0.53%

LAB 74.1, -54.73, 58.38

 

CMYK 69 / 0 / 4 / 20

HEX #40CDC4

RGB 64 205 196

HSL 176.17, 0.59%, 0.53%

LAB 75.29, -38.86, -6.43

 

CMYK 18 / 68 / 0 / 19

HEX #A941CE

RGB 169 65 206

HSL 284.26, 0.59%, 0.53%

LAB 47.84, 62.93, -53.95

 

CMYK 0 / 53 / 69 / 20

HEX #CD6140

RGB 205 97 64

HSL 14.04, 0.59%, 0.53%

LAB 53.92, 40.48, 38.65

 

CMYK 50 / 0 / 69 / 20

HEX #66CD40

RGB 102 205 64

HSL 103.83, 0.59%, 0.53%

LAB 74.1, -54.73, 58.38

 

CMYK 69 / 16 / 0 / 20

HEX #40ACCD

RGB 64 172 205

HSL 194.04, 0.59%, 0.53%

LAB 65.75, -20.13, -25.75

 

Description

Color code: HEX #A941CE | qconv.com Color code: HEX #A941CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 65 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 65 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 68 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 68% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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