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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A930D6 it is the complementary color #56CF29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A930D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A930D6 shade: #AE30D1, #BF42E4, #D054F7, #E166FF and #F278FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A930D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A930D6 shade: #A930D6, #981EC3, #870CB0, #76009D and #65008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A930D6 shade: #A82ED5, #D52ED5, #D52EA8, #D52E7B and #D52E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A930D6 shade: #A82ED5, #7B2ED5, #4E2ED5 and #2E2ED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A930D6 shade matches the following richer shades: #A82ED5, #B11AE9 and #BA05FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A930D6 shade: #A82ED5, #9F42C1, #9556AD, #8C6A99 and #837F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A930D6 shade: #4D2ED5, #792ED5, #A62ED5, #D22ED5 and #D52EAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A930D6 shade: #741D94, #8E24B6, #A82ED5, #B650DC and #C473E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A930D6 shade: #A930D6, #D52E3C and #2ED563

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A930D6 shade: #A930D6, #D5A62E and #2ED5A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A930D6 shade: #A930D6, #D52E3C, #5DD52E and #2ED5C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A930D6 shade: #A930D6, #D5522E, #5DD52E and #2EB1D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 78 / 0 / 16

HEX #A930D6

RGB 169 48 214

HSL 283.73, 0.67%, 0.51%

LAB 46.18, 70.72, -61.22

 

Complementary color

CMYK 58 / 0 / 80 / 19

HEX #56CF29

RGB 86 207 41

HSL 103.73, 0.67%, 0.49%

LAB 74.04, -61.25, 65.84

 

CMYK 17 / 77 / 0 / 18

HEX #AE30D1

RGB 174 48 209

HSL 286.96, 0.64%, 0.5%

LAB 46.6, 70.69, -57.64

 

CMYK 16 / 71 / 0 / 11

HEX #BF42E4

RGB 191 66 228

HSL 286.3, 0.75%, 0.58%

LAB 52.48, 71.34, -58.87

 

CMYK 16 / 66 / 0 / 3

HEX #D054F7

RGB 208 84 247

HSL 285.64, 0.91%, 0.65%

LAB 58.48, 71.46, -59.76

 

CMYK 12 / 60 / 0 / 0

HEX #E166FF

RGB 225 102 255

HSL 288.24, 1%, 0.7%

LAB 63.94, 69.16, -55.33

 

CMYK 5 / 53 / 0 / 0

HEX #F278FF

RGB 242 120 255

HSL 294.22, 1%, 0.74%

LAB 69.13, 65.24, -46.98

 

CMYK 21 / 78 / 0 / 16

HEX #A930D6

RGB 169 48 214

HSL 283.73, 0.67%, 0.51%

LAB 46.18, 70.72, -61.22

 

CMYK 22 / 85 / 0 / 24

HEX #981EC3

RGB 152 30 195

HSL 284.36, 0.73%, 0.44%

LAB 40.48, 69.31, -59.58

 

CMYK 23 / 93 / 0 / 31

HEX #870CB0

RGB 135 12 176

HSL 285, 0.87%, 0.37%

LAB 35.1, 66.66, -57.23

 

CMYK 25 / 100 / 0 / 38

HEX #76009D

RGB 118 0 157

HSL 285.1, 1%, 0.31%

LAB 30.12, 62.44, -54

 

CMYK 27 / 100 / 0 / 46

HEX #65008A

RGB 101 0 138

HSL 283.91, 1%, 0.27%

LAB 25.57, 56.51, -49.82

 

CMYK 21 / 78 / 0 / 16

HEX #A82ED5

RGB 168 46 213

HSL 283.83, 0.67%, 0.51%

LAB 45.75, 70.98, -61.36

 

CMYK 0 / 78 / 0 / 16

HEX #D52ED5

RGB 213 46 213

HSL 300, 0.67%, 0.51%

LAB 52.84, 79.28, -49.58

 

CMYK 0 / 78 / 21 / 16

HEX #D52EA8

RGB 213 46 168

HSL 316.17, 0.67%, 0.51%

LAB 50.6, 72.95, -27

 

CMYK 0 / 78 / 42 / 16

HEX #D52E7B

RGB 213 46 123

HSL 332.34, 0.67%, 0.51%

LAB 48.92, 67.98, -2.58

 

CMYK 0 / 78 / 63 / 16

HEX #D52E4E

RGB 213 46 78

HSL 348.5, 0.67%, 0.51%

LAB 47.82, 64.58, 23.39

 

CMYK 21 / 78 / 0 / 16

HEX #A82ED5

RGB 168 46 213

HSL 283.83, 0.67%, 0.51%

LAB 45.75, 70.98, -61.36

 

CMYK 42 / 78 / 0 / 16

HEX #7B2ED5

RGB 123 46 213

HSL 267.66, 0.67%, 0.51%

LAB 39.53, 63.67, -71.75

 

CMYK 63 / 78 / 0 / 16

HEX #4E2ED5

RGB 78 46 213

HSL 251.5, 0.67%, 0.51%

LAB 34.76, 58.04, -79.77

 

CMYK 78 / 78 / 0 / 16

HEX #2E2ED5

RGB 46 46 213

HSL 240, 0.67%, 0.51%

LAB 32.57, 55.44, -83.47

 

CMYK 21 / 78 / 0 / 16

HEX #A82ED5

RGB 168 46 213

HSL 283.83, 0.67%, 0.51%

LAB 45.75, 70.98, -61.36

 

CMYK 24 / 89 / 0 / 9

HEX #B11AE9

RGB 177 26 233

HSL 283.77, 0.82%, 0.51%

LAB 46.93, 80.89, -70.77

 

CMYK 27 / 98 / 0 / 0

HEX #BA05FE

RGB 186 5 254

HSL 283.61, 0.99%, 0.51%

LAB 49.13, 88.21, -78.92

 

CMYK 21 / 78 / 0 / 16

HEX #A82ED5

RGB 168 46 213

HSL 283.83, 0.67%, 0.51%

LAB 45.75, 70.98, -61.36

 

CMYK 18 / 66 / 0 / 24

HEX #9F42C1

RGB 159 66 193

HSL 283.94, 0.51%, 0.51%

LAB 45.79, 57.68, -49.79

 

CMYK 14 / 50 / 0 / 32

HEX #9556AD

RGB 149 86 173

HSL 283.45, 0.35%, 0.51%

LAB 47.06, 40.98, -36.19

 

CMYK 8 / 31 / 0 / 40

HEX #8C6A99

RGB 140 106 153

HSL 283.4, 0.19%, 0.51%

LAB 49.72, 22.42, -20.36

 

CMYK 1 / 4 / 0 / 48

HEX #837F84

RGB 131 127 132

HSL 288, 0.02%, 0.51%

LAB 53.68, 2.5, -2.17

 

CMYK 64 / 78 / 0 / 16

HEX #4D2ED5

RGB 77 46 213

HSL 251.14, 0.67%, 0.51%

LAB 34.67, 57.93, -79.92

 

CMYK 43 / 78 / 0 / 16

HEX #792ED5

RGB 121 46 213

HSL 266.95, 0.67%, 0.51%

LAB 39.28, 63.38, -72.17

 

CMYK 22 / 78 / 0 / 16

HEX #A62ED5

RGB 166 46 213

HSL 283.11, 0.67%, 0.51%

LAB 45.45, 70.63, -61.86

 

CMYK 1 / 78 / 0 / 16

HEX #D22ED5

RGB 210 46 213

HSL 298.92, 0.67%, 0.51%

LAB 52.35, 78.71, -50.39

 

CMYK 0 / 78 / 20 / 16

HEX #D52EAB

RGB 213 46 171

HSL 315.09, 0.67%, 0.51%

LAB 50.73, 73.34, -28.56

 

CMYK 22 / 80 / 0 / 42

HEX #741D94

RGB 116 29 148

HSL 283.87, 0.67%, 0.35%

LAB 31.18, 54.15, -46.78

 

CMYK 22 / 80 / 0 / 29

HEX #8E24B6

RGB 142 36 182

HSL 283.56, 0.67%, 0.43%

LAB 38.53, 63.47, -55.17

 

CMYK 21 / 78 / 0 / 16

HEX #A82ED5

RGB 168 46 213

HSL 283.83, 0.67%, 0.51%

LAB 45.75, 70.98, -61.36

 

CMYK 17 / 64 / 0 / 14

HEX #B650DC

RGB 182 80 220

HSL 283.71, 0.67%, 0.59%

LAB 52.78, 62.16, -53.93

 

CMYK 14 / 49 / 0 / 11

HEX #C473E3

RGB 196 115 227

HSL 283.39, 0.67%, 0.67%

LAB 61.26, 50.11, -44.3

 

CMYK 21 / 78 / 0 / 16

HEX #A930D6

RGB 169 48 214

HSL 283.73, 0.67%, 0.51%

LAB 46.18, 70.72, -61.22

 

CMYK 0 / 78 / 72 / 16

HEX #D52E3C

RGB 213 46 60

HSL 354.97, 0.67%, 0.51%

LAB 47.53, 63.68, 33.83

 

CMYK 78 / 0 / 54 / 16

HEX #2ED563

RGB 46 213 99

HSL 139.04, 0.67%, 0.51%

LAB 75.49, -64.99, 44.36

 

CMYK 21 / 78 / 0 / 16

HEX #A930D6

RGB 169 48 214

HSL 283.73, 0.67%, 0.51%

LAB 46.18, 70.72, -61.22

 

CMYK 0 / 22 / 78 / 16

HEX #D5A62E

RGB 213 166 46

HSL 43.11, 0.67%, 0.51%

LAB 70.61, 6.24, 64.09

 

CMYK 78 / 0 / 22 / 16

HEX #2ED5A6

RGB 46 213 166

HSL 163.11, 0.67%, 0.51%

LAB 76.63, -52.15, 11.59

 

CMYK 21 / 78 / 0 / 16

HEX #A930D6

RGB 169 48 214

HSL 283.73, 0.67%, 0.51%

LAB 46.18, 70.72, -61.22

 

CMYK 0 / 78 / 72 / 16

HEX #D52E3C

RGB 213 46 60

HSL 354.97, 0.67%, 0.51%

LAB 47.53, 63.68, 33.83

 

CMYK 56 / 0 / 78 / 16

HEX #5DD52E

RGB 93 213 46

HSL 103.11, 0.67%, 0.51%

LAB 76.14, -61.31, 66.45

 

CMYK 78 / 0 / 7 / 16

HEX #2ED5C7

RGB 46 213 199

HSL 174.97, 0.67%, 0.51%

LAB 77.46, -43.66, -4.88

 

CMYK 21 / 78 / 0 / 16

HEX #A930D6

RGB 169 48 214

HSL 283.73, 0.67%, 0.51%

LAB 46.18, 70.72, -61.22

 

CMYK 0 / 62 / 78 / 16

HEX #D5522E

RGB 213 82 46

HSL 12.93, 0.67%, 0.51%

LAB 52.26, 49.76, 46.62

 

CMYK 56 / 0 / 78 / 16

HEX #5DD52E

RGB 93 213 46

HSL 103.11, 0.67%, 0.51%

LAB 76.14, -61.31, 66.45

 

CMYK 78 / 17 / 0 / 16

HEX #2EB1D5

RGB 46 177 213

HSL 192.93, 0.67%, 0.51%

LAB 67.15, -22.34, -28.04

 

Description

Color code: HEX #A930D6 | qconv.com Color code: HEX #A930D6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 48 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 48 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 78 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 78% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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