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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A93086 it is the complementary color #56CF79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A93086. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A93086 shade: #AE3081, #BF4294, #D054A7, #E166BA and #F278CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A93086. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A93086 shade: #A93086, #981E73, #870C60, #76004D and #65003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A93086 shade: #AB3087, #AB3066, #AB3045 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A93086 shade: #AB3087, #AB30A8, #8C30AB, #6B30AB and #4A30AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A93086 shade matches the following richer shades: #AB3087, #BC1E8E and #CE0C96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A93086 shade: #AB3087, #994180, #875378, #756571 and #647769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A93086 shade: #8C30AB, #AB30A9, #AB3088, #AB3067 and #AB3046

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A93086 shade: #6A1E54, #8A276E, #AB3087, #C83C9F and #D15CAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A93086 shade: #A93086, #AB6B30 and #30AB9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A93086 shade: #A93086, #88AB30 and #3088AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A93086 shade: #A93086, #AB6B30, #30AB53 and #306FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A93086 shade: #A93086, #AB9030, #30AB53 and #304AAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 21 / 34

HEX #A93086

RGB 169 48 134

HSL 317.36, 0.56%, 0.43%

LAB 41.64, 57.24, -21.06

 

Complementary color

CMYK 58 / 0 / 42 / 19

HEX #56CF79

RGB 86 207 121

HSL 137.36, 0.56%, 0.57%

LAB 74.82, -52.53, 32.83

 

CMYK 0 / 72 / 26 / 32

HEX #AE3081

RGB 174 48 129

HSL 321.43, 0.57%, 0.44%

LAB 42.3, 57.88, -16.9

 

CMYK 0 / 65 / 23 / 25

HEX #BF4294

RGB 191 66 148

HSL 320.64, 0.49%, 0.5%

LAB 48.4, 58.17, -18.82

 

CMYK 0 / 60 / 20 / 18

HEX #D054A7

RGB 208 84 167

HSL 319.84, 0.57%, 0.57%

LAB 54.6, 58, -20.32

 

CMYK 0 / 55 / 17 / 12

HEX #E166BA

RGB 225 102 186

HSL 319.02, 0.67%, 0.64%

LAB 60.83, 57.56, -21.53

 

CMYK 0 / 50 / 15 / 5

HEX #F278CD

RGB 242 120 205

HSL 318.2, 0.82%, 0.71%

LAB 67.06, 56.98, -22.54

 

CMYK 0 / 72 / 21 / 34

HEX #A93086

RGB 169 48 134

HSL 317.36, 0.56%, 0.43%

LAB 41.64, 57.24, -21.06

 

CMYK 0 / 80 / 24 / 40

HEX #981E73

RGB 152 30 115

HSL 318.2, 0.67%, 0.36%

LAB 35.68, 56.22, -18.71

 

CMYK 0 / 91 / 29 / 47

HEX #870C60

RGB 135 12 96

HSL 319.02, 0.84%, 0.29%

LAB 30.06, 53.94, -15.49

 

CMYK 0 / 100 / 35 / 54

HEX #76004D

RGB 118 0 77

HSL 320.85, 1%, 0.23%

LAB 24.91, 49.94, -11.09

 

CMYK 0 / 100 / 43 / 60

HEX #65003A

RGB 101 0 58

HSL 325.54, 1%, 0.2%

LAB 20.33, 43.92, -5.33

 

CMYK 0 / 72 / 21 / 33

HEX #AB3087

RGB 171 48 135

HSL 317.56, 0.56%, 0.43%

LAB 42.03, 57.9, -21.04

 

CMYK 0 / 72 / 40 / 33

HEX #AB3066

RGB 171 48 102

HSL 333.66, 0.56%, 0.43%

LAB 40.79, 53.86, -2.48

 

CMYK 0 / 72 / 60 / 33

HEX #AB3045

RGB 171 48 69

HSL 349.76, 0.56%, 0.43%

LAB 39.92, 50.95, 17.08

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 72 / 21 / 33

HEX #AB3087

RGB 171 48 135

HSL 317.56, 0.56%, 0.43%

LAB 42.03, 57.9, -21.04

 

CMYK 0 / 72 / 2 / 33

HEX #AB30A8

RGB 171 48 168

HSL 301.46, 0.56%, 0.43%

LAB 43.65, 62.89, -38.4

 

CMYK 18 / 72 / 0 / 33

HEX #8C30AB

RGB 140 48 171

HSL 284.88, 0.56%, 0.43%

LAB 38.95, 56.64, -47.98

 

CMYK 37 / 72 / 0 / 33

HEX #6B30AB

RGB 107 48 171

HSL 268.78, 0.56%, 0.43%

LAB 34.35, 49.94, -55.63

 

CMYK 57 / 72 / 0 / 33

HEX #4A30AB

RGB 74 48 171

HSL 252.68, 0.56%, 0.43%

LAB 30.66, 44.22, -61.81

 

CMYK 0 / 72 / 21 / 33

HEX #AB3087

RGB 171 48 135

HSL 317.56, 0.56%, 0.43%

LAB 42.03, 57.9, -21.04

 

CMYK 0 / 84 / 24 / 26

HEX #BC1E8E

RGB 188 30 142

HSL 317.47, 0.72%, 0.43%

LAB 43.61, 67.97, -22.61

 

CMYK 0 / 94 / 27 / 19

HEX #CE0C96

RGB 206 12 150

HSL 317.32, 0.89%, 0.43%

LAB 46.43, 75.42, -22.83

 

CMYK 0 / 72 / 21 / 33

HEX #AB3087

RGB 171 48 135

HSL 317.56, 0.56%, 0.43%

LAB 42.03, 57.9, -21.04

 

CMYK 0 / 58 / 16 / 40

HEX #994180

RGB 153 65 128

HSL 317.05, 0.4%, 0.43%

LAB 41.39, 44.58, -17.98

 

CMYK 0 / 39 / 11 / 47

HEX #875378

RGB 135 83 120

HSL 317.31, 0.24%, 0.43%

LAB 42.3, 27.5, -11.93

 

CMYK 0 / 14 / 3 / 54

HEX #756571

RGB 117 101 113

HSL 315, 0.07%, 0.43%

LAB 44.63, 8.67, -4.39

 

CMYK 16 / 0 / 12 / 53

HEX #647769

RGB 100 119 105

HSL 135.79, 0.09%, 0.43%

LAB 48.16, -10, 5.37

 

CMYK 18 / 72 / 0 / 33

HEX #8C30AB

RGB 140 48 171

HSL 284.88, 0.56%, 0.43%

LAB 38.95, 56.64, -47.98

 

CMYK 0 / 72 / 1 / 33

HEX #AB30A9

RGB 171 48 169

HSL 300.98, 0.56%, 0.43%

LAB 43.71, 63.06, -38.91

 

CMYK 0 / 72 / 20 / 33

HEX #AB3088

RGB 171 48 136

HSL 317.07, 0.56%, 0.43%

LAB 42.08, 58.03, -21.58

 

CMYK 0 / 72 / 40 / 33

HEX #AB3067

RGB 171 48 103

HSL 333.17, 0.56%, 0.43%

LAB 40.82, 53.97, -3.06

 

CMYK 0 / 72 / 59 / 33

HEX #AB3046

RGB 171 48 70

HSL 349.27, 0.56%, 0.43%

LAB 39.94, 51.02, 16.48

 

CMYK 0 / 72 / 21 / 58

HEX #6A1E54

RGB 106 30 84

HSL 317.37, 0.56%, 0.27%

LAB 25.66, 39.62, -14.84

 

CMYK 0 / 72 / 20 / 46

HEX #8A276E

RGB 138 39 110

HSL 316.97, 0.56%, 0.35%

LAB 33.94, 48.93, -18.44

 

CMYK 0 / 72 / 21 / 33

HEX #AB3087

RGB 171 48 135

HSL 317.56, 0.56%, 0.43%

LAB 42.03, 57.9, -21.04

 

CMYK 0 / 70 / 21 / 22

HEX #C83C9F

RGB 200 60 159

HSL 317.57, 0.56%, 0.51%

LAB 49.51, 64.34, -23.54

 

CMYK 0 / 56 / 16 / 18

HEX #D15CAF

RGB 209 92 175

HSL 317.44, 0.56%, 0.59%

LAB 56.39, 55.86, -22.21

 

CMYK 0 / 72 / 21 / 34

HEX #A93086

RGB 169 48 134

HSL 317.36, 0.56%, 0.43%

LAB 41.64, 57.24, -21.06

 

CMYK 0 / 37 / 72 / 33

HEX #AB6B30

RGB 171 107 48

HSL 28.78, 0.56%, 0.43%

LAB 51.14, 20.31, 42.51

 

CMYK 72 / 0 / 9 / 33

HEX #30AB9C

RGB 48 171 156

HSL 172.68, 0.56%, 0.43%

LAB 63.47, -36.56, -1.93

 

CMYK 0 / 72 / 21 / 34

HEX #A93086

RGB 169 48 134

HSL 317.36, 0.56%, 0.43%

LAB 41.64, 57.24, -21.06

 

CMYK 20 / 0 / 72 / 33

HEX #88AB30

RGB 136 171 48

HSL 77.07, 0.56%, 0.43%

LAB 65.42, -29.51, 56.12

 

CMYK 72 / 20 / 0 / 33

HEX #3088AB

RGB 48 136 171

HSL 197.07, 0.56%, 0.43%

LAB 53.14, -14.27, -26.03

 

CMYK 0 / 72 / 21 / 34

HEX #A93086

RGB 169 48 134

HSL 317.36, 0.56%, 0.43%

LAB 41.64, 57.24, -21.06

 

CMYK 0 / 37 / 72 / 33

HEX #AB6B30

RGB 171 107 48

HSL 28.78, 0.56%, 0.43%

LAB 51.14, 20.31, 42.51

 

CMYK 72 / 0 / 51 / 33

HEX #30AB53

RGB 48 171 83

HSL 137.07, 0.56%, 0.43%

LAB 61.98, -52.52, 35.63

 

CMYK 72 / 35 / 0 / 33

HEX #306FAB

RGB 48 111 171

HSL 209.27, 0.56%, 0.43%

LAB 45.55, 0.35, -37.91

 

CMYK 0 / 72 / 21 / 34

HEX #A93086

RGB 169 48 134

HSL 317.36, 0.56%, 0.43%

LAB 41.64, 57.24, -21.06

 

CMYK 0 / 16 / 72 / 33

HEX #AB9030

RGB 171 144 48

HSL 46.83, 0.56%, 0.43%

LAB 60.62, -0.36, 52.29

 

CMYK 72 / 0 / 51 / 33

HEX #30AB53

RGB 48 171 83

HSL 137.07, 0.56%, 0.43%

LAB 61.98, -52.52, 35.63

 

CMYK 72 / 57 / 0 / 33

HEX #304AAB

RGB 48 74 171

HSL 227.32, 0.56%, 0.43%

LAB 34.94, 24.25, -54.92

 

Description

Color code: HEX #A93086 | qconv.com Color code: HEX #A93086 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 48 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 48 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 21 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 21% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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