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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A91AD4 it is the complementary color #56E52B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A91AD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A91AD4 shade: #AE1ACF, #BF2CE2, #D03EF5, #E150FF and #F262FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A91AD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A91AD4 shade: #A91AD4, #9808C1, #8700AE, #76009B and #650088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A91AD4 shade: #AA1AD5, #D51ACE, #D51A9B, #D51A69 and #D51A36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A91AD4 shade: #AA1AD5, #771AD5, #451AD5 and #1A1AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A91AD4 shade matches the following richer shades: #AA1AD5 and #B406E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A91AD4 shade: #AA1AD5, #9F2DC1, #9541AE, #8A549B and #806787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A91AD4 shade: #451AD5, #771AD5, #A91AD5, #D51ACF and #D51A9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A91AD4 shade: #6F118B, #8C15B0, #AA1AD5, #BC33E5 and #C857EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A91AD4 shade: #A91AD4, #D51A20 and #1AD55E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A91AD4 shade: #A91AD4, #D5A91A and #1AD5A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A91AD4 shade: #A91AD4, #D51A20, #45D51A and #1AD5CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A91AD4 shade: #A91AD4, #D54C1A, #45D51A and #1AA3D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 88 / 0 / 17

HEX #A91AD4

RGB 169 26 212

HSL 286.13, 0.78%, 0.47%

LAB 44.13, 75.94, -63.4

 

Complementary color

CMYK 62 / 0 / 81 / 10

HEX #56E52B

RGB 86 229 43

HSL 106.13, 0.78%, 0.53%

LAB 80.85, -68.54, 71.58

 

CMYK 16 / 87 / 0 / 19

HEX #AE1ACF

RGB 174 26 207

HSL 289.06, 0.78%, 0.46%

LAB 44.58, 75.83, -59.75

 

CMYK 15 / 81 / 0 / 11

HEX #BF2CE2

RGB 191 44 226

HSL 288.46, 0.76%, 0.53%

LAB 49.94, 77.92, -61.83

 

CMYK 15 / 75 / 0 / 4

HEX #D03EF5

RGB 208 62 245

HSL 287.87, 0.9%, 0.6%

LAB 55.53, 79.1, -63.38

 

CMYK 12 / 69 / 0 / 0

HEX #E150FF

RGB 225 80 255

HSL 289.71, 1%, 0.66%

LAB 60.75, 78.04, -60.42

 

CMYK 5 / 62 / 0 / 0

HEX #F262FF

RGB 242 98 255

HSL 295.03, 1%, 0.69%

LAB 65.62, 74.81, -52.52

 

CMYK 20 / 88 / 0 / 17

HEX #A91AD4

RGB 169 26 212

HSL 286.13, 0.78%, 0.47%

LAB 44.13, 75.94, -63.4

 

CMYK 21 / 96 / 0 / 24

HEX #9808C1

RGB 152 8 193

HSL 286.7, 0.92%, 0.39%

LAB 39.07, 72.67, -60.7

 

CMYK 22 / 100 / 0 / 32

HEX #8700AE

RGB 135 0 174

HSL 286.55, 1%, 0.34%

LAB 34.41, 67.87, -57.16

 

CMYK 24 / 100 / 0 / 39

HEX #76009B

RGB 118 0 155

HSL 285.68, 1%, 0.3%

LAB 29.96, 62.06, -53.05

 

CMYK 26 / 100 / 0 / 47

HEX #650088

RGB 101 0 136

HSL 284.56, 1%, 0.27%

LAB 25.39, 56.12, -48.86

 

CMYK 20 / 88 / 0 / 16

HEX #AA1AD5

RGB 170 26 213

HSL 286.2, 0.78%, 0.47%

LAB 44.36, 76.27, -63.59

 

CMYK 0 / 88 / 3 / 16

HEX #D51ACE

RGB 213 26 206

HSL 302.25, 0.78%, 0.47%

LAB 51.08, 82.23, -48.37

 

CMYK 0 / 88 / 27 / 16

HEX #D51A9B

RGB 213 26 155

HSL 318.61, 0.78%, 0.47%

LAB 48.58, 75.64, -22.41

 

CMYK 0 / 88 / 51 / 16

HEX #D51A69

RGB 213 26 105

HSL 334.65, 0.78%, 0.47%

LAB 46.85, 70.89, 5.45

 

CMYK 0 / 88 / 75 / 16

HEX #D51A36

RGB 213 26 54

HSL 351.02, 0.78%, 0.47%

LAB 45.84, 68.01, 35.42

 

CMYK 20 / 88 / 0 / 16

HEX #AA1AD5

RGB 170 26 213

HSL 286.2, 0.78%, 0.47%

LAB 44.36, 76.27, -63.59

 

CMYK 44 / 88 / 0 / 16

HEX #771AD5

RGB 119 26 213

HSL 269.84, 0.78%, 0.47%

LAB 36.86, 69.47, -76.15

 

CMYK 68 / 88 / 0 / 16

HEX #451AD5

RGB 69 26 213

HSL 253.8, 0.78%, 0.47%

LAB 31.37, 65.04, -85.42

 

CMYK 88 / 88 / 0 / 16

HEX #1A1AD5

RGB 26 26 213

HSL 240, 0.78%, 0.47%

LAB 28.81, 63.2, -89.75

 

CMYK 20 / 88 / 0 / 16

HEX #AA1AD5

RGB 170 26 213

HSL 286.2, 0.78%, 0.47%

LAB 44.36, 76.27, -63.59

 

CMYK 22 / 97 / 0 / 9

HEX #B406E8

RGB 180 6 232

HSL 286.19, 0.95%, 0.47%

LAB 46.52, 83.52, -70.85

 

CMYK 20 / 88 / 0 / 16

HEX #AA1AD5

RGB 170 26 213

HSL 286.2, 0.78%, 0.47%

LAB 44.36, 76.27, -63.59

 

CMYK 18 / 77 / 0 / 24

HEX #9F2DC1

RGB 159 45 193

HSL 286.22, 0.62%, 0.47%

LAB 42.91, 65.84, -54.43

 

CMYK 14 / 63 / 0 / 32

HEX #9541AE

RGB 149 65 174

HSL 286.24, 0.46%, 0.47%

LAB 43.1, 51.89, -43.04

 

CMYK 11 / 46 / 0 / 39

HEX #8A549B

RGB 138 84 155

HSL 285.63, 0.3%, 0.47%

LAB 44.39, 34.93, -29.82

 

CMYK 5 / 24 / 0 / 47

HEX #806787

RGB 128 103 135

HSL 286.88, 0.13%, 0.47%

LAB 47.03, 16.14, -13.9

 

CMYK 68 / 88 / 0 / 16

HEX #451AD5

RGB 69 26 213

HSL 253.8, 0.78%, 0.47%

LAB 31.37, 65.04, -85.42

 

CMYK 44 / 88 / 0 / 16

HEX #771AD5

RGB 119 26 213

HSL 269.84, 0.78%, 0.47%

LAB 36.86, 69.47, -76.15

 

CMYK 21 / 88 / 0 / 16

HEX #A91AD5

RGB 169 26 213

HSL 285.88, 0.78%, 0.47%

LAB 44.2, 76.12, -63.86

 

CMYK 0 / 88 / 3 / 16

HEX #D51ACF

RGB 213 26 207

HSL 301.93, 0.78%, 0.47%

LAB 51.14, 82.38, -48.86

 

CMYK 0 / 88 / 26 / 16

HEX #D51A9D

RGB 213 26 157

HSL 317.97, 0.78%, 0.47%

LAB 48.66, 75.87, -23.47

 

CMYK 20 / 88 / 0 / 45

HEX #6F118B

RGB 111 17 139

HSL 286.23, 0.78%, 0.31%

LAB 28.5, 54.9, -45.61

 

CMYK 20 / 88 / 0 / 31

HEX #8C15B0

RGB 140 21 176

HSL 286.06, 0.79%, 0.39%

LAB 36.45, 65.85, -54.99

 

CMYK 20 / 88 / 0 / 16

HEX #AA1AD5

RGB 170 26 213

HSL 286.2, 0.78%, 0.47%

LAB 44.36, 76.27, -63.59

 

CMYK 18 / 78 / 0 / 10

HEX #BC33E5

RGB 188 51 229

HSL 286.18, 0.77%, 0.55%

LAB 50.35, 75.98, -62.88

 

CMYK 15 / 63 / 0 / 8

HEX #C857EA

RGB 200 87 234

HSL 286.12, 0.78%, 0.63%

LAB 57.11, 65.94, -54.76

 

CMYK 20 / 88 / 0 / 17

HEX #A91AD4

RGB 169 26 212

HSL 286.13, 0.78%, 0.47%

LAB 44.13, 75.94, -63.4

 

CMYK 0 / 88 / 85 / 16

HEX #D51A20

RGB 213 26 32

HSL 358.07, 0.78%, 0.47%

LAB 45.62, 67.37, 47.35

 

CMYK 88 / 0 / 56 / 16

HEX #1AD55E

RGB 26 213 94

HSL 141.82, 0.78%, 0.47%

LAB 75.21, -67.58, 46.31

 

CMYK 20 / 88 / 0 / 17

HEX #A91AD4

RGB 169 26 212

HSL 286.13, 0.78%, 0.47%

LAB 44.13, 75.94, -63.4

 

CMYK 0 / 21 / 88 / 16

HEX #D5A91A

RGB 213 169 26

HSL 45.88, 0.78%, 0.47%

LAB 71.28, 4.07, 70.38

 

CMYK 88 / 0 / 21 / 16

HEX #1AD5A9

RGB 26 213 169

HSL 165.88, 0.78%, 0.47%

LAB 76.48, -53.04, 9.75

 

CMYK 20 / 88 / 0 / 17

HEX #A91AD4

RGB 169 26 212

HSL 286.13, 0.78%, 0.47%

LAB 44.13, 75.94, -63.4

 

CMYK 0 / 88 / 85 / 16

HEX #D51A20

RGB 213 26 32

HSL 358.07, 0.78%, 0.47%

LAB 45.62, 67.37, 47.35

 

CMYK 68 / 0 / 88 / 16

HEX #45D51A

RGB 69 213 26

HSL 106.2, 0.78%, 0.47%

LAB 75.41, -67.62, 70.39

 

CMYK 88 / 0 / 3 / 16

HEX #1AD5CF

RGB 26 213 207

HSL 178.07, 0.78%, 0.47%

LAB 77.47, -42.86, -9.18

 

CMYK 20 / 88 / 0 / 17

HEX #A91AD4

RGB 169 26 212

HSL 286.13, 0.78%, 0.47%

LAB 44.13, 75.94, -63.4

 

CMYK 0 / 64 / 88 / 16

HEX #D54C1A

RGB 213 76 26

HSL 16.04, 0.78%, 0.47%

LAB 51.14, 51.83, 54.51

 

CMYK 68 / 0 / 88 / 16

HEX #45D51A

RGB 69 213 26

HSL 106.2, 0.78%, 0.47%

LAB 75.41, -67.62, 70.39

 

CMYK 88 / 23 / 0 / 16

HEX #1AA3D5

RGB 26 163 213

HSL 196.04, 0.78%, 0.47%

LAB 62.69, -16.56, -34.97

 

Description

Color code: HEX #A91AD4 | qconv.com Color code: HEX #A91AD4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 26 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 26 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 88 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 88% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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