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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A914C1 it is the complementary color #56EB3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A914C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A914C1 shade: #AE14BC, #BF26CF, #D038E2, #E14AF5 and #F25CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A914C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A914C1 shade: #A914C1, #9802AE, #87009B, #760088 and #650075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A914C1 shade: #A914C1, #C114AB, #C1147C, #C1144D and #C1141E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A914C1 shade: #A914C1, #7B14C1, #4C14C1, #1D14C1 and #1414C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A914C1 shade matches the following richer shades: #A914C1 and #B603D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A914C1 shade: #A914C1, #9D25B0, #90379F, #84488D and #77597C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A914C1 shade: #4B14C1, #7914C1, #A714C1, #C114AD and #C1147F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A914C1 shade: #680C77, #89109C, #A914C1, #CA18E6 and #D23DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A914C1 shade: #A914C1, #C11D14 and #14C162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A914C1 shade: #A914C1, #C1A714 and #14C1A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A914C1 shade: #A914C1, #C11D14, #2EC114 and #14B9C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A914C1 shade: #A914C1, #C15114, #2EC114 and #1485C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 90 / 0 / 24

HEX #A914C1

RGB 169 20 193

HSL 291.68, 0.81%, 0.42%

LAB 42.44, 73.67, -55.11

 

Complementary color

CMYK 63 / 0 / 74 / 8

HEX #56EB3E

RGB 86 235 62

HSL 111.68, 0.81%, 0.58%

LAB 82.78, -69.38, 67.79

 

CMYK 7 / 89 / 0 / 26

HEX #AE14BC

RGB 174 20 188

HSL 295, 0.81%, 0.41%

LAB 42.96, 73.67, -51.3

 

CMYK 8 / 82 / 0 / 19

HEX #BF26CF

RGB 191 38 207

HSL 294.32, 0.69%, 0.48%

LAB 48.22, 76.17, -53.74

 

CMYK 8 / 75 / 0 / 11

HEX #D038E2

RGB 208 56 226

HSL 293.65, 0.75%, 0.55%

LAB 53.74, 77.67, -55.58

 

CMYK 8 / 70 / 0 / 4

HEX #E14AF5

RGB 225 74 245

HSL 292.98, 0.9%, 0.63%

LAB 59.43, 78.44, -56.99

 

CMYK 5 / 64 / 0 / 0

HEX #F25CFF

RGB 242 92 255

HSL 295.21, 1%, 0.68%

LAB 64.76, 77.18, -53.88

 

CMYK 12 / 90 / 0 / 24

HEX #A914C1

RGB 169 20 193

HSL 291.68, 0.81%, 0.42%

LAB 42.44, 73.67, -55.11

 

CMYK 13 / 99 / 0 / 32

HEX #9802AE

RGB 152 2 174

HSL 292.33, 0.98%, 0.35%

LAB 37.44, 70.07, -52.11

 

CMYK 13 / 100 / 0 / 39

HEX #87009B

RGB 135 0 155

HSL 292.26, 1%, 0.3%

LAB 32.96, 64.53, -48.04

 

CMYK 13 / 100 / 0 / 47

HEX #760088

RGB 118 0 136

HSL 292.06, 1%, 0.27%

LAB 28.46, 58.62, -43.74

 

CMYK 14 / 100 / 0 / 54

HEX #650075

RGB 101 0 117

HSL 291.79, 1%, 0.23%

LAB 23.84, 52.55, -39.34

 

CMYK 12 / 90 / 0 / 24

HEX #A914C1

RGB 169 20 193

HSL 291.68, 0.81%, 0.42%

LAB 42.44, 73.67, -55.11

 

CMYK 0 / 90 / 11 / 24

HEX #C114AB

RGB 193 20 171

HSL 307.63, 0.81%, 0.42%

LAB 45.33, 74.54, -37.29

 

CMYK 0 / 90 / 36 / 24

HEX #C1147C

RGB 193 20 124

HSL 323.93, 0.81%, 0.42%

LAB 43.2, 68.9, -12.13

 

CMYK 0 / 90 / 60 / 24

HEX #C1144D

RGB 193 20 77

HSL 340.23, 0.81%, 0.42%

LAB 41.8, 65.03, 15.32

 

CMYK 0 / 90 / 84 / 24

HEX #C1141E

RGB 193 20 30

HSL 356.53, 0.81%, 0.42%

LAB 41.11, 63.05, 42.8

 

CMYK 12 / 90 / 0 / 24

HEX #A914C1

RGB 169 20 193

HSL 291.68, 0.81%, 0.42%

LAB 42.44, 73.67, -55.11

 

CMYK 36 / 90 / 0 / 24

HEX #7B14C1

RGB 123 20 193

HSL 275.72, 0.81%, 0.42%

LAB 35.13, 67, -67.33

 

CMYK 61 / 90 / 0 / 24

HEX #4C14C1

RGB 76 20 193

HSL 259.42, 0.81%, 0.42%

LAB 29.13, 62.15, -77.43

 

CMYK 85 / 90 / 0 / 24

HEX #1D14C1

RGB 29 20 193

HSL 243.12, 0.81%, 0.42%

LAB 25.6, 59.71, -83.39

 

CMYK 90 / 90 / 0 / 24

HEX #1414C1

RGB 20 20 193

HSL 240, 0.81%, 0.42%

LAB 25.26, 59.49, -83.97

 

CMYK 12 / 90 / 0 / 24

HEX #A914C1

RGB 169 20 193

HSL 291.68, 0.81%, 0.42%

LAB 42.44, 73.67, -55.11

 

CMYK 14 / 99 / 0 / 17

HEX #B603D3

RGB 182 3 211

HSL 291.63, 0.97%, 0.42%

LAB 45.24, 80.51, -60.92

 

CMYK 12 / 90 / 0 / 24

HEX #A914C1

RGB 169 20 193

HSL 291.68, 0.81%, 0.42%

LAB 42.44, 73.67, -55.11

 

CMYK 11 / 79 / 0 / 31

HEX #9D25B0

RGB 157 37 176

HSL 291.8, 0.65%, 0.42%

LAB 40.62, 64.83, -48.13

 

CMYK 9 / 65 / 0 / 38

HEX #90379F

RGB 144 55 159

HSL 291.35, 0.49%, 0.42%

LAB 39.86, 52.24, -39.31

 

CMYK 6 / 49 / 0 / 45

HEX #84488D

RGB 132 72 141

HSL 292.17, 0.32%, 0.42%

LAB 40.35, 36.83, -27.77

 

CMYK 4 / 28 / 0 / 51

HEX #77597C

RGB 119 89 124

HSL 291.43, 0.16%, 0.42%

LAB 42.03, 18.96, -14.95

 

CMYK 61 / 90 / 0 / 24

HEX #4B14C1

RGB 75 20 193

HSL 259.08, 0.81%, 0.42%

LAB 29.02, 62.08, -77.6

 

CMYK 37 / 90 / 0 / 24

HEX #7914C1

RGB 121 20 193

HSL 275.03, 0.81%, 0.42%

LAB 34.83, 66.74, -67.82

 

CMYK 13 / 90 / 0 / 24

HEX #A714C1

RGB 167 20 193

HSL 290.98, 0.81%, 0.42%

LAB 42.1, 73.35, -55.67

 

CMYK 0 / 90 / 10 / 24

HEX #C114AD

RGB 193 20 173

HSL 306.94, 0.81%, 0.42%

LAB 45.43, 74.81, -38.3

 

CMYK 0 / 90 / 34 / 24

HEX #C1147F

RGB 193 20 127

HSL 322.89, 0.81%, 0.42%

LAB 43.32, 69.21, -13.81

 

CMYK 13 / 90 / 0 / 53

HEX #680C77

RGB 104 12 119

HSL 291.59, 0.82%, 0.26%

LAB 25.38, 50.98, -38.11

 

CMYK 12 / 90 / 0 / 39

HEX #89109C

RGB 137 16 156

HSL 291.86, 0.81%, 0.34%

LAB 34.17, 62.7, -46.67

 

CMYK 12 / 90 / 0 / 24

HEX #A914C1

RGB 169 20 193

HSL 291.68, 0.81%, 0.42%

LAB 42.44, 73.67, -55.11

 

CMYK 12 / 90 / 0 / 10

HEX #CA18E6

RGB 202 24 230

HSL 291.84, 0.81%, 0.5%

LAB 50.6, 84.38, -62.95

 

CMYK 10 / 74 / 0 / 8

HEX #D23DEA

RGB 210 61 234

HSL 291.68, 0.8%, 0.58%

LAB 55.05, 77.87, -57.97

 

CMYK 12 / 90 / 0 / 24

HEX #A914C1

RGB 169 20 193

HSL 291.68, 0.81%, 0.42%

LAB 42.44, 73.67, -55.11

 

CMYK 0 / 85 / 90 / 24

HEX #C11D14

RGB 193 29 20

HSL 3.12, 0.81%, 0.42%

LAB 41.64, 61.13, 48.04

 

CMYK 90 / 0 / 49 / 24

HEX #14C162

RGB 20 193 98

HSL 147.05, 0.81%, 0.42%

LAB 68.87, -60.89, 36.61

 

CMYK 12 / 90 / 0 / 24

HEX #A914C1

RGB 169 20 193

HSL 291.68, 0.81%, 0.42%

LAB 42.44, 73.67, -55.11

 

CMYK 0 / 13 / 90 / 24

HEX #C1A714

RGB 193 167 20

HSL 50.98, 0.81%, 0.42%

LAB 68.77, -3.83, 68.8

 

CMYK 90 / 0 / 13 / 24

HEX #14C1A7

RGB 20 193 167

HSL 170.98, 0.81%, 0.42%

LAB 70.23, -45.73, 1.83

 

CMYK 12 / 90 / 0 / 24

HEX #A914C1

RGB 169 20 193

HSL 291.68, 0.81%, 0.42%

LAB 42.44, 73.67, -55.11

 

CMYK 0 / 85 / 90 / 24

HEX #C11D14

RGB 193 29 20

HSL 3.12, 0.81%, 0.42%

LAB 41.64, 61.13, 48.04

 

CMYK 76 / 0 / 90 / 24

HEX #2EC114

RGB 46 193 20

HSL 110.98, 0.81%, 0.42%

LAB 68.59, -65.6, 65.43

 

CMYK 90 / 4 / 0 / 24

HEX #14B9C1

RGB 20 185 193

HSL 182.77, 0.81%, 0.42%

LAB 68.53, -34.61, -14.96

 

CMYK 12 / 90 / 0 / 24

HEX #A914C1

RGB 169 20 193

HSL 291.68, 0.81%, 0.42%

LAB 42.44, 73.67, -55.11

 

CMYK 0 / 58 / 90 / 24

HEX #C15114

RGB 193 81 20

HSL 21.16, 0.81%, 0.42%

LAB 48.6, 42.16, 53.24

 

CMYK 76 / 0 / 90 / 24

HEX #2EC114

RGB 46 193 20

HSL 110.98, 0.81%, 0.42%

LAB 68.59, -65.6, 65.43

 

CMYK 90 / 31 / 0 / 24

HEX #1485C1

RGB 20 133 193

HSL 200.81, 0.81%, 0.42%

LAB 52.7, -7.4, -39.37

 

Description

Color code: HEX #A914C1 | qconv.com Color code: HEX #A914C1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 20 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 20 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 90 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 90% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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