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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A90CDE it is the complementary color #56F321. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A90CDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A90CDE shade: #AE0CD9, #BF1EEC, #D030FF, #E142FF and #F254FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A90CDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A90CDE shade: #A90CDE, #9800CB, #8700B8, #7600A5 and #650092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A90CDE shade: #A90BDE, #DE0BDB, #DE0BA2, #DE0B69 and #DE0B30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A90CDE shade: #A90BDE, #700BDE, #370BDE and #0B0BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A90CDE shade matches the following richer shades: #A90BDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A90CDE shade: #A90BDE, #A01ECB, #9631B8, #8D44A5 and #835792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A90CDE shade: #350BDE, #6E0BDE, #A60BDE, #DE0BDE and #DE0BA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A90CDE shade: #6D0790, #8B09B7, #A90BDE, #BE20F3 and #C947F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A90CDE shade: #A90CDE, #DE0B19 and #0BDE52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A90CDE shade: #A90CDE, #DEA60B and #0BDEA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A90CDE shade: #A90CDE, #DE0B19, #44DE0B and #0BDED0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A90CDE shade: #A90CDE, #DE3C0B, #44DE0B and #0BADDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 95 / 0 / 13

HEX #A90CDE

RGB 169 12 222

HSL 284.86, 0.9%, 0.46%

LAB 44.19, 79.76, -69.03

 

Complementary color

CMYK 65 / 0 / 86 / 5

HEX #56F321

RGB 86 243 33

HSL 104.86, 0.9%, 0.54%

LAB 85.09, -73.44, 77.59

 

CMYK 20 / 94 / 0 / 15

HEX #AE0CD9

RGB 174 12 217

HSL 287.41, 0.9%, 0.45%

LAB 44.62, 79.56, -65.44

 

CMYK 19 / 87 / 0 / 7

HEX #BF1EEC

RGB 191 30 236

HSL 286.89, 0.84%, 0.52%

LAB 49.57, 82.75, -68.08

 

CMYK 18 / 81 / 0 / 0

HEX #D030FF

RGB 208 48 255

HSL 286.38, 1%, 0.59%

LAB 54.81, 84.84, -70.11

 

CMYK 12 / 74 / 0 / 0

HEX #E142FF

RGB 225 66 255

HSL 290.48, 1%, 0.63%

LAB 59.09, 82.77, -63.08

 

CMYK 5 / 67 / 0 / 0

HEX #F254FF

RGB 242 84 255

HSL 295.44, 1%, 0.66%

LAB 63.7, 80.16, -55.56

 

CMYK 24 / 95 / 0 / 13

HEX #A90CDE

RGB 169 12 222

HSL 284.86, 0.9%, 0.46%

LAB 44.19, 79.76, -69.03

 

CMYK 25 / 100 / 0 / 20

HEX #9800CB

RGB 152 0 203

HSL 284.93, 1%, 0.4%

LAB 39.56, 75.35, -65.75

 

CMYK 27 / 100 / 0 / 28

HEX #8700B8

RGB 135 0 184

HSL 284.02, 1%, 0.36%

LAB 35.23, 69.71, -61.78

 

CMYK 28 / 100 / 0 / 35

HEX #7600A5

RGB 118 0 165

HSL 282.91, 1%, 0.32%

LAB 30.8, 63.96, -57.75

 

CMYK 31 / 100 / 0 / 43

HEX #650092

RGB 101 0 146

HSL 281.51, 1%, 0.29%

LAB 26.28, 58.09, -53.64

 

CMYK 24 / 95 / 0 / 13

HEX #A90BDE

RGB 169 11 222

HSL 284.93, 0.91%, 0.46%

LAB 44.16, 79.86, -69.09

 

CMYK 0 / 95 / 1 / 13

HEX #DE0BDB

RGB 222 11 219

HSL 300.85, 0.91%, 0.46%

LAB 52.82, 87.28, -52.95

 

CMYK 0 / 95 / 27 / 13

HEX #DE0BA2

RGB 222 11 162

HSL 317.06, 0.91%, 0.46%

LAB 49.95, 80.04, -24.32

 

CMYK 0 / 95 / 53 / 13

HEX #DE0B69

RGB 222 11 105

HSL 333.27, 0.91%, 0.46%

LAB 47.99, 74.86, 7.32

 

CMYK 0 / 95 / 78 / 13

HEX #DE0B30

RGB 222 11 48

HSL 349.48, 0.91%, 0.46%

LAB 46.95, 72.01, 40.65

 

CMYK 24 / 95 / 0 / 13

HEX #A90BDE

RGB 169 11 222

HSL 284.93, 0.91%, 0.46%

LAB 44.16, 79.86, -69.09

 

CMYK 50 / 95 / 0 / 13

HEX #700BDE

RGB 112 11 222

HSL 268.72, 0.91%, 0.46%

LAB 35.9, 73.61, -82.95

 

CMYK 75 / 95 / 0 / 13

HEX #370BDE

RGB 55 11 222

HSL 252.51, 0.91%, 0.46%

LAB 30.22, 70.26, -92.55

 

CMYK 95 / 95 / 0 / 13

HEX #0B0BDE

RGB 11 11 222

HSL 240, 0.91%, 0.46%

LAB 28.34, 69.39, -95.74

 

CMYK 24 / 95 / 0 / 13

HEX #A90BDE

RGB 169 11 222

HSL 284.93, 0.91%, 0.46%

LAB 44.16, 79.86, -69.09

 

CMYK 24 / 95 / 0 / 13

HEX #A90BDE

RGB 169 11 222

HSL 284.93, 0.91%, 0.46%

LAB 44.16, 79.86, -69.09

 

CMYK 21 / 85 / 0 / 20

HEX #A01ECB

RGB 160 30 203

HSL 285.09, 0.74%, 0.46%

LAB 42.33, 72.08, -61.18

 

CMYK 18 / 73 / 0 / 28

HEX #9631B8

RGB 150 49 184

HSL 284.89, 0.58%, 0.46%

LAB 41.44, 60.93, -51.59

 

CMYK 15 / 59 / 0 / 35

HEX #8D44A5

RGB 141 68 165

HSL 285.15, 0.42%, 0.46%

LAB 42.02, 46.53, -39.49

 

CMYK 10 / 40 / 0 / 43

HEX #835792

RGB 131 87 146

HSL 284.75, 0.25%, 0.46%

LAB 43.82, 29.04, -25.38

 

CMYK 76 / 95 / 0 / 13

HEX #350BDE

RGB 53 11 222

HSL 251.94, 0.91%, 0.46%

LAB 30.08, 70.19, -92.78

 

CMYK 50 / 95 / 0 / 13

HEX #6E0BDE

RGB 110 11 222

HSL 268.15, 0.91%, 0.46%

LAB 35.65, 73.44, -83.37

 

CMYK 25 / 95 / 0 / 13

HEX #A60BDE

RGB 166 11 222

HSL 284.08, 0.91%, 0.46%

LAB 43.68, 79.47, -69.88

 

CMYK 0 / 95 / 0 / 13

HEX #DE0BDE

RGB 222 11 222

HSL 300, 0.91%, 0.46%

LAB 53, 87.71, -54.38

 

CMYK 0 / 95 / 25 / 13

HEX #DE0BA6

RGB 222 11 166

HSL 315.92, 0.91%, 0.46%

LAB 50.12, 80.48, -26.43

 

CMYK 24 / 95 / 0 / 44

HEX #6D0790

RGB 109 7 144

HSL 284.67, 0.91%, 0.3%

LAB 27.89, 57.52, -49.71

 

CMYK 24 / 95 / 0 / 28

HEX #8B09B7

RGB 139 9 183

HSL 284.83, 0.91%, 0.38%

LAB 36.18, 68.92, -59.6

 

CMYK 24 / 95 / 0 / 13

HEX #A90BDE

RGB 169 11 222

HSL 284.93, 0.91%, 0.46%

LAB 44.16, 79.86, -69.09

 

CMYK 22 / 87 / 0 / 5

HEX #BE20F3

RGB 190 32 243

HSL 284.93, 0.9%, 0.54%

LAB 50.04, 83.46, -71.27

 

CMYK 18 / 71 / 0 / 4

HEX #C947F5

RGB 201 71 245

HSL 284.83, 0.9%, 0.62%

LAB 55.6, 74.68, -63.32

 

CMYK 24 / 95 / 0 / 13

HEX #A90CDE

RGB 169 12 222

HSL 284.86, 0.9%, 0.46%

LAB 44.19, 79.76, -69.03

 

CMYK 0 / 95 / 89 / 13

HEX #DE0B19

RGB 222 11 25

HSL 356.02, 0.91%, 0.46%

LAB 46.76, 71.48, 52.34

 

CMYK 95 / 0 / 63 / 13

HEX #0BDE52

RGB 11 222 82

HSL 140.19, 0.91%, 0.46%

LAB 77.83, -72.61, 54.65

 

CMYK 24 / 95 / 0 / 13

HEX #A90CDE

RGB 169 12 222

HSL 284.86, 0.9%, 0.46%

LAB 44.19, 79.76, -69.03

 

CMYK 0 / 25 / 95 / 13

HEX #DEA60B

RGB 222 166 11

HSL 44.08, 0.91%, 0.46%

LAB 71.44, 9.38, 73.51

 

CMYK 95 / 0 / 25 / 13

HEX #0BDEA6

RGB 11 222 166

HSL 164.08, 0.91%, 0.46%

LAB 79.08, -57.9, 15

 

CMYK 24 / 95 / 0 / 13

HEX #A90CDE

RGB 169 12 222

HSL 284.86, 0.9%, 0.46%

LAB 44.19, 79.76, -69.03

 

CMYK 0 / 95 / 89 / 13

HEX #DE0B19

RGB 222 11 25

HSL 356.02, 0.91%, 0.46%

LAB 46.76, 71.48, 52.34

 

CMYK 69 / 0 / 95 / 13

HEX #44DE0B

RGB 68 222 11

HSL 103.79, 0.91%, 0.46%

LAB 78.17, -70.97, 74.8

 

CMYK 95 / 0 / 6 / 13

HEX #0BDED0

RGB 11 222 208

HSL 176.02, 0.91%, 0.46%

LAB 80.11, -47.06, -5.81

 

CMYK 24 / 95 / 0 / 13

HEX #A90CDE

RGB 169 12 222

HSL 284.86, 0.9%, 0.46%

LAB 44.19, 79.76, -69.03

 

CMYK 0 / 73 / 95 / 13

HEX #DE3C0B

RGB 222 60 11

HSL 13.93, 0.91%, 0.46%

LAB 50.44, 60.75, 59.53

 

CMYK 69 / 0 / 95 / 13

HEX #44DE0B

RGB 68 222 11

HSL 103.79, 0.91%, 0.46%

LAB 78.17, -70.97, 74.8

 

CMYK 95 / 22 / 0 / 13

HEX #0BADDE

RGB 11 173 222

HSL 193.93, 0.91%, 0.46%

LAB 65.93, -19.4, -34.91

 

Description

Color code: HEX #A90CDE | qconv.com Color code: HEX #A90CDE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 12 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 12 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 95 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 95% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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