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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8FF28 it is the complementary color #5700D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8FF28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8FF28 shade: #ADFF23, #BEFF36, #CFFF49, #E0FF5C and #F1FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8FF28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8FF28 shade: #A8FF28, #97ED15, #86DB02, #75C900 and #64B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8FF28 shade: #A8FF28, #E2FF28, #FFE228, #FFA828 and #FF6E28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8FF28 shade: #A8FF28, #6EFF28, #34FF28, #28FF56 and #28FF90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8FF28 shade matches the following richer shades: #A8FF28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8FF28 shade: #A8FF28, #A5ED3A, #A1DC4B, #9ECB5C and #9BB96E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8FF28 shade: #FFE228, #E2FF28, #A9FF28, #70FF28 and #37FF28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8FF28 shade: #7ED500, #97FE00, #A8FF28, #B9FF52 and #C9FF7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8FF28 shade: #A8FF28, #28FFA9 and #FF28FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8FF28 shade: #A8FF28, #28A9FF and #FF28A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8FF28 shade: #A8FF28, #28FFA9, #7E28FF and #FF287E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8FF28 shade: #A8FF28, #28FFE9, #7E28FF and #FF283E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 84 / 0

HEX #A8FF28

RGB 168 255 40

HSL 84.28, 1%, 0.58%

LAB 91.68, -54.45, 83.08

 

Complementary color

CMYK 60 / 100 / 0 / 16

HEX #5700D7

RGB 87 0 215

HSL 264.28, 1%, 0.42%

LAB 31.65, 71.8, -86.05

 

CMYK 32 / 0 / 86 / 0

HEX #ADFF23

RGB 173 255 35

HSL 82.36, 1%, 0.57%

LAB 91.92, -52.86, 84.35

 

CMYK 25 / 0 / 79 / 0

HEX #BEFF36

RGB 190 255 54

HSL 79.4, 1%, 0.61%

LAB 92.9, -46.12, 81.3

 

CMYK 19 / 0 / 71 / 0

HEX #CFFF49

RGB 207 255 73

HSL 75.82, 1%, 0.64%

LAB 94, -38.88, 77

 

CMYK 12 / 0 / 64 / 0

HEX #E0FF5C

RGB 224 255 92

HSL 71.41, 1%, 0.68%

LAB 95.22, -31.26, 71.74

 

CMYK 5 / 0 / 56 / 0

HEX #F1FF6F

RGB 241 255 111

HSL 65.83, 1%, 0.72%

LAB 96.56, -23.34, 65.8

 

CMYK 34 / 0 / 84 / 0

HEX #A8FF28

RGB 168 255 40

HSL 84.28, 1%, 0.58%

LAB 91.68, -54.45, 83.08

 

CMYK 36 / 0 / 91 / 7

HEX #97ED15

RGB 151 237 21

HSL 83.89, 0.86%, 0.51%

LAB 85.61, -53.58, 80.91

 

CMYK 39 / 0 / 99 / 14

HEX #86DB02

RGB 134 219 2

HSL 83.5, 0.98%, 0.43%

LAB 79.46, -52.5, 77.59

 

CMYK 42 / 0 / 100 / 21

HEX #75C900

RGB 117 201 0

HSL 85.07, 1%, 0.39%

LAB 73.26, -51.15, 72.62

 

CMYK 45 / 0 / 100 / 28

HEX #64B700

RGB 100 183 0

HSL 87.21, 1%, 0.36%

LAB 66.96, -49.71, 67.39

 

CMYK 34 / 0 / 84 / 0

HEX #A8FF28

RGB 168 255 40

HSL 84.28, 1%, 0.58%

LAB 91.68, -54.45, 83.08

 

CMYK 11 / 0 / 84 / 0

HEX #E2FF28

RGB 226 255 40

HSL 68.09, 1%, 0.58%

LAB 95.09, -32.75, 87.33

 

CMYK 0 / 11 / 84 / 0

HEX #FFE228

RGB 255 226 40

HSL 51.91, 1%, 0.58%

LAB 89.77, -6.92, 83.85

 

CMYK 0 / 34 / 84 / 0

HEX #FFA828

RGB 255 168 40

HSL 35.72, 1%, 0.58%

LAB 75.71, 22.92, 72.26

 

CMYK 0 / 57 / 84 / 0

HEX #FF6E28

RGB 255 110 40

HSL 19.53, 1%, 0.58%

LAB 63.81, 51.95, 62.32

 

CMYK 34 / 0 / 84 / 0

HEX #A8FF28

RGB 168 255 40

HSL 84.28, 1%, 0.58%

LAB 91.68, -54.45, 83.08

 

CMYK 57 / 0 / 84 / 0

HEX #6EFF28

RGB 110 255 40

HSL 100.47, 1%, 0.58%

LAB 89.39, -71.69, 80.19

 

CMYK 80 / 0 / 84 / 0

HEX #34FF28

RGB 52 255 40

HSL 116.65, 1%, 0.58%

LAB 88.16, -82.06, 78.64

 

CMYK 84 / 0 / 66 / 0

HEX #28FF56

RGB 40 255 86

HSL 132.84, 1%, 0.58%

LAB 88.28, -80.11, 64.59

 

CMYK 84 / 0 / 44 / 0

HEX #28FF90

RGB 40 255 144

HSL 149.02, 1%, 0.58%

LAB 88.92, -72.39, 39.5

 

CMYK 34 / 0 / 84 / 0

HEX #A8FF28

RGB 168 255 40

HSL 84.28, 1%, 0.58%

LAB 91.68, -54.45, 83.08

 

CMYK 34 / 0 / 84 / 0

HEX #A8FF28

RGB 168 255 40

HSL 84.28, 1%, 0.58%

LAB 91.68, -54.45, 83.08

 

CMYK 30 / 0 / 76 / 7

HEX #A5ED3A

RGB 165 237 58

HSL 84.13, 0.83%, 0.58%

LAB 86.44, -47.39, 73.69

 

CMYK 27 / 0 / 66 / 14

HEX #A1DC4B

RGB 161 220 75

HSL 84.41, 0.67%, 0.58%

LAB 81.44, -40.5, 62.67

 

CMYK 22 / 0 / 55 / 20

HEX #9ECB5C

RGB 158 203 92

HSL 84.32, 0.52%, 0.58%

LAB 76.53, -32.48, 49.87

 

CMYK 16 / 0 / 41 / 27

HEX #9BB96E

RGB 155 185 110

HSL 84, 0.35%, 0.58%

LAB 71.41, -22.96, 34.73

 

CMYK 0 / 11 / 84 / 0

HEX #FFE228

RGB 255 226 40

HSL 51.91, 1%, 0.58%

LAB 89.77, -6.92, 83.85

 

CMYK 11 / 0 / 84 / 0

HEX #E2FF28

RGB 226 255 40

HSL 68.09, 1%, 0.58%

LAB 95.09, -32.75, 87.33

 

CMYK 34 / 0 / 84 / 0

HEX #A9FF28

RGB 169 255 40

HSL 84, 1%, 0.58%

LAB 91.73, -54.11, 83.14

 

CMYK 56 / 0 / 84 / 0

HEX #70FF28

RGB 112 255 40

HSL 99.91, 1%, 0.58%

LAB 89.45, -71.2, 80.27

 

CMYK 78 / 0 / 84 / 0

HEX #37FF28

RGB 55 255 40

HSL 115.81, 1%, 0.58%

LAB 88.2, -81.71, 78.69

 

CMYK 41 / 0 / 100 / 16

HEX #7ED500

RGB 126 213 0

HSL 84.51, 1%, 0.42%

LAB 77.3, -52.86, 75.94

 

CMYK 41 / 0 / 100 / 0

HEX #97FE00

RGB 151 254 0

HSL 84.33, 1%, 0.5%

LAB 90.53, -60.46, 86.71

 

CMYK 34 / 0 / 84 / 0

HEX #A8FF28

RGB 168 255 40

HSL 84.28, 1%, 0.58%

LAB 91.68, -54.45, 83.08

 

CMYK 27 / 0 / 68 / 0

HEX #B9FF52

RGB 185 255 82

HSL 84.28, 1%, 0.66%

LAB 92.77, -46.48, 72.21

 

CMYK 21 / 0 / 52 / 0

HEX #C9FF7B

RGB 201 255 123

HSL 84.55, 1%, 0.74%

LAB 94.04, -37.39, 56.93

 

CMYK 34 / 0 / 84 / 0

HEX #A8FF28

RGB 168 255 40

HSL 84.28, 1%, 0.58%

LAB 91.68, -54.45, 83.08

 

CMYK 84 / 0 / 34 / 0

HEX #28FFA9

RGB 40 255 169

HSL 156, 1%, 0.58%

LAB 89.32, -67.76, 27.62

 

CMYK 0 / 84 / 0 / 0

HEX #FF28FF

RGB 255 40 255

HSL 300, 1%, 0.58%

LAB 61.65, 94.33, -58.71

 

CMYK 34 / 0 / 84 / 0

HEX #A8FF28

RGB 168 255 40

HSL 84.28, 1%, 0.58%

LAB 91.68, -54.45, 83.08

 

CMYK 84 / 34 / 0 / 0

HEX #28A9FF

RGB 40 169 255

HSL 204, 1%, 0.58%

LAB 66.56, -4.02, -51.95

 

CMYK 0 / 84 / 34 / 0

HEX #FF28A9

RGB 255 40 169

HSL 324, 1%, 0.58%

LAB 57.7, 83.7, -16.05

 

CMYK 34 / 0 / 84 / 0

HEX #A8FF28

RGB 168 255 40

HSL 84.28, 1%, 0.58%

LAB 91.68, -54.45, 83.08

 

CMYK 84 / 0 / 34 / 0

HEX #28FFA9

RGB 40 255 169

HSL 156, 1%, 0.58%

LAB 89.32, -67.76, 27.62

 

CMYK 51 / 84 / 0 / 0

HEX #7E28FF

RGB 126 40 255

HSL 264, 1%, 0.58%

LAB 43.02, 75.94, -89.82

 

CMYK 0 / 84 / 51 / 0

HEX #FF287E

RGB 255 40 126

HSL 336, 1%, 0.58%

LAB 56.37, 79.95, 7.39

 

CMYK 34 / 0 / 84 / 0

HEX #A8FF28

RGB 168 255 40

HSL 84.28, 1%, 0.58%

LAB 91.68, -54.45, 83.08

 

CMYK 84 / 0 / 9 / 0

HEX #28FFE9

RGB 40 255 233

HSL 173.86, 1%, 0.58%

LAB 90.71, -52.76, -3.3

 

CMYK 51 / 84 / 0 / 0

HEX #7E28FF

RGB 126 40 255

HSL 264, 1%, 0.58%

LAB 43.02, 75.94, -89.82

 

CMYK 0 / 84 / 76 / 0

HEX #FF283E

RGB 255 40 62

HSL 353.86, 1%, 0.58%

LAB 55.2, 76.54, 43.56

 

Description

Color code: HEX #A8FF28 | qconv.com Color code: HEX #A8FF28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 255 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 255 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 84 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 84% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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