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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8F164 it is the complementary color #570E9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8F164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8F164 shade: #ADF15F, #BEFF72, #CFFF85, #E0FF98 and #F1FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8F164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8F164 shade: #A8F164, #97DF51, #86CD3E, #75BB2B and #64A918

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8F164 shade: #A8F065, #CEF065, #F0ED65, #F0C765 and #F0A265

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8F164 shade: #A8F065, #82F065, #65F06C, #65F092 and #65F0B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8F164 shade matches the following richer shades: #A8F065 and #A7FE57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8F164 shade: #A8F065, #A8E372, #A9D580, #A9C78D and #AABA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8F164 shade: #F0EE65, #CDF065, #A8F065, #83F065 and #65F06B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8F164 shade: #7DE919, #93ED3F, #A8F065, #BDF48A and #D2F7B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8F164 shade: #A8F164, #65F0C9 and #F065E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8F164 shade: #A8F164, #65A8F0 and #F065A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8F164 shade: #A8F164, #65F0C9, #AD65F0 and #F0658C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8F164 shade: #A8F164, #65EEF0, #AD65F0 and #F06765

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 59 / 5

HEX #A8F164

RGB 168 241 100

HSL 91.06, 0.83%, 0.67%

LAB 88.04, -45.09, 59.67

 

Complementary color

CMYK 44 / 91 / 0 / 39

HEX #570E9B

RGB 87 14 155

HSL 271.06, 0.83%, 0.33%

LAB 25.88, 55.54, -59.91

 

CMYK 28 / 0 / 61 / 5

HEX #ADF15F

RGB 173 241 95

HSL 87.95, 0.84%, 0.66%

LAB 88.27, -43.78, 62.11

 

CMYK 25 / 0 / 55 / 0

HEX #BEFF72

RGB 190 255 114

HSL 87.66, 1%, 0.72%

LAB 93.31, -42.18, 59.93

 

CMYK 19 / 0 / 48 / 0

HEX #CFFF85

RGB 207 255 133

HSL 83.61, 1%, 0.76%

LAB 94.52, -34.22, 53

 

CMYK 12 / 0 / 40 / 0

HEX #E0FF98

RGB 224 255 152

HSL 78.06, 1%, 0.8%

LAB 95.84, -25.94, 45.87

 

CMYK 5 / 0 / 33 / 0

HEX #F1FFAB

RGB 241 255 171

HSL 70, 1%, 0.84%

LAB 97.29, -17.46, 38.68

 

CMYK 30 / 0 / 59 / 5

HEX #A8F164

RGB 168 241 100

HSL 91.06, 0.83%, 0.67%

LAB 88.04, -45.09, 59.67

 

CMYK 32 / 0 / 64 / 13

HEX #97DF51

RGB 151 223 81

HSL 90.42, 0.69%, 0.6%

LAB 81.81, -44.93, 60.49

 

CMYK 35 / 0 / 70 / 20

HEX #86CD3E

RGB 134 205 62

HSL 89.79, 0.59%, 0.52%

LAB 75.5, -44.64, 61.04

 

CMYK 37 / 0 / 77 / 27

HEX #75BB2B

RGB 117 187 43

HSL 89.17, 0.63%, 0.45%

LAB 69.11, -44.19, 61.05

 

CMYK 41 / 0 / 86 / 34

HEX #64A918

RGB 100 169 24

HSL 88.55, 0.75%, 0.38%

LAB 62.64, -43.5, 60.14

 

CMYK 30 / 0 / 58 / 6

HEX #A8F065

RGB 168 240 101

HSL 91.08, 0.82%, 0.67%

LAB 87.77, -44.57, 58.92

 

CMYK 14 / 0 / 58 / 6

HEX #CEF065

RGB 206 240 101

HSL 74.68, 0.82%, 0.67%

LAB 90.04, -30.62, 62.1

 

CMYK 0 / 1 / 58 / 6

HEX #F0ED65

RGB 240 237 101

HSL 58.71, 0.82%, 0.67%

LAB 91.7, -15.79, 64.63

 

CMYK 0 / 17 / 58 / 6

HEX #F0C765

RGB 240 199 101

HSL 42.3, 0.82%, 0.67%

LAB 82.01, 3.37, 53.68

 

CMYK 0 / 33 / 58 / 6

HEX #F0A265

RGB 240 162 101

HSL 26.33, 0.82%, 0.67%

LAB 73.09, 22.82, 43.12

 

CMYK 30 / 0 / 58 / 6

HEX #A8F065

RGB 168 240 101

HSL 91.08, 0.82%, 0.67%

LAB 87.77, -44.57, 58.92

 

CMYK 46 / 0 / 58 / 6

HEX #82F065

RGB 130 240 101

HSL 107.48, 0.82%, 0.67%

LAB 86.01, -56.71, 56.44

 

CMYK 58 / 0 / 55 / 6

HEX #65F06C

RGB 101 240 108

HSL 123.02, 0.82%, 0.67%

LAB 85.08, -63.42, 51.99

 

CMYK 58 / 0 / 39 / 6

HEX #65F092

RGB 101 240 146

HSL 139.42, 0.82%, 0.67%

LAB 85.59, -57.89, 34.39

 

CMYK 58 / 0 / 23 / 6

HEX #65F0B8

RGB 101 240 184

HSL 155.83, 0.82%, 0.67%

LAB 86.28, -50.65, 15.92

 

CMYK 30 / 0 / 58 / 6

HEX #A8F065

RGB 168 240 101

HSL 91.08, 0.82%, 0.67%

LAB 87.77, -44.57, 58.92

 

CMYK 34 / 0 / 66 / 0

HEX #A7FE57

RGB 167 254 87

HSL 91.26, 0.99%, 0.67%

LAB 91.59, -51.95, 68.82

 

CMYK 30 / 0 / 58 / 6

HEX #A8F065

RGB 168 240 101

HSL 91.08, 0.82%, 0.67%

LAB 87.77, -44.57, 58.92

 

CMYK 26 / 0 / 50 / 11

HEX #A8E372

RGB 168 227 114

HSL 91.33, 0.67%, 0.67%

LAB 84.21, -37.54, 48.85

 

CMYK 21 / 0 / 40 / 16

HEX #A9D580

RGB 169 213 128

HSL 91.06, 0.5%, 0.67%

LAB 80.51, -29.03, 37.39

 

CMYK 15 / 0 / 29 / 22

HEX #A9C78D

RGB 169 199 141

HSL 91.03, 0.34%, 0.67%

LAB 76.8, -20.41, 25.81

 

CMYK 9 / 0 / 17 / 27

HEX #AABA9B

RGB 170 186 155

HSL 90.97, 0.18%, 0.67%

LAB 73.57, -11.2, 13.88

 

CMYK 0 / 1 / 58 / 6

HEX #F0EE65

RGB 240 238 101

HSL 59.14, 0.82%, 0.67%

LAB 91.96, -16.28, 64.92

 

CMYK 15 / 0 / 58 / 6

HEX #CDF065

RGB 205 240 101

HSL 75.11, 0.82%, 0.67%

LAB 89.97, -31, 62

 

CMYK 30 / 0 / 58 / 6

HEX #A8F065

RGB 168 240 101

HSL 91.08, 0.82%, 0.67%

LAB 87.77, -44.57, 58.92

 

CMYK 45 / 0 / 58 / 6

HEX #83F065

RGB 131 240 101

HSL 107.05, 0.82%, 0.67%

LAB 86.05, -56.42, 56.5

 

CMYK 58 / 0 / 55 / 6

HEX #65F06B

RGB 101 240 107

HSL 122.59, 0.82%, 0.67%

LAB 85.07, -63.54, 52.43

 

CMYK 46 / 0 / 89 / 9

HEX #7DE919

RGB 125 233 25

HSL 91.15, 0.83%, 0.51%

LAB 83.29, -60.36, 77.95

 

CMYK 38 / 0 / 73 / 7

HEX #93ED3F

RGB 147 237 63

HSL 91.03, 0.83%, 0.59%

LAB 85.57, -53.33, 70.96

 

CMYK 30 / 0 / 58 / 6

HEX #A8F065

RGB 168 240 101

HSL 91.08, 0.82%, 0.67%

LAB 87.77, -44.57, 58.92

 

CMYK 23 / 0 / 43 / 4

HEX #BDF48A

RGB 189 244 138

HSL 91.13, 0.83%, 0.75%

LAB 90.48, -35.07, 45.4

 

CMYK 15 / 0 / 29 / 3

HEX #D2F7B0

RGB 210 247 176

HSL 91.27, 0.82%, 0.83%

LAB 93.17, -24.08, 30.31

 

CMYK 30 / 0 / 59 / 5

HEX #A8F164

RGB 168 241 100

HSL 91.06, 0.83%, 0.67%

LAB 88.04, -45.09, 59.67

 

CMYK 58 / 0 / 16 / 6

HEX #65F0C9

RGB 101 240 201

HSL 163.17, 0.82%, 0.67%

LAB 86.65, -46.89, 7.6

 

CMYK 0 / 58 / 7 / 6

HEX #F065E0

RGB 240 101 224

HSL 306.91, 0.82%, 0.67%

LAB 64.33, 67.96, -37.4

 

CMYK 30 / 0 / 59 / 5

HEX #A8F164

RGB 168 241 100

HSL 91.06, 0.83%, 0.67%

LAB 88.04, -45.09, 59.67

 

CMYK 58 / 30 / 0 / 6

HEX #65A8F0

RGB 101 168 240

HSL 211.08, 0.82%, 0.67%

LAB 67.32, -0.44, -42.45

 

CMYK 0 / 58 / 30 / 6

HEX #F065A8

RGB 240 101 168

HSL 331.08, 0.82%, 0.67%

LAB 62.22, 60.07, -8.92

 

CMYK 30 / 0 / 59 / 5

HEX #A8F164

RGB 168 241 100

HSL 91.06, 0.83%, 0.67%

LAB 88.04, -45.09, 59.67

 

CMYK 58 / 0 / 16 / 6

HEX #65F0C9

RGB 101 240 201

HSL 163.17, 0.82%, 0.67%

LAB 86.65, -46.89, 7.6

 

CMYK 28 / 58 / 0 / 6

HEX #AD65F0

RGB 173 101 240

HSL 271.08, 0.82%, 0.67%

LAB 56.57, 54.3, -59.17

 

CMYK 0 / 58 / 42 / 6

HEX #F0658C

RGB 240 101 140

HSL 343.17, 0.82%, 0.67%

LAB 61.42, 56.93, 6.05

 

CMYK 30 / 0 / 59 / 5

HEX #A8F164

RGB 168 241 100

HSL 91.06, 0.83%, 0.67%

LAB 88.04, -45.09, 59.67

 

CMYK 58 / 1 / 0 / 6

HEX #65EEF0

RGB 101 238 240

HSL 180.86, 0.82%, 0.67%

LAB 87.1, -36.32, -12.18

 

CMYK 28 / 58 / 0 / 6

HEX #AD65F0

RGB 173 101 240

HSL 271.08, 0.82%, 0.67%

LAB 56.57, 54.3, -59.17

 

CMYK 0 / 57 / 58 / 6

HEX #F06765

RGB 240 103 101

HSL 0.86, 0.82%, 0.67%

LAB 60.93, 52.65, 27.83

 

Description

Color code: HEX #A8F164 | qconv.com Color code: HEX #A8F164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 241 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 241 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 59 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 59% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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