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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8E589 it is the complementary color #571A76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8E589. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8E589 shade: #ADE584, #BEF797, #CFFFAA, #E0FFBD and #F1FFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8E589. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8E589 shade: #A8E589, #97D376, #86C163, #75AF50 and #649D3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8E589 shade: #A8E589, #C1E589, #D9E589, #E5D789 and #E5BF89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8E589 shade: #A8E589, #90E589, #89E59C, #89E5B5 and #89E5CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8E589 shade matches the following richer shades: #A8E589, #A4F07E and #A1FC72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8E589 shade: #A8E589, #ACD995, #B0CEA1, #B4C2AC and #B7B7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8E589 shade: #DAE589, #C2E589, #A9E589, #91E589 and #89E59A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8E589 shade: #76D646, #8FDD68, #A8E589, #C1ECAB and #DAF4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8E589 shade: #A8E589, #89E5D7 and #E589CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8E589 shade: #A8E589, #89A9E5 and #E589A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8E589 shade: #A8E589, #89E5D7, #C589E5 and #E58997

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8E589 shade: #A8E589, #89D7E5, #C589E5 and #E59789

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

Complementary color

CMYK 26 / 78 / 0 / 54

HEX #571A76

RGB 87 26 118

HSL 279.78, 0.64%, 0.28%

LAB 23.91, 43.09, -39.98

 

CMYK 24 / 0 / 42 / 10

HEX #ADE584

RGB 173 229 132

HSL 94.64, 0.65%, 0.71%

LAB 85.3, -34.57, 41.57

 

CMYK 23 / 0 / 39 / 3

HEX #BEF797

RGB 190 247 151

HSL 95.63, 0.86%, 0.78%

LAB 91.55, -34.47, 40.43

 

CMYK 19 / 0 / 33 / 0

HEX #CFFFAA

RGB 207 255 170

HSL 93.88, 1%, 0.83%

LAB 95.03, -29.75, 35.77

 

CMYK 12 / 0 / 26 / 0

HEX #E0FFBD

RGB 224 255 189

HSL 88.18, 1%, 0.87%

LAB 96.43, -21.16, 28.31

 

CMYK 5 / 0 / 18 / 0

HEX #F1FFD0

RGB 241 255 208

HSL 77.87, 1%, 0.91%

LAB 97.94, -12.41, 20.95

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 28 / 0 / 44 / 17

HEX #97D376

RGB 151 211 118

HSL 98.71, 0.51%, 0.65%

LAB 78.74, -35.77, 39.93

 

CMYK 31 / 0 / 49 / 24

HEX #86C163

RGB 134 193 99

HSL 97.66, 0.43%, 0.57%

LAB 72.3, -35.87, 41.12

 

CMYK 33 / 0 / 54 / 31

HEX #75AF50

RGB 117 175 80

HSL 96.63, 0.37%, 0.5%

LAB 65.77, -35.91, 42.29

 

CMYK 36 / 0 / 61 / 38

HEX #649D3D

RGB 100 157 61

HSL 95.63, 0.44%, 0.43%

LAB 59.12, -35.85, 43.38

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 16 / 0 / 40 / 10

HEX #C1E589

RGB 193 229 137

HSL 83.48, 0.64%, 0.72%

LAB 86.59, -26.76, 41.01

 

CMYK 5 / 0 / 40 / 10

HEX #D9E589

RGB 217 229 137

HSL 67.83, 0.64%, 0.72%

LAB 88.25, -17.73, 43.46

 

CMYK 0 / 6 / 40 / 10

HEX #E5D789

RGB 229 215 137

HSL 50.87, 0.64%, 0.72%

LAB 85.54, -6.07, 40.19

 

CMYK 0 / 17 / 40 / 10

HEX #E5BF89

RGB 229 191 137

HSL 35.22, 0.64%, 0.72%

LAB 79.46, 6.36, 32.31

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 37 / 0 / 40 / 10

HEX #90E589

RGB 144 229 137

HSL 115.43, 0.64%, 0.72%

LAB 83.85, -43.48, 36.93

 

CMYK 40 / 0 / 32 / 10

HEX #89E59C

RGB 137 229 156

HSL 132.39, 0.64%, 0.72%

LAB 83.84, -42.57, 27.22

 

CMYK 40 / 0 / 21 / 10

HEX #89E5B5

RGB 137 229 181

HSL 148.7, 0.64%, 0.72%

LAB 84.33, -37.96, 14.92

 

CMYK 40 / 0 / 10 / 10

HEX #89E5CD

RGB 137 229 205

HSL 164.35, 0.64%, 0.72%

LAB 84.88, -32.93, 3.1

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 32 / 0 / 48 / 6

HEX #A4F07E

RGB 164 240 126

HSL 100, 0.79%, 0.72%

LAB 87.83, -43.3, 47.54

 

CMYK 36 / 0 / 55 / 1

HEX #A1FC72

RGB 161 252 114

HSL 99.57, 0.96%, 0.72%

LAB 90.97, -50.7, 56.81

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 21 / 0 / 31 / 15

HEX #ACD995

RGB 172 217 149

HSL 99.71, 0.47%, 0.72%

LAB 82.15, -26.95, 28.86

 

CMYK 15 / 0 / 22 / 19

HEX #B0CEA1

RGB 176 206 161

HSL 100, 0.31%, 0.72%

LAB 79.58, -18.27, 19.13

 

CMYK 7 / 0 / 11 / 24

HEX #B4C2AC

RGB 180 194 172

HSL 98.18, 0.15%, 0.72%

LAB 76.84, -8.86, 9.43

 

CMYK 1 / 1 / 0 / 28

HEX #B7B7B8

RGB 183 183 184

HSL 240, 0.01%, 0.72%

LAB 74.44, 0.19, -0.51

 

CMYK 5 / 0 / 40 / 10

HEX #DAE589

RGB 218 229 137

HSL 67.17, 0.64%, 0.72%

LAB 88.33, -17.35, 43.57

 

CMYK 15 / 0 / 40 / 10

HEX #C2E589

RGB 194 229 137

HSL 82.83, 0.64%, 0.72%

LAB 86.66, -26.39, 41.1

 

CMYK 26 / 0 / 40 / 10

HEX #A9E589

RGB 169 229 137

HSL 99.13, 0.64%, 0.72%

LAB 85.14, -35.31, 38.85

 

CMYK 37 / 0 / 40 / 10

HEX #91E589

RGB 145 229 137

HSL 114.78, 0.64%, 0.72%

LAB 83.9, -43.17, 37

 

CMYK 40 / 0 / 33 / 10

HEX #89E59A

RGB 137 229 154

HSL 131.09, 0.64%, 0.72%

LAB 83.8, -42.91, 28.2

 

CMYK 45 / 0 / 67 / 16

HEX #76D646

RGB 118 214 70

HSL 100, 0.64%, 0.56%

LAB 77.51, -52.99, 59.84

 

CMYK 35 / 0 / 53 / 13

HEX #8FDD68

RGB 143 221 104

HSL 100, 0.63%, 0.64%

LAB 81.04, -44.59, 49.42

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 18 / 0 / 28 / 7

HEX #C1ECAB

RGB 193 236 171

HSL 99.69, 0.63%, 0.8%

LAB 89.05, -25.46, 27.09

 

CMYK 11 / 0 / 16 / 4

HEX #DAF4CD

RGB 218 244 205

HSL 100, 0.64%, 0.88%

LAB 93.46, -15.41, 15.97

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 40 / 0 / 6 / 10

HEX #89E5D7

RGB 137 229 215

HSL 170.87, 0.64%, 0.72%

LAB 85.13, -30.67, -1.8

 

CMYK 0 / 40 / 10 / 10

HEX #E589CE

RGB 229 137 206

HSL 315, 0.64%, 0.72%

LAB 68.76, 44.66, -20.67

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 40 / 26 / 0 / 10

HEX #89A9E5

RGB 137 169 229

HSL 219.13, 0.64%, 0.72%

LAB 69.01, 4.02, -33.67

 

CMYK 0 / 40 / 26 / 10

HEX #E589A9

RGB 229 137 169

HSL 339.13, 0.64%, 0.72%

LAB 67.59, 39.04, -1.71

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 40 / 0 / 6 / 10

HEX #89E5D7

RGB 137 229 215

HSL 170.87, 0.64%, 0.72%

LAB 85.13, -30.67, -1.8

 

CMYK 14 / 40 / 0 / 10

HEX #C589E5

RGB 197 137 229

HSL 279.13, 0.64%, 0.72%

LAB 66.07, 39.12, -37.86

 

CMYK 0 / 40 / 34 / 10

HEX #E58997

RGB 229 137 151

HSL 350.87, 0.64%, 0.72%

LAB 67.11, 36.7, 7.74

 

CMYK 27 / 0 / 40 / 10

HEX #A8E589

RGB 168 229 137

HSL 99.78, 0.64%, 0.72%

LAB 85.08, -35.65, 38.76

 

CMYK 40 / 6 / 0 / 10

HEX #89D7E5

RGB 137 215 229

HSL 189.13, 0.64%, 0.72%

LAB 81.61, -20.46, -14.45

 

CMYK 14 / 40 / 0 / 10

HEX #C589E5

RGB 197 137 229

HSL 279.13, 0.64%, 0.72%

LAB 66.07, 39.12, -37.86

 

CMYK 0 / 34 / 40 / 10

HEX #E59789

RGB 229 151 137

HSL 9.13, 0.64%, 0.72%

LAB 69.89, 27.65, 19.44

 

Description

Color code: HEX #A8E589 | qconv.com Color code: HEX #A8E589 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 229 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 229 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 40 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 40% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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