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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8E4C5 it is the complementary color #571B3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8E4C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8E4C5 shade: #ADE4C0, #BEF6D3, #CFFFE6, #E0FFF9 and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8E4C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8E4C5 shade: #A8E4C5, #97D2B2, #86C09F, #75AE8C and #649C79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8E4C5 shade: #A9E4C5, #A9E4B5, #ACE4A9, #BCE4A9 and #CCE4A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8E4C5 shade: #A9E4C5, #A9E4D5, #A9E3E4, #A9D3E4 and #A9C3E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8E4C5 shade matches the following richer shades: #A9E4C5, #A0EDC5 and #97F6C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8E4C5 shade: #A9E4C5, #B2DBC6, #BBD2C6, #C4C9C6 and #CDC0C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8E4C5 shade: #ACE4A9, #A9E4B6, #A9E4C5, #A9E4D5 and #A9E3E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8E4C5 shade: #6AD19B, #89DAB0, #A9E4C5, #C8EEDA and #E8F8EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8E4C5 shade: #A8E4C5, #A9BBE4 and #E4AEA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8E4C5 shade: #A8E4C5, #C5A9E4 and #E4C5A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8E4C5 shade: #A8E4C5, #A9BBE4, #E4A9C7 and #E4D1A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8E4C5 shade: #A8E4C5, #A9AAE4, #E4A9C7 and #E4E3A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 14 / 11

HEX #A8E4C5

RGB 168 228 197

HSL 149, 0.53%, 0.78%

LAB 85.93, -25.31, 9.02

 

Complementary color

CMYK 0 / 69 / 33 / 66

HEX #571B3A

RGB 87 27 58

HSL 329, 0.53%, 0.22%

LAB 20.5, 31.08, -5.37

 

CMYK 24 / 0 / 16 / 11

HEX #ADE4C0

RGB 173 228 192

HSL 140.73, 0.5%, 0.79%

LAB 86.09, -24.7, 11.91

 

CMYK 23 / 0 / 14 / 4

HEX #BEF6D3

RGB 190 246 211

HSL 142.5, 0.76%, 0.85%

LAB 92.38, -24.51, 11.11

 

CMYK 19 / 0 / 10 / 0

HEX #CFFFE6

RGB 207 255 230

HSL 148.75, 1%, 0.91%

LAB 96.2, -20.01, 6.92

 

CMYK 12 / 0 / 2 / 0

HEX #E0FFF9

RGB 224 255 249

HSL 168.39, 1%, 0.94%

LAB 97.72, -11.09, -0.52

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 26 / 0 / 14 / 11

HEX #A8E4C5

RGB 168 228 197

HSL 149, 0.53%, 0.78%

LAB 85.93, -25.31, 9.02

 

CMYK 28 / 0 / 15 / 18

HEX #97D2B2

RGB 151 210 178

HSL 147.46, 0.4%, 0.71%

LAB 79.55, -25.52, 9.83

 

CMYK 30 / 0 / 17 / 25

HEX #86C09F

RGB 134 192 159

HSL 145.86, 0.32%, 0.64%

LAB 73.07, -25.75, 10.69

 

CMYK 33 / 0 / 20 / 32

HEX #75AE8C

RGB 117 174 140

HSL 144.21, 0.26%, 0.57%

LAB 66.48, -26, 11.61

 

CMYK 36 / 0 / 22 / 39

HEX #649C79

RGB 100 156 121

HSL 142.5, 0.22%, 0.5%

LAB 59.77, -26.27, 12.6

 

CMYK 26 / 0 / 14 / 11

HEX #A9E4C5

RGB 169 228 197

HSL 148.47, 0.52%, 0.78%

LAB 85.98, -25, 9.1

 

CMYK 26 / 0 / 21 / 11

HEX #A9E4B5

RGB 169 228 181

HSL 132.2, 0.52%, 0.78%

LAB 85.63, -27.97, 16.99

 

CMYK 25 / 0 / 26 / 11

HEX #ACE4A9

RGB 172 228 169

HSL 116.95, 0.52%, 0.78%

LAB 85.57, -29.06, 23.16

 

CMYK 18 / 0 / 26 / 11

HEX #BCE4A9

RGB 188 228 169

HSL 100.68, 0.52%, 0.78%

LAB 86.53, -23.64, 24.63

 

CMYK 11 / 0 / 26 / 11

HEX #CCE4A9

RGB 204 228 169

HSL 84.41, 0.52%, 0.78%

LAB 87.58, -17.99, 26.23

 

CMYK 26 / 0 / 14 / 11

HEX #A9E4C5

RGB 169 228 197

HSL 148.47, 0.52%, 0.78%

LAB 85.98, -25, 9.1

 

CMYK 26 / 0 / 7 / 11

HEX #A9E4D5

RGB 169 228 213

HSL 164.75, 0.52%, 0.78%

LAB 86.37, -21.79, 1.24

 

CMYK 26 / 0 / 0 / 11

HEX #A9E3E4

RGB 169 227 228

HSL 181.02, 0.52%, 0.78%

LAB 86.49, -18.08, -6.48

 

CMYK 26 / 7 / 0 / 11

HEX #A9D3E4

RGB 169 211 228

HSL 197.29, 0.52%, 0.78%

LAB 82.18, -9.93, -12.89

 

CMYK 26 / 14 / 0 / 11

HEX #A9C3E4

RGB 169 195 228

HSL 213.56, 0.52%, 0.78%

LAB 77.91, -1.5, -19.31

 

CMYK 26 / 0 / 14 / 11

HEX #A9E4C5

RGB 169 228 197

HSL 148.47, 0.52%, 0.78%

LAB 85.98, -25, 9.1

 

CMYK 32 / 0 / 17 / 7

HEX #A0EDC5

RGB 160 237 197

HSL 148.83, 0.68%, 0.78%

LAB 88, -31.99, 11.92

 

CMYK 39 / 0 / 20 / 4

HEX #97F6C5

RGB 151 246 197

HSL 149.05, 0.84%, 0.78%

LAB 90.1, -38.68, 14.83

 

CMYK 26 / 0 / 14 / 11

HEX #A9E4C5

RGB 169 228 197

HSL 148.47, 0.52%, 0.78%

LAB 85.98, -25, 9.1

 

CMYK 19 / 0 / 10 / 14

HEX #B2DBC6

RGB 178 219 198

HSL 149.27, 0.36%, 0.78%

LAB 84.07, -17.53, 5.9

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 2 / 0 / 1 / 21

HEX #C4C9C6

RGB 196 201 198

HSL 144, 0.04%, 0.78%

LAB 80.51, -2.27, 0.89

 

CMYK 0 / 6 / 3 / 20

HEX #CDC0C7

RGB 205 192 199

HSL 327.69, 0.12%, 0.78%

LAB 78.93, 5.8, -1.88

 

CMYK 25 / 0 / 26 / 11

HEX #ACE4A9

RGB 172 228 169

HSL 116.95, 0.52%, 0.78%

LAB 85.57, -29.06, 23.16

 

CMYK 26 / 0 / 20 / 11

HEX #A9E4B6

RGB 169 228 182

HSL 133.22, 0.52%, 0.78%

LAB 85.65, -27.79, 16.49

 

CMYK 26 / 0 / 14 / 11

HEX #A9E4C5

RGB 169 228 197

HSL 148.47, 0.52%, 0.78%

LAB 85.98, -25, 9.1

 

CMYK 26 / 0 / 7 / 11

HEX #A9E4D5

RGB 169 228 213

HSL 164.75, 0.52%, 0.78%

LAB 86.37, -21.79, 1.24

 

CMYK 26 / 0 / 0 / 11

HEX #A9E3E4

RGB 169 227 228

HSL 181.02, 0.52%, 0.78%

LAB 86.49, -18.08, -6.48

 

CMYK 49 / 0 / 26 / 18

HEX #6AD19B

RGB 106 209 155

HSL 148.54, 0.53%, 0.62%

LAB 76.7, -42.34, 17.75

 

CMYK 37 / 0 / 19 / 15

HEX #89DAB0

RGB 137 218 176

HSL 148.89, 0.52%, 0.7%

LAB 81.07, -33.9, 12.95

 

CMYK 26 / 0 / 14 / 11

HEX #A9E4C5

RGB 169 228 197

HSL 148.47, 0.52%, 0.78%

LAB 85.98, -25, 9.1

 

CMYK 16 / 0 / 8 / 7

HEX #C8EEDA

RGB 200 238 218

HSL 148.42, 0.53%, 0.86%

LAB 91, -16.12, 5.58

 

CMYK 6 / 0 / 4 / 3

HEX #E8F8EF

RGB 232 248 239

HSL 146.25, 0.53%, 0.94%

LAB 96.21, -6.87, 2.5

 

CMYK 26 / 0 / 14 / 11

HEX #A8E4C5

RGB 168 228 197

HSL 149, 0.53%, 0.78%

LAB 85.93, -25.31, 9.02

 

CMYK 26 / 18 / 0 / 11

HEX #A9BBE4

RGB 169 187 228

HSL 221.69, 0.52%, 0.78%

LAB 75.81, 2.82, -22.5

 

CMYK 0 / 24 / 26 / 11

HEX #E4AEA9

RGB 228 174 169

HSL 5.08, 0.52%, 0.78%

LAB 75.84, 18.99, 10.2

 

CMYK 26 / 0 / 14 / 11

HEX #A8E4C5

RGB 168 228 197

HSL 149, 0.53%, 0.78%

LAB 85.93, -25.31, 9.02

 

CMYK 14 / 26 / 0 / 11

HEX #C5A9E4

RGB 197 169 228

HSL 268.47, 0.52%, 0.78%

LAB 73.45, 21.33, -25.91

 

CMYK 0 / 14 / 26 / 11

HEX #E4C5A9

RGB 228 197 169

HSL 28.47, 0.52%, 0.78%

LAB 81.45, 6.77, 18.1

 

CMYK 26 / 0 / 14 / 11

HEX #A8E4C5

RGB 168 228 197

HSL 149, 0.53%, 0.78%

LAB 85.93, -25.31, 9.02

 

CMYK 26 / 18 / 0 / 11

HEX #A9BBE4

RGB 169 187 228

HSL 221.69, 0.52%, 0.78%

LAB 75.81, 2.82, -22.5

 

CMYK 0 / 26 / 13 / 11

HEX #E4A9C7

RGB 228 169 199

HSL 329.49, 0.52%, 0.78%

LAB 75.45, 26.22, -6.77

 

CMYK 0 / 8 / 26 / 11

HEX #E4D1A9

RGB 228 209 169

HSL 40.68, 0.52%, 0.78%

LAB 84.46, 0.5, 22.27

 

CMYK 26 / 0 / 14 / 11

HEX #A8E4C5

RGB 168 228 197

HSL 149, 0.53%, 0.78%

LAB 85.93, -25.31, 9.02

 

CMYK 26 / 25 / 0 / 11

HEX #A9AAE4

RGB 169 170 228

HSL 238.98, 0.52%, 0.78%

LAB 71.41, 12.18, -29.24

 

CMYK 0 / 26 / 13 / 11

HEX #E4A9C7

RGB 228 169 199

HSL 329.49, 0.52%, 0.78%

LAB 75.45, 26.22, -6.77

 

CMYK 0 / 0 / 26 / 11

HEX #E4E3A9

RGB 228 227 169

HSL 58.98, 0.52%, 0.78%

LAB 89.06, -8.7, 28.54

 

Description

Color code: HEX #A8E4C5 | qconv.com Color code: HEX #A8E4C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 228 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 228 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 14 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 14% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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