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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8D0B8 it is the complementary color #572F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8D0B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8D0B8 shade: #ADD0B3, #BEE2C6, #CFF4D9, #E0FFEC and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8D0B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8D0B8 shade: #A8D0B8, #97BEA5, #86AC92, #759A7F and #64886C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8D0B8 shade: #A8D0B8, #A8D0AD, #AED0A8, #B9D0A8 and #C3D0A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8D0B8 shade: #A8D0B8, #A8D0C3, #A8D0CE, #A8C8D0 and #A8BDD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8D0B8 shade matches the following richer shades: #A8D0B8, #9EDBB6, #93E6B4, #88F0B2 and #7DFBB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8D0B8 shade: #A8D0B8, #B3C5BA, #BEBBBD, #C8B0BF and #D3A5C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8D0B8 shade: #AED0A8, #A8D0AE, #A8D0B8, #A8D0C3 and #A8D0CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8D0B8 shade: #73B38C, #8DC2A2, #A8D0B8, #C3DFCE and #DEEDE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8D0B8 shade: #A8D0B8, #A8B8D0 and #D0A8A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8D0B8 shade: #A8D0B8, #B8A8D0 and #D0B8A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8D0B8 shade: #A8D0B8, #A8B8D0, #D0A8C0 and #D0C0A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8D0B8 shade: #A8D0B8, #A8ACD0, #D0A8C0 and #D0CCA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

Complementary color

CMYK 0 / 46 / 18 / 66

HEX #572F47

RGB 87 47 71

HSL 324, 0.3%, 0.26%

LAB 25.3, 21.98, -7

 

CMYK 17 / 0 / 14 / 18

HEX #ADD0B3

RGB 173 208 179

HSL 130.29, 0.27%, 0.75%

LAB 80.32, -17.21, 10.57

 

CMYK 16 / 0 / 12 / 11

HEX #BEE2C6

RGB 190 226 198

HSL 133.33, 0.38%, 0.82%

LAB 86.71, -17.1, 9.78

 

CMYK 15 / 0 / 11 / 4

HEX #CFF4D9

RGB 207 244 217

HSL 136.22, 0.63%, 0.88%

LAB 93, -17.01, 9.03

 

CMYK 12 / 0 / 7 / 0

HEX #E0FFEC

RGB 224 255 236

HSL 143.23, 1%, 0.94%

LAB 97.4, -13.5, 5.7

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

CMYK 21 / 0 / 13 / 25

HEX #97BEA5

RGB 151 190 165

HSL 141.54, 0.23%, 0.67%

LAB 73.63, -18.08, 8.36

 

CMYK 22 / 0 / 15 / 33

HEX #86AC92

RGB 134 172 146

HSL 138.95, 0.19%, 0.6%

LAB 67.01, -18.24, 9.19

 

CMYK 24 / 0 / 18 / 40

HEX #759A7F

RGB 117 154 127

HSL 136.22, 0.15%, 0.53%

LAB 60.27, -18.44, 10.08

 

CMYK 26 / 0 / 21 / 47

HEX #64886C

RGB 100 136 108

HSL 133.33, 0.15%, 0.46%

LAB 53.38, -18.66, 11.03

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AD

RGB 168 208 173

HSL 127.5, 0.3%, 0.74%

LAB 79.87, -19.97, 13.09

 

CMYK 16 / 0 / 19 / 18

HEX #AED0A8

RGB 174 208 168

HSL 111, 0.3%, 0.74%

LAB 80.14, -18.81, 16.18

 

CMYK 11 / 0 / 19 / 18

HEX #B9D0A8

RGB 185 208 168

HSL 94.5, 0.3%, 0.74%

LAB 80.88, -14.95, 17.32

 

CMYK 6 / 0 / 19 / 18

HEX #C3D0A8

RGB 195 208 168

HSL 79.5, 0.3%, 0.74%

LAB 81.59, -11.36, 18.41

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

CMYK 19 / 0 / 6 / 18

HEX #A8D0C3

RGB 168 208 195

HSL 160.5, 0.3%, 0.74%

LAB 80.39, -15.78, 2.09

 

CMYK 19 / 0 / 1 / 18

HEX #A8D0CE

RGB 168 208 206

HSL 177, 0.3%, 0.74%

LAB 80.68, -13.51, -3.37

 

CMYK 19 / 4 / 0 / 18

HEX #A8C8D0

RGB 168 200 208

HSL 192, 0.3%, 0.74%

LAB 78.57, -8.94, -7.56

 

CMYK 19 / 9 / 0 / 18

HEX #A8BDD0

RGB 168 189 208

HSL 208.5, 0.3%, 0.74%

LAB 75.62, -3.12, -11.95

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

CMYK 28 / 0 / 17 / 14

HEX #9EDBB6

RGB 158 219 182

HSL 143.61, 0.46%, 0.74%

LAB 82.54, -26.93, 12.02

 

CMYK 36 / 0 / 22 / 10

HEX #93E6B4

RGB 147 230 180

HSL 143.86, 0.62%, 0.74%

LAB 85.04, -35.8, 16.51

 

CMYK 43 / 0 / 26 / 6

HEX #88F0B2

RGB 136 240 178

HSL 144.23, 0.78%, 0.74%

LAB 87.37, -43.7, 20.73

 

CMYK 50 / 0 / 30 / 2

HEX #7DFBB0

RGB 125 251 176

HSL 144.29, 0.94%, 0.74%

LAB 90.09, -51.52, 25.42

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

CMYK 9 / 0 / 6 / 23

HEX #B3C5BA

RGB 179 197 186

HSL 143.33, 0.13%, 0.74%

LAB 77.91, -8.23, 3.41

 

CMYK 0 / 2 / 1 / 25

HEX #BEBBBD

RGB 190 187 189

HSL 320, 0.02%, 0.74%

LAB 76.17, 1.42, -0.65

 

CMYK 0 / 12 / 5 / 22

HEX #C8B0BF

RGB 200 176 191

HSL 322.5, 0.18%, 0.74%

LAB 74.25, 11.23, -4.46

 

CMYK 0 / 22 / 9 / 17

HEX #D3A5C1

RGB 211 165 193

HSL 323.48, 0.34%, 0.74%

LAB 72.63, 21.44, -7.83

 

CMYK 16 / 0 / 19 / 18

HEX #AED0A8

RGB 174 208 168

HSL 111, 0.3%, 0.74%

LAB 80.14, -18.81, 16.18

 

CMYK 19 / 0 / 16 / 18

HEX #A8D0AE

RGB 168 208 174

HSL 129, 0.3%, 0.74%

LAB 79.89, -19.79, 12.59

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

CMYK 19 / 0 / 6 / 18

HEX #A8D0C3

RGB 168 208 195

HSL 160.5, 0.3%, 0.74%

LAB 80.39, -15.78, 2.09

 

CMYK 19 / 0 / 1 / 18

HEX #A8D0CD

RGB 168 208 205

HSL 175.5, 0.3%, 0.74%

LAB 80.65, -13.72, -2.88

 

CMYK 36 / 0 / 22 / 30

HEX #73B38C

RGB 115 179 140

HSL 143.44, 0.3%, 0.58%

LAB 67.86, -29.06, 13.53

 

CMYK 27 / 0 / 16 / 24

HEX #8DC2A2

RGB 141 194 162

HSL 143.77, 0.3%, 0.66%

LAB 74.1, -23.93, 10.58

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

CMYK 13 / 0 / 8 / 13

HEX #C3DFCE

RGB 195 223 206

HSL 143.57, 0.3%, 0.82%

LAB 86.42, -12.47, 5.2

 

CMYK 6 / 0 / 4 / 7

HEX #DEEDE4

RGB 222 237 228

HSL 144, 0.29%, 0.9%

LAB 92.44, -6.6, 2.64

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

CMYK 19 / 12 / 0 / 18

HEX #A8B8D0

RGB 168 184 208

HSL 216, 0.3%, 0.74%

LAB 74.29, -0.43, -13.95

 

CMYK 0 / 19 / 19 / 18

HEX #D0A8A8

RGB 208 168 168

HSL 0, 0.3%, 0.74%

LAB 72.39, 14.63, 5.54

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

CMYK 12 / 19 / 0 / 18

HEX #B8A8D0

RGB 184 168 208

HSL 264, 0.3%, 0.74%

LAB 71.38, 13.49, -18.21

 

CMYK 0 / 12 / 19 / 18

HEX #D0B8A8

RGB 208 184 168

HSL 24, 0.3%, 0.74%

LAB 76.39, 6, 11.26

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

CMYK 19 / 12 / 0 / 18

HEX #A8B8D0

RGB 168 184 208

HSL 216, 0.3%, 0.74%

LAB 74.29, -0.43, -13.95

 

CMYK 0 / 19 / 8 / 18

HEX #D0A8C0

RGB 208 168 192

HSL 324, 0.3%, 0.74%

LAB 73.04, 18.58, -6.72

 

CMYK 0 / 8 / 19 / 18

HEX #D0C0A8

RGB 208 192 168

HSL 36, 0.3%, 0.74%

LAB 78.42, 1.75, 14.14

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B8

RGB 168 208 184

HSL 144, 0.3%, 0.74%

LAB 80.12, -17.93, 7.58

 

CMYK 19 / 17 / 0 / 18

HEX #A8ACD0

RGB 168 172 208

HSL 234, 0.3%, 0.74%

LAB 71.13, 6.12, -18.71

 

CMYK 0 / 19 / 8 / 18

HEX #D0A8C0

RGB 208 168 192

HSL 324, 0.3%, 0.74%

LAB 73.04, 18.58, -6.72

 

CMYK 0 / 2 / 19 / 18

HEX #D0CCA8

RGB 208 204 168

HSL 54, 0.3%, 0.74%

LAB 81.52, -4.53, 18.47

 

Description

Color code: HEX #A8D0B8 | qconv.com Color code: HEX #A8D0B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 208 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 208 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 12 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 12% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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