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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8BD23 it is the complementary color #5742DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8BD23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8BD23 shade: #ADBD1E, #BECF31, #CFE144, #E0F357 and #F1FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8BD23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8BD23 shade: #A8BD23, #97AB10, #869900, #758700 and #647500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8BD23 shade: #A8BD22, #BDA822, #BD7F22, #BD5522 and #BD2B22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8BD23 shade: #A8BD22, #7EBD22, #55BD22, #2BBD22 and #22BD44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8BD23 shade matches the following richer shades: #A8BD22 and #B5CF10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8BD23 shade: #A8BD22, #9BAB34, #8E9947, #808759 and #73756B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8BD23 shade: #BD7F22, #BDA822, #A8BD22, #7FBD22 and #56BD22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8BD23 shade: #6A7715, #899A1C, #A8BD22, #C2D930 and #CCDF53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8BD23 shade: #A8BD23, #22BD56 and #9422BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8BD23 shade: #A8BD23, #22A8BD and #BD22A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8BD23 shade: #A8BD23, #22BD56, #3722BD and #BD228A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8BD23 shade: #A8BD23, #22BD84, #3722BD and #BD225B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 81 / 26

HEX #A8BD23

RGB 168 189 35

HSL 68.18, 0.69%, 0.44%

LAB 72.79, -25.52, 67.88

 

Complementary color

CMYK 60 / 70 / 0 / 14

HEX #5742DC

RGB 87 66 220

HSL 248.18, 0.69%, 0.56%

LAB 39.73, 51.09, -75.58

 

CMYK 8 / 0 / 84 / 26

HEX #ADBD1E

RGB 173 189 30

HSL 66.04, 0.73%, 0.43%

LAB 73.14, -23.57, 69.55

 

CMYK 8 / 0 / 76 / 19

HEX #BECF31

RGB 190 207 49

HSL 66.46, 0.62%, 0.5%

LAB 79.5, -24.53, 70.52

 

CMYK 8 / 0 / 70 / 12

HEX #CFE144

RGB 207 225 68

HSL 66.88, 0.72%, 0.57%

LAB 85.77, -25.33, 70.65

 

CMYK 8 / 0 / 64 / 5

HEX #E0F357

RGB 224 243 87

HSL 67.31, 0.87%, 0.65%

LAB 91.97, -25.98, 70.27

 

CMYK 5 / 0 / 58 / 0

HEX #F1FF6A

RGB 241 255 106

HSL 65.64, 1%, 0.71%

LAB 96.52, -23.7, 67.86

 

CMYK 11 / 0 / 81 / 26

HEX #A8BD23

RGB 168 189 35

HSL 68.18, 0.69%, 0.44%

LAB 72.79, -25.52, 67.88

 

CMYK 12 / 0 / 91 / 33

HEX #97AB10

RGB 151 171 16

HSL 67.74, 0.83%, 0.37%

LAB 66.32, -24.46, 66.07

 

CMYK 12 / 0 / 100 / 40

HEX #869900

RGB 134 153 0

HSL 67.45, 1%, 0.3%

LAB 59.75, -23.19, 62.73

 

CMYK 13 / 0 / 100 / 47

HEX #758700

RGB 117 135 0

HSL 68, 1%, 0.26%

LAB 53.07, -21.64, 57.16

 

CMYK 15 / 0 / 100 / 54

HEX #647500

RGB 100 117 0

HSL 68.72, 1%, 0.23%

LAB 46.22, -20.06, 51.46

 

CMYK 11 / 0 / 82 / 26

HEX #A8BD22

RGB 168 189 34

HSL 68.13, 0.7%, 0.44%

LAB 72.78, -25.56, 68.13

 

CMYK 0 / 11 / 82 / 26

HEX #BDA822

RGB 189 168 34

HSL 51.87, 0.7%, 0.44%

LAB 68.71, -5.79, 65.28

 

CMYK 0 / 33 / 82 / 26

HEX #BD7F22

RGB 189 127 34

HSL 36, 0.7%, 0.44%

LAB 58.14, 16.49, 56.06

 

CMYK 0 / 55 / 82 / 26

HEX #BD5522

RGB 189 85 34

HSL 19.74, 0.7%, 0.44%

LAB 48.8, 39, 47.62

 

CMYK 0 / 77 / 82 / 26

HEX #BD2B22

RGB 189 43 34

HSL 3.48, 0.7%, 0.44%

LAB 42.25, 56.56, 41.46

 

CMYK 11 / 0 / 82 / 26

HEX #A8BD22

RGB 168 189 34

HSL 68.13, 0.7%, 0.44%

LAB 72.78, -25.56, 68.13

 

CMYK 33 / 0 / 82 / 26

HEX #7EBD22

RGB 126 189 34

HSL 84.39, 0.7%, 0.44%

LAB 70.14, -42.23, 64.79

 

CMYK 55 / 0 / 82 / 26

HEX #55BD22

RGB 85 189 34

HSL 100.26, 0.7%, 0.44%

LAB 68.35, -55.48, 62.5

 

CMYK 77 / 0 / 82 / 26

HEX #2BBD22

RGB 43 189 34

HSL 116.52, 0.7%, 0.44%

LAB 67.3, -64.22, 61.15

 

CMYK 82 / 0 / 64 / 26

HEX #22BD44

RGB 34 189 68

HSL 133.16, 0.7%, 0.44%

LAB 67.39, -62.54, 48.99

 

CMYK 11 / 0 / 82 / 26

HEX #A8BD22

RGB 168 189 34

HSL 68.13, 0.7%, 0.44%

LAB 72.78, -25.56, 68.13

 

CMYK 13 / 0 / 92 / 19

HEX #B5CF10

RGB 181 207 16

HSL 68.17, 0.86%, 0.44%

LAB 78.74, -29.18, 76.81

 

CMYK 11 / 0 / 82 / 26

HEX #A8BD22

RGB 168 189 34

HSL 68.13, 0.7%, 0.44%

LAB 72.78, -25.56, 68.13

 

CMYK 9 / 0 / 70 / 33

HEX #9BAB34

RGB 155 171 52

HSL 68.07, 0.53%, 0.44%

LAB 66.78, -21.37, 56.42

 

CMYK 7 / 0 / 54 / 40

HEX #8E9947

RGB 142 153 71

HSL 68.05, 0.37%, 0.44%

LAB 60.77, -16.27, 41.21

 

CMYK 5 / 0 / 34 / 47

HEX #808759

RGB 128 135 89

HSL 69.13, 0.21%, 0.44%

LAB 54.7, -10.5, 23.92

 

CMYK 2 / 0 / 9 / 54

HEX #73756B

RGB 115 117 107

HSL 72, 0.04%, 0.44%

LAB 48.8, -2.73, 5.25

 

CMYK 0 / 33 / 82 / 26

HEX #BD7F22

RGB 189 127 34

HSL 36, 0.7%, 0.44%

LAB 58.14, 16.49, 56.06

 

CMYK 0 / 11 / 82 / 26

HEX #BDA822

RGB 189 168 34

HSL 51.87, 0.7%, 0.44%

LAB 68.71, -5.79, 65.28

 

CMYK 11 / 0 / 82 / 26

HEX #A8BD22

RGB 168 189 34

HSL 68.13, 0.7%, 0.44%

LAB 72.78, -25.56, 68.13

 

CMYK 33 / 0 / 82 / 26

HEX #7FBD22

RGB 127 189 34

HSL 84, 0.7%, 0.44%

LAB 70.19, -41.87, 64.85

 

CMYK 54 / 0 / 82 / 26

HEX #56BD22

RGB 86 189 34

HSL 99.87, 0.7%, 0.44%

LAB 68.38, -55.21, 62.54

 

CMYK 11 / 0 / 82 / 53

HEX #6A7715

RGB 106 119 21

HSL 67.96, 0.7%, 0.27%

LAB 47.38, -17.74, 47.62

 

CMYK 11 / 0 / 82 / 40

HEX #899A1C

RGB 137 154 28

HSL 68.1, 0.69%, 0.36%

LAB 60.35, -21.72, 57.98

 

CMYK 11 / 0 / 82 / 26

HEX #A8BD22

RGB 168 189 34

HSL 68.13, 0.7%, 0.44%

LAB 72.78, -25.56, 68.13

 

CMYK 11 / 0 / 78 / 15

HEX #C2D930

RGB 194 217 48

HSL 68.17, 0.69%, 0.52%

LAB 82.54, -27.71, 73.69

 

CMYK 9 / 0 / 63 / 13

HEX #CCDF53

RGB 204 223 83

HSL 68.14, 0.69%, 0.6%

LAB 85.12, -24.69, 64.2

 

CMYK 11 / 0 / 81 / 26

HEX #A8BD23

RGB 168 189 35

HSL 68.18, 0.69%, 0.44%

LAB 72.79, -25.52, 67.88

 

CMYK 82 / 0 / 54 / 26

HEX #22BD56

RGB 34 189 86

HSL 140.13, 0.7%, 0.44%

LAB 67.58, -60.23, 40.95

 

CMYK 22 / 82 / 0 / 26

HEX #9422BD

RGB 148 34 189

HSL 284.13, 0.7%, 0.44%

LAB 39.77, 66.46, -57.24

 

CMYK 11 / 0 / 81 / 26

HEX #A8BD23

RGB 168 189 35

HSL 68.18, 0.69%, 0.44%

LAB 72.79, -25.52, 67.88

 

CMYK 82 / 11 / 0 / 26

HEX #22A8BD

RGB 34 168 189

HSL 188.13, 0.7%, 0.44%

LAB 63.36, -26.71, -20.57

 

CMYK 0 / 82 / 11 / 26

HEX #BD22A8

RGB 189 34 168

HSL 308.13, 0.7%, 0.44%

LAB 45.35, 70.74, -35.53

 

CMYK 11 / 0 / 81 / 26

HEX #A8BD23

RGB 168 189 35

HSL 68.18, 0.69%, 0.44%

LAB 72.79, -25.52, 67.88

 

CMYK 82 / 0 / 54 / 26

HEX #22BD56

RGB 34 189 86

HSL 140.13, 0.7%, 0.44%

LAB 67.58, -60.23, 40.95

 

CMYK 71 / 82 / 0 / 26

HEX #3722BD

RGB 55 34 189

HSL 248.13, 0.7%, 0.44%

LAB 28.46, 54.46, -76.23

 

CMYK 0 / 82 / 27 / 26

HEX #BD228A

RGB 189 34 138

HSL 319.74, 0.7%, 0.44%

LAB 43.94, 66.81, -19.66

 

CMYK 11 / 0 / 81 / 26

HEX #A8BD23

RGB 168 189 35

HSL 68.18, 0.69%, 0.44%

LAB 72.79, -25.52, 67.88

 

CMYK 82 / 0 / 30 / 26

HEX #22BD84

RGB 34 189 132

HSL 157.94, 0.7%, 0.44%

LAB 68.32, -51.75, 18.14

 

CMYK 71 / 82 / 0 / 26

HEX #3722BD

RGB 55 34 189

HSL 248.13, 0.7%, 0.44%

LAB 28.46, 54.46, -76.23

 

CMYK 0 / 82 / 52 / 26

HEX #BD225B

RGB 189 34 91

HSL 337.94, 0.7%, 0.44%

LAB 42.34, 62.14, 7.1

 

Description

Color code: HEX #A8BD23 | qconv.com Color code: HEX #A8BD23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 189 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 189 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 81 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 81% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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