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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8B256 it is the complementary color #574DA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8B256. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8B256 shade: #ADB251, #BEC464, #CFD677, #E0E88A and #F1FA9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8B256. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8B256 shade: #A8B256, #97A043, #868E30, #757C1D and #646A0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8B256 shade: #A8B157, #B1A357, #B18A57, #B17257 and #B15A57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8B256 shade: #A8B157, #8FB157, #77B157, #5EB157 and #57B168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8B256 shade matches the following richer shades: #A8B157, #B7C543, #C7D92F and #D6ED1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8B256 shade: #A8B157, #989E6B, #898A7E, #797692 and #6A62A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8B256 shade: #B18A57, #B1A257, #A8B157, #90B157 and #78B157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8B256 shade: #757D39, #909946, #A8B157, #B6BE73 and #C5CB8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8B256 shade: #A8B256, #57B172 and #9657B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8B256 shade: #A8B256, #57A8B1 and #B157A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8B256 shade: #A8B256, #57B172, #6057B1 and #B15796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8B256 shade: #A8B256, #57B18D, #6057B1 and #B1577B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 52 / 30

HEX #A8B256

RGB 168 178 86

HSL 66.52, 0.37%, 0.52%

LAB 70.06, -16.9, 45.3

 

Complementary color

CMYK 49 / 54 / 0 / 34

HEX #574DA9

RGB 87 77 169

HSL 246.52, 0.37%, 0.48%

LAB 38.2, 28.84, -48.33

 

CMYK 3 / 0 / 54 / 30

HEX #ADB251

RGB 173 178 81

HSL 63.09, 0.39%, 0.51%

LAB 70.4, -15.26, 48.18

 

CMYK 3 / 0 / 49 / 23

HEX #BEC464

RGB 190 196 100

HSL 63.75, 0.45%, 0.58%

LAB 76.89, -15.73, 47.06

 

CMYK 3 / 0 / 44 / 16

HEX #CFD677

RGB 207 214 119

HSL 64.42, 0.54%, 0.65%

LAB 83.28, -16.1, 45.9

 

CMYK 3 / 0 / 41 / 9

HEX #E0E88A

RGB 224 232 138

HSL 65.11, 0.67%, 0.73%

LAB 89.58, -16.41, 44.75

 

CMYK 4 / 0 / 37 / 2

HEX #F1FA9D

RGB 241 250 157

HSL 65.81, 0.9%, 0.8%

LAB 95.79, -16.67, 43.61

 

CMYK 6 / 0 / 52 / 30

HEX #A8B256

RGB 168 178 86

HSL 66.52, 0.37%, 0.52%

LAB 70.06, -16.9, 45.3

 

CMYK 6 / 0 / 58 / 37

HEX #97A043

RGB 151 160 67

HSL 65.81, 0.41%, 0.45%

LAB 63.45, -16.43, 46.38

 

CMYK 6 / 0 / 66 / 44

HEX #868E30

RGB 134 142 48

HSL 65.11, 0.49%, 0.37%

LAB 56.71, -15.83, 47.22

 

CMYK 6 / 0 / 77 / 51

HEX #757C1D

RGB 117 124 29

HSL 64.42, 0.62%, 0.3%

LAB 49.84, -15.01, 47.51

 

CMYK 6 / 0 / 91 / 58

HEX #646A0A

RGB 100 106 10

HSL 63.75, 0.83%, 0.23%

LAB 42.82, -13.9, 46.51

 

CMYK 5 / 0 / 51 / 31

HEX #A8B157

RGB 168 177 87

HSL 66, 0.37%, 0.52%

LAB 69.79, -16.29, 44.5

 

CMYK 0 / 8 / 51 / 31

HEX #B1A357

RGB 177 163 87

HSL 50.67, 0.37%, 0.52%

LAB 66.69, -5.2, 40.98

 

CMYK 0 / 22 / 51 / 31

HEX #B18A57

RGB 177 138 87

HSL 34, 0.37%, 0.52%

LAB 60.08, 8.44, 32.85

 

CMYK 0 / 36 / 51 / 31

HEX #B17257

RGB 177 114 87

HSL 18, 0.37%, 0.52%

LAB 54.1, 21.87, 25.21

 

CMYK 0 / 49 / 51 / 31

HEX #B15A57

RGB 177 90 87

HSL 2, 0.37%, 0.52%

LAB 48.7, 35, 18.04

 

CMYK 5 / 0 / 51 / 31

HEX #A8B157

RGB 168 177 87

HSL 66, 0.37%, 0.52%

LAB 69.79, -16.29, 44.5

 

CMYK 19 / 0 / 51 / 31

HEX #8FB157

RGB 143 177 87

HSL 82.67, 0.37%, 0.52%

LAB 68, -26.35, 41.93

 

CMYK 33 / 0 / 51 / 31

HEX #77B157

RGB 119 177 87

HSL 98.67, 0.37%, 0.52%

LAB 66.56, -35.29, 39.85

 

CMYK 47 / 0 / 51 / 31

HEX #5EB157

RGB 94 177 87

HSL 115.33, 0.37%, 0.52%

LAB 65.37, -43.45, 38.12

 

CMYK 51 / 0 / 41 / 31

HEX #57B168

RGB 87 177 104

HSL 131.33, 0.37%, 0.52%

LAB 65.33, -42.88, 29.29

 

CMYK 5 / 0 / 51 / 31

HEX #A8B157

RGB 168 177 87

HSL 66, 0.37%, 0.52%

LAB 69.79, -16.29, 44.5

 

CMYK 7 / 0 / 66 / 23

HEX #B7C543

RGB 183 197 67

HSL 66.46, 0.53%, 0.52%

LAB 76.32, -21.65, 60.93

 

CMYK 8 / 0 / 78 / 15

HEX #C7D92F

RGB 199 217 47

HSL 66.35, 0.69%, 0.52%

LAB 82.9, -25.7, 74.43

 

CMYK 10 / 0 / 89 / 7

HEX #D6ED1B

RGB 214 237 27

HSL 66.57, 0.85%, 0.52%

LAB 89.37, -29.55, 84.63

 

CMYK 5 / 0 / 51 / 31

HEX #A8B157

RGB 168 177 87

HSL 66, 0.37%, 0.52%

LAB 69.79, -16.29, 44.5

 

CMYK 4 / 0 / 32 / 38

HEX #989E6B

RGB 152 158 107

HSL 67.06, 0.21%, 0.52%

LAB 63.5, -10.66, 25.98

 

CMYK 1 / 0 / 9 / 46

HEX #898A7E

RGB 137 138 126

HSL 65, 0.05%, 0.52%

LAB 57.08, -2.64, 6.29

 

CMYK 17 / 19 / 0 / 43

HEX #797692

RGB 121 118 146

HSL 246.43, 0.11%, 0.52%

LAB 50.8, 7.22, -14.75

 

CMYK 36 / 41 / 0 / 35

HEX #6A62A6

RGB 106 98 166

HSL 247.06, 0.28%, 0.52%

LAB 45.02, 19.79, -35.59

 

CMYK 0 / 22 / 51 / 31

HEX #B18A57

RGB 177 138 87

HSL 34, 0.37%, 0.52%

LAB 60.08, 8.44, 32.85

 

CMYK 0 / 8 / 51 / 31

HEX #B1A257

RGB 177 162 87

HSL 50, 0.37%, 0.52%

LAB 66.42, -4.67, 40.65

 

CMYK 5 / 0 / 51 / 31

HEX #A8B157

RGB 168 177 87

HSL 66, 0.37%, 0.52%

LAB 69.79, -16.29, 44.5

 

CMYK 19 / 0 / 51 / 31

HEX #90B157

RGB 144 177 87

HSL 82, 0.37%, 0.52%

LAB 68.07, -25.96, 42.02

 

CMYK 32 / 0 / 51 / 31

HEX #78B157

RGB 120 177 87

HSL 98, 0.37%, 0.52%

LAB 66.62, -34.94, 39.93

 

CMYK 6 / 0 / 54 / 51

HEX #757D39

RGB 117 125 57

HSL 67.06, 0.37%, 0.36%

LAB 50.39, -13.52, 35.59

 

CMYK 6 / 0 / 54 / 40

HEX #909946

RGB 144 153 70

HSL 66.51, 0.37%, 0.44%

LAB 60.92, -15.52, 41.91

 

CMYK 5 / 0 / 51 / 31

HEX #A8B157

RGB 168 177 87

HSL 66, 0.37%, 0.52%

LAB 69.79, -16.29, 44.5

 

CMYK 4 / 0 / 39 / 25

HEX #B6BE73

RGB 182 190 115

HSL 66.4, 0.37%, 0.6%

LAB 74.83, -14.34, 36.92

 

CMYK 3 / 0 / 30 / 20

HEX #C5CB8F

RGB 197 203 143

HSL 66, 0.37%, 0.68%

LAB 79.93, -11.67, 29.31

 

CMYK 6 / 0 / 52 / 30

HEX #A8B256

RGB 168 178 86

HSL 66.52, 0.37%, 0.52%

LAB 70.06, -16.9, 45.3

 

CMYK 51 / 0 / 36 / 31

HEX #57B172

RGB 87 177 114

HSL 138, 0.37%, 0.52%

LAB 65.5, -41.14, 24.21

 

CMYK 15 / 51 / 0 / 31

HEX #9657B1

RGB 150 87 177

HSL 282, 0.37%, 0.52%

LAB 47.59, 41.59, -37.68

 

CMYK 6 / 0 / 52 / 30

HEX #A8B256

RGB 168 178 86

HSL 66.52, 0.37%, 0.52%

LAB 70.06, -16.9, 45.3

 

CMYK 51 / 5 / 0 / 31

HEX #57A8B1

RGB 87 168 177

HSL 186, 0.37%, 0.52%

LAB 64.33, -22.21, -12.27

 

CMYK 0 / 51 / 5 / 31

HEX #B157A8

RGB 177 87 168

HSL 306, 0.37%, 0.52%

LAB 50.68, 47.68, -27.32

 

CMYK 6 / 0 / 52 / 30

HEX #A8B256

RGB 168 178 86

HSL 66.52, 0.37%, 0.52%

LAB 70.06, -16.9, 45.3

 

CMYK 51 / 0 / 36 / 31

HEX #57B172

RGB 87 177 114

HSL 138, 0.37%, 0.52%

LAB 65.5, -41.14, 24.21

 

CMYK 46 / 51 / 0 / 31

HEX #6057B1

RGB 96 87 177

HSL 246, 0.37%, 0.52%

LAB 41.97, 27.19, -46.97

 

CMYK 0 / 51 / 15 / 31

HEX #B15796

RGB 177 87 150

HSL 318, 0.37%, 0.52%

LAB 49.94, 44.66, -17.85

 

CMYK 6 / 0 / 52 / 30

HEX #A8B256

RGB 168 178 86

HSL 66.52, 0.37%, 0.52%

LAB 70.06, -16.9, 45.3

 

CMYK 51 / 0 / 20 / 31

HEX #57B18D

RGB 87 177 141

HSL 156, 0.37%, 0.52%

LAB 66.05, -35.64, 10.27

 

CMYK 46 / 51 / 0 / 31

HEX #6057B1

RGB 96 87 177

HSL 246, 0.37%, 0.52%

LAB 41.97, 27.19, -46.97

 

CMYK 0 / 51 / 31 / 31

HEX #B1577B

RGB 177 87 123

HSL 336, 0.37%, 0.52%

LAB 49, 40.68, -3.14

 

Description

Color code: HEX #A8B256 | qconv.com Color code: HEX #A8B256 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 178 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 178 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 52 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 52% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - CITYGRAFIC DESIGNOFF...
Link: http://www.citygrafic.at

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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