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Color name
HEX #A8A232

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8A232 it is the complementary color #575DCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8A232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8A232 shade: #ADA22D, #BEB440, #CFC653, #E0D866 and #F1EA79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8A232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8A232 shade: #A8A232, #97901F, #867E0C, #756C00 and #645A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8A232 shade: #A8A232, #A88232, #A86232, #A84332 and #A83232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8A232 shade: #A8A232, #8EA832, #6FA832, #4FA832 and #32A835

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8A232 shade matches the following richer shades: #A8A232, #BAB220 and #CCC20E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8A232 shade: #A8A232, #979244, #858255, #737367 and #616379

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8A232 shade: #A86132, #A88132, #A8A032, #91A832 and #71A832

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8A232 shade: #69651F, #898428, #A8A232, #C5BE3E and #CFC95E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8A232 shade: #A8A232, #32A842 and #7132A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8A232 shade: #A8A232, #32A8A0 and #A032A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8A232 shade: #A8A232, #32A842, #323AA8 and #A83299

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8A232 shade: #A8A232, #32A865, #323AA8 and #A83275

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 70 / 34

HEX #A8A232

RGB 168 162 50

HSL 56.95, 0.54%, 0.43%

LAB 65.28, -11.24, 56.04

 

Complementary color

CMYK 58 / 55 / 0 / 20

HEX #575DCD

RGB 87 93 205

HSL 236.95, 0.54%, 0.57%

LAB 44.61, 30.42, -59.03

 

CMYK 0 / 6 / 74 / 32

HEX #ADA22D

RGB 173 162 45

HSL 54.84, 0.59%, 0.43%

LAB 65.68, -9.29, 58.46

 

CMYK 0 / 5 / 66 / 25

HEX #BEB440

RGB 190 180 64

HSL 55.24, 0.5%, 0.5%

LAB 72.2, -10.29, 58.06

 

CMYK 0 / 4 / 60 / 19

HEX #CFC653

RGB 207 198 83

HSL 55.65, 0.56%, 0.57%

LAB 78.62, -11.11, 57.26

 

CMYK 0 / 4 / 54 / 12

HEX #E0D866

RGB 224 216 102

HSL 56.07, 0.66%, 0.64%

LAB 84.95, -11.8, 56.25

 

CMYK 0 / 3 / 50 / 5

HEX #F1EA79

RGB 241 234 121

HSL 56.5, 0.81%, 0.71%

LAB 91.2, -12.38, 55.15

 

CMYK 0 / 4 / 70 / 34

HEX #A8A232

RGB 168 162 50

HSL 56.95, 0.54%, 0.43%

LAB 65.28, -11.24, 56.04

 

CMYK 0 / 5 / 79 / 41

HEX #97901F

RGB 151 144 31

HSL 56.5, 0.66%, 0.36%

LAB 58.63, -10.16, 55.99

 

CMYK 0 / 6 / 91 / 47

HEX #867E0C

RGB 134 126 12

HSL 56.07, 0.84%, 0.29%

LAB 51.86, -8.8, 54.66

 

CMYK 0 / 8 / 100 / 54

HEX #756C00

RGB 117 108 0

HSL 55.38, 1%, 0.23%

LAB 44.95, -7.11, 51.19

 

CMYK 0 / 10 / 100 / 61

HEX #645A00

RGB 100 90 0

HSL 54, 1%, 0.2%

LAB 37.88, -5.1, 45.33

 

CMYK 0 / 4 / 70 / 34

HEX #A8A232

RGB 168 162 50

HSL 56.95, 0.54%, 0.43%

LAB 65.28, -11.24, 56.04

 

CMYK 0 / 23 / 70 / 34

HEX #A88232

RGB 168 130 50

HSL 40.68, 0.54%, 0.43%

LAB 56.61, 6.15, 47.22

 

CMYK 0 / 42 / 70 / 34

HEX #A86232

RGB 168 98 50

HSL 24.41, 0.54%, 0.43%

LAB 48.62, 24.16, 38.66

 

CMYK 0 / 60 / 70 / 34

HEX #A84332

RGB 168 67 50

HSL 8.64, 0.54%, 0.43%

LAB 42.11, 40.51, 31.26

 

CMYK 0 / 70 / 70 / 34

HEX #A83232

RGB 168 50 50

HSL 0, 0.54%, 0.43%

LAB 39.3, 48.03, 27.95

 

CMYK 0 / 4 / 70 / 34

HEX #A8A232

RGB 168 162 50

HSL 56.95, 0.54%, 0.43%

LAB 65.28, -11.24, 56.04

 

CMYK 15 / 0 / 70 / 34

HEX #8EA832

RGB 142 168 50

HSL 73.22, 0.54%, 0.43%

LAB 64.95, -25.47, 55.04

 

CMYK 34 / 0 / 70 / 34

HEX #6FA832

RGB 111 168 50

HSL 88.98, 0.54%, 0.43%

LAB 63.02, -37.71, 52.46

 

CMYK 53 / 0 / 70 / 34

HEX #4FA832

RGB 79 168 50

HSL 105.25, 0.54%, 0.43%

LAB 61.57, -48.26, 50.49

 

CMYK 70 / 0 / 68 / 34

HEX #32A835

RGB 50 168 53

HSL 121.53, 0.54%, 0.43%

LAB 60.73, -54.88, 48.13

 

CMYK 0 / 4 / 70 / 34

HEX #A8A232

RGB 168 162 50

HSL 56.95, 0.54%, 0.43%

LAB 65.28, -11.24, 56.04

 

CMYK 0 / 4 / 83 / 27

HEX #BAB220

RGB 186 178 32

HSL 56.88, 0.71%, 0.43%

LAB 71.13, -12.38, 67.79

 

CMYK 0 / 5 / 93 / 20

HEX #CCC20E

RGB 204 194 14

HSL 56.84, 0.87%, 0.43%

LAB 76.95, -13.07, 76.45

 

CMYK 0 / 4 / 70 / 34

HEX #A8A232

RGB 168 162 50

HSL 56.95, 0.54%, 0.43%

LAB 65.28, -11.24, 56.04

 

CMYK 0 / 3 / 55 / 41

HEX #979244

RGB 151 146 68

HSL 56.39, 0.38%, 0.43%

LAB 59.48, -8.96, 41.38

 

CMYK 0 / 2 / 36 / 48

HEX #858255

RGB 133 130 85

HSL 56.25, 0.22%, 0.43%

LAB 53.61, -6.18, 24.8

 

CMYK 0 / 0 / 10 / 55

HEX #737367

RGB 115 115 103

HSL 60, 0.06%, 0.43%

LAB 48.12, -2.32, 6.64

 

CMYK 20 / 18 / 0 / 53

HEX #616379

RGB 97 99 121

HSL 235, 0.11%, 0.43%

LAB 42.53, 4.29, -12.57

 

CMYK 0 / 42 / 70 / 34

HEX #A86132

RGB 168 97 50

HSL 23.9, 0.54%, 0.43%

LAB 48.39, 24.72, 38.4

 

CMYK 0 / 23 / 70 / 34

HEX #A88132

RGB 168 129 50

HSL 40.17, 0.54%, 0.43%

LAB 56.34, 6.71, 46.95

 

CMYK 0 / 5 / 70 / 34

HEX #A8A032

RGB 168 160 50

HSL 55.93, 0.54%, 0.43%

LAB 64.72, -10.19, 55.49

 

CMYK 14 / 0 / 70 / 34

HEX #91A832

RGB 145 168 50

HSL 71.69, 0.54%, 0.43%

LAB 65.16, -24.21, 55.32

 

CMYK 33 / 0 / 70 / 34

HEX #71A832

RGB 113 168 50

HSL 87.97, 0.54%, 0.43%

LAB 63.13, -36.97, 52.61

 

CMYK 0 / 4 / 70 / 59

HEX #69651F

RGB 105 101 31

HSL 56.76, 0.54%, 0.27%

LAB 41.86, -7.77, 38.52

 

CMYK 0 / 4 / 71 / 46

HEX #898428

RGB 137 132 40

HSL 56.91, 0.55%, 0.35%

LAB 54, -9.62, 47.89

 

CMYK 0 / 4 / 70 / 34

HEX #A8A232

RGB 168 162 50

HSL 56.95, 0.54%, 0.43%

LAB 65.28, -11.24, 56.04

 

CMYK 0 / 4 / 69 / 23

HEX #C5BE3E

RGB 197 190 62

HSL 56.89, 0.54%, 0.51%

LAB 75.48, -12.54, 62.39

 

CMYK 0 / 3 / 55 / 19

HEX #CFC95E

RGB 207 201 94

HSL 56.81, 0.54%, 0.59%

LAB 79.53, -11.82, 53.32

 

CMYK 0 / 4 / 70 / 34

HEX #A8A232

RGB 168 162 50

HSL 56.95, 0.54%, 0.43%

LAB 65.28, -11.24, 56.04

 

CMYK 70 / 0 / 61 / 34

HEX #32A842

RGB 50 168 66

HSL 128.14, 0.54%, 0.43%

LAB 60.85, -53.45, 42.54

 

CMYK 33 / 70 / 0 / 34

HEX #7132A8

RGB 113 50 168

HSL 272.03, 0.54%, 0.43%

LAB 35.24, 49.45, -52.36

 

CMYK 0 / 4 / 70 / 34

HEX #A8A232

RGB 168 162 50

HSL 56.95, 0.54%, 0.43%

LAB 65.28, -11.24, 56.04

 

CMYK 70 / 0 / 5 / 34

HEX #32A8A0

RGB 50 168 160

HSL 175.93, 0.54%, 0.43%

LAB 62.69, -33.78, -5.31

 

CMYK 5 / 70 / 0 / 34

HEX #A032A8

RGB 160 50 168

HSL 295.93, 0.54%, 0.43%

LAB 42.13, 59.7, -40.94

 

CMYK 0 / 4 / 70 / 34

HEX #A8A232

RGB 168 162 50

HSL 56.95, 0.54%, 0.43%

LAB 65.28, -11.24, 56.04

 

CMYK 70 / 0 / 61 / 34

HEX #32A842

RGB 50 168 66

HSL 128.14, 0.54%, 0.43%

LAB 60.85, -53.45, 42.54

 

CMYK 70 / 65 / 0 / 34

HEX #323AA8

RGB 50 58 168

HSL 235.93, 0.54%, 0.43%

LAB 30.72, 33.86, -60

 

CMYK 0 / 70 / 9 / 34

HEX #A83299

RGB 168 50 153

HSL 307.63, 0.54%, 0.43%

LAB 42.62, 59.08, -31.08

 

CMYK 0 / 4 / 70 / 34

HEX #A8A232

RGB 168 162 50

HSL 56.95, 0.54%, 0.43%

LAB 65.28, -11.24, 56.04

 

CMYK 70 / 0 / 40 / 34

HEX #32A865

RGB 50 168 101

HSL 145.93, 0.54%, 0.43%

LAB 61.33, -47.96, 25.42

 

CMYK 70 / 65 / 0 / 34

HEX #323AA8

RGB 50 58 168

HSL 235.93, 0.54%, 0.43%

LAB 30.72, 33.86, -60

 

CMYK 0 / 70 / 30 / 34

HEX #A83275

RGB 168 50 117

HSL 325.93, 0.54%, 0.43%

LAB 41.04, 53.98, -11.51

 

Description

Color code: HEX #A8A232 | qconv.com Color code: HEX #A8A232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 162 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 162 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 70 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 70% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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