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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A898DB it is the complementary color #576724. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A898DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A898DB shade: #AD98D6, #BEAAE9, #CFBCFC, #E0CEFF and #F1E0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A898DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A898DB shade: #A898DB, #9786C8, #8674B5, #7562A2 and #64508F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A898DB shade: #A899DB, #BA99DB, #CC99DB, #DB99D8 and #DB99C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A898DB shade: #A899DB and #9999DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A898DB shade matches the following richer shades: #A899DB, #A38DE6, #9D82F1 and #9777FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A898DB shade: #A899DB, #AEA4D0, #B4AFC4, #BABAB9 and #C0C5AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A898DB shade: #99ACDB, #999BDB, #A899DB, #BA99DB and #CB99DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A898DB shade: #755CC5, #8F7AD0, #A899DB, #C2B7E5 and #DCD6F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A898DB shade: #A898DB, #DB99BE and #A4DB99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A898DB shade: #A898DB, #DBA899 and #99DBA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A898DB shade: #A898DB, #DB99BE, #CBDB99 and #99DBB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A898DB shade: #A898DB, #DB99AA, #CBDB99 and #99DBC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 31 / 0 / 14

HEX #A898DB

RGB 168 152 219

HSL 254.33, 0.48%, 0.73%

LAB 66.44, 19.86, -31.97

 

Complementary color

CMYK 16 / 0 / 65 / 60

HEX #576724

RGB 87 103 36

HSL 74.33, 0.48%, 0.27%

LAB 40.98, -16.89, 34.79

 

CMYK 19 / 29 / 0 / 16

HEX #AD98D6

RGB 173 152 214

HSL 260.32, 0.43%, 0.72%

LAB 66.67, 20.22, -28.81

 

CMYK 18 / 27 / 0 / 9

HEX #BEAAE9

RGB 190 170 233

HSL 259.05, 0.59%, 0.79%

LAB 73.27, 19.69, -28.96

 

CMYK 18 / 25 / 0 / 1

HEX #CFBCFC

RGB 207 188 252

HSL 257.81, 0.91%, 0.86%

LAB 79.76, 19.2, -29.12

 

CMYK 12 / 19 / 0 / 0

HEX #E0CEFF

RGB 224 206 255

HSL 262.04, 1%, 0.9%

LAB 85.61, 15.41, -21.68

 

CMYK 5 / 12 / 0 / 0

HEX #F1E0FF

RGB 241 224 255

HSL 272.9, 1%, 0.94%

LAB 91.34, 11.34, -12.92

 

CMYK 23 / 31 / 0 / 14

HEX #A898DB

RGB 168 152 219

HSL 254.33, 0.48%, 0.73%

LAB 66.44, 19.86, -31.97

 

CMYK 25 / 33 / 0 / 22

HEX #9786C8

RGB 151 134 200

HSL 255.45, 0.38%, 0.65%

LAB 59.71, 20.47, -31.91

 

CMYK 26 / 36 / 0 / 29

HEX #8674B5

RGB 134 116 181

HSL 256.62, 0.31%, 0.58%

LAB 52.83, 21.15, -31.89

 

CMYK 28 / 40 / 0 / 36

HEX #7562A2

RGB 117 98 162

HSL 257.81, 0.26%, 0.51%

LAB 45.81, 21.92, -31.91

 

CMYK 30 / 44 / 0 / 44

HEX #64508F

RGB 100 80 143

HSL 259.05, 0.28%, 0.44%

LAB 38.6, 22.8, -31.99

 

CMYK 23 / 30 / 0 / 14

HEX #A899DB

RGB 168 153 219

HSL 253.64, 0.48%, 0.73%

LAB 66.69, 19.29, -31.58

 

CMYK 15 / 30 / 0 / 14

HEX #BA99DB

RGB 186 153 219

HSL 270, 0.48%, 0.73%

LAB 68.27, 24.81, -29.01

 

CMYK 7 / 30 / 0 / 14

HEX #CC99DB

RGB 204 153 219

HSL 286.36, 0.48%, 0.73%

LAB 69.99, 30.49, -26.22

 

CMYK 0 / 30 / 1 / 14

HEX #DB99D8

RGB 219 153 216

HSL 302.73, 0.48%, 0.73%

LAB 71.42, 34.73, -22.25

 

CMYK 0 / 30 / 10 / 14

HEX #DB99C6

RGB 219 153 198

HSL 319.09, 0.48%, 0.73%

LAB 70.82, 31.56, -13.22

 

CMYK 23 / 30 / 0 / 14

HEX #A899DB

RGB 168 153 219

HSL 253.64, 0.48%, 0.73%

LAB 66.69, 19.29, -31.58

 

CMYK 30 / 30 / 0 / 14

HEX #9999DB

RGB 153 153 219

HSL 240, 0.48%, 0.73%

LAB 65.49, 14.86, -33.53

 

CMYK 23 / 30 / 0 / 14

HEX #A899DB

RGB 168 153 219

HSL 253.64, 0.48%, 0.73%

LAB 66.69, 19.29, -31.58

 

CMYK 29 / 39 / 0 / 10

HEX #A38DE6

RGB 163 141 230

HSL 254.83, 0.64%, 0.73%

LAB 63.79, 27.32, -42.21

 

CMYK 35 / 46 / 0 / 5

HEX #9D82F1

RGB 157 130 241

HSL 254.59, 0.8%, 0.73%

LAB 61.21, 34.79, -52.42

 

CMYK 40 / 53 / 0 / 1

HEX #9777FC

RGB 151 119 252

HSL 254.44, 0.96%, 0.73%

LAB 58.79, 42.48, -62.38

 

CMYK 23 / 30 / 0 / 14

HEX #A899DB

RGB 168 153 219

HSL 253.64, 0.48%, 0.73%

LAB 66.69, 19.29, -31.58

 

CMYK 16 / 21 / 0 / 18

HEX #AEA4D0

RGB 174 164 208

HSL 253.64, 0.32%, 0.73%

LAB 69.54, 12.47, -21.08

 

CMYK 8 / 11 / 0 / 23

HEX #B4AFC4

RGB 180 175 196

HSL 254.29, 0.15%, 0.73%

LAB 72.46, 5.83, -10.03

 

CMYK 0 / 0 / 1 / 27

HEX #BABAB9

RGB 186 186 185

HSL 60, 0.01%, 0.73%

LAB 75.49, -0.18, 0.5

 

CMYK 3 / 0 / 12 / 23

HEX #C0C5AE

RGB 192 197 174

HSL 73.04, 0.17%, 0.73%

LAB 78.58, -5.8, 10.95

 

CMYK 30 / 21 / 0 / 14

HEX #99ACDB

RGB 153 172 219

HSL 222.73, 0.48%, 0.73%

LAB 70.45, 4.16, -25.89

 

CMYK 30 / 29 / 0 / 14

HEX #999BDB

RGB 153 155 219

HSL 238.18, 0.48%, 0.73%

LAB 66, 13.72, -32.74

 

CMYK 23 / 30 / 0 / 14

HEX #A899DB

RGB 168 153 219

HSL 253.64, 0.48%, 0.73%

LAB 66.69, 19.29, -31.58

 

CMYK 15 / 30 / 0 / 14

HEX #BA99DB

RGB 186 153 219

HSL 270, 0.48%, 0.73%

LAB 68.27, 24.81, -29.01

 

CMYK 7 / 30 / 0 / 14

HEX #CB99DB

RGB 203 153 219

HSL 285.45, 0.48%, 0.73%

LAB 69.89, 30.17, -26.38

 

CMYK 41 / 53 / 0 / 23

HEX #755CC5

RGB 117 92 197

HSL 254.29, 0.48%, 0.57%

LAB 46.27, 35.03, -51.62

 

CMYK 31 / 41 / 0 / 18

HEX #8F7AD0

RGB 143 122 208

HSL 254.65, 0.48%, 0.65%

LAB 56.4, 27.12, -41.66

 

CMYK 23 / 30 / 0 / 14

HEX #A899DB

RGB 168 153 219

HSL 253.64, 0.48%, 0.73%

LAB 66.69, 19.29, -31.58

 

CMYK 15 / 20 / 0 / 10

HEX #C2B7E5

RGB 194 183 229

HSL 254.35, 0.47%, 0.81%

LAB 76.68, 12.92, -21.55

 

CMYK 8 / 11 / 0 / 6

HEX #DCD6F0

RGB 220 214 240

HSL 253.85, 0.46%, 0.89%

LAB 86.8, 6.9, -11.99

 

CMYK 23 / 31 / 0 / 14

HEX #A898DB

RGB 168 152 219

HSL 254.33, 0.48%, 0.73%

LAB 66.44, 19.86, -31.97

 

CMYK 0 / 30 / 13 / 14

HEX #DB99BE

RGB 219 153 190

HSL 326.36, 0.48%, 0.73%

LAB 70.57, 30.22, -9.16

 

CMYK 25 / 0 / 30 / 14

HEX #A4DB99

RGB 164 219 153

HSL 110, 0.48%, 0.73%

LAB 82.3, -30.04, 26.92

 

CMYK 23 / 31 / 0 / 14

HEX #A898DB

RGB 168 152 219

HSL 254.33, 0.48%, 0.73%

LAB 66.44, 19.86, -31.97

 

CMYK 0 / 23 / 30 / 14

HEX #DBA899

RGB 219 168 153

HSL 13.64, 0.48%, 0.73%

LAB 73.13, 16.64, 14.98

 

CMYK 30 / 0 / 23 / 14

HEX #99DBA8

RGB 153 219 168

HSL 133.64, 0.48%, 0.73%

LAB 81.98, -31.09, 18.56

 

CMYK 23 / 31 / 0 / 14

HEX #A898DB

RGB 168 152 219

HSL 254.33, 0.48%, 0.73%

LAB 66.44, 19.86, -31.97

 

CMYK 0 / 30 / 13 / 14

HEX #DB99BE

RGB 219 153 190

HSL 326.36, 0.48%, 0.73%

LAB 70.57, 30.22, -9.16

 

CMYK 7 / 0 / 30 / 14

HEX #CBDB99

RGB 203 219 153

HSL 74.55, 0.48%, 0.73%

LAB 84.82, -16.14, 30.74

 

CMYK 30 / 0 / 17 / 14

HEX #99DBB5

RGB 153 219 181

HSL 145.45, 0.48%, 0.73%

LAB 82.26, -28.67, 12.1

 

CMYK 23 / 31 / 0 / 14

HEX #A898DB

RGB 168 152 219

HSL 254.33, 0.48%, 0.73%

LAB 66.44, 19.86, -31.97

 

CMYK 0 / 30 / 22 / 14

HEX #DB99AA

RGB 219 153 170

HSL 344.55, 0.48%, 0.73%

LAB 70, 27.11, 1.11

 

CMYK 7 / 0 / 30 / 14

HEX #CBDB99

RGB 203 219 153

HSL 74.55, 0.48%, 0.73%

LAB 84.82, -16.14, 30.74

 

CMYK 30 / 0 / 8 / 14

HEX #99DBC9

RGB 153 219 201

HSL 163.64, 0.48%, 0.73%

LAB 82.73, -24.6, 2.19

 

Description

Color code: HEX #A898DB | qconv.com Color code: HEX #A898DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 152 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 152 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 31 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 31% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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