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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A898BF it is the complementary color #576740. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A898BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A898BF shade: #AD98BA, #BEAACD, #CFBCE0, #E0CEF3 and #F1E0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A898BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A898BF shade: #A898BF, #9786AC, #867499, #756286 and #645073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A898BF shade: #A797BE, #B197BE, #BC97BE, #BE97B5 and #BE97AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A898BF shade: #A797BE, #9C97BE and #9797BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A898BF shade matches the following richer shades: #A797BE, #A489CB, #A27CD9, #A06EE7 and #9D61F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A898BF shade: #A797BE, #A9A5B0, #ACB2A2, #AEC095 and #B1CD87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A898BF shade: #979CBE, #9C97BE, #A697BE, #B197BE and #BB97BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A898BF shade: #7C649E, #917EAE, #A797BE, #BCB0CE and #D2CADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A898BF shade: #A898BF, #BE97A6 and #97BE97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A898BF shade: #A898BF, #BEA697 and #97BEA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A898BF shade: #A898BF, #BE97A6, #AEBE97 and #97BEAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A898BF shade: #A898BF, #BE979B, #AEBE97 and #97BEBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 20 / 0 / 25

HEX #A898BF

RGB 168 152 191

HSL 264.62, 0.23%, 0.67%

LAB 65.39, 13.54, -18

 

Complementary color

CMYK 16 / 0 / 38 / 60

HEX #576740

RGB 87 103 64

HSL 84.62, 0.23%, 0.33%

LAB 41.37, -13.58, 20.06

 

CMYK 7 / 18 / 0 / 27

HEX #AD98BA

RGB 173 152 186

HSL 277.06, 0.2%, 0.66%

LAB 65.66, 14.17, -14.75

 

CMYK 7 / 17 / 0 / 20

HEX #BEAACD

RGB 190 170 205

HSL 274.29, 0.26%, 0.74%

LAB 72.3, 13.75, -15.13

 

CMYK 8 / 16 / 0 / 12

HEX #CFBCE0

RGB 207 188 224

HSL 271.67, 0.37%, 0.81%

LAB 78.82, 13.37, -15.51

 

CMYK 8 / 15 / 0 / 5

HEX #E0CEF3

RGB 224 206 243

HSL 269.19, 0.61%, 0.88%

LAB 85.23, 13.01, -15.89

 

CMYK 5 / 12 / 0 / 0

HEX #F1E0FF

RGB 241 224 255

HSL 272.9, 1%, 0.94%

LAB 91.34, 11.34, -12.92

 

CMYK 12 / 20 / 0 / 25

HEX #A898BF

RGB 168 152 191

HSL 264.62, 0.23%, 0.67%

LAB 65.39, 13.54, -18

 

CMYK 12 / 22 / 0 / 33

HEX #9786AC

RGB 151 134 172

HSL 266.84, 0.19%, 0.6%

LAB 58.61, 13.98, -17.7

 

CMYK 12 / 24 / 0 / 40

HEX #867499

RGB 134 116 153

HSL 269.19, 0.15%, 0.53%

LAB 51.68, 14.47, -17.41

 

CMYK 13 / 27 / 0 / 47

HEX #756286

RGB 117 98 134

HSL 271.67, 0.16%, 0.45%

LAB 44.57, 15.03, -17.14

 

CMYK 13 / 30 / 0 / 55

HEX #645073

RGB 100 80 115

HSL 274.29, 0.18%, 0.38%

LAB 37.27, 15.65, -16.89

 

CMYK 12 / 21 / 0 / 25

HEX #A797BE

RGB 167 151 190

HSL 264.62, 0.23%, 0.67%

LAB 65.02, 13.55, -18.02

 

CMYK 7 / 21 / 0 / 25

HEX #B197BE

RGB 177 151 190

HSL 280, 0.23%, 0.67%

LAB 65.9, 16.9, -16.59

 

CMYK 1 / 21 / 0 / 25

HEX #BC97BE

RGB 188 151 190

HSL 296.92, 0.23%, 0.67%

LAB 66.93, 20.63, -14.93

 

CMYK 0 / 21 / 5 / 25

HEX #BE97B5

RGB 190 151 181

HSL 313.85, 0.23%, 0.67%

LAB 66.84, 19.63, -10.03

 

CMYK 0 / 21 / 10 / 25

HEX #BE97AB

RGB 190 151 171

HSL 329.23, 0.23%, 0.67%

LAB 66.54, 17.85, -4.88

 

CMYK 12 / 21 / 0 / 25

HEX #A797BE

RGB 167 151 190

HSL 264.62, 0.23%, 0.67%

LAB 65.02, 13.55, -18.02

 

CMYK 18 / 21 / 0 / 25

HEX #9C97BE

RGB 156 151 190

HSL 247.69, 0.23%, 0.67%

LAB 64.1, 9.95, -19.5

 

CMYK 21 / 21 / 0 / 25

HEX #9797BE

RGB 151 151 190

HSL 240, 0.23%, 0.67%

LAB 63.7, 8.34, -20.14

 

CMYK 12 / 21 / 0 / 25

HEX #A797BE

RGB 167 151 190

HSL 264.62, 0.23%, 0.67%

LAB 65.02, 13.55, -18.02

 

CMYK 19 / 33 / 0 / 20

HEX #A489CB

RGB 164 137 203

HSL 264.55, 0.39%, 0.67%

LAB 61.74, 23.43, -30.36

 

CMYK 25 / 43 / 0 / 15

HEX #A27CD9

RGB 162 124 217

HSL 264.52, 0.55%, 0.67%

LAB 59.07, 33.53, -42.4

 

CMYK 31 / 52 / 0 / 9

HEX #A06EE7

RGB 160 110 231

HSL 264.79, 0.72%, 0.67%

LAB 56.48, 44.24, -54.36

 

CMYK 36 / 60 / 0 / 4

HEX #9D61F4

RGB 157 97 244

HSL 264.49, 0.87%, 0.67%

LAB 54.29, 53.72, -65.15

 

CMYK 12 / 21 / 0 / 25

HEX #A797BE

RGB 167 151 190

HSL 264.62, 0.23%, 0.67%

LAB 65.02, 13.55, -18.02

 

CMYK 4 / 6 / 0 / 31

HEX #A9A5B0

RGB 169 165 176

HSL 261.82, 0.07%, 0.67%

LAB 68.37, 3.54, -5.16

 

CMYK 3 / 0 / 9 / 30

HEX #ACB2A2

RGB 172 178 162

HSL 82.5, 0.09%, 0.67%

LAB 71.7, -5.05, 7.44

 

CMYK 9 / 0 / 22 / 25

HEX #AEC095

RGB 174 192 149

HSL 85.12, 0.25%, 0.67%

LAB 75.37, -13.81, 19.66

 

CMYK 14 / 0 / 34 / 20

HEX #B1CD87

RGB 177 205 135

HSL 84, 0.41%, 0.67%

LAB 78.9, -21.29, 31.83

 

CMYK 21 / 18 / 0 / 25

HEX #979CBE

RGB 151 156 190

HSL 232.31, 0.23%, 0.67%

LAB 65.02, 5.52, -18.13

 

CMYK 18 / 21 / 0 / 25

HEX #9C97BE

RGB 156 151 190

HSL 247.69, 0.23%, 0.67%

LAB 64.1, 9.95, -19.5

 

CMYK 13 / 21 / 0 / 25

HEX #A697BE

RGB 166 151 190

HSL 263.08, 0.23%, 0.67%

LAB 64.93, 13.22, -18.16

 

CMYK 7 / 21 / 0 / 25

HEX #B197BE

RGB 177 151 190

HSL 280, 0.23%, 0.67%

LAB 65.9, 16.9, -16.59

 

CMYK 2 / 21 / 0 / 25

HEX #BB97BE

RGB 187 151 190

HSL 295.38, 0.23%, 0.67%

LAB 66.84, 20.29, -15.09

 

CMYK 22 / 37 / 0 / 38

HEX #7C649E

RGB 124 100 158

HSL 264.83, 0.23%, 0.51%

LAB 46.8, 21.87, -27.95

 

CMYK 17 / 28 / 0 / 32

HEX #917EAE

RGB 145 126 174

HSL 263.75, 0.23%, 0.59%

LAB 56.09, 17.07, -22.75

 

CMYK 12 / 21 / 0 / 25

HEX #A797BE

RGB 167 151 190

HSL 264.62, 0.23%, 0.67%

LAB 65.02, 13.55, -18.02

 

CMYK 9 / 15 / 0 / 19

HEX #BCB0CE

RGB 188 176 206

HSL 264, 0.23%, 0.75%

LAB 73.67, 9.99, -13.63

 

CMYK 5 / 9 / 0 / 13

HEX #D2CADD

RGB 210 202 221

HSL 265.26, 0.22%, 0.83%

LAB 82.47, 6.27, -8.42

 

CMYK 12 / 20 / 0 / 25

HEX #A898BF

RGB 168 152 191

HSL 264.62, 0.23%, 0.67%

LAB 65.39, 13.54, -18

 

CMYK 0 / 21 / 13 / 25

HEX #BE97A6

RGB 190 151 166

HSL 336.92, 0.23%, 0.67%

LAB 66.39, 16.99, -2.28

 

CMYK 21 / 0 / 21 / 25

HEX #97BE97

RGB 151 190 151

HSL 120, 0.23%, 0.67%

LAB 73.31, -20.67, 15.5

 

CMYK 12 / 20 / 0 / 25

HEX #A898BF

RGB 168 152 191

HSL 264.62, 0.23%, 0.67%

LAB 65.39, 13.54, -18

 

CMYK 0 / 13 / 21 / 25

HEX #BEA697

RGB 190 166 151

HSL 23.08, 0.23%, 0.67%

LAB 69.79, 6.33, 10.97

 

CMYK 21 / 0 / 13 / 25

HEX #97BEA6

RGB 151 190 166

HSL 143.08, 0.23%, 0.67%

LAB 73.65, -17.88, 7.85

 

CMYK 12 / 20 / 0 / 25

HEX #A898BF

RGB 168 152 191

HSL 264.62, 0.23%, 0.67%

LAB 65.39, 13.54, -18

 

CMYK 0 / 21 / 13 / 25

HEX #BE97A6

RGB 190 151 166

HSL 336.92, 0.23%, 0.67%

LAB 66.39, 16.99, -2.28

 

CMYK 8 / 0 / 21 / 25

HEX #AEBE97

RGB 174 190 151

HSL 84.62, 0.23%, 0.67%

LAB 74.86, -12.47, 17.89

 

CMYK 21 / 0 / 8 / 25

HEX #97BEAE

RGB 151 190 174

HSL 155.38, 0.23%, 0.67%

LAB 73.84, -16.3, 3.79

 

CMYK 12 / 20 / 0 / 25

HEX #A898BF

RGB 168 152 191

HSL 264.62, 0.23%, 0.67%

LAB 65.39, 13.54, -18

 

CMYK 0 / 21 / 18 / 25

HEX #BE979B

RGB 190 151 155

HSL 353.85, 0.23%, 0.67%

LAB 66.1, 15.19, 3.45

 

CMYK 8 / 0 / 21 / 25

HEX #AEBE97

RGB 174 190 151

HSL 84.62, 0.23%, 0.67%

LAB 74.86, -12.47, 17.89

 

CMYK 21 / 0 / 2 / 25

HEX #97BEBA

RGB 151 190 186

HSL 173.85, 0.23%, 0.67%

LAB 74.16, -13.8, -2.28

 

Description

Color code: HEX #A898BF | qconv.com Color code: HEX #A898BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 152 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 152 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 20 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 20% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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