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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A883CD it is the complementary color #577C32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A883CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A883CD shade: #AD83C8, #BE95DB, #CFA7EE, #E0B9FF and #F1CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A883CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A883CD shade: #A883CD, #9771BA, #865FA7, #754D94 and #643B81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A883CD shade: #A883CD, #BC83CD, #CD83CA, #CD83B6 and #CD83A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A883CD shade: #A883CD, #9483CD and #8383CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A883CD shade matches the following richer shades: #A883CD, #A874DB, #A866E9 and #A858F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A883CD shade: #A883CD, #A891BF, #A89FB1, #A8ADA3 and #A8BB95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A883CD shade: #8385CD, #9483CD, #A883CD, #BC83CD and #CD83CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A883CD shade: #7F48B5, #9365C1, #A883CD, #BCA0D9 and #D1BEE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A883CD shade: #A883CD, #CD8399 and #83CD8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A883CD shade: #A883CD, #CDA883 and #83CDA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A883CD shade: #A883CD, #CD8399, #A8CD83 and #83CDB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A883CD shade: #A883CD, #CD8383, #A8CD83 and #83CDCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

Complementary color

CMYK 30 / 0 / 60 / 51

HEX #577C32

RGB 87 124 50

HSL 90, 0.43%, 0.34%

LAB 47.84, -26.37, 35.62

 

CMYK 14 / 35 / 0 / 22

HEX #AD83C8

RGB 173 131 200

HSL 276.52, 0.39%, 0.65%

LAB 61.03, 28.97, -29.69

 

CMYK 13 / 32 / 0 / 14

HEX #BE95DB

RGB 190 149 219

HSL 275.14, 0.49%, 0.72%

LAB 67.69, 28.29, -29.87

 

CMYK 13 / 30 / 0 / 7

HEX #CFA7EE

RGB 207 167 238

HSL 273.8, 0.68%, 0.79%

LAB 74.24, 27.66, -30.06

 

CMYK 12 / 27 / 0 / 0

HEX #E0B9FF

RGB 224 185 255

HSL 273.43, 1%, 0.86%

LAB 80.61, 26.66, -29.3

 

CMYK 5 / 20 / 0 / 0

HEX #F1CBFF

RGB 241 203 255

HSL 283.85, 1%, 0.9%

LAB 86.32, 22.39, -20.46

 

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

CMYK 19 / 39 / 0 / 27

HEX #9771BA

RGB 151 113 186

HSL 271.23, 0.35%, 0.59%

LAB 53.96, 29.28, -32.89

 

CMYK 20 / 43 / 0 / 35

HEX #865FA7

RGB 134 95 167

HSL 272.5, 0.29%, 0.51%

LAB 47.03, 30.1, -32.82

 

CMYK 21 / 48 / 0 / 42

HEX #754D94

RGB 117 77 148

HSL 273.8, 0.32%, 0.44%

LAB 39.96, 30.99, -32.75

 

CMYK 22 / 54 / 0 / 49

HEX #643B81

RGB 100 59 129

HSL 275.14, 0.37%, 0.37%

LAB 32.75, 31.91, -32.65

 

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

CMYK 8 / 36 / 0 / 20

HEX #BC83CD

RGB 188 131 205

HSL 286.22, 0.43%, 0.66%

LAB 62.79, 34.71, -29.67

 

CMYK 0 / 36 / 1 / 20

HEX #CD83CA

RGB 205 131 202

HSL 302.43, 0.43%, 0.66%

LAB 64.54, 39.48, -25.12

 

CMYK 0 / 36 / 11 / 20

HEX #CD83B6

RGB 205 131 182

HSL 318.65, 0.43%, 0.66%

LAB 63.83, 35.96, -14.95

 

CMYK 0 / 36 / 21 / 20

HEX #CD83A2

RGB 205 131 162

HSL 334.86, 0.43%, 0.66%

LAB 63.19, 32.76, -4.55

 

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

CMYK 28 / 36 / 0 / 20

HEX #9483CD

RGB 148 131 205

HSL 253.78, 0.43%, 0.66%

LAB 58.92, 22.55, -35.98

 

CMYK 36 / 36 / 0 / 20

HEX #8383CD

RGB 131 131 205

HSL 240, 0.43%, 0.66%

LAB 57.53, 17.72, -38.26

 

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

CMYK 23 / 47 / 0 / 14

HEX #A874DB

RGB 168 116 219

HSL 270.29, 0.59%, 0.66%

LAB 57.97, 40.16, -45.22

 

CMYK 28 / 56 / 0 / 9

HEX #A866E9

RGB 168 102 233

HSL 270.23, 0.75%, 0.66%

LAB 55.8, 50.97, -56.53

 

CMYK 32 / 64 / 0 / 3

HEX #A858F7

RGB 168 88 247

HSL 270.19, 0.91%, 0.66%

LAB 54.05, 61.26, -67.15

 

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

CMYK 12 / 24 / 0 / 25

HEX #A891BF

RGB 168 145 191

HSL 270, 0.26%, 0.66%

LAB 63.62, 17.49, -20.69

 

CMYK 5 / 10 / 0 / 31

HEX #A89FB1

RGB 168 159 177

HSL 270, 0.1%, 0.66%

LAB 66.75, 6.71, -8.14

 

CMYK 3 / 0 / 6 / 32

HEX #A8ADA3

RGB 168 173 163

HSL 90, 0.06%, 0.66%

LAB 70.08, -3.63, 4.51

 

CMYK 10 / 0 / 20 / 27

HEX #A8BB95

RGB 168 187 149

HSL 90, 0.22%, 0.66%

LAB 73.57, -13.44, 17.1

 

CMYK 36 / 35 / 0 / 20

HEX #8385CD

RGB 131 133 205

HSL 238.38, 0.43%, 0.66%

LAB 58.04, 16.54, -37.45

 

CMYK 28 / 36 / 0 / 20

HEX #9483CD

RGB 148 131 205

HSL 253.78, 0.43%, 0.66%

LAB 58.92, 22.55, -35.98

 

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

CMYK 8 / 36 / 0 / 20

HEX #BC83CD

RGB 188 131 205

HSL 286.22, 0.43%, 0.66%

LAB 62.79, 34.71, -29.67

 

CMYK 0 / 36 / 1 / 20

HEX #CD83CB

RGB 205 131 203

HSL 301.62, 0.43%, 0.66%

LAB 64.58, 39.66, -25.62

 

CMYK 30 / 60 / 0 / 29

HEX #7F48B5

RGB 127 72 181

HSL 270.28, 0.43%, 0.5%

LAB 41.97, 44.56, -49.13

 

CMYK 24 / 48 / 0 / 24

HEX #9365C1

RGB 147 101 193

HSL 270, 0.43%, 0.58%

LAB 51.11, 36.62, -41.43

 

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

CMYK 13 / 26 / 0 / 15

HEX #BCA0D9

RGB 188 160 217

HSL 269.47, 0.43%, 0.74%

LAB 70.07, 21.12, -25.14

 

CMYK 9 / 17 / 0 / 10

HEX #D1BEE5

RGB 209 190 229

HSL 269.23, 0.43%, 0.82%

LAB 79.64, 13.94, -16.96

 

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

CMYK 0 / 36 / 25 / 20

HEX #CD8399

RGB 205 131 153

HSL 342.16, 0.43%, 0.66%

LAB 62.94, 31.44, 0.2

 

CMYK 36 / 0 / 33 / 20

HEX #83CD8A

RGB 131 205 138

HSL 125.68, 0.43%, 0.66%

LAB 76.27, -36.68, 26.29

 

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

CMYK 0 / 18 / 36 / 20

HEX #CDA883

RGB 205 168 131

HSL 30, 0.43%, 0.66%

LAB 71.3, 8.37, 24.22

 

CMYK 36 / 0 / 18 / 20

HEX #83CDA8

RGB 131 205 168

HSL 150, 0.43%, 0.66%

LAB 76.87, -31.12, 11.22

 

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

CMYK 0 / 36 / 25 / 20

HEX #CD8399

RGB 205 131 153

HSL 342.16, 0.43%, 0.66%

LAB 62.94, 31.44, 0.2

 

CMYK 18 / 0 / 36 / 20

HEX #A8CD83

RGB 168 205 131

HSL 90, 0.43%, 0.66%

LAB 78.24, -25.15, 32.92

 

CMYK 36 / 0 / 11 / 20

HEX #83CDB7

RGB 131 205 183

HSL 162.16, 0.43%, 0.66%

LAB 77.23, -27.96, 3.68

 

CMYK 18 / 36 / 0 / 20

HEX #A883CD

RGB 168 131 205

HSL 270, 0.43%, 0.66%

LAB 60.75, 28.53, -32.98

 

CMYK 0 / 36 / 36 / 20

HEX #CD8383

RGB 205 131 131

HSL 0, 0.43%, 0.66%

LAB 62.38, 28.51, 11.93

 

CMYK 18 / 0 / 36 / 20

HEX #A8CD83

RGB 168 205 131

HSL 90, 0.43%, 0.66%

LAB 78.24, -25.15, 32.92

 

CMYK 36 / 0 / 0 / 20

HEX #83CDCD

RGB 131 205 205

HSL 180, 0.43%, 0.66%

LAB 77.81, -22.89, -7.29

 

Description

Color code: HEX #A883CD | qconv.com Color code: HEX #A883CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 131 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 131 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 36 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 36% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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