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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A889D6 it is the complementary color #577629. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A889D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A889D6 shade: #AD89D1, #BE9BE4, #CFADF7, #E0BFFF and #F1D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A889D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A889D6 shade: #A889D6, #9777C3, #8665B0, #75539D and #64418A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A889D6 shade: #A88AD5, #BD8AD5, #D18AD5, #D58AC5 and #D58AB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A889D6 shade: #A88AD5, #948AD5 and #8A8AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A889D6 shade matches the following richer shades: #A88AD5, #A67DE2, #A370EF and #A163FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A889D6 shade: #A88AD5, #AB96C9, #ADA3BC, #B0B0AF and #B2BDA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A889D6 shade: #8A94D5, #948AD5, #A88AD5, #BC8AD5 and #D08AD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A889D6 shade: #7B4CC0, #926BCB, #A88AD5, #BFA8E0 and #D5C7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A889D6 shade: #A889D6, #D58AA8 and #8AD58A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A889D6 shade: #A889D6, #D5A88A and #8AD5A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A889D6 shade: #A889D6, #D58AA8, #B7D58A and #8AD5B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A889D6 shade: #A889D6, #D58A91, #B7D58A and #8AD5CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 36 / 0 / 16

HEX #A889D6

RGB 168 137 214

HSL 264.16, 0.48%, 0.69%

LAB 62.57, 27.19, -35.2

 

Complementary color

CMYK 26 / 0 / 65 / 54

HEX #577629

RGB 87 118 41

HSL 84.16, 0.48%, 0.31%

LAB 45.83, -24.26, 37.71

 

CMYK 17 / 34 / 0 / 18

HEX #AD89D1

RGB 173 137 209

HSL 270, 0.44%, 0.68%

LAB 62.83, 27.56, -31.97

 

CMYK 17 / 32 / 0 / 11

HEX #BE9BE4

RGB 190 155 228

HSL 268.77, 0.57%, 0.75%

LAB 69.46, 26.9, -32.09

 

CMYK 16 / 30 / 0 / 3

HEX #CFADF7

RGB 207 173 247

HSL 267.57, 0.82%, 0.82%

LAB 75.99, 26.29, -32.24

 

CMYK 12 / 25 / 0 / 0

HEX #E0BFFF

RGB 224 191 255

HSL 270.94, 1%, 0.87%

LAB 82.02, 23.43, -27.15

 

CMYK 5 / 18 / 0 / 0

HEX #F1D1FF

RGB 241 209 255

HSL 281.74, 1%, 0.91%

LAB 87.74, 19.22, -18.33

 

CMYK 21 / 36 / 0 / 16

HEX #A889D6

RGB 168 137 214

HSL 264.16, 0.48%, 0.69%

LAB 62.57, 27.19, -35.2

 

CMYK 23 / 39 / 0 / 24

HEX #9777C3

RGB 151 119 195

HSL 265.26, 0.39%, 0.62%

LAB 55.8, 27.94, -35.17

 

CMYK 24 / 43 / 0 / 31

HEX #8665B0

RGB 134 101 176

HSL 266.4, 0.32%, 0.54%

LAB 48.9, 28.76, -35.16

 

CMYK 25 / 47 / 0 / 38

HEX #75539D

RGB 117 83 157

HSL 267.57, 0.31%, 0.47%

LAB 41.85, 29.66, -35.17

 

CMYK 28 / 53 / 0 / 46

HEX #64418A

RGB 100 65 138

HSL 268.77, 0.36%, 0.4%

LAB 34.65, 30.64, -35.19

 

CMYK 21 / 35 / 0 / 16

HEX #A88AD5

RGB 168 138 213

HSL 264, 0.47%, 0.69%

LAB 62.77, 26.39, -34.34

 

CMYK 11 / 35 / 0 / 16

HEX #BD8AD5

RGB 189 138 213

HSL 280.8, 0.47%, 0.69%

LAB 64.8, 32.8, -31.01

 

CMYK 2 / 35 / 0 / 16

HEX #D18AD5

RGB 209 138 213

HSL 296.8, 0.47%, 0.69%

LAB 66.93, 39.04, -27.56

 

CMYK 0 / 35 / 8 / 16

HEX #D58AC5

RGB 213 138 197

HSL 312.8, 0.47%, 0.69%

LAB 66.79, 37.43, -18.81

 

CMYK 0 / 35 / 17 / 16

HEX #D58AB1

RGB 213 138 177

HSL 328.8, 0.47%, 0.69%

LAB 66.13, 34.12, -8.57

 

CMYK 21 / 35 / 0 / 16

HEX #A88AD5

RGB 168 138 213

HSL 264, 0.47%, 0.69%

LAB 62.77, 26.39, -34.34

 

CMYK 31 / 35 / 0 / 16

HEX #948AD5

RGB 148 138 213

HSL 248, 0.47%, 0.69%

LAB 61.03, 20.52, -37.18

 

CMYK 35 / 35 / 0 / 16

HEX #8A8AD5

RGB 138 138 213

HSL 240, 0.47%, 0.69%

LAB 60.23, 17.71, -38.47

 

CMYK 21 / 35 / 0 / 16

HEX #A88AD5

RGB 168 138 213

HSL 264, 0.47%, 0.69%

LAB 62.77, 26.39, -34.34

 

CMYK 27 / 45 / 0 / 11

HEX #A67DE2

RGB 166 125 226

HSL 264.36, 0.64%, 0.69%

LAB 60.13, 36.24, -45.74

 

CMYK 32 / 53 / 0 / 6

HEX #A370EF

RGB 163 112 239

HSL 264.09, 0.8%, 0.69%

LAB 57.66, 45.85, -56.92

 

CMYK 36 / 61 / 0 / 1

HEX #A163FC

RGB 161 99 252

HSL 264.31, 0.96%, 0.69%

LAB 55.61, 55.52, -67.44

 

CMYK 21 / 35 / 0 / 16

HEX #A88AD5

RGB 168 138 213

HSL 264, 0.47%, 0.69%

LAB 62.77, 26.39, -34.34

 

CMYK 15 / 25 / 0 / 21

HEX #AB96C9

RGB 171 150 201

HSL 264.71, 0.32%, 0.69%

LAB 65.5, 17.81, -23.39

 

CMYK 8 / 13 / 0 / 26

HEX #ADA3BC

RGB 173 163 188

HSL 264, 0.16%, 0.69%

LAB 68.54, 8.44, -11.54

 

CMYK 0 / 0 / 1 / 31

HEX #B0B0AF

RGB 176 176 175

HSL 60, 0.01%, 0.69%

LAB 71.81, -0.18, 0.5

 

CMYK 6 / 0 / 14 / 26

HEX #B2BDA2

RGB 178 189 162

HSL 84.44, 0.17%, 0.69%

LAB 75.12, -8.68, 12.37

 

CMYK 35 / 31 / 0 / 16

HEX #8A94D5

RGB 138 148 213

HSL 232, 0.47%, 0.69%

LAB 62.83, 11.91, -34.42

 

CMYK 31 / 35 / 0 / 16

HEX #948AD5

RGB 148 138 213

HSL 248, 0.47%, 0.69%

LAB 61.03, 20.52, -37.18

 

CMYK 21 / 35 / 0 / 16

HEX #A88AD5

RGB 168 138 213

HSL 264, 0.47%, 0.69%

LAB 62.77, 26.39, -34.34

 

CMYK 12 / 35 / 0 / 16

HEX #BC8AD5

RGB 188 138 213

HSL 280, 0.47%, 0.69%

LAB 64.7, 32.49, -31.18

 

CMYK 2 / 35 / 0 / 16

HEX #D08AD5

RGB 208 138 213

HSL 296, 0.47%, 0.69%

LAB 66.82, 38.73, -27.74

 

CMYK 36 / 60 / 0 / 25

HEX #7B4CC0

RGB 123 76 192

HSL 264.31, 0.48%, 0.53%

LAB 43.04, 44.22, -53.88

 

CMYK 28 / 47 / 0 / 20

HEX #926BCB

RGB 146 107 203

HSL 264.38, 0.48%, 0.61%

LAB 52.88, 35.36, -44.36

 

CMYK 21 / 35 / 0 / 16

HEX #A88AD5

RGB 168 138 213

HSL 264, 0.47%, 0.69%

LAB 62.77, 26.39, -34.34

 

CMYK 15 / 25 / 0 / 12

HEX #BFA8E0

RGB 191 168 224

HSL 264.64, 0.47%, 0.77%

LAB 72.54, 19.14, -25.17

 

CMYK 9 / 15 / 0 / 8

HEX #D5C7EB

RGB 213 199 235

HSL 263.33, 0.47%, 0.85%

LAB 82.37, 11.6, -16.02

 

CMYK 21 / 36 / 0 / 16

HEX #A889D6

RGB 168 137 214

HSL 264.16, 0.48%, 0.69%

LAB 62.57, 27.19, -35.2

 

CMYK 0 / 35 / 21 / 16

HEX #D58AA8

RGB 213 138 168

HSL 336, 0.47%, 0.69%

LAB 65.87, 32.74, -3.9

 

CMYK 35 / 0 / 35 / 16

HEX #8AD58A

RGB 138 213 138

HSL 120, 0.47%, 0.69%

LAB 78.94, -38.12, 29.92

 

CMYK 21 / 36 / 0 / 16

HEX #A889D6

RGB 168 137 214

HSL 264.16, 0.48%, 0.69%

LAB 62.57, 27.19, -35.2

 

CMYK 0 / 21 / 35 / 16

HEX #D5A88A

RGB 213 168 138

HSL 24, 0.47%, 0.69%

LAB 72.22, 12.39, 21.8

 

CMYK 35 / 0 / 21 / 16

HEX #8AD5A8

RGB 138 213 168

HSL 144, 0.47%, 0.69%

LAB 79.51, -32.84, 14.99

 

CMYK 21 / 36 / 0 / 16

HEX #A889D6

RGB 168 137 214

HSL 264.16, 0.48%, 0.69%

LAB 62.57, 27.19, -35.2

 

CMYK 0 / 35 / 21 / 16

HEX #D58AA8

RGB 213 138 168

HSL 336, 0.47%, 0.69%

LAB 65.87, 32.74, -3.9

 

CMYK 14 / 0 / 35 / 16

HEX #B7D58A

RGB 183 213 138

HSL 84, 0.47%, 0.69%

LAB 81.56, -22.6, 33.86

 

CMYK 35 / 0 / 14 / 16

HEX #8AD5B7

RGB 138 213 183

HSL 156, 0.47%, 0.69%

LAB 79.85, -29.82, 7.5

 

CMYK 21 / 36 / 0 / 16

HEX #A889D6

RGB 168 137 214

HSL 264.16, 0.48%, 0.69%

LAB 62.57, 27.19, -35.2

 

CMYK 0 / 35 / 32 / 16

HEX #D58A91

RGB 213 138 145

HSL 354.4, 0.47%, 0.69%

LAB 65.25, 29.52, 8.2

 

CMYK 14 / 0 / 35 / 16

HEX #B7D58A

RGB 183 213 138

HSL 84, 0.47%, 0.69%

LAB 81.56, -22.6, 33.86

 

CMYK 35 / 0 / 3 / 16

HEX #8AD5CE

RGB 138 213 206

HSL 174.4, 0.47%, 0.69%

LAB 80.43, -24.76, -3.93

 

Description

Color code: HEX #A889D6 | qconv.com Color code: HEX #A889D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 137 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 137 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 36 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 36% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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