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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8744C it is the complementary color #578BB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8744C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8744C shade: #AD7447, #BE865A, #CF986D, #E0AA80 and #F1BC93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8744C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8744C shade: #A8744C, #976239, #865026, #753E13 and #642C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8744C shade: #A8744B, #A85B4B and #A84B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8744C shade: #A8744B, #A88D4B, #A8A64B, #92A84B and #79A84B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8744C shade matches the following richer shades: #A8744B, #BC7138, #D06F24 and #E46C10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8744C shade: #A8744B, #95765F, #817973, #6D7C87 and #597E9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8744C shade: #A84B55, #A85B4B, #A8744B, #A88D4B and #A8A54B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8744C shade: #6F4D32, #8C603F, #A8744B, #B98964 and #C69F80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8744C shade: #A8744C, #6DA84B and #4E4BA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8744C shade: #A8744C, #4BA874 and #744BA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8744C shade: #A8744C, #6DA84B, #4B80A8 and #864BA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8744C shade: #A8744C, #52A84B, #4B80A8 and #A24BA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 55 / 34

HEX #A8744C

RGB 168 116 76

HSL 26.09, 0.38%, 0.48%

LAB 53.32, 15.92, 30.17

 

Complementary color

CMYK 51 / 22 / 0 / 30

HEX #578BB3

RGB 87 139 179

HSL 206.09, 0.38%, 0.52%

LAB 55.83, -5.92, -26.34

 

CMYK 0 / 33 / 59 / 32

HEX #AD7447

RGB 173 116 71

HSL 26.47, 0.42%, 0.48%

LAB 53.85, 17.65, 33.7

 

CMYK 0 / 29 / 53 / 25

HEX #BE865A

RGB 190 134 90

HSL 26.4, 0.43%, 0.55%

LAB 60.55, 16.45, 32.12

 

CMYK 0 / 27 / 47 / 19

HEX #CF986D

RGB 207 152 109

HSL 26.33, 0.51%, 0.62%

LAB 67.15, 15.43, 30.66

 

CMYK 0 / 24 / 43 / 12

HEX #E0AA80

RGB 224 170 128

HSL 26.25, 0.61%, 0.69%

LAB 73.65, 14.54, 29.3

 

CMYK 0 / 22 / 39 / 5

HEX #F1BC93

RGB 241 188 147

HSL 26.17, 0.77%, 0.76%

LAB 80.05, 13.77, 28.05

 

CMYK 0 / 31 / 55 / 34

HEX #A8744C

RGB 168 116 76

HSL 26.09, 0.38%, 0.48%

LAB 53.32, 15.92, 30.17

 

CMYK 0 / 35 / 62 / 41

HEX #976239

RGB 151 98 57

HSL 26.17, 0.45%, 0.41%

LAB 46.46, 17.21, 31.83

 

CMYK 0 / 40 / 72 / 47

HEX #865026

RGB 134 80 38

HSL 26.25, 0.56%, 0.34%

LAB 39.49, 18.77, 33.58

 

CMYK 0 / 47 / 84 / 54

HEX #753E13

RGB 117 62 19

HSL 26.33, 0.72%, 0.27%

LAB 32.42, 20.65, 35.16

 

CMYK 0 / 56 / 100 / 61

HEX #642C00

RGB 100 44 0

HSL 26.4, 1%, 0.2%

LAB 25.29, 22.81, 35.8

 

CMYK 0 / 31 / 55 / 34

HEX #A8744B

RGB 168 116 75

HSL 26.45, 0.38%, 0.48%

LAB 53.3, 15.83, 30.7

 

CMYK 0 / 46 / 55 / 34

HEX #A85B4B

RGB 168 91 75

HSL 10.32, 0.38%, 0.48%

LAB 47.39, 29.82, 23.17

 

CMYK 0 / 55 / 55 / 34

HEX #A84B4B

RGB 168 75 75

HSL 0, 0.38%, 0.48%

LAB 44.04, 38.28, 18.77

 

CMYK 0 / 31 / 55 / 34

HEX #A8744B

RGB 168 116 75

HSL 26.45, 0.38%, 0.48%

LAB 53.3, 15.83, 30.7

 

CMYK 0 / 16 / 55 / 34

HEX #A88D4B

RGB 168 141 75

HSL 42.58, 0.38%, 0.48%

LAB 59.78, 1.81, 38.6

 

CMYK 0 / 1 / 55 / 34

HEX #A8A64B

RGB 168 166 75

HSL 58.71, 0.38%, 0.48%

LAB 66.6, -11.66, 46.55

 

CMYK 13 / 0 / 55 / 34

HEX #92A84B

RGB 146 168 75

HSL 74.19, 0.38%, 0.48%

LAB 65.46, -21.9, 44.79

 

CMYK 28 / 0 / 55 / 34

HEX #79A84B

RGB 121 168 75

HSL 90.32, 0.38%, 0.48%

LAB 63.82, -31.75, 42.47

 

CMYK 0 / 31 / 55 / 34

HEX #A8744B

RGB 168 116 75

HSL 26.45, 0.38%, 0.48%

LAB 53.3, 15.83, 30.7

 

CMYK 0 / 40 / 70 / 26

HEX #BC7138

RGB 188 113 56

HSL 25.91, 0.54%, 0.48%

LAB 54.85, 24.73, 43.21

 

CMYK 0 / 47 / 83 / 18

HEX #D06F24

RGB 208 111 36

HSL 26.16, 0.7%, 0.48%

LAB 56.98, 33.31, 55.24

 

CMYK 0 / 53 / 93 / 11

HEX #E46C10

RGB 228 108 16

HSL 26.04, 0.87%, 0.48%

LAB 59.21, 42.37, 64.45

 

CMYK 0 / 31 / 55 / 34

HEX #A8744B

RGB 168 116 75

HSL 26.45, 0.38%, 0.48%

LAB 53.3, 15.83, 30.7

 

CMYK 0 / 21 / 36 / 42

HEX #95765F

RGB 149 118 95

HSL 25.56, 0.22%, 0.48%

LAB 52.03, 8.73, 17.28

 

CMYK 0 / 6 / 11 / 49

HEX #817973

RGB 129 121 115

HSL 25.71, 0.06%, 0.48%

LAB 51.36, 1.94, 4.38

 

CMYK 19 / 8 / 0 / 47

HEX #6D7C87

RGB 109 124 135

HSL 205.38, 0.11%, 0.48%

LAB 51.17, -2.99, -7.83

 

CMYK 43 / 19 / 0 / 39

HEX #597E9B

RGB 89 126 155

HSL 206.36, 0.27%, 0.48%

LAB 51.17, -5.08, -19.66

 

CMYK 0 / 55 / 49 / 34

HEX #A84B55

RGB 168 75 85

HSL 353.55, 0.38%, 0.48%

LAB 44.25, 39.19, 12.96

 

CMYK 0 / 46 / 55 / 34

HEX #A85B4B

RGB 168 91 75

HSL 10.32, 0.38%, 0.48%

LAB 47.39, 29.82, 23.17

 

CMYK 0 / 31 / 55 / 34

HEX #A8744B

RGB 168 116 75

HSL 26.45, 0.38%, 0.48%

LAB 53.3, 15.83, 30.7

 

CMYK 0 / 16 / 55 / 34

HEX #A88D4B

RGB 168 141 75

HSL 42.58, 0.38%, 0.48%

LAB 59.78, 1.81, 38.6

 

CMYK 0 / 2 / 55 / 34

HEX #A8A54B

RGB 168 165 75

HSL 58.06, 0.38%, 0.48%

LAB 66.32, -11.14, 46.24

 

CMYK 0 / 31 / 55 / 56

HEX #6F4D32

RGB 111 77 50

HSL 26.56, 0.38%, 0.32%

LAB 35.83, 10.96, 21.65

 

CMYK 0 / 31 / 55 / 45

HEX #8C603F

RGB 140 96 63

HSL 25.71, 0.38%, 0.4%

LAB 44.66, 14.01, 25.92

 

CMYK 0 / 31 / 55 / 34

HEX #A8744B

RGB 168 116 75

HSL 26.45, 0.38%, 0.48%

LAB 53.3, 15.83, 30.7

 

CMYK 0 / 26 / 46 / 27

HEX #B98964

RGB 185 137 100

HSL 26.12, 0.38%, 0.56%

LAB 60.89, 13.68, 26.96

 

CMYK 0 / 20 / 35 / 22

HEX #C69F80

RGB 198 159 128

HSL 26.57, 0.38%, 0.64%

LAB 68.29, 10.09, 21.65

 

CMYK 0 / 31 / 55 / 34

HEX #A8744C

RGB 168 116 76

HSL 26.09, 0.38%, 0.48%

LAB 53.32, 15.92, 30.17

 

CMYK 35 / 0 / 55 / 34

HEX #6DA84B

RGB 109 168 75

HSL 98.06, 0.38%, 0.48%

LAB 63.15, -36.13, 41.51

 

CMYK 54 / 55 / 0 / 34

HEX #4E4BA8

RGB 78 75 168

HSL 241.94, 0.38%, 0.48%

LAB 36.89, 27.81, -49.87

 

CMYK 0 / 31 / 55 / 34

HEX #A8744C

RGB 168 116 76

HSL 26.09, 0.38%, 0.48%

LAB 53.32, 15.92, 30.17

 

CMYK 55 / 0 / 31 / 34

HEX #4BA874

RGB 75 168 116

HSL 146.45, 0.38%, 0.48%

LAB 62.31, -39.85, 18.72

 

CMYK 31 / 55 / 0 / 34

HEX #744BA8

RGB 116 75 168

HSL 266.45, 0.38%, 0.48%

LAB 40.53, 36.87, -43.83

 

CMYK 0 / 31 / 55 / 34

HEX #A8744C

RGB 168 116 76

HSL 26.09, 0.38%, 0.48%

LAB 53.32, 15.92, 30.17

 

CMYK 35 / 0 / 55 / 34

HEX #6DA84B

RGB 109 168 75

HSL 98.06, 0.38%, 0.48%

LAB 63.15, -36.13, 41.51

 

CMYK 55 / 24 / 0 / 34

HEX #4B80A8

RGB 75 128 168

HSL 205.81, 0.38%, 0.48%

LAB 51.57, -5.77, -26.66

 

CMYK 20 / 55 / 0 / 34

HEX #864BA8

RGB 134 75 168

HSL 278.06, 0.38%, 0.48%

LAB 42.65, 41.65, -40.32

 

CMYK 0 / 31 / 55 / 34

HEX #A8744C

RGB 168 116 76

HSL 26.09, 0.38%, 0.48%

LAB 53.32, 15.92, 30.17

 

CMYK 51 / 0 / 55 / 34

HEX #52A84B

RGB 82 168 75

HSL 115.48, 0.38%, 0.48%

LAB 61.92, -44.78, 39.75

 

CMYK 55 / 24 / 0 / 34

HEX #4B80A8

RGB 75 128 168

HSL 205.81, 0.38%, 0.48%

LAB 51.57, -5.77, -26.66

 

CMYK 4 / 55 / 0 / 34

HEX #A24BA8

RGB 162 75 168

HSL 296.13, 0.38%, 0.48%

LAB 46.37, 49.32, -34.21

 

Description

Color code: HEX #A8744C | qconv.com Color code: HEX #A8744C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 116 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 116 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 55 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 55% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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