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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A858C7 it is the complementary color #57A738. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A858C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A858C7 shade: #AD58C2, #BE6AD5, #CF7CE8, #E08EFB and #F1A0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A858C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A858C7 shade: #A858C7, #9746B4, #8634A1, #75228E and #64107B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A858C7 shade: #A756C6, #C556C6, #C656A9, #C6568B and #C6566D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A858C7 shade: #A756C6, #8956C6, #6B56C6 and #5656C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A858C7 shade matches the following richer shades: #A756C6, #AF44D9, #B732EB and #BF20FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A858C7 shade: #A756C6, #9F68B4, #977BA2, #8F8D90 and #879F7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A858C7 shade: #6B56C6, #8956C6, #A756C6, #C556C6 and #C656AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A858C7 shade: #7B3298, #953DB7, #A756C6, #B775D1 and #C794DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A858C7 shade: #A858C7, #C65660 and #56C67A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A858C7 shade: #A858C7, #C6A756 and #56C6A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A858C7 shade: #A858C7, #C65660, #76C656 and #56C6BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A858C7 shade: #A858C7, #C66F56, #76C656 and #56AEC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 56 / 0 / 22

HEX #A858C7

RGB 168 88 199

HSL 283.24, 0.5%, 0.56%

LAB 51.18, 50.65, -44.6

 

Complementary color

CMYK 48 / 0 / 66 / 35

HEX #57A738

RGB 87 167 56

HSL 103.24, 0.5%, 0.44%

LAB 61.61, -44.95, 48.17

 

CMYK 11 / 55 / 0 / 24

HEX #AD58C2

RGB 173 88 194

HSL 288.11, 0.46%, 0.55%

LAB 51.56, 50.95, -41.08

 

CMYK 11 / 50 / 0 / 16

HEX #BE6AD5

RGB 190 106 213

HSL 287.1, 0.56%, 0.63%

LAB 58.09, 50.26, -41.48

 

CMYK 11 / 47 / 0 / 9

HEX #CF7CE8

RGB 207 124 232

HSL 286.11, 0.7%, 0.7%

LAB 64.57, 49.52, -41.79

 

CMYK 11 / 43 / 0 / 2

HEX #E08EFB

RGB 224 142 251

HSL 285.14, 0.93%, 0.77%

LAB 70.98, 48.76, -42.05

 

CMYK 5 / 37 / 0 / 0

HEX #F1A0FF

RGB 241 160 255

HSL 291.16, 1%, 0.81%

LAB 76.72, 45.12, -35.16

 

CMYK 16 / 56 / 0 / 22

HEX #A858C7

RGB 168 88 199

HSL 283.24, 0.5%, 0.56%

LAB 51.18, 50.65, -44.6

 

CMYK 16 / 61 / 0 / 29

HEX #9746B4

RGB 151 70 180

HSL 284.18, 0.44%, 0.49%

LAB 44.6, 51.25, -44.18

 

CMYK 17 / 68 / 0 / 37

HEX #8634A1

RGB 134 52 161

HSL 285.14, 0.51%, 0.42%

LAB 38.02, 51.58, -43.54

 

CMYK 18 / 76 / 0 / 44

HEX #75228E

RGB 117 34 142

HSL 286.11, 0.61%, 0.35%

LAB 31.53, 51.36, -42.52

 

CMYK 19 / 87 / 0 / 52

HEX #64107B

RGB 100 16 123

HSL 287.1, 0.77%, 0.27%

LAB 25.29, 50.06, -40.83

 

CMYK 16 / 57 / 0 / 22

HEX #A756C6

RGB 167 86 198

HSL 283.39, 0.5%, 0.56%

LAB 50.63, 51.18, -44.92

 

CMYK 1 / 57 / 0 / 22

HEX #C556C6

RGB 197 86 198

HSL 299.46, 0.5%, 0.56%

LAB 54.66, 59.01, -38.28

 

CMYK 0 / 57 / 15 / 22

HEX #C656A9

RGB 198 86 169

HSL 315.54, 0.5%, 0.56%

LAB 53.52, 54.51, -23.27

 

CMYK 0 / 57 / 30 / 22

HEX #C6568B

RGB 198 86 139

HSL 331.61, 0.5%, 0.56%

LAB 52.43, 50.25, -7.27

 

CMYK 0 / 57 / 45 / 22

HEX #C6566D

RGB 198 86 109

HSL 347.68, 0.5%, 0.56%

LAB 51.57, 46.8, 9.37

 

CMYK 16 / 57 / 0 / 22

HEX #A756C6

RGB 167 86 198

HSL 283.39, 0.5%, 0.56%

LAB 50.63, 51.18, -44.92

 

CMYK 31 / 57 / 0 / 22

HEX #8956C6

RGB 137 86 198

HSL 267.32, 0.5%, 0.56%

LAB 47.04, 43.58, -50.85

 

CMYK 46 / 57 / 0 / 22

HEX #6B56C6

RGB 107 86 198

HSL 251.25, 0.5%, 0.56%

LAB 44.03, 36.57, -55.85

 

CMYK 57 / 57 / 0 / 22

HEX #5656C6

RGB 86 86 198

HSL 240, 0.5%, 0.56%

LAB 42.32, 32.28, -58.69

 

CMYK 16 / 57 / 0 / 22

HEX #A756C6

RGB 167 86 198

HSL 283.39, 0.5%, 0.56%

LAB 50.63, 51.18, -44.92

 

CMYK 19 / 69 / 0 / 15

HEX #AF44D9

RGB 175 68 217

HSL 283.09, 0.66%, 0.56%

LAB 49.81, 65.16, -57.05

 

CMYK 22 / 79 / 0 / 8

HEX #B732EB

RGB 183 50 235

HSL 283.14, 0.82%, 0.56%

LAB 49.91, 76.52, -67.02

 

CMYK 25 / 87 / 0 / 1

HEX #BF20FD

RGB 191 32 253

HSL 283.17, 0.98%, 0.56%

LAB 50.92, 85.4, -75.42

 

CMYK 16 / 57 / 0 / 22

HEX #A756C6

RGB 167 86 198

HSL 283.39, 0.5%, 0.56%

LAB 50.63, 51.18, -44.92

 

CMYK 12 / 42 / 0 / 29

HEX #9F68B4

RGB 159 104 180

HSL 283.42, 0.34%, 0.56%

LAB 52.47, 35.51, -31.69

 

CMYK 7 / 24 / 0 / 36

HEX #977BA2

RGB 151 123 162

HSL 283.08, 0.17%, 0.56%

LAB 55.43, 18.19, -16.78

 

CMYK 1 / 2 / 0 / 44

HEX #8F8D90

RGB 143 141 144

HSL 280, 0.01%, 0.56%

LAB 58.88, 1.32, -1.34

 

CMYK 15 / 0 / 21 / 38

HEX #879F7E

RGB 135 159 126

HSL 103.64, 0.15%, 0.56%

LAB 62.89, -14.82, 14.48

 

CMYK 46 / 57 / 0 / 22

HEX #6B56C6

RGB 107 86 198

HSL 251.25, 0.5%, 0.56%

LAB 44.03, 36.57, -55.85

 

CMYK 31 / 57 / 0 / 22

HEX #8956C6

RGB 137 86 198

HSL 267.32, 0.5%, 0.56%

LAB 47.04, 43.58, -50.85

 

CMYK 16 / 57 / 0 / 22

HEX #A756C6

RGB 167 86 198

HSL 283.39, 0.5%, 0.56%

LAB 50.63, 51.18, -44.92

 

CMYK 1 / 57 / 0 / 22

HEX #C556C6

RGB 197 86 198

HSL 299.46, 0.5%, 0.56%

LAB 54.66, 59.01, -38.28

 

CMYK 0 / 57 / 14 / 22

HEX #C656AA

RGB 198 86 170

HSL 315, 0.5%, 0.56%

LAB 53.56, 54.66, -23.79

 

CMYK 19 / 67 / 0 / 40

HEX #7B3298

RGB 123 50 152

HSL 282.94, 0.5%, 0.4%

LAB 35.52, 48.01, -42.19

 

CMYK 19 / 67 / 0 / 28

HEX #953DB7

RGB 149 61 183

HSL 283.28, 0.5%, 0.48%

LAB 42.98, 55.57, -48.54

 

CMYK 16 / 57 / 0 / 22

HEX #A756C6

RGB 167 86 198

HSL 283.39, 0.5%, 0.56%

LAB 50.63, 51.18, -44.92

 

CMYK 12 / 44 / 0 / 18

HEX #B775D1

RGB 183 117 209

HSL 283.04, 0.5%, 0.64%

LAB 59.34, 41.66, -37.33

 

CMYK 9 / 32 / 0 / 14

HEX #C794DB

RGB 199 148 219

HSL 283.1, 0.5%, 0.72%

LAB 68.34, 31.65, -28.8

 

CMYK 16 / 56 / 0 / 22

HEX #A858C7

RGB 168 88 199

HSL 283.24, 0.5%, 0.56%

LAB 51.18, 50.65, -44.6

 

CMYK 0 / 57 / 52 / 22

HEX #C65660

RGB 198 86 96

HSL 354.64, 0.5%, 0.56%

LAB 51.27, 45.58, 16.71

 

CMYK 57 / 0 / 38 / 22

HEX #56C67A

RGB 86 198 122

HSL 139.29, 0.5%, 0.56%

LAB 72.08, -48.76, 28.72

 

CMYK 16 / 56 / 0 / 22

HEX #A858C7

RGB 168 88 199

HSL 283.24, 0.5%, 0.56%

LAB 51.18, 50.65, -44.6

 

CMYK 0 / 16 / 57 / 22

HEX #C6A756

RGB 198 167 86

HSL 43.39, 0.5%, 0.56%

LAB 69.69, 1.5, 45.52

 

CMYK 57 / 0 / 16 / 22

HEX #56C6A7

RGB 86 198 167

HSL 163.39, 0.5%, 0.56%

LAB 72.99, -39.4, 5.98

 

CMYK 16 / 56 / 0 / 22

HEX #A858C7

RGB 168 88 199

HSL 283.24, 0.5%, 0.56%

LAB 51.18, 50.65, -44.6

 

CMYK 0 / 57 / 52 / 22

HEX #C65660

RGB 198 86 96

HSL 354.64, 0.5%, 0.56%

LAB 51.27, 45.58, 16.71

 

CMYK 40 / 0 / 57 / 22

HEX #76C656

RGB 118 198 86

HSL 102.86, 0.5%, 0.56%

LAB 72.83, -44.97, 47.78

 

CMYK 57 / 0 / 5 / 22

HEX #56C6BD

RGB 86 198 189

HSL 175.18, 0.5%, 0.56%

LAB 73.57, -33.9, -5.12

 

CMYK 16 / 56 / 0 / 22

HEX #A858C7

RGB 168 88 199

HSL 283.24, 0.5%, 0.56%

LAB 51.18, 50.65, -44.6

 

CMYK 0 / 44 / 57 / 22

HEX #C66F56

RGB 198 111 86

HSL 13.39, 0.5%, 0.56%

LAB 56.13, 31.96, 28.94

 

CMYK 40 / 0 / 57 / 22

HEX #76C656

RGB 118 198 86

HSL 102.86, 0.5%, 0.56%

LAB 72.83, -44.97, 47.78

 

CMYK 57 / 12 / 0 / 22

HEX #56AEC6

RGB 86 174 198

HSL 192.86, 0.5%, 0.56%

LAB 66.77, -19.51, -20.25

 

Description

Color code: HEX #A858C7 | qconv.com Color code: HEX #A858C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 88 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 88 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 56 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 56% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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