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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A85451 it is the complementary color #57ABAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A85451. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A85451 shade: #AD544C, #BE665F, #CF7872, #E08A85 and #F19C98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A85451. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A85451 shade: #A85451, #97423E, #86302B, #751E18 and #640C05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A85451 shade: #A85451 and #A85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A85451 shade: #A85451, #A86B51, #A88351, #A89A51 and #9EA851

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A85451 shade matches the following richer shades: #A85451, #BC413D, #D12E28, #E51B14 and #F90800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A85451 shade: #A85451, #946765, #807979, #6C8C8D and #579FA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A85451 shade: #A8517C, #A85165, #A85451, #A86B51 and #A88251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A85451 shade: #703836, #8C4643, #A85451, #B76D6B and #C58987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A85451 shade: #A85451, #94A851 and #5171A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A85451 shade: #A85451, #51A854 and #5451A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A85451 shade: #A85451, #94A851, #51A5A8 and #6551A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A85451 shade: #A85451, #7AA851, #51A5A8 and #7F51A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

Complementary color

CMYK 50 / 2 / 0 / 32

HEX #57ABAE

RGB 87 171 174

HSL 182.07, 0.35%, 0.51%

LAB 65.13, -24.56, -9.4

 

CMYK 0 / 51 / 56 / 32

HEX #AD544C

RGB 173 84 76

HSL 4.95, 0.39%, 0.49%

LAB 46.64, 35.63, 21.75

 

CMYK 0 / 46 / 50 / 25

HEX #BE665F

RGB 190 102 95

HSL 4.42, 0.42%, 0.56%

LAB 53.25, 34.41, 19.78

 

CMYK 0 / 42 / 45 / 19

HEX #CF7872

RGB 207 120 114

HSL 3.87, 0.49%, 0.63%

LAB 59.81, 33.26, 18.09

 

CMYK 0 / 38 / 41 / 12

HEX #E08A85

RGB 224 138 133

HSL 3.3, 0.59%, 0.7%

LAB 66.3, 32.22, 16.62

 

CMYK 0 / 35 / 37 / 5

HEX #F19C98

RGB 241 156 152

HSL 2.7, 0.76%, 0.77%

LAB 72.72, 31.26, 15.31

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 0 / 56 / 59 / 41

HEX #97423E

RGB 151 66 62

HSL 2.7, 0.42%, 0.42%

LAB 39.28, 35.36, 19.95

 

CMYK 0 / 64 / 68 / 47

HEX #86302B

RGB 134 48 43

HSL 3.3, 0.51%, 0.35%

LAB 32.61, 36.53, 22.68

 

CMYK 0 / 74 / 79 / 54

HEX #751E18

RGB 117 30 24

HSL 3.87, 0.66%, 0.28%

LAB 26.09, 37.39, 26.09

 

CMYK 0 / 88 / 95 / 61

HEX #640C05

RGB 100 12 5

HSL 4.42, 0.9%, 0.21%

LAB 19.98, 37.31, 28.23

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 0 / 52 / 52 / 34

HEX #A85151

RGB 168 81 81

HSL 0, 0.35%, 0.49%

LAB 45.36, 35.72, 16.92

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 0 / 36 / 52 / 34

HEX #A86B51

RGB 168 107 81

HSL 17.93, 0.35%, 0.49%

LAB 51.19, 21.47, 24.63

 

CMYK 0 / 22 / 52 / 34

HEX #A88351

RGB 168 131 81

HSL 34.48, 0.35%, 0.49%

LAB 57.22, 7.92, 32.31

 

CMYK 0 / 8 / 52 / 34

HEX #A89A51

RGB 168 154 81

HSL 50.34, 0.35%, 0.49%

LAB 63.37, -4.76, 39.82

 

CMYK 6 / 0 / 52 / 34

HEX #9EA851

RGB 158 168 81

HSL 66.9, 0.35%, 0.49%

LAB 66.42, -16.39, 43.25

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 0 / 65 / 68 / 26

HEX #BC413D

RGB 188 65 61

HSL 1.89, 0.51%, 0.49%

LAB 45.37, 49.16, 29.55

 

CMYK 0 / 78 / 81 / 18

HEX #D12E28

RGB 209 46 40

HSL 2.13, 0.68%, 0.49%

LAB 46.53, 61.8, 43.78

 

CMYK 0 / 88 / 91 / 10

HEX #E51B14

RGB 229 27 20

HSL 2.01, 0.84%, 0.49%

LAB 48.87, 71.19, 56.5

 

CMYK 0 / 97 / 100 / 2

HEX #F90800

RGB 249 8 0

HSL 1.93, 1%, 0.49%

LAB 52.19, 78.11, 66.09

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 0 / 30 / 32 / 42

HEX #946765

RGB 148 103 101

HSL 2.55, 0.19%, 0.49%

LAB 48.18, 17.82, 8.39

 

CMYK 0 / 5 / 5 / 50

HEX #807979

RGB 128 121 121

HSL 0, 0.03%, 0.49%

LAB 51.43, 2.67, 0.95

 

CMYK 23 / 1 / 0 / 45

HEX #6C8C8D

RGB 108 140 141

HSL 181.82, 0.13%, 0.49%

LAB 55.95, -10.93, -4.22

 

CMYK 46 / 2 / 0 / 36

HEX #579FA2

RGB 87 159 162

HSL 182.4, 0.3%, 0.49%

LAB 61.16, -21.69, -8.59

 

CMYK 0 / 52 / 26 / 34

HEX #A8517C

RGB 168 81 124

HSL 330.34, 0.35%, 0.49%

LAB 46.53, 40.82, -7.55

 

CMYK 0 / 52 / 40 / 34

HEX #A85165

RGB 168 81 101

HSL 346.21, 0.35%, 0.49%

LAB 45.84, 37.82, 5.42

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 0 / 36 / 52 / 34

HEX #A86B51

RGB 168 107 81

HSL 17.93, 0.35%, 0.49%

LAB 51.19, 21.47, 24.63

 

CMYK 0 / 23 / 52 / 34

HEX #A88251

RGB 168 130 81

HSL 33.79, 0.35%, 0.49%

LAB 56.96, 8.48, 31.98

 

CMYK 0 / 50 / 52 / 56

HEX #703836

RGB 112 56 54

HSL 2.07, 0.35%, 0.33%

LAB 30.73, 24.43, 12.52

 

CMYK 0 / 50 / 52 / 45

HEX #8C4643

RGB 140 70 67

HSL 2.47, 0.35%, 0.41%

LAB 38.48, 29.34, 15.49

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 0 / 40 / 42 / 28

HEX #B76D6B

RGB 183 109 107

HSL 1.58, 0.35%, 0.57%

LAB 54.1, 29.16, 13.77

 

CMYK 0 / 30 / 31 / 23

HEX #C58987

RGB 197 137 135

HSL 1.94, 0.35%, 0.65%

LAB 62.94, 22.67, 10.31

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 12 / 0 / 52 / 34

HEX #94A851

RGB 148 168 81

HSL 73.79, 0.35%, 0.49%

LAB 65.67, -20.51, 42.17

 

CMYK 52 / 33 / 0 / 34

HEX #5171A8

RGB 81 113 168

HSL 217.93, 0.35%, 0.49%

LAB 47.48, 4.56, -33.01

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 52 / 0 / 50 / 34

HEX #51A854

RGB 81 168 84

HSL 122.07, 0.35%, 0.49%

LAB 61.99, -43.84, 35.35

 

CMYK 50 / 52 / 0 / 34

HEX #5451A8

RGB 84 81 168

HSL 242.07, 0.35%, 0.49%

LAB 38.89, 25.34, -46.62

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 12 / 0 / 52 / 34

HEX #94A851

RGB 148 168 81

HSL 73.79, 0.35%, 0.49%

LAB 65.67, -20.51, 42.17

 

CMYK 52 / 2 / 0 / 34

HEX #51A5A8

RGB 81 165 168

HSL 182.07, 0.35%, 0.49%

LAB 62.92, -24.49, -9.37

 

CMYK 40 / 52 / 0 / 34

HEX #6551A8

RGB 101 81 168

HSL 253.79, 0.35%, 0.49%

LAB 40.38, 29.45, -44.17

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 27 / 0 / 52 / 34

HEX #7AA851

RGB 122 168 81

HSL 91.72, 0.35%, 0.49%

LAB 63.95, -30.72, 39.7

 

CMYK 52 / 2 / 0 / 34

HEX #51A5A8

RGB 81 165 168

HSL 182.07, 0.35%, 0.49%

LAB 62.92, -24.49, -9.37

 

CMYK 24 / 52 / 0 / 34

HEX #7F51A8

RGB 127 81 168

HSL 271.72, 0.35%, 0.49%

LAB 43.1, 36.39, -39.67

 

Description

Color code: HEX #A85451 | qconv.com Color code: HEX #A85451 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 84 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 84 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 52 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 52% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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