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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A84136 it is the complementary color #57BEC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A84136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A84136 shade: #AD4131, #BE5344, #CF6557, #E0776A and #F1897D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A84136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A84136 shade: #A84136, #972F23, #861D10, #750B00 and #640000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A84136 shade: #A94236 and #A93636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A84136 shade: #A94236, #A96036, #A97F36, #A99E36 and #95A936

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A84136 shade matches the following richer shades: #A94236, #BB3324, #CD2412 and #DF1600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A84136 shade: #A94236, #975049, #855F5B, #726D6D and #607C7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A84136 shade: #A9366A, #A9364B, #A94036, #A95F36 and #A97D36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A84136 shade: #6B2922, #8A352C, #A94236, #C35246 and #CD6F65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A84136 shade: #A84136, #88A936 and #365BA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A84136 shade: #A84136, #36A940 and #4036A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A84136 shade: #A84136, #88A936, #369FA9 and #5736A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A84136 shade: #A84136, #66A936, #369FA9 and #7936A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 68 / 34

HEX #A84136

RGB 168 65 54

HSL 5.79, 0.51%, 0.44%

LAB 41.8, 41.69, 28.56

 

Complementary color

CMYK 57 / 5 / 0 / 21

HEX #57BEC9

RGB 87 190 201

HSL 185.79, 0.51%, 0.56%

LAB 71.6, -26.58, -14.59

 

CMYK 0 / 62 / 72 / 32

HEX #AD4131

RGB 173 65 49

HSL 7.74, 0.56%, 0.44%

LAB 42.59, 43.24, 32.62

 

CMYK 0 / 56 / 64 / 25

HEX #BE5344

RGB 190 83 68

HSL 7.38, 0.48%, 0.51%

LAB 48.95, 42, 29.92

 

CMYK 0 / 51 / 58 / 19

HEX #CF6557

RGB 207 101 87

HSL 7, 0.56%, 0.58%

LAB 55.34, 40.72, 27.61

 

CMYK 0 / 47 / 53 / 12

HEX #E0776A

RGB 224 119 106

HSL 6.61, 0.66%, 0.65%

LAB 61.72, 39.48, 25.61

 

CMYK 0 / 43 / 48 / 5

HEX #F1897D

RGB 241 137 125

HSL 6.21, 0.81%, 0.72%

LAB 68.07, 38.32, 23.85

 

CMYK 0 / 61 / 68 / 34

HEX #A84136

RGB 168 65 54

HSL 5.79, 0.51%, 0.44%

LAB 41.8, 41.69, 28.56

 

CMYK 0 / 69 / 77 / 41

HEX #972F23

RGB 151 47 35

HSL 6.21, 0.62%, 0.36%

LAB 35.47, 42.74, 31.64

 

CMYK 0 / 78 / 88 / 47

HEX #861D10

RGB 134 29 16

HSL 6.61, 0.79%, 0.29%

LAB 29.37, 43.3, 35.01

 

CMYK 0 / 91 / 100 / 54

HEX #750B00

RGB 117 11 0

HSL 5.64, 1%, 0.23%

LAB 23.74, 42.74, 35.45

 

CMYK 0 / 100 / 100 / 61

HEX #640000

RGB 100 0 0

HSL 0, 1%, 0.2%

LAB 18.84, 40.31, 28.96

 

CMYK 0 / 61 / 68 / 34

HEX #A94236

RGB 169 66 54

HSL 6.26, 0.52%, 0.44%

LAB 42.15, 41.58, 29.02

 

CMYK 0 / 68 / 68 / 34

HEX #A93636

RGB 169 54 54

HSL 0, 0.52%, 0.44%

LAB 40.15, 46.95, 26.59

 

CMYK 0 / 61 / 68 / 34

HEX #A94236

RGB 169 66 54

HSL 6.26, 0.52%, 0.44%

LAB 42.15, 41.58, 29.02

 

CMYK 0 / 43 / 68 / 34

HEX #A96036

RGB 169 96 54

HSL 21.91, 0.52%, 0.44%

LAB 48.34, 25.93, 36.27

 

CMYK 0 / 25 / 68 / 34

HEX #A97F36

RGB 169 127 54

HSL 38.09, 0.52%, 0.44%

LAB 55.97, 8.51, 44.72

 

CMYK 0 / 7 / 68 / 34

HEX #A99E36

RGB 169 158 54

HSL 54.26, 0.52%, 0.44%

LAB 64.29, -8.47, 53.46

 

CMYK 12 / 0 / 68 / 34

HEX #95A936

RGB 149 169 54

HSL 70.43, 0.52%, 0.44%

LAB 65.77, -22.78, 54.47

 

CMYK 0 / 61 / 68 / 34

HEX #A94236

RGB 169 66 54

HSL 6.26, 0.52%, 0.44%

LAB 42.15, 41.58, 29.02

 

CMYK 0 / 73 / 81 / 27

HEX #BB3324

RGB 187 51 36

HSL 5.96, 0.68%, 0.44%

LAB 42.85, 53.3, 40.86

 

CMYK 0 / 82 / 91 / 20

HEX #CD2412

RGB 205 36 18

HSL 5.78, 0.84%, 0.44%

LAB 44.64, 62.86, 52.1

 

CMYK 0 / 90 / 100 / 13

HEX #DF1600

RGB 223 22 0

HSL 5.92, 1%, 0.44%

LAB 47.32, 70.21, 61.01

 

CMYK 0 / 61 / 68 / 34

HEX #A94236

RGB 169 66 54

HSL 6.26, 0.52%, 0.44%

LAB 42.15, 41.58, 29.02

 

CMYK 0 / 47 / 52 / 41

HEX #975049

RGB 151 80 73

HSL 5.38, 0.35%, 0.44%

LAB 42.46, 28.82, 17.42

 

CMYK 0 / 29 / 32 / 48

HEX #855F5B

RGB 133 95 91

HSL 5.71, 0.19%, 0.44%

LAB 44.13, 14.9, 8.42

 

CMYK 0 / 4 / 4 / 55

HEX #726D6D

RGB 114 109 109

HSL 0, 0.02%, 0.44%

LAB 46.47, 1.94, 0.69

 

CMYK 24 / 2 / 0 / 50

HEX #607C7F

RGB 96 124 127

HSL 185.81, 0.14%, 0.44%

LAB 50.02, -9.28, -4.94

 

CMYK 0 / 68 / 37 / 34

HEX #A9366A

RGB 169 54 106

HSL 332.87, 0.52%, 0.44%

LAB 41.4, 51.39, -4.12

 

CMYK 0 / 68 / 56 / 34

HEX #A9364B

RGB 169 54 75

HSL 349.04, 0.52%, 0.44%

LAB 40.54, 48.38, 14.1

 

CMYK 0 / 62 / 68 / 34

HEX #A94036

RGB 169 64 54

HSL 5.22, 0.52%, 0.44%

LAB 41.8, 42.52, 28.59

 

CMYK 0 / 44 / 68 / 34

HEX #A95F36

RGB 169 95 54

HSL 21.39, 0.52%, 0.44%

LAB 48.12, 26.49, 36.01

 

CMYK 0 / 26 / 68 / 34

HEX #A97D36

RGB 169 125 54

HSL 37.04, 0.52%, 0.44%

LAB 55.45, 9.63, 44.17

 

CMYK 0 / 62 / 68 / 58

HEX #6B2922

RGB 107 41 34

HSL 5.75, 0.52%, 0.28%

LAB 26.24, 28.97, 19.46

 

CMYK 0 / 62 / 68 / 46

HEX #8A352C

RGB 138 53 44

HSL 5.74, 0.52%, 0.36%

LAB 34.25, 35.66, 24.23

 

CMYK 0 / 61 / 68 / 34

HEX #A94236

RGB 169 66 54

HSL 6.26, 0.52%, 0.44%

LAB 42.15, 41.58, 29.02

 

CMYK 0 / 58 / 64 / 24

HEX #C35246

RGB 195 82 70

HSL 5.76, 0.51%, 0.52%

LAB 49.59, 44.45, 29.74

 

CMYK 0 / 46 / 51 / 20

HEX #CD6F65

RGB 205 111 101

HSL 5.77, 0.51%, 0.6%

LAB 57.35, 35.98, 22.17

 

CMYK 0 / 61 / 68 / 34

HEX #A84136

RGB 168 65 54

HSL 5.79, 0.51%, 0.44%

LAB 41.8, 41.69, 28.56

 

CMYK 20 / 0 / 68 / 34

HEX #88A936

RGB 136 169 54

HSL 77.22, 0.52%, 0.44%

LAB 64.86, -28.16, 53.24

 

CMYK 68 / 46 / 0 / 34

HEX #365BA9

RGB 54 91 169

HSL 220.7, 0.52%, 0.44%

LAB 39.8, 13.23, -45.86

 

CMYK 0 / 61 / 68 / 34

HEX #A84136

RGB 168 65 54

HSL 5.79, 0.51%, 0.44%

LAB 41.8, 41.69, 28.56

 

CMYK 68 / 0 / 62 / 34

HEX #36A940

RGB 54 169 64

HSL 125.22, 0.52%, 0.44%

LAB 61.25, -53.28, 43.94

 

CMYK 62 / 68 / 0 / 34

HEX #4036A9

RGB 64 54 169

HSL 245.22, 0.52%, 0.44%

LAB 30.86, 38.64, -60.32

 

CMYK 0 / 61 / 68 / 34

HEX #A84136

RGB 168 65 54

HSL 5.79, 0.51%, 0.44%

LAB 41.8, 41.69, 28.56

 

CMYK 20 / 0 / 68 / 34

HEX #88A936

RGB 136 169 54

HSL 77.22, 0.52%, 0.44%

LAB 64.86, -28.16, 53.24

 

CMYK 68 / 6 / 0 / 34

HEX #369FA9

RGB 54 159 169

HSL 185.22, 0.52%, 0.44%

LAB 60.29, -26.17, -13.96

 

CMYK 49 / 68 / 0 / 34

HEX #5736A9

RGB 87 54 169

HSL 257.22, 0.52%, 0.44%

LAB 32.98, 42.53, -56.77

 

CMYK 0 / 61 / 68 / 34

HEX #A84136

RGB 168 65 54

HSL 5.79, 0.51%, 0.44%

LAB 41.8, 41.69, 28.56

 

CMYK 40 / 0 / 68 / 34

HEX #66A936

RGB 102 169 54

HSL 94.96, 0.52%, 0.44%

LAB 62.9, -41.05, 50.58

 

CMYK 68 / 6 / 0 / 34

HEX #369FA9

RGB 54 159 169

HSL 185.22, 0.52%, 0.44%

LAB 60.29, -26.17, -13.96

 

CMYK 28 / 68 / 0 / 34

HEX #7936A9

RGB 121 54 169

HSL 274.96, 0.52%, 0.44%

LAB 37.06, 49.48, -49.98

 

Description

Color code: HEX #A84136 | qconv.com Color code: HEX #A84136 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 65 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 65 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 68 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 68% 34% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Editorial Cuarto Cen...
Link: http://www.cuartocentenario.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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