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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A84670 it is the complementary color #57B98F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A84670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A84670 shade: #AD466B, #BE587E, #CF6A91, #E07CA4 and #F18EB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A84670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A84670 shade: #A84670, #97345D, #86224A, #751037 and #640024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A84670 shade: #A84670, #A84656 and #A84646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A84670 shade: #A84670, #A8468B, #A846A5, #9146A8 and #7746A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A84670 shade matches the following richer shades: #A84670, #BC336E, #CF1F6B and #E30C68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A84670 shade: #A84670, #955A73, #826D76, #6E8079 and #5B947B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A84670 shade: #A846A5, #A8468B, #A84671, #A84657 and #A85046

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A84670 shade: #6E2E49, #8B3A5D, #A84670, #BB5D85 and #C77A9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A84670 shade: #A84670, #A89246 and #4698A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A84670 shade: #A84670, #71A846 and #4671A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A84670 shade: #A84670, #A89246, #46A87E and #465DA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A84670 shade: #A84670, #A2A846, #46A87E and #4D46A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 33 / 34

HEX #A84670

RGB 168 70 112

HSL 334.29, 0.41%, 0.47%

LAB 44.05, 44.68, -3.91

 

Complementary color

CMYK 53 / 0 / 23 / 27

HEX #57B98F

RGB 87 185 143

HSL 154.29, 0.41%, 0.53%

LAB 68.54, -38.83, 12.68

 

CMYK 0 / 60 / 38 / 32

HEX #AD466B

RGB 173 70 107

HSL 338.45, 0.42%, 0.48%

LAB 44.7, 45.73, 0.2

 

CMYK 0 / 54 / 34 / 25

HEX #BE587E

RGB 190 88 126

HSL 337.65, 0.44%, 0.55%

LAB 51.19, 45.01, -1.49

 

CMYK 0 / 49 / 30 / 19

HEX #CF6A91

RGB 207 106 145

HSL 336.83, 0.51%, 0.61%

LAB 57.67, 44.2, -2.88

 

CMYK 0 / 45 / 27 / 12

HEX #E07CA4

RGB 224 124 164

HSL 336, 0.62%, 0.68%

LAB 64.11, 43.36, -4.06

 

CMYK 0 / 41 / 24 / 5

HEX #F18EB7

RGB 241 142 183

HSL 335.15, 0.78%, 0.75%

LAB 70.5, 42.53, -5.09

 

CMYK 0 / 58 / 33 / 34

HEX #A84670

RGB 168 70 112

HSL 334.29, 0.41%, 0.47%

LAB 44.05, 44.68, -3.91

 

CMYK 0 / 66 / 38 / 41

HEX #97345D

RGB 151 52 93

HSL 335.15, 0.49%, 0.4%

LAB 37.53, 45.16, -2

 

CMYK 0 / 75 / 45 / 47

HEX #86224A

RGB 134 34 74

HSL 336, 0.6%, 0.33%

LAB 31.13, 45.15, 0.53

 

CMYK 0 / 86 / 53 / 54

HEX #751037

RGB 117 16 55

HSL 336.83, 0.76%, 0.26%

LAB 25.04, 44.14, 4.07

 

CMYK 0 / 100 / 64 / 61

HEX #640024

RGB 100 0 36

HSL 338.4, 1%, 0.2%

LAB 19.38, 41.77, 8.91

 

CMYK 0 / 58 / 33 / 34

HEX #A84670

RGB 168 70 112

HSL 334.29, 0.41%, 0.47%

LAB 44.05, 44.68, -3.91

 

CMYK 0 / 58 / 49 / 34

HEX #A84656

RGB 168 70 86

HSL 350.2, 0.41%, 0.47%

LAB 43.33, 41.77, 11.07

 

CMYK 0 / 58 / 58 / 34

HEX #A84646

RGB 168 70 70

HSL 0, 0.41%, 0.47%

LAB 42.98, 40.37, 20.42

 

CMYK 0 / 58 / 33 / 34

HEX #A84670

RGB 168 70 112

HSL 334.29, 0.41%, 0.47%

LAB 44.05, 44.68, -3.91

 

CMYK 0 / 58 / 17 / 34

HEX #A8468B

RGB 168 70 139

HSL 317.76, 0.41%, 0.47%

LAB 45.04, 48.48, -18.88

 

CMYK 0 / 58 / 2 / 34

HEX #A846A5

RGB 168 70 165

HSL 301.84, 0.41%, 0.47%

LAB 46.21, 52.78, -32.63

 

CMYK 14 / 58 / 0 / 34

HEX #9146A8

RGB 145 70 168

HSL 285.92, 0.41%, 0.47%

LAB 43.1, 47.2, -39.52

 

CMYK 29 / 58 / 0 / 34

HEX #7746A8

RGB 119 70 168

HSL 270, 0.41%, 0.47%

LAB 39.8, 40.46, -44.98

 

CMYK 0 / 58 / 33 / 34

HEX #A84670

RGB 168 70 112

HSL 334.29, 0.41%, 0.47%

LAB 44.05, 44.68, -3.91

 

CMYK 0 / 73 / 41 / 26

HEX #BC336E

RGB 188 51 110

HSL 334.16, 0.57%, 0.47%

LAB 44.5, 58.47, -1.64

 

CMYK 0 / 85 / 48 / 19

HEX #CF1F6B

RGB 207 31 107

HSL 334.09, 0.74%, 0.47%

LAB 46.05, 68.66, 2.91

 

CMYK 0 / 95 / 54 / 11

HEX #E30C68

RGB 227 12 104

HSL 334.33, 0.9%, 0.47%

LAB 49, 75.84, 9.5

 

CMYK 0 / 58 / 33 / 34

HEX #A84670

RGB 168 70 112

HSL 334.29, 0.41%, 0.47%

LAB 44.05, 44.68, -3.91

 

CMYK 0 / 40 / 23 / 42

HEX #955A73

RGB 149 90 115

HSL 334.58, 0.25%, 0.47%

LAB 45.55, 27.79, -3.83

 

CMYK 0 / 16 / 9 / 49

HEX #826D76

RGB 130 109 118

HSL 334.29, 0.09%, 0.47%

LAB 48.25, 9.9, -1.91

 

CMYK 14 / 0 / 5 / 50

HEX #6E8079

RGB 110 128 121

HSL 156.67, 0.08%, 0.47%

LAB 51.99, -8.06, 1.58

 

CMYK 39 / 0 / 17 / 42

HEX #5B947B

RGB 91 148 123

HSL 153.68, 0.24%, 0.47%

LAB 56.91, -24.62, 7.37

 

CMYK 0 / 58 / 2 / 34

HEX #A846A5

RGB 168 70 165

HSL 301.84, 0.41%, 0.47%

LAB 46.21, 52.78, -32.63

 

CMYK 0 / 58 / 17 / 34

HEX #A8468B

RGB 168 70 139

HSL 317.76, 0.41%, 0.47%

LAB 45.04, 48.48, -18.88

 

CMYK 0 / 58 / 33 / 34

HEX #A84671

RGB 168 70 113

HSL 333.67, 0.41%, 0.47%

LAB 44.09, 44.81, -4.48

 

CMYK 0 / 58 / 48 / 34

HEX #A84657

RGB 168 70 87

HSL 349.59, 0.41%, 0.47%

LAB 43.35, 41.87, 10.48

 

CMYK 0 / 52 / 58 / 34

HEX #A85046

RGB 168 80 70

HSL 6.12, 0.41%, 0.47%

LAB 44.95, 35.3, 22.98

 

CMYK 0 / 58 / 34 / 57

HEX #6E2E49

RGB 110 46 73

HSL 334.69, 0.41%, 0.31%

LAB 28.77, 31.57, -2.77

 

CMYK 0 / 58 / 33 / 45

HEX #8B3A5D

RGB 139 58 93

HSL 334.07, 0.41%, 0.39%

LAB 36.57, 38.34, -3.65

 

CMYK 0 / 58 / 33 / 34

HEX #A84670

RGB 168 70 112

HSL 334.29, 0.41%, 0.47%

LAB 44.05, 44.68, -3.91

 

CMYK 0 / 50 / 29 / 27

HEX #BB5D85

RGB 187 93 133

HSL 334.47, 0.41%, 0.55%

LAB 51.94, 42.39, -4.61

 

CMYK 0 / 39 / 22 / 22

HEX #C77A9B

RGB 199 122 155

HSL 334.29, 0.41%, 0.63%

LAB 60.27, 34.43, -4.94

 

CMYK 0 / 58 / 33 / 34

HEX #A84670

RGB 168 70 112

HSL 334.29, 0.41%, 0.47%

LAB 44.05, 44.68, -3.91

 

CMYK 0 / 13 / 58 / 34

HEX #A89246

RGB 168 146 70

HSL 46.53, 0.41%, 0.47%

LAB 61.07, -1.35, 42.63

 

CMYK 58 / 10 / 0 / 34

HEX #4698A8

RGB 70 152 168

HSL 189.8, 0.41%, 0.47%

LAB 58.59, -20.09, -15.92

 

CMYK 0 / 58 / 33 / 34

HEX #A84670

RGB 168 70 112

HSL 334.29, 0.41%, 0.47%

LAB 44.05, 44.68, -3.91

 

CMYK 33 / 0 / 58 / 34

HEX #71A846

RGB 113 168 70

HSL 93.67, 0.41%, 0.47%

LAB 63.31, -35.23, 44.14

 

CMYK 58 / 33 / 0 / 34

HEX #4671A8

RGB 70 113 168

HSL 213.67, 0.41%, 0.47%

LAB 46.9, 2.06, -33.97

 

CMYK 0 / 58 / 33 / 34

HEX #A84670

RGB 168 70 112

HSL 334.29, 0.41%, 0.47%

LAB 44.05, 44.68, -3.91

 

CMYK 0 / 13 / 58 / 34

HEX #A89246

RGB 168 146 70

HSL 46.53, 0.41%, 0.47%

LAB 61.07, -1.35, 42.63

 

CMYK 58 / 0 / 25 / 34

HEX #46A87E

RGB 70 168 126

HSL 154.29, 0.41%, 0.47%

LAB 62.35, -38.87, 13.25

 

CMYK 58 / 45 / 0 / 34

HEX #465DA8

RGB 70 93 168

HSL 225.92, 0.41%, 0.47%

LAB 41.15, 14.6, -43.07

 

CMYK 0 / 58 / 33 / 34

HEX #A84670

RGB 168 70 112

HSL 334.29, 0.41%, 0.47%

LAB 44.05, 44.68, -3.91

 

CMYK 4 / 0 / 58 / 34

HEX #A2A846

RGB 162 168 70

HSL 63.67, 0.41%, 0.47%

LAB 66.62, -15.65, 48.77

 

CMYK 58 / 0 / 25 / 34

HEX #46A87E

RGB 70 168 126

HSL 154.29, 0.41%, 0.47%

LAB 62.35, -38.87, 13.25

 

CMYK 54 / 58 / 0 / 34

HEX #4D46A8

RGB 77 70 168

HSL 244.29, 0.41%, 0.47%

LAB 35.57, 30.76, -52.02

 

Description

Color code: HEX #A84670 | qconv.com Color code: HEX #A84670 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 70 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 70 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 33 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 33% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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