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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A83CFC it is the complementary color #57C303. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A83CFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A83CFC shade: #AD3CF7, #BE4EFF, #CF60FF, #E072FF and #F184FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A83CFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A83CFC shade: #A83CFC, #972AE9, #8618D6, #7506C3 and #6400B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A83CFC shade: #A73BFC, #DB3BFC, #FC3BE8, #FC3BB4 and #FC3B80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A83CFC shade: #A73BFC, #733BFC, #3F3BFC and #3B3BFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A83CFC shade matches the following richer shades: #A73BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A83CFC shade: #A73BFC, #A54BEB, #A35BDB, #A16BCB and #9F7BBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A83CFC shade: #3E3BFC, #713BFC, #A53BFC, #D83BFC and #FC3BEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A83CFC shade: #8003E1, #9512FB, #A73BFC, #B963FC and #CB8CFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A83CFC shade: #A83CFC, #FC3B6B and #3BFC58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A83CFC shade: #A83CFC, #FCA53B and #3BFCA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A83CFC shade: #A83CFC, #FC3B6B, #91FC3B and #3BFCCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A83CFC shade: #A83CFC, #FC443B, #91FC3B and #3BF2FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 76 / 0 / 1

HEX #A83CFC

RGB 168 60 252

HSL 273.75, 0.97%, 0.61%

LAB 50.2, 74.19, -76.18

 

Complementary color

CMYK 55 / 0 / 98 / 24

HEX #57C303

RGB 87 195 3

HSL 93.75, 0.97%, 0.39%

LAB 70.22, -57.99, 69.4

 

CMYK 30 / 76 / 0 / 3

HEX #AD3CF7

RGB 173 60 247

HSL 276.26, 0.92%, 0.6%

LAB 50.49, 73.95, -72.89

 

CMYK 25 / 69 / 0 / 0

HEX #BE4EFF

RGB 190 78 255

HSL 277.97, 1%, 0.65%

LAB 55.7, 71.81, -68.79

 

CMYK 19 / 62 / 0 / 0

HEX #CF60FF

RGB 207 96 255

HSL 281.89, 1%, 0.69%

LAB 60.65, 67.69, -60.72

 

CMYK 12 / 55 / 0 / 0

HEX #E072FF

RGB 224 114 255

HSL 286.81, 1%, 0.72%

LAB 65.83, 63.46, -52.34

 

CMYK 5 / 48 / 0 / 0

HEX #F184FF

RGB 241 132 255

HSL 293.17, 1%, 0.76%

LAB 71.16, 59.28, -43.8

 

CMYK 33 / 76 / 0 / 1

HEX #A83CFC

RGB 168 60 252

HSL 273.75, 0.97%, 0.61%

LAB 50.2, 74.19, -76.18

 

CMYK 35 / 82 / 0 / 9

HEX #972AE9

RGB 151 42 233

HSL 274.24, 0.81%, 0.54%

LAB 44.4, 73.52, -75.06

 

CMYK 37 / 89 / 0 / 16

HEX #8618D6

RGB 134 24 214

HSL 274.74, 0.8%, 0.47%

LAB 38.86, 71.91, -73.37

 

CMYK 40 / 97 / 0 / 24

HEX #7506C3

RGB 117 6 195

HSL 275.24, 0.94%, 0.39%

LAB 33.67, 68.99, -70.92

 

CMYK 43 / 100 / 0 / 31

HEX #6400B0

RGB 100 0 176

HSL 274.09, 1%, 0.35%

LAB 29.02, 64.19, -67.41

 

CMYK 34 / 77 / 0 / 1

HEX #A73BFC

RGB 167 59 252

HSL 273.58, 0.97%, 0.61%

LAB 49.94, 74.38, -76.6

 

CMYK 13 / 77 / 0 / 1

HEX #DB3BFC

RGB 219 59 252

HSL 289.74, 0.97%, 0.61%

LAB 57.29, 83.25, -64.36

 

CMYK 0 / 77 / 8 / 1

HEX #FC3BE8

RGB 252 59 232

HSL 306.22, 0.97%, 0.61%

LAB 61.35, 86.44, -46.43

 

CMYK 0 / 77 / 29 / 1

HEX #FC3BB4

RGB 252 59 180

HSL 322.38, 0.97%, 0.61%

LAB 59.08, 79.85, -20.38

 

CMYK 0 / 77 / 49 / 1

HEX #FC3B80

RGB 252 59 128

HSL 338.55, 0.97%, 0.61%

LAB 57.45, 74.86, 7.66

 

CMYK 34 / 77 / 0 / 1

HEX #A73BFC

RGB 167 59 252

HSL 273.58, 0.97%, 0.61%

LAB 49.94, 74.38, -76.6

 

CMYK 54 / 77 / 0 / 1

HEX #733BFC

RGB 115 59 252

HSL 257.41, 0.97%, 0.61%

LAB 43.95, 67.04, -86.66

 

CMYK 75 / 77 / 0 / 1

HEX #3F3BFC

RGB 63 59 252

HSL 241.24, 0.97%, 0.61%

LAB 39.94, 62.05, -93.41

 

CMYK 77 / 77 / 0 / 1

HEX #3B3BFC

RGB 59 59 252

HSL 240, 0.97%, 0.61%

LAB 39.72, 61.78, -93.77

 

CMYK 34 / 77 / 0 / 1

HEX #A73BFC

RGB 167 59 252

HSL 273.58, 0.97%, 0.61%

LAB 49.94, 74.38, -76.6

 

CMYK 34 / 77 / 0 / 1

HEX #A73BFC

RGB 167 59 252

HSL 273.58, 0.97%, 0.61%

LAB 49.94, 74.38, -76.6

 

CMYK 30 / 68 / 0 / 8

HEX #A54BEB

RGB 165 75 235

HSL 273.75, 0.8%, 0.61%

LAB 50.72, 63.93, -65.83

 

CMYK 26 / 58 / 0 / 14

HEX #A35BDB

RGB 163 91 219

HSL 273.75, 0.64%, 0.61%

LAB 52.27, 52.24, -54.32

 

CMYK 21 / 47 / 0 / 20

HEX #A16BCB

RGB 161 107 203

HSL 273.75, 0.48%, 0.61%

LAB 54.45, 39.51, -41.77

 

CMYK 15 / 34 / 0 / 27

HEX #9F7BBB

RGB 159 123 187

HSL 273.75, 0.32%, 0.61%

LAB 57.2, 26.25, -28.37

 

CMYK 75 / 77 / 0 / 1

HEX #3E3BFC

RGB 62 59 252

HSL 240.93, 0.97%, 0.61%

LAB 39.88, 61.98, -93.51

 

CMYK 55 / 77 / 0 / 1

HEX #713BFC

RGB 113 59 252

HSL 256.79, 0.97%, 0.61%

LAB 43.75, 66.8, -86.99

 

CMYK 35 / 77 / 0 / 1

HEX #A53BFC

RGB 165 59 252

HSL 272.95, 0.97%, 0.61%

LAB 49.68, 74.07, -77.04

 

CMYK 14 / 77 / 0 / 1

HEX #D83BFC

RGB 216 59 252

HSL 288.81, 0.97%, 0.61%

LAB 56.84, 82.71, -65.11

 

CMYK 0 / 77 / 7 / 1

HEX #FC3BEB

RGB 252 59 235

HSL 305.28, 0.97%, 0.61%

LAB 61.5, 86.86, -47.87

 

CMYK 43 / 99 / 0 / 12

HEX #8003E1

RGB 128 3 225

HSL 273.78, 0.97%, 0.45%

LAB 38, 76.64, -81.13

 

CMYK 41 / 93 / 0 / 2

HEX #9512FB

RGB 149 18 251

HSL 273.73, 0.97%, 0.53%

LAB 43.93, 82.22, -85.99

 

CMYK 34 / 77 / 0 / 1

HEX #A73BFC

RGB 167 59 252

HSL 273.58, 0.97%, 0.61%

LAB 49.94, 74.38, -76.6

 

CMYK 27 / 61 / 0 / 1

HEX #B963FC

RGB 185 99 252

HSL 273.73, 0.96%, 0.69%

LAB 58.29, 60.75, -62.99

 

CMYK 20 / 45 / 0 / 1

HEX #CB8CFD

RGB 203 140 253

HSL 273.45, 0.97%, 0.77%

LAB 68.42, 44.37, -47.31

 

CMYK 33 / 76 / 0 / 1

HEX #A83CFC

RGB 168 60 252

HSL 273.75, 0.97%, 0.61%

LAB 50.2, 74.19, -76.18

 

CMYK 0 / 77 / 58 / 1

HEX #FC3B6B

RGB 252 59 107

HSL 345.08, 0.97%, 0.61%

LAB 56.96, 73.35, 19.44

 

CMYK 77 / 0 / 65 / 1

HEX #3BFC58

RGB 59 252 88

HSL 129.02, 0.97%, 0.61%

LAB 87.61, -77.04, 63.15

 

CMYK 33 / 76 / 0 / 1

HEX #A83CFC

RGB 168 60 252

HSL 273.75, 0.97%, 0.61%

LAB 50.2, 74.19, -76.18

 

CMYK 0 / 35 / 77 / 1

HEX #FCA53B

RGB 252 165 59

HSL 32.95, 0.97%, 0.61%

LAB 74.78, 23.84, 64.73

 

CMYK 77 / 0 / 35 / 1

HEX #3BFCA5

RGB 59 252 165

HSL 152.95, 0.97%, 0.61%

LAB 88.58, -65.71, 28.67

 

CMYK 33 / 76 / 0 / 1

HEX #A83CFC

RGB 168 60 252

HSL 273.75, 0.97%, 0.61%

LAB 50.2, 74.19, -76.18

 

CMYK 0 / 77 / 58 / 1

HEX #FC3B6B

RGB 252 59 107

HSL 345.08, 0.97%, 0.61%

LAB 56.96, 73.35, 19.44

 

CMYK 42 / 0 / 77 / 1

HEX #91FC3B

RGB 145 252 59

HSL 93.26, 0.97%, 0.61%

LAB 89.84, -60.04, 76.27

 

CMYK 77 / 0 / 19 / 1

HEX #3BFCCB

RGB 59 252 203

HSL 164.77, 0.97%, 0.61%

LAB 89.33, -57.51, 10.27

 

CMYK 33 / 76 / 0 / 1

HEX #A83CFC

RGB 168 60 252

HSL 273.75, 0.97%, 0.61%

LAB 50.2, 74.19, -76.18

 

CMYK 0 / 73 / 77 / 1

HEX #FC443B

RGB 252 68 59

HSL 2.8, 0.97%, 0.61%

LAB 57.22, 68.25, 47.18

 

CMYK 42 / 0 / 77 / 1

HEX #91FC3B

RGB 145 252 59

HSL 93.26, 0.97%, 0.61%

LAB 89.84, -60.04, 76.27

 

CMYK 77 / 4 / 0 / 1

HEX #3BF2FC

RGB 59 242 252

HSL 183.11, 0.97%, 0.61%

LAB 87.71, -40.39, -17.65

 

Description

Color code: HEX #A83CFC | qconv.com Color code: HEX #A83CFC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 60 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 60 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 76 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 76% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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