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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A83AC9 it is the complementary color #57C536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A83AC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A83AC9 shade: #AD3AC4, #BE4CD7, #CF5EEA, #E070FD and #F182FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A83AC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A83AC9 shade: #A83AC9, #9728B6, #8616A3, #750490 and #64007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A83AC9 shade: #A83AC9, #C93AC3, #C93A9D, #C93A76 and #C93A50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A83AC9 shade: #A83AC9, #813AC9, #5B3AC9 and #3A3AC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A83AC9 shade matches the following richer shades: #A83AC9, #B326DD and #BE12F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A83AC9 shade: #A83AC9, #9D4FB5, #9263A0, #87778C and #7C8B78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A83AC9 shade: #5C3AC9, #823AC9, #A83AC9, #C93AC4 and #C93A9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A83AC9 shade: #74268B, #8E2FAB, #A83AC9, #B65BD2 and #C47BDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A83AC9 shade: #A83AC9, #C93A3F and #3AC96F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A83AC9 shade: #A83AC9, #C9A83A and #3AC9A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A83AC9 shade: #A83AC9, #C93A3F, #5CC93A and #3AC9C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A83AC9 shade: #A83AC9, #C9603A, #5CC93A and #3AA3C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

Complementary color

CMYK 56 / 0 / 73 / 23

HEX #57C536

RGB 87 197 54

HSL 106.15, 0.57%, 0.49%

LAB 71.03, -56.63, 58.78

 

CMYK 12 / 70 / 0 / 23

HEX #AD3AC4

RGB 173 58 196

HSL 290, 0.54%, 0.5%

LAB 46.84, 64.63, -49.75

 

CMYK 12 / 65 / 0 / 16

HEX #BE4CD7

RGB 190 76 215

HSL 289.21, 0.63%, 0.57%

LAB 52.97, 64.75, -50.72

 

CMYK 12 / 60 / 0 / 8

HEX #CF5EEA

RGB 207 94 234

HSL 288.43, 0.77%, 0.64%

LAB 59.17, 64.49, -51.43

 

CMYK 11 / 56 / 0 / 1

HEX #E070FD

RGB 224 112 253

HSL 287.66, 0.97%, 0.72%

LAB 65.38, 64.02, -51.96

 

CMYK 5 / 49 / 0 / 0

HEX #F182FF

RGB 241 130 255

HSL 293.28, 1%, 0.75%

LAB 70.79, 60.24, -44.38

 

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

CMYK 17 / 78 / 0 / 29

HEX #9728B6

RGB 151 40 182

HSL 286.9, 0.64%, 0.44%

LAB 40.37, 63.87, -52.13

 

CMYK 18 / 87 / 0 / 36

HEX #8616A3

RGB 134 22 163

HSL 287.66, 0.76%, 0.36%

LAB 34.57, 62.22, -50.29

 

CMYK 19 / 97 / 0 / 44

HEX #750490

RGB 117 4 144

HSL 288.43, 0.95%, 0.29%

LAB 29.11, 59.23, -47.66

 

CMYK 20 / 100 / 0 / 51

HEX #64007D

RGB 100 0 125

HSL 288, 1%, 0.25%

LAB 24.29, 53.87, -43.73

 

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

CMYK 0 / 71 / 3 / 21

HEX #C93AC3

RGB 201 58 195

HSL 302.52, 0.57%, 0.51%

LAB 51.13, 70.55, -42.08

 

CMYK 0 / 71 / 22 / 21

HEX #C93A9D

RGB 201 58 157

HSL 318.46, 0.57%, 0.51%

LAB 49.35, 65.02, -22.59

 

CMYK 0 / 71 / 41 / 21

HEX #C93A76

RGB 201 58 118

HSL 334.83, 0.57%, 0.51%

LAB 47.95, 60.48, -1.22

 

CMYK 0 / 71 / 60 / 21

HEX #C93A50

RGB 201 58 80

HSL 350.77, 0.57%, 0.51%

LAB 47, 57.31, 20.69

 

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

CMYK 36 / 71 / 0 / 21

HEX #813AC9

RGB 129 58 201

HSL 269.79, 0.57%, 0.51%

LAB 41.07, 56.79, -62.26

 

CMYK 55 / 71 / 0 / 21

HEX #5B3AC9

RGB 91 58 201

HSL 253.85, 0.57%, 0.51%

LAB 36.87, 50.31, -69.3

 

CMYK 71 / 71 / 0 / 21

HEX #3A3AC9

RGB 58 58 201

HSL 240, 0.57%, 0.51%

LAB 34.28, 46.08, -73.65

 

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

CMYK 19 / 83 / 0 / 13

HEX #B326DD

RGB 179 38 221

HSL 286.23, 0.73%, 0.51%

LAB 47.22, 76.53, -63.47

 

CMYK 21 / 93 / 0 / 5

HEX #BE12F1

RGB 190 18 241

HSL 286.28, 0.89%, 0.51%

LAB 49.17, 85.26, -71.56

 

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

CMYK 13 / 56 / 0 / 29

HEX #9D4FB5

RGB 157 79 181

HSL 285.88, 0.41%, 0.51%

LAB 47.1, 48.55, -40.73

 

CMYK 9 / 38 / 0 / 37

HEX #9263A0

RGB 146 99 160

HSL 286.23, 0.24%, 0.51%

LAB 48.97, 29.98, -25.57

 

CMYK 4 / 15 / 0 / 45

HEX #87778C

RGB 135 119 140

HSL 285.71, 0.08%, 0.51%

LAB 52.11, 10.25, -9.14

 

CMYK 11 / 0 / 14 / 45

HEX #7C8B78

RGB 124 139 120

HSL 107.37, 0.08%, 0.51%

LAB 56.19, -9.22, 8.34

 

CMYK 54 / 71 / 0 / 21

HEX #5C3AC9

RGB 92 58 201

HSL 254.27, 0.57%, 0.51%

LAB 36.96, 50.46, -69.14

 

CMYK 35 / 71 / 0 / 21

HEX #823AC9

RGB 130 58 201

HSL 270.21, 0.57%, 0.51%

LAB 41.2, 56.98, -62.05

 

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

CMYK 0 / 71 / 2 / 21

HEX #C93AC4

RGB 201 58 196

HSL 302.1, 0.57%, 0.51%

LAB 51.19, 70.71, -42.57

 

CMYK 0 / 71 / 21 / 21

HEX #C93A9E

RGB 201 58 158

HSL 318.04, 0.57%, 0.51%

LAB 49.39, 65.16, -23.12

 

CMYK 17 / 73 / 0 / 45

HEX #74268B

RGB 116 38 139

HSL 286.34, 0.57%, 0.35%

LAB 31.72, 48.94, -40.36

 

CMYK 17 / 73 / 0 / 33

HEX #8E2FAB

RGB 142 47 171

HSL 285.97, 0.57%, 0.43%

LAB 39.11, 57.46, -47.7

 

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

CMYK 13 / 57 / 0 / 18

HEX #B65BD2

RGB 182 91 210

HSL 285.88, 0.57%, 0.59%

LAB 54.11, 55.03, -46.13

 

CMYK 11 / 44 / 0 / 14

HEX #C47BDB

RGB 196 123 219

HSL 285.63, 0.57%, 0.67%

LAB 62.52, 44.29, -37.85

 

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

CMYK 0 / 71 / 69 / 21

HEX #C93A3F

RGB 201 58 63

HSL 357.9, 0.57%, 0.51%

LAB 46.71, 56.31, 30.54

 

CMYK 71 / 0 / 45 / 21

HEX #3AC96F

RGB 58 201 111

HSL 142.24, 0.57%, 0.51%

LAB 72.11, -57.29, 34.28

 

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

CMYK 0 / 16 / 71 / 21

HEX #C9A83A

RGB 201 168 58

HSL 46.15, 0.57%, 0.51%

LAB 69.99, 0.46, 58.57

 

CMYK 71 / 0 / 16 / 21

HEX #3AC9A8

RGB 58 201 168

HSL 166.15, 0.57%, 0.51%

LAB 73.22, -45.28, 5.67

 

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

CMYK 0 / 71 / 69 / 21

HEX #C93A3F

RGB 201 58 63

HSL 357.9, 0.57%, 0.51%

LAB 46.71, 56.31, 30.54

 

CMYK 54 / 0 / 71 / 21

HEX #5CC93A

RGB 92 201 58

HSL 105.73, 0.57%, 0.51%

LAB 72.46, -56.47, 58.84

 

CMYK 71 / 0 / 2 / 21

HEX #3AC9C4

RGB 58 201 196

HSL 177.9, 0.57%, 0.51%

LAB 73.97, -37.83, -8.4

 

CMYK 16 / 71 / 0 / 21

HEX #A83AC9

RGB 168 58 201

HSL 286.15, 0.57%, 0.51%

LAB 46.4, 64.52, -53.39

 

CMYK 0 / 52 / 71 / 21

HEX #C9603A

RGB 201 96 58

HSL 15.94, 0.57%, 0.51%

LAB 53.05, 39.12, 40.71

 

CMYK 54 / 0 / 71 / 21

HEX #5CC93A

RGB 92 201 58

HSL 105.73, 0.57%, 0.51%

LAB 72.46, -56.47, 58.84

 

CMYK 71 / 19 / 0 / 21

HEX #3AA3C9

RGB 58 163 201

HSL 195.94, 0.57%, 0.51%

LAB 62.77, -17.53, -28.13

 

Description

Color code: HEX #A83AC9 | qconv.com Color code: HEX #A83AC9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 58 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 58 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 71 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 71% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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