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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8274E it is the complementary color #57D8B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8274E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8274E shade: #AD2749, #BE395C, #CF4B6F, #E05D82 and #F16F95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8274E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8274E shade: #A8274E, #97153B, #860328, #750015 and #640002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8274E shade: #A9274E, #A9272B and #A92727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8274E shade: #A9274E, #A92771, #A92794, #9A27A9 and #7727A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8274E shade matches the following richer shades: #A9274E, #BA1648 and #CB0541

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8274E shade: #A9274E, #983855, #87495C, #765A62 and #656B69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8274E shade: #A92795, #A92773, #A92750, #A9272E and #A94327

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8274E shade: #66182F, #871F3F, #A9274E, #CA2F5E and #D54E77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8274E shade: #A8274E, #A99A27 and #2784A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8274E shade: #A8274E, #50A927 and #2750A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8274E shade: #A8274E, #A99A27, #27A980 and #2736A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8274E shade: #A8274E, #91A927, #27A980 and #3F27A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 54 / 34

HEX #A8274E

RGB 168 39 78

HSL 341.86, 0.62%, 0.41%

LAB 38.42, 53.88, 9.24

 

Complementary color

CMYK 60 / 0 / 18 / 15

HEX #57D8B1

RGB 87 216 177

HSL 161.86, 0.62%, 0.59%

LAB 78.64, -44.77, 8.72

 

CMYK 0 / 77 / 58 / 32

HEX #AD2749

RGB 173 39 73

HSL 344.78, 0.63%, 0.42%

LAB 39.27, 54.95, 13.74

 

CMYK 0 / 70 / 52 / 25

HEX #BE395C

RGB 190 57 92

HSL 344.21, 0.54%, 0.48%

LAB 45.15, 55.21, 10.46

 

CMYK 0 / 64 / 46 / 19

HEX #CF4B6F

RGB 207 75 111

HSL 343.64, 0.58%, 0.55%

LAB 51.2, 54.93, 7.85

 

CMYK 0 / 58 / 42 / 12

HEX #E05D82

RGB 224 93 130

HSL 343.05, 0.68%, 0.62%

LAB 57.35, 54.36, 5.73

 

CMYK 0 / 54 / 38 / 5

HEX #F16F95

RGB 241 111 149

HSL 342.46, 0.82%, 0.69%

LAB 63.54, 53.62, 3.95

 

CMYK 0 / 77 / 54 / 34

HEX #A8274E

RGB 168 39 78

HSL 341.86, 0.62%, 0.41%

LAB 38.42, 53.88, 9.24

 

CMYK 0 / 86 / 61 / 41

HEX #97153B

RGB 151 21 59

HSL 342.46, 0.76%, 0.34%

LAB 32.77, 52.71, 13.22

 

CMYK 0 / 98 / 70 / 47

HEX #860328

RGB 134 3 40

HSL 343.05, 0.96%, 0.27%

LAB 27.54, 50.31, 18.31

 

CMYK 0 / 100 / 82 / 54

HEX #750015

RGB 117 0 21

HSL 349.23, 1%, 0.23%

LAB 23.12, 45.56, 24.8

 

CMYK 0 / 100 / 98 / 61

HEX #640002

RGB 100 0 2

HSL 358.8, 1%, 0.2%

LAB 18.86, 40.36, 28.17

 

CMYK 0 / 77 / 54 / 34

HEX #A9274E

RGB 169 39 78

HSL 342, 0.63%, 0.41%

LAB 38.61, 54.17, 9.53

 

CMYK 0 / 77 / 75 / 34

HEX #A9272B

RGB 169 39 43

HSL 358.15, 0.63%, 0.41%

LAB 37.95, 52.03, 30.64

 

CMYK 0 / 77 / 77 / 34

HEX #A92727

RGB 169 39 39

HSL 0, 0.63%, 0.41%

LAB 37.9, 51.87, 32.96

 

CMYK 0 / 77 / 54 / 34

HEX #A9274E

RGB 169 39 78

HSL 342, 0.63%, 0.41%

LAB 38.61, 54.17, 9.53

 

CMYK 0 / 77 / 33 / 34

HEX #A92771

RGB 169 39 113

HSL 325.85, 0.63%, 0.41%

LAB 39.71, 57.6, -11.01

 

CMYK 0 / 77 / 12 / 34

HEX #A92794

RGB 169 39 148

HSL 309.69, 0.63%, 0.41%

LAB 41.25, 62.21, -30.19

 

CMYK 9 / 77 / 0 / 34

HEX #9A27A9

RGB 154 39 169

HSL 293.08, 0.63%, 0.41%

LAB 39.89, 62.38, -45.16

 

CMYK 30 / 77 / 0 / 34

HEX #7727A9

RGB 119 39 169

HSL 276.92, 0.63%, 0.41%

LAB 34.47, 55.58, -54.17

 

CMYK 0 / 77 / 54 / 34

HEX #A9274E

RGB 169 39 78

HSL 342, 0.63%, 0.41%

LAB 38.61, 54.17, 9.53

 

CMYK 0 / 88 / 61 / 27

HEX #BA1648

RGB 186 22 72

HSL 341.71, 0.79%, 0.41%

LAB 40.38, 62.61, 16.32

 

CMYK 0 / 98 / 68 / 20

HEX #CB0541

RGB 203 5 65

HSL 341.82, 0.95%, 0.41%

LAB 43.04, 68.56, 24.88

 

CMYK 0 / 77 / 54 / 34

HEX #A9274E

RGB 169 39 78

HSL 342, 0.63%, 0.41%

LAB 38.61, 54.17, 9.53

 

CMYK 0 / 63 / 44 / 40

HEX #983855

RGB 152 56 85

HSL 341.88, 0.46%, 0.41%

LAB 38.13, 42.79, 3.96

 

CMYK 0 / 46 / 32 / 47

HEX #87495C

RGB 135 73 92

HSL 341.61, 0.3%, 0.41%

LAB 39.05, 28.68, 0.56

 

CMYK 0 / 24 / 17 / 54

HEX #765A62

RGB 118 90 98

HSL 342.86, 0.13%, 0.41%

LAB 41.29, 12.86, -0.16

 

CMYK 6 / 0 / 2 / 58

HEX #656B69

RGB 101 107 105

HSL 160, 0.03%, 0.41%

LAB 44.66, -2.72, 0.32

 

CMYK 0 / 77 / 12 / 34

HEX #A92795

RGB 169 39 149

HSL 309.23, 0.63%, 0.41%

LAB 41.3, 62.36, -30.72

 

CMYK 0 / 77 / 32 / 34

HEX #A92773

RGB 169 39 115

HSL 324.92, 0.63%, 0.41%

LAB 39.79, 57.83, -12.14

 

CMYK 0 / 77 / 53 / 34

HEX #A92750

RGB 169 39 80

HSL 341.08, 0.63%, 0.41%

LAB 38.66, 54.33, 8.33

 

CMYK 0 / 77 / 73 / 34

HEX #A9272E

RGB 169 39 46

HSL 356.77, 0.63%, 0.41%

LAB 37.99, 52.16, 28.87

 

CMYK 0 / 60 / 77 / 34

HEX #A94327

RGB 169 67 39

HSL 12.92, 0.63%, 0.41%

LAB 42.15, 40.35, 37.5

 

CMYK 0 / 76 / 54 / 60

HEX #66182F

RGB 102 24 47

HSL 342.31, 0.62%, 0.25%

LAB 22.6, 36.2, 5.69

 

CMYK 0 / 77 / 53 / 47

HEX #871F3F

RGB 135 31 63

HSL 341.54, 0.63%, 0.33%

LAB 30.62, 45.5, 7.09

 

CMYK 0 / 77 / 54 / 34

HEX #A9274E

RGB 169 39 78

HSL 342, 0.63%, 0.41%

LAB 38.61, 54.17, 9.53

 

CMYK 0 / 77 / 53 / 21

HEX #CA2F5E

RGB 202 47 94

HSL 341.81, 0.62%, 0.49%

LAB 46.17, 62.28, 10.99

 

CMYK 0 / 63 / 44 / 16

HEX #D54E77

RGB 213 78 119

HSL 341.78, 0.62%, 0.57%

LAB 52.87, 56.32, 5.57

 

CMYK 0 / 77 / 54 / 34

HEX #A8274E

RGB 168 39 78

HSL 341.86, 0.62%, 0.41%

LAB 38.42, 53.88, 9.24

 

CMYK 0 / 9 / 77 / 34

HEX #A99A27

RGB 169 154 39

HSL 53.08, 0.63%, 0.41%

LAB 63.09, -7.08, 58.01

 

CMYK 77 / 22 / 0 / 34

HEX #2784A9

RGB 39 132 169

HSL 197.08, 0.63%, 0.41%

LAB 51.61, -13.91, -27.27

 

CMYK 0 / 77 / 54 / 34

HEX #A8274E

RGB 168 39 78

HSL 341.86, 0.62%, 0.41%

LAB 38.42, 53.88, 9.24

 

CMYK 53 / 0 / 77 / 34

HEX #50A927

RGB 80 169 39

HSL 101.08, 0.63%, 0.41%

LAB 61.85, -49.16, 54.83

 

CMYK 77 / 53 / 0 / 34

HEX #2750A9

RGB 39 80 169

HSL 221.08, 0.63%, 0.41%

LAB 36.05, 18.33, -51.94

 

CMYK 0 / 77 / 54 / 34

HEX #A8274E

RGB 168 39 78

HSL 341.86, 0.62%, 0.41%

LAB 38.42, 53.88, 9.24

 

CMYK 0 / 9 / 77 / 34

HEX #A99A27

RGB 169 154 39

HSL 53.08, 0.63%, 0.41%

LAB 63.09, -7.08, 58.01

 

CMYK 77 / 0 / 24 / 34

HEX #27A980

RGB 39 169 128

HSL 161.08, 0.63%, 0.41%

LAB 61.97, -44.12, 11.5

 

CMYK 77 / 68 / 0 / 34

HEX #2736A9

RGB 39 54 169

HSL 233.08, 0.63%, 0.41%

LAB 29.25, 35.52, -63.04

 

CMYK 0 / 77 / 54 / 34

HEX #A8274E

RGB 168 39 78

HSL 341.86, 0.62%, 0.41%

LAB 38.42, 53.88, 9.24

 

CMYK 14 / 0 / 77 / 34

HEX #91A927

RGB 145 169 39

HSL 71.08, 0.63%, 0.41%

LAB 65.39, -25.29, 59.44

 

CMYK 77 / 0 / 24 / 34

HEX #27A980

RGB 39 169 128

HSL 161.08, 0.63%, 0.41%

LAB 61.97, -44.12, 11.5

 

CMYK 63 / 77 / 0 / 34

HEX #3F27A9

RGB 63 39 169

HSL 251.08, 0.63%, 0.41%

LAB 27.77, 46.88, -65.41

 

Description

Color code: HEX #A8274E | qconv.com Color code: HEX #A8274E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 39 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 39 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 54 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 54% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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