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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A81C23 it is the complementary color #57E3DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A81C23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A81C23 shade: #AD1C1E, #BE2E31, #CF4044, #E05257 and #F1646A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A81C23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A81C23 shade: #A81C23, #970A10, #860000, #750000 and #640000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A81C23 shade: #A51C22 and #A51C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A81C23 shade: #A51C22, #A51C48, #A51C6D, #A51C92 and #931CA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A81C23 shade matches the following richer shades: #A51C22 and #B50C14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A81C23 shade: #A51C22, #962B31, #863B3F, #764B4D and #665A5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A81C23 shade: #A51C6C, #A51C47, #A51C22, #A5391C and #A55E1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A81C23 shade: #5F1014, #82161B, #A51C22, #C8222A and #DD373F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A81C23 shade: #A81C23, #91A51C and #1C5AA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A81C23 shade: #A81C23, #22A51C and #1C22A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A81C23 shade: #A81C23, #91A51C, #1CA59E and #301CA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A81C23 shade: #A81C23, #67A51C, #1CA59E and #5A1CA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 79 / 34

HEX #A81C23

RGB 168 28 35

HSL 357, 0.71%, 0.38%

LAB 36.51, 54.63, 33.76

 

Complementary color

CMYK 62 / 0 / 3 / 11

HEX #57E3DC

RGB 87 227 220

HSL 177, 0.71%, 0.62%

LAB 82.98, -38.93, -7.81

 

CMYK 0 / 84 / 83 / 32

HEX #AD1C1E

RGB 173 28 30

HSL 359.17, 0.72%, 0.39%

LAB 37.5, 55.92, 37.94

 

CMYK 0 / 76 / 74 / 25

HEX #BE2E31

RGB 190 46 49

HSL 358.75, 0.61%, 0.46%

LAB 42.95, 56.43, 33.85

 

CMYK 0 / 69 / 67 / 19

HEX #CF4044

RGB 207 64 68

HSL 358.32, 0.6%, 0.53%

LAB 48.7, 56.22, 30.26

 

CMYK 0 / 63 / 61 / 12

HEX #E05257

RGB 224 82 87

HSL 357.89, 0.7%, 0.6%

LAB 54.63, 55.58, 27.22

 

CMYK 0 / 59 / 56 / 5

HEX #F1646A

RGB 241 100 106

HSL 357.45, 0.83%, 0.67%

LAB 60.65, 54.72, 24.65

 

CMYK 0 / 83 / 79 / 34

HEX #A81C23

RGB 168 28 35

HSL 357, 0.71%, 0.38%

LAB 36.51, 54.63, 33.76

 

CMYK 0 / 93 / 89 / 41

HEX #970A10

RGB 151 10 16

HSL 357.45, 0.88%, 0.32%

LAB 31.43, 52.96, 38.2

 

CMYK 0 / 100 / 100 / 47

HEX #860000

RGB 134 0 0

HSL 0, 1%, 0.26%

LAB 26.93, 49.67, 39.85

 

CMYK 0 / 100 / 100 / 54

HEX #750000

RGB 117 0 0

HSL 0, 1%, 0.23%

LAB 22.94, 45.05, 34.64

 

CMYK 0 / 100 / 100 / 61

HEX #640000

RGB 100 0 0

HSL 0, 1%, 0.2%

LAB 18.84, 40.31, 28.96

 

CMYK 0 / 83 / 79 / 35

HEX #A51C22

RGB 165 28 34

HSL 357.37, 0.71%, 0.38%

LAB 35.88, 53.73, 33.49

 

CMYK 0 / 83 / 83 / 35

HEX #A51C1C

RGB 165 28 28

HSL 0, 0.71%, 0.38%

LAB 35.82, 53.54, 36.85

 

CMYK 0 / 83 / 79 / 35

HEX #A51C22

RGB 165 28 34

HSL 357.37, 0.71%, 0.38%

LAB 35.88, 53.73, 33.49

 

CMYK 0 / 83 / 56 / 35

HEX #A51C48

RGB 165 28 72

HSL 340.73, 0.71%, 0.38%

LAB 36.55, 55.76, 10.39

 

CMYK 0 / 83 / 34 / 35

HEX #A51C6D

RGB 165 28 109

HSL 324.53, 0.71%, 0.38%

LAB 37.72, 59.2, -11.58

 

CMYK 0 / 83 / 12 / 35

HEX #A51C92

RGB 165 28 146

HSL 308.32, 0.71%, 0.38%

LAB 39.42, 63.97, -31.91

 

CMYK 11 / 83 / 0 / 35

HEX #931CA5

RGB 147 28 165

HSL 292.12, 0.71%, 0.38%

LAB 37.39, 63.45, -46.84

 

CMYK 0 / 83 / 79 / 35

HEX #A51C22

RGB 165 28 34

HSL 357.37, 0.71%, 0.38%

LAB 35.88, 53.73, 33.49

 

CMYK 0 / 93 / 89 / 29

HEX #B50C14

RGB 181 12 20

HSL 357.16, 0.88%, 0.38%

LAB 38.09, 60.82, 44.26

 

CMYK 0 / 83 / 79 / 35

HEX #A51C22

RGB 165 28 34

HSL 357.37, 0.71%, 0.38%

LAB 35.88, 53.73, 33.49

 

CMYK 0 / 71 / 67 / 41

HEX #962B31

RGB 150 43 49

HSL 356.64, 0.55%, 0.38%

LAB 34.87, 44.77, 22.37

 

CMYK 0 / 56 / 53 / 47

HEX #863B3F

RGB 134 59 63

HSL 356.8, 0.39%, 0.38%

LAB 35.11, 32.54, 13.28

 

CMYK 0 / 36 / 35 / 54

HEX #764B4D

RGB 118 75 77

HSL 357.21, 0.22%, 0.38%

LAB 36.78, 18.55, 6.4

 

CMYK 0 / 12 / 11 / 60

HEX #665A5B

RGB 102 90 91

HSL 355, 0.06%, 0.38%

LAB 39.4, 5.05, 1.2

 

CMYK 0 / 83 / 35 / 35

HEX #A51C6C

RGB 165 28 108

HSL 324.96, 0.71%, 0.38%

LAB 37.69, 59.09, -11

 

CMYK 0 / 83 / 57 / 35

HEX #A51C47

RGB 165 28 71

HSL 341.17, 0.71%, 0.38%

LAB 36.53, 55.69, 11.01

 

CMYK 0 / 83 / 79 / 35

HEX #A51C22

RGB 165 28 34

HSL 357.37, 0.71%, 0.38%

LAB 35.88, 53.73, 33.49

 

CMYK 0 / 65 / 83 / 35

HEX #A5391C

RGB 165 57 28

HSL 12.7, 0.71%, 0.38%

LAB 39.6, 43.12, 40.43

 

CMYK 0 / 43 / 83 / 35

HEX #A55E1C

RGB 165 94 28

HSL 28.91, 0.71%, 0.38%

LAB 47.09, 24.11, 47.29

 

CMYK 0 / 83 / 79 / 63

HEX #5F1014

RGB 95 16 20

HSL 356.96, 0.71%, 0.22%

LAB 19.45, 34.93, 19.98

 

CMYK 0 / 83 / 79 / 49

HEX #82161B

RGB 130 22 27

HSL 357.22, 0.71%, 0.3%

LAB 27.84, 44.61, 26.93

 

CMYK 0 / 83 / 79 / 35

HEX #A51C22

RGB 165 28 34

HSL 357.37, 0.71%, 0.38%

LAB 35.88, 53.73, 33.49

 

CMYK 0 / 83 / 79 / 22

HEX #C8222A

RGB 200 34 42

HSL 357.11, 0.71%, 0.46%

LAB 43.64, 62.47, 39.2

 

CMYK 0 / 75 / 71 / 13

HEX #DD373F

RGB 221 55 63

HSL 357.11, 0.71%, 0.54%

LAB 50.05, 63.42, 35.42

 

CMYK 0 / 83 / 79 / 34

HEX #A81C23

RGB 168 28 35

HSL 357, 0.71%, 0.38%

LAB 36.51, 54.63, 33.76

 

CMYK 12 / 0 / 83 / 35

HEX #91A51C

RGB 145 165 28

HSL 68.76, 0.71%, 0.38%

LAB 64.17, -23.76, 61.55

 

CMYK 83 / 45 / 0 / 35

HEX #1C5AA5

RGB 28 90 165

HSL 212.85, 0.71%, 0.38%

LAB 38.33, 8.93, -45.89

 

CMYK 0 / 83 / 79 / 34

HEX #A81C23

RGB 168 28 35

HSL 357, 0.71%, 0.38%

LAB 36.51, 54.63, 33.76

 

CMYK 79 / 0 / 83 / 35

HEX #22A51C

RGB 34 165 28

HSL 117.37, 0.71%, 0.38%

LAB 59.28, -58.41, 55.33

 

CMYK 83 / 79 / 0 / 35

HEX #1C22A5

RGB 28 34 165

HSL 237.37, 0.71%, 0.38%

LAB 24.02, 45.16, -69.26

 

CMYK 0 / 83 / 79 / 34

HEX #A81C23

RGB 168 28 35

HSL 357, 0.71%, 0.38%

LAB 36.51, 54.63, 33.76

 

CMYK 12 / 0 / 83 / 35

HEX #91A51C

RGB 145 165 28

HSL 68.76, 0.71%, 0.38%

LAB 64.17, -23.76, 61.55

 

CMYK 83 / 0 / 4 / 35

HEX #1CA59E

RGB 28 165 158

HSL 176.93, 0.71%, 0.38%

LAB 61.33, -35.4, -6.25

 

CMYK 71 / 83 / 0 / 35

HEX #301CA5

RGB 48 28 165

HSL 248.76, 0.71%, 0.38%

LAB 24.24, 49.48, -68.86

 

CMYK 0 / 83 / 79 / 34

HEX #A81C23

RGB 168 28 35

HSL 357, 0.71%, 0.38%

LAB 36.51, 54.63, 33.76

 

CMYK 38 / 0 / 83 / 35

HEX #67A51C

RGB 103 165 28

HSL 87.15, 0.71%, 0.38%

LAB 61.55, -40.59, 58.23

 

CMYK 83 / 0 / 4 / 35

HEX #1CA59E

RGB 28 165 158

HSL 176.93, 0.71%, 0.38%

LAB 61.33, -35.4, -6.25

 

CMYK 45 / 83 / 0 / 35

HEX #5A1CA5

RGB 90 28 165

HSL 267.15, 0.71%, 0.38%

LAB 28.7, 54.09, -61.36

 

Description

Color code: HEX #A81C23 | qconv.com Color code: HEX #A81C23 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 28 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 28 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 79 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 79% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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