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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A80176 it is the complementary color #57FE89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A80176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A80176 shade: #AD0171, #BE1384, #CF2597, #E037AA and #F149BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A80176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A80176 shade: #A80176, #970063, #860050, #75003D and #64002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A80176 shade: #A70075, #A70048, #A7001B and #A70000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A80176 shade: #A70075, #A700A2, #7F00A7, #5200A7 and #2500A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A80176 shade matches the following richer shades: #A70075

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A80176 shade: #A70075, #990E70, #8C1C6A, #7E2965 and #70375F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A80176 shade: #7D00A7, #A700A4, #A70078, #A7004B and #A7001F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A80176 shade: #55003B, #7E0058, #A70075, #D00192 and #F901AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A80176 shade: #A80176, #A75100 and #00A794

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A80176 shade: #A80176, #78A700 and #0078A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A80176 shade: #A80176, #A75100, #00A730 and #0056A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A80176 shade: #A80176, #A78300, #00A730 and #0024A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 30 / 34

HEX #A80176

RGB 168 1 118

HSL 317.96, 0.99%, 0.33%

LAB 37.22, 65.16, -17.97

 

Complementary color

CMYK 66 / 0 / 46 / 0

HEX #57FE89

RGB 87 254 137

HSL 137.96, 0.99%, 0.67%

LAB 89.26, -67.25, 43.47

 

CMYK 0 / 99 / 35 / 32

HEX #AD0171

RGB 173 1 113

HSL 320.93, 0.99%, 0.34%

LAB 38.02, 65.67, -13.51

 

CMYK 0 / 90 / 31 / 25

HEX #BE1384

RGB 190 19 132

HSL 320.35, 0.82%, 0.41%

LAB 42.88, 69.24, -17.6

 

CMYK 0 / 82 / 27 / 19

HEX #CF2597

RGB 207 37 151

HSL 319.76, 0.7%, 0.48%

LAB 48.04, 71.74, -20.94

 

CMYK 0 / 75 / 24 / 12

HEX #E037AA

RGB 224 55 170

HSL 319.17, 0.73%, 0.55%

LAB 53.47, 73.24, -23.58

 

CMYK 0 / 70 / 22 / 5

HEX #F149BD

RGB 241 73 189

HSL 318.57, 0.86%, 0.62%

LAB 59.1, 74.02, -25.69

 

CMYK 0 / 99 / 30 / 34

HEX #A80176

RGB 168 1 118

HSL 317.96, 0.99%, 0.33%

LAB 37.22, 65.16, -17.97

 

CMYK 0 / 100 / 34 / 41

HEX #970063

RGB 151 0 99

HSL 320.66, 1%, 0.3%

LAB 32.88, 59.62, -12.82

 

CMYK 0 / 100 / 40 / 47

HEX #860050

RGB 134 0 80

HSL 324.18, 1%, 0.26%

LAB 28.51, 53.88, -7.33

 

CMYK 0 / 100 / 48 / 54

HEX #75003D

RGB 117 0 61

HSL 328.72, 1%, 0.23%

LAB 24.06, 48.07, -1.48

 

CMYK 0 / 100 / 58 / 61

HEX #64002A

RGB 100 0 42

HSL 334.8, 1%, 0.2%

LAB 19.54, 42.21, 4.84

 

CMYK 0 / 100 / 30 / 35

HEX #A70075

RGB 167 0 117

HSL 317.96, 1%, 0.33%

LAB 36.93, 64.96, -17.8

 

CMYK 0 / 100 / 57 / 35

HEX #A70048

RGB 167 0 72

HSL 334.13, 1%, 0.33%

LAB 35.37, 60.89, 8.81

 

CMYK 0 / 100 / 84 / 35

HEX #A7001B

RGB 167 0 27

HSL 350.3, 1%, 0.33%

LAB 34.59, 58.79, 36.39

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 100 / 30 / 35

HEX #A70075

RGB 167 0 117

HSL 317.96, 1%, 0.33%

LAB 36.93, 64.96, -17.8

 

CMYK 0 / 100 / 3 / 35

HEX #A700A2

RGB 167 0 162

HSL 301.8, 1%, 0.33%

LAB 39.28, 70.82, -41.8

 

CMYK 24 / 100 / 0 / 35

HEX #7F00A7

RGB 127 0 167

HSL 285.63, 1%, 0.33%

LAB 32.48, 65.51, -56.15

 

CMYK 51 / 100 / 0 / 35

HEX #5200A7

RGB 82 0 167

HSL 269.46, 1%, 0.33%

LAB 25.51, 60.63, -67.85

 

CMYK 78 / 100 / 0 / 35

HEX #2500A7

RGB 37 0 167

HSL 253.29, 1%, 0.33%

LAB 20.76, 58.24, -75.88

 

CMYK 0 / 100 / 30 / 35

HEX #A70075

RGB 167 0 117

HSL 317.96, 1%, 0.33%

LAB 36.93, 64.96, -17.8

 

CMYK 0 / 100 / 30 / 35

HEX #A70075

RGB 167 0 117

HSL 317.96, 1%, 0.33%

LAB 36.93, 64.96, -17.8

 

CMYK 0 / 91 / 27 / 40

HEX #990E70

RGB 153 14 112

HSL 317.7, 0.83%, 0.33%

LAB 34.51, 59.61, -18.6

 

CMYK 0 / 80 / 24 / 45

HEX #8C1C6A

RGB 140 28 106

HSL 318.21, 0.67%, 0.33%

LAB 32.8, 52.64, -17.62

 

CMYK 0 / 67 / 20 / 51

HEX #7E2965

RGB 126 41 101

HSL 317.65, 0.51%, 0.33%

LAB 31.72, 43.37, -16.3

 

CMYK 0 / 51 / 15 / 56

HEX #70375F

RGB 112 55 95

HSL 317.89, 0.34%, 0.33%

LAB 31.81, 30.84, -12.5

 

CMYK 25 / 100 / 0 / 35

HEX #7D00A7

RGB 125 0 167

HSL 284.91, 1%, 0.33%

LAB 32.15, 65.25, -56.71

 

CMYK 0 / 100 / 2 / 35

HEX #A700A4

RGB 167 0 164

HSL 301.08, 1%, 0.33%

LAB 39.4, 71.12, -42.81

 

CMYK 0 / 100 / 28 / 35

HEX #A70078

RGB 167 0 120

HSL 316.89, 1%, 0.33%

LAB 37.06, 65.3, -19.48

 

CMYK 0 / 100 / 55 / 35

HEX #A7004B

RGB 167 0 75

HSL 333.05, 1%, 0.33%

LAB 35.45, 61.1, 6.96

 

CMYK 0 / 100 / 81 / 35

HEX #A7001F

RGB 167 0 31

HSL 348.86, 1%, 0.33%

LAB 34.63, 58.9, 34.1

 

CMYK 0 / 100 / 31 / 67

HEX #55003B

RGB 85 0 59

HSL 318.35, 1%, 0.17%

LAB 16.73, 40.27, -11.84

 

CMYK 0 / 100 / 30 / 51

HEX #7E0058

RGB 126 0 88

HSL 318.1, 1%, 0.25%

LAB 27.13, 52.98, -14.89

 

CMYK 0 / 100 / 30 / 35

HEX #A70075

RGB 167 0 117

HSL 317.96, 1%, 0.33%

LAB 36.93, 64.96, -17.8

 

CMYK 0 / 100 / 30 / 18

HEX #D00192

RGB 208 1 146

HSL 317.97, 0.99%, 0.41%

LAB 46.32, 76.33, -20.55

 

CMYK 0 / 100 / 30 / 2

HEX #F901AF

RGB 249 1 175

HSL 317.9, 0.99%, 0.49%

LAB 55.34, 87.39, -23.26

 

CMYK 0 / 99 / 30 / 34

HEX #A80176

RGB 168 1 118

HSL 317.96, 0.99%, 0.33%

LAB 37.22, 65.16, -17.97

 

CMYK 0 / 51 / 100 / 35

HEX #A75100

RGB 167 81 0

HSL 29.1, 1%, 0.33%

LAB 44.38, 31.49, 53.85

 

CMYK 100 / 0 / 11 / 35

HEX #00A794

RGB 0 167 148

HSL 173.17, 1%, 0.33%

LAB 61.46, -40.69, -0.46

 

CMYK 0 / 99 / 30 / 34

HEX #A80176

RGB 168 1 118

HSL 317.96, 0.99%, 0.33%

LAB 37.22, 65.16, -17.97

 

CMYK 28 / 0 / 100 / 35

HEX #78A700

RGB 120 167 0

HSL 76.89, 1%, 0.33%

LAB 63.04, -35.72, 64.8

 

CMYK 100 / 28 / 0 / 35

HEX #0078A7

RGB 0 120 167

HSL 196.89, 1%, 0.33%

LAB 47.27, -10.59, -32.92

 

CMYK 0 / 99 / 30 / 34

HEX #A80176

RGB 168 1 118

HSL 317.96, 0.99%, 0.33%

LAB 37.22, 65.16, -17.97

 

CMYK 0 / 51 / 100 / 35

HEX #A75100

RGB 167 81 0

HSL 29.1, 1%, 0.33%

LAB 44.38, 31.49, 53.85

 

CMYK 100 / 0 / 71 / 35

HEX #00A730

RGB 0 167 48

HSL 137.25, 1%, 0.33%

LAB 59.75, -60.27, 48.93

 

CMYK 100 / 49 / 0 / 35

HEX #0056A7

RGB 0 86 167

HSL 209.1, 1%, 0.33%

LAB 36.83, 10.69, -49.53

 

CMYK 0 / 99 / 30 / 34

HEX #A80176

RGB 168 1 118

HSL 317.96, 0.99%, 0.33%

LAB 37.22, 65.16, -17.97

 

CMYK 0 / 22 / 100 / 35

HEX #A78300

RGB 167 131 0

HSL 47.07, 1%, 0.33%

LAB 56.53, 3.62, 61.76

 

CMYK 100 / 0 / 71 / 35

HEX #00A730

RGB 0 167 48

HSL 137.25, 1%, 0.33%

LAB 59.75, -60.27, 48.93

 

CMYK 100 / 78 / 0 / 35

HEX #0024A7

RGB 0 36 167

HSL 227.07, 1%, 0.33%

LAB 23.84, 43.73, -70.8

 

Description

Color code: HEX #A80176 | qconv.com Color code: HEX #A80176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 1 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 1 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 30 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 30% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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