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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A79684 it is the complementary color #58697B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A79684. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A79684 shade: #AC967F, #BDA892, #CEBAA5, #DFCCB8 and #F0DECB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A79684. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A79684 shade: #A79684, #968471, #85725E, #74604B and #634E38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A79684 shade: #A89684, #A88D84 and #A88484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A79684 shade: #A89684, #A8A084, #A6A884, #9CA884 and #93A884

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A79684 shade matches the following richer shades: #A89684, #B99773, #CA9762, #DA9851 and #EB9841

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A79684 shade: #A89684, #979695, #8695A6, #7595B7 and #6495C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A79684 shade: #A88485, #A88C84, #A89684, #A89F84 and #A7A884

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A79684 shade: #7F6D5A, #97826C, #A89684, #B9AB9C and #CAC0B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A79684 shade: #A79684, #8FA884 and #8884A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A79684 shade: #A79684, #84A896 and #9684A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A79684 shade: #A79684, #8FA884, #8496A8 and #9D84A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A79684 shade: #A79684, #84A884, #8496A8 and #A884A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 21 / 35

HEX #A79684

RGB 167 150 132

HSL 30.86, 0.17%, 0.59%

LAB 63.09, 3.3, 11.78

 

Complementary color

CMYK 28 / 15 / 0 / 52

HEX #58697B

RGB 88 105 123

HSL 210.86, 0.17%, 0.41%

LAB 43.67, -1.89, -12.13

 

CMYK 0 / 13 / 26 / 33

HEX #AC967F

RGB 172 150 127

HSL 30.67, 0.21%, 0.59%

LAB 63.44, 4.52, 15.14

 

CMYK 0 / 11 / 23 / 26

HEX #BDA892

RGB 189 168 146

HSL 30.7, 0.25%, 0.66%

LAB 70.11, 4.1, 14.15

 

CMYK 0 / 10 / 20 / 19

HEX #CEBAA5

RGB 206 186 165

HSL 30.73, 0.29%, 0.73%

LAB 76.65, 3.74, 13.23

 

CMYK 0 / 9 / 17 / 13

HEX #DFCCB8

RGB 223 204 184

HSL 30.77, 0.38%, 0.8%

LAB 83.09, 3.41, 12.36

 

CMYK 0 / 8 / 15 / 6

HEX #F0DECB

RGB 240 222 203

HSL 30.81, 0.55%, 0.87%

LAB 89.43, 3.11, 11.54

 

CMYK 0 / 10 / 21 / 35

HEX #A79684

RGB 167 150 132

HSL 30.86, 0.17%, 0.59%

LAB 63.09, 3.3, 11.78

 

CMYK 0 / 12 / 25 / 41

HEX #968471

RGB 150 132 113

HSL 30.81, 0.15%, 0.52%

LAB 56.27, 3.7, 12.77

 

CMYK 0 / 14 / 29 / 48

HEX #85725E

RGB 133 114 94

HSL 30.77, 0.17%, 0.45%

LAB 49.29, 4.17, 13.84

 

CMYK 0 / 17 / 35 / 55

HEX #74604B

RGB 116 96 75

HSL 30.73, 0.21%, 0.37%

LAB 42.13, 4.74, 15.03

 

CMYK 0 / 21 / 43 / 61

HEX #634E38

RGB 99 78 56

HSL 30.7, 0.28%, 0.3%

LAB 34.78, 5.47, 16.37

 

CMYK 0 / 11 / 21 / 34

HEX #A89684

RGB 168 150 132

HSL 30, 0.17%, 0.59%

LAB 63.18, 3.69, 11.93

 

CMYK 0 / 16 / 21 / 34

HEX #A88D84

RGB 168 141 132

HSL 15, 0.17%, 0.59%

LAB 60.82, 8.71, 8.58

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 0 / 11 / 21 / 34

HEX #A89684

RGB 168 150 132

HSL 30, 0.17%, 0.59%

LAB 63.18, 3.69, 11.93

 

CMYK 0 / 5 / 21 / 34

HEX #A8A084

RGB 168 160 132

HSL 46.67, 0.17%, 0.59%

LAB 65.85, -1.8, 15.66

 

CMYK 1 / 0 / 21 / 34

HEX #A6A884

RGB 166 168 132

HSL 63.33, 0.17%, 0.59%

LAB 67.86, -6.89, 18.41

 

CMYK 7 / 0 / 21 / 34

HEX #9CA884

RGB 156 168 132

HSL 80, 0.17%, 0.59%

LAB 67.08, -10.72, 17.22

 

CMYK 13 / 0 / 21 / 34

HEX #93A884

RGB 147 168 132

HSL 95, 0.17%, 0.59%

LAB 66.42, -14.09, 16.21

 

CMYK 0 / 11 / 21 / 34

HEX #A89684

RGB 168 150 132

HSL 30, 0.17%, 0.59%

LAB 63.18, 3.69, 11.93

 

CMYK 0 / 18 / 38 / 27

HEX #B99773

RGB 185 151 115

HSL 30.86, 0.33%, 0.59%

LAB 64.71, 7.63, 23.75

 

CMYK 0 / 25 / 51 / 21

HEX #CA9762

RGB 202 151 98

HSL 30.58, 0.5%, 0.59%

LAB 66.19, 12.86, 35.21

 

CMYK 0 / 30 / 63 / 15

HEX #DA9851

RGB 218 152 81

HSL 31.09, 0.65%, 0.59%

LAB 67.99, 17.69, 46.54

 

CMYK 0 / 35 / 72 / 8

HEX #EB9841

RGB 235 152 65

HSL 30.71, 0.81%, 0.59%

LAB 69.82, 23.89, 56.64

 

CMYK 0 / 11 / 21 / 34

HEX #A89684

RGB 168 150 132

HSL 30, 0.17%, 0.59%

LAB 63.18, 3.69, 11.93

 

CMYK 0 / 1 / 1 / 41

HEX #979695

RGB 151 150 149

HSL 30, 0.01%, 0.59%

LAB 62.14, 0.18, 0.65

 

CMYK 19 / 10 / 0 / 35

HEX #8695A6

RGB 134 149 166

HSL 211.88, 0.15%, 0.59%

LAB 61.06, -1.61, -10.72

 

CMYK 36 / 19 / 0 / 28

HEX #7595B7

RGB 117 149 183

HSL 210.91, 0.31%, 0.59%

LAB 60.51, -2.61, -21.28

 

CMYK 50 / 26 / 0 / 22

HEX #6495C8

RGB 100 149 200

HSL 210.6, 0.48%, 0.59%

LAB 60.23, -2.21, -31.38

 

CMYK 0 / 21 / 21 / 34

HEX #A88485

RGB 168 132 133

HSL 358.33, 0.17%, 0.59%

LAB 58.53, 13.94, 4.74

 

CMYK 0 / 17 / 21 / 34

HEX #A88C84

RGB 168 140 132

HSL 13.33, 0.17%, 0.59%

LAB 60.56, 9.27, 8.21

 

CMYK 0 / 11 / 21 / 34

HEX #A89684

RGB 168 150 132

HSL 30, 0.17%, 0.59%

LAB 63.18, 3.69, 11.93

 

CMYK 0 / 5 / 21 / 34

HEX #A89F84

RGB 168 159 132

HSL 45, 0.17%, 0.59%

LAB 65.58, -1.25, 15.29

 

CMYK 1 / 0 / 21 / 34

HEX #A7A884

RGB 167 168 132

HSL 61.67, 0.17%, 0.59%

LAB 67.94, -6.5, 18.54

 

CMYK 0 / 14 / 29 / 50

HEX #7F6D5A

RGB 127 109 90

HSL 30.81, 0.17%, 0.43%

LAB 47.22, 3.96, 13.24

 

CMYK 0 / 14 / 28 / 41

HEX #97826C

RGB 151 130 108

HSL 30.7, 0.17%, 0.51%

LAB 55.71, 4.5, 14.88

 

CMYK 0 / 11 / 21 / 34

HEX #A89684

RGB 168 150 132

HSL 30, 0.17%, 0.59%

LAB 63.18, 3.69, 11.93

 

CMYK 0 / 8 / 16 / 27

HEX #B9AB9C

RGB 185 171 156

HSL 31.03, 0.17%, 0.67%

LAB 70.76, 2.5, 9.53

 

CMYK 0 / 5 / 11 / 21

HEX #CAC0B4

RGB 202 192 180

HSL 32.73, 0.17%, 0.75%

LAB 78.2, 1.45, 7.29

 

CMYK 0 / 10 / 21 / 35

HEX #A79684

RGB 167 150 132

HSL 30.86, 0.17%, 0.59%

LAB 63.09, 3.3, 11.78

 

CMYK 15 / 0 / 21 / 34

HEX #8FA884

RGB 143 168 132

HSL 101.67, 0.17%, 0.59%

LAB 66.14, -15.56, 15.78

 

CMYK 19 / 21 / 0 / 34

HEX #8884A8

RGB 136 132 168

HSL 246.67, 0.17%, 0.59%

LAB 56.65, 9.23, -18.51

 

CMYK 0 / 10 / 21 / 35

HEX #A79684

RGB 167 150 132

HSL 30.86, 0.17%, 0.59%

LAB 63.09, 3.3, 11.78

 

CMYK 21 / 0 / 11 / 34

HEX #84A896

RGB 132 168 150

HSL 150, 0.17%, 0.59%

LAB 65.84, -16.05, 5.28

 

CMYK 11 / 21 / 0 / 34

HEX #9684A8

RGB 150 132 168

HSL 270, 0.17%, 0.59%

LAB 57.86, 13.92, -16.56

 

CMYK 0 / 10 / 21 / 35

HEX #A79684

RGB 167 150 132

HSL 30.86, 0.17%, 0.59%

LAB 63.09, 3.3, 11.78

 

CMYK 15 / 0 / 21 / 34

HEX #8FA884

RGB 143 168 132

HSL 101.67, 0.17%, 0.59%

LAB 66.14, -15.56, 15.78

 

CMYK 21 / 11 / 0 / 34

HEX #8496A8

RGB 132 150 168

HSL 210, 0.17%, 0.59%

LAB 61.26, -2.36, -11.57

 

CMYK 7 / 21 / 0 / 34

HEX #9D84A8

RGB 157 132 168

HSL 281.67, 0.17%, 0.59%

LAB 58.51, 16.32, -15.52

 

CMYK 0 / 10 / 21 / 35

HEX #A79684

RGB 167 150 132

HSL 30.86, 0.17%, 0.59%

LAB 63.09, 3.3, 11.78

 

CMYK 21 / 0 / 21 / 34

HEX #84A884

RGB 132 168 132

HSL 120, 0.17%, 0.59%

LAB 65.42, -19.51, 14.66

 

CMYK 21 / 11 / 0 / 34

HEX #8496A8

RGB 132 150 168

HSL 210, 0.17%, 0.59%

LAB 61.26, -2.36, -11.57

 

CMYK 0 / 21 / 0 / 34

HEX #A884A8

RGB 168 132 168

HSL 300, 0.17%, 0.59%

LAB 59.58, 20.14, -13.8

 

Description

Color code: HEX #A79684 | qconv.com Color code: HEX #A79684 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 150 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 150 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 21 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 21% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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