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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A780E4 it is the complementary color #587F1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A780E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A780E4 shade: #AC80DF, #BD92F2, #CEA4FF, #DFB6FF and #F0C8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A780E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A780E4 shade: #A780E4, #966ED1, #855CBE, #744AAB and #633898

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A780E4 shade: #A780E4, #C280E4, #DD80E4, #E480D0 and #E480B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A780E4 shade: #A780E4, #8C80E4 and #8080E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A780E4 shade matches the following richer shades: #A780E4, #A474F0 and #A268FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A780E4 shade: #A780E4, #AA8DD7, #AD99CB, #AFA5BF and #B2B2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A780E4 shade: #808FE4, #8C80E4, #A680E4, #C180E4 and #DB80E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A780E4 shade: #783CD5, #8F5EDD, #A780E4, #BFA2EB and #D6C4F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A780E4 shade: #A780E4, #E480AA and #82E480

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A780E4 shade: #A780E4, #E4A680 and #80E4A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A780E4 shade: #A780E4, #E480AA, #BEE480 and #80E4BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A780E4 shade: #A780E4, #E4808C, #BEE480 and #80E4D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 44 / 0 / 11

HEX #A780E4

RGB 167 128 228

HSL 263.4, 0.65%, 0.7%

LAB 61.01, 35.31, -45.46

 

Complementary color

CMYK 31 / 0 / 79 / 50

HEX #587F1B

RGB 88 127 27

HSL 83.4, 0.65%, 0.3%

LAB 48.68, -29.26, 46.38

 

CMYK 23 / 43 / 0 / 13

HEX #AC80DF

RGB 172 128 223

HSL 267.79, 0.6%, 0.69%

LAB 61.25, 35.52, -42.26

 

CMYK 22 / 40 / 0 / 5

HEX #BD92F2

RGB 189 146 242

HSL 266.88, 0.79%, 0.76%

LAB 67.86, 34.72, -42.27

 

CMYK 19 / 36 / 0 / 0

HEX #CEA4FF

RGB 206 164 255

HSL 267.69, 1%, 0.82%

LAB 74.12, 32.65, -39.46

 

CMYK 13 / 29 / 0 / 0

HEX #DFB6FF

RGB 223 182 255

HSL 273.7, 1%, 0.86%

LAB 79.82, 27.97, -30.52

 

CMYK 6 / 22 / 0 / 0

HEX #F0C8FF

RGB 240 200 255

HSL 283.64, 1%, 0.89%

LAB 85.53, 23.66, -21.67

 

CMYK 27 / 44 / 0 / 11

HEX #A780E4

RGB 167 128 228

HSL 263.4, 0.65%, 0.7%

LAB 61.01, 35.31, -45.46

 

CMYK 28 / 47 / 0 / 18

HEX #966ED1

RGB 150 110 209

HSL 264.24, 0.52%, 0.63%

LAB 54.28, 36.22, -45.53

 

CMYK 30 / 52 / 0 / 25

HEX #855CBE

RGB 133 92 190

HSL 265.1, 0.43%, 0.55%

LAB 47.44, 37.19, -45.61

 

CMYK 32 / 57 / 0 / 33

HEX #744AAB

RGB 116 74 171

HSL 265.98, 0.4%, 0.48%

LAB 40.49, 38.22, -45.67

 

CMYK 35 / 63 / 0 / 40

HEX #633898

RGB 99 56 152

HSL 266.88, 0.46%, 0.41%

LAB 33.45, 39.25, -45.68

 

CMYK 27 / 44 / 0 / 11

HEX #A780E4

RGB 167 128 228

HSL 263.4, 0.65%, 0.7%

LAB 61.01, 35.31, -45.46

 

CMYK 15 / 44 / 0 / 11

HEX #C280E4

RGB 194 128 228

HSL 279.6, 0.65%, 0.7%

LAB 63.76, 42.9, -40.94

 

CMYK 3 / 44 / 0 / 11

HEX #DD80E4

RGB 221 128 228

HSL 295.8, 0.65%, 0.7%

LAB 66.83, 50.69, -35.92

 

CMYK 0 / 44 / 9 / 11

HEX #E480D0

RGB 228 128 208

HSL 312, 0.65%, 0.7%

LAB 66.89, 49.28, -24.64

 

CMYK 0 / 44 / 21 / 11

HEX #E480B5

RGB 228 128 181

HSL 328.2, 0.65%, 0.7%

LAB 65.96, 45.06, -10.9

 

CMYK 27 / 44 / 0 / 11

HEX #A780E4

RGB 167 128 228

HSL 263.4, 0.65%, 0.7%

LAB 61.01, 35.31, -45.46

 

CMYK 39 / 44 / 0 / 11

HEX #8C80E4

RGB 140 128 228

HSL 247.2, 0.65%, 0.7%

LAB 58.62, 28.15, -49.4

 

CMYK 44 / 44 / 0 / 11

HEX #8080E4

RGB 128 128 228

HSL 240, 0.65%, 0.7%

LAB 57.68, 25.18, -50.94

 

CMYK 27 / 44 / 0 / 11

HEX #A780E4

RGB 167 128 228

HSL 263.4, 0.65%, 0.7%

LAB 61.01, 35.31, -45.46

 

CMYK 32 / 52 / 0 / 6

HEX #A474F0

RGB 164 116 240

HSL 263.23, 0.81%, 0.7%

LAB 58.67, 44.15, -55.86

 

CMYK 36 / 59 / 0 / 1

HEX #A268FC

RGB 162 104 252

HSL 263.51, 0.96%, 0.7%

LAB 56.69, 53.13, -65.69

 

CMYK 27 / 44 / 0 / 11

HEX #A780E4

RGB 167 128 228

HSL 263.4, 0.65%, 0.7%

LAB 61.01, 35.31, -45.46

 

CMYK 21 / 34 / 0 / 16

HEX #AA8DD7

RGB 170 141 215

HSL 263.51, 0.48%, 0.7%

LAB 63.76, 25.75, -33.9

 

CMYK 15 / 25 / 0 / 20

HEX #AD99CB

RGB 173 153 203

HSL 264, 0.32%, 0.7%

LAB 66.5, 17.21, -22.96

 

CMYK 8 / 14 / 0 / 25

HEX #AFA5BF

RGB 175 165 191

HSL 263.08, 0.17%, 0.7%

LAB 69.32, 8.62, -12.02

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 44 / 37 / 0 / 11

HEX #808FE4

RGB 128 143 228

HSL 231, 0.65%, 0.7%

LAB 61.51, 16.35, -44.88

 

CMYK 39 / 44 / 0 / 11

HEX #8C80E4

RGB 140 128 228

HSL 247.2, 0.65%, 0.7%

LAB 58.62, 28.15, -49.4

 

CMYK 27 / 44 / 0 / 11

HEX #A680E4

RGB 166 128 228

HSL 262.8, 0.65%, 0.7%

LAB 60.91, 35.04, -45.62

 

CMYK 15 / 44 / 0 / 11

HEX #C180E4

RGB 193 128 228

HSL 279, 0.65%, 0.7%

LAB 63.65, 42.62, -41.12

 

CMYK 4 / 44 / 0 / 11

HEX #DB80E4

RGB 219 128 228

HSL 294.6, 0.65%, 0.7%

LAB 66.6, 50.11, -36.3

 

CMYK 44 / 72 / 0 / 16

HEX #783CD5

RGB 120 60 213

HSL 263.53, 0.65%, 0.54%

LAB 41.26, 57.23, -68.93

 

CMYK 35 / 57 / 0 / 13

HEX #8F5EDD

RGB 143 94 221

HSL 263.15, 0.65%, 0.62%

LAB 50.76, 46.42, -57.99

 

CMYK 27 / 44 / 0 / 11

HEX #A780E4

RGB 167 128 228

HSL 263.4, 0.65%, 0.7%

LAB 61.01, 35.31, -45.46

 

CMYK 19 / 31 / 0 / 8

HEX #BFA2EB

RGB 191 162 235

HSL 263.84, 0.65%, 0.78%

LAB 71.5, 24.87, -32.77

 

CMYK 12 / 19 / 0 / 5

HEX #D6C4F2

RGB 214 196 242

HSL 263.48, 0.64%, 0.86%

LAB 81.94, 14.94, -20.4

 

CMYK 27 / 44 / 0 / 11

HEX #A780E4

RGB 167 128 228

HSL 263.4, 0.65%, 0.7%

LAB 61.01, 35.31, -45.46

 

CMYK 0 / 44 / 25 / 11

HEX #E480AA

RGB 228 128 170

HSL 334.8, 0.65%, 0.7%

LAB 65.62, 43.49, -5.19

 

CMYK 43 / 0 / 44 / 11

HEX #82E480

RGB 130 228 128

HSL 118.8, 0.65%, 0.7%

LAB 82.8, -48.56, 39.92

 

CMYK 27 / 44 / 0 / 11

HEX #A780E4

RGB 167 128 228

HSL 263.4, 0.65%, 0.7%

LAB 61.01, 35.31, -45.46

 

CMYK 0 / 27 / 44 / 11

HEX #E4A680

RGB 228 166 128

HSL 22.8, 0.65%, 0.7%

LAB 73.11, 18.28, 28.67

 

CMYK 44 / 0 / 27 / 11

HEX #80E4A6

RGB 128 228 166

HSL 142.8, 0.65%, 0.7%

LAB 83.35, -42.84, 21.33

 

CMYK 27 / 44 / 0 / 11

HEX #A780E4

RGB 167 128 228

HSL 263.4, 0.65%, 0.7%

LAB 61.01, 35.31, -45.46

 

CMYK 0 / 44 / 25 / 11

HEX #E480AA

RGB 228 128 170

HSL 334.8, 0.65%, 0.7%

LAB 65.62, 43.49, -5.19

 

CMYK 17 / 0 / 44 / 11

HEX #BEE480

RGB 190 228 128

HSL 82.8, 0.65%, 0.7%

LAB 86, -28.45, 44.64

 

CMYK 44 / 0 / 18 / 11

HEX #80E4BA

RGB 128 228 186

HSL 154.8, 0.65%, 0.7%

LAB 83.77, -38.88, 11.45

 

CMYK 27 / 44 / 0 / 11

HEX #A780E4

RGB 167 128 228

HSL 263.4, 0.65%, 0.7%

LAB 61.01, 35.31, -45.46

 

CMYK 0 / 44 / 39 / 11

HEX #E4808C

RGB 228 128 140

HSL 352.8, 0.65%, 0.7%

LAB 64.82, 39.72, 10.68

 

CMYK 17 / 0 / 44 / 11

HEX #BEE480

RGB 190 228 128

HSL 82.8, 0.65%, 0.7%

LAB 86, -28.45, 44.64

 

CMYK 44 / 0 / 5 / 11

HEX #80E4D8

RGB 128 228 216

HSL 172.8, 0.65%, 0.7%

LAB 84.5, -32.17, -3.3

 

Description

Color code: HEX #A780E4 | qconv.com Color code: HEX #A780E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 128 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 128 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 44 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 44% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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