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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A771DE it is the complementary color #588E21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A771DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A771DE shade: #AC71D9, #BD83EC, #CE95FF, #DFA7FF and #F0B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A771DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A771DE shade: #A771DE, #965FCB, #854DB8, #743BA5 and #632992

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A771DE shade: #A772DE, #C472DE, #DE72DA, #DE72BD and #DE72A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A771DE shade: #A772DE, #8A72DE and #7272DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A771DE shade matches the following richer shades: #A772DE, #A764EC and #A756FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A771DE shade: #A772DE, #A780D0, #A88EC1, #A89CB3 and #A8AAA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A771DE shade: #7277DE, #8972DE, #A672DE, #C372DE and #DE72DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A771DE shade: #7E30CD, #9351D6, #A772DE, #BC93E5 and #D1B5ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A771DE shade: #A771DE, #DE7294 and #72DE7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A771DE shade: #A771DE, #DEA672 and #72DEA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A771DE shade: #A771DE, #DE7294, #AADE72 and #72DEBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A771DE shade: #A771DE, #DE7274, #AADE72 and #72DEDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 49 / 0 / 13

HEX #A771DE

RGB 167 113 222

HSL 269.72, 0.62%, 0.66%

LAB 57.37, 42.24, -47.87

 

Complementary color

CMYK 38 / 0 / 77 / 44

HEX #588E21

RGB 88 142 33

HSL 89.72, 0.62%, 0.34%

LAB 53.53, -35.8, 48.93

 

CMYK 21 / 48 / 0 / 15

HEX #AC71D9

RGB 172 113 217

HSL 274.04, 0.58%, 0.65%

LAB 57.65, 42.45, -44.58

 

CMYK 20 / 44 / 0 / 7

HEX #BD83EC

RGB 189 131 236

HSL 273.14, 0.73%, 0.72%

LAB 64.25, 41.6, -44.64

 

CMYK 19 / 42 / 0 / 0

HEX #CE95FF

RGB 206 149 255

HSL 272.26, 1%, 0.79%

LAB 70.76, 40.8, -44.71

 

CMYK 13 / 35 / 0 / 0

HEX #DFA7FF

RGB 223 167 255

HSL 278.18, 1%, 0.83%

LAB 76.4, 36.04, -35.79

 

CMYK 6 / 27 / 0 / 0

HEX #F0B9FF

RGB 240 185 255

HSL 287.14, 1%, 0.86%

LAB 82.08, 31.63, -26.92

 

CMYK 25 / 49 / 0 / 13

HEX #A771DE

RGB 167 113 222

HSL 269.72, 0.62%, 0.66%

LAB 57.37, 42.24, -47.87

 

CMYK 26 / 53 / 0 / 20

HEX #965FCB

RGB 150 95 203

HSL 270.56, 0.51%, 0.58%

LAB 50.66, 43.15, -47.85

 

CMYK 28 / 58 / 0 / 28

HEX #854DB8

RGB 133 77 184

HSL 271.4, 0.43%, 0.51%

LAB 43.88, 44.07, -47.8

 

CMYK 30 / 64 / 0 / 35

HEX #743BA5

RGB 116 59 165

HSL 272.26, 0.47%, 0.44%

LAB 37.04, 44.91, -47.65

 

CMYK 32 / 72 / 0 / 43

HEX #632992

RGB 99 41 146

HSL 273.14, 0.56%, 0.37%

LAB 30.19, 45.5, -47.28

 

CMYK 25 / 49 / 0 / 13

HEX #A772DE

RGB 167 114 222

HSL 269.44, 0.62%, 0.66%

LAB 57.58, 41.69, -47.52

 

CMYK 12 / 49 / 0 / 13

HEX #C472DE

RGB 196 114 222

HSL 285.56, 0.62%, 0.66%

LAB 60.82, 49.61, -42.2

 

CMYK 0 / 49 / 2 / 13

HEX #DE72DA

RGB 222 114 218

HSL 302.22, 0.62%, 0.66%

LAB 63.86, 56.15, -34.97

 

CMYK 0 / 49 / 15 / 13

HEX #DE72BD

RGB 222 114 189

HSL 318.33, 0.62%, 0.66%

LAB 62.71, 51.38, -20.41

 

CMYK 0 / 49 / 28 / 13

HEX #DE72A0

RGB 222 114 160

HSL 334.44, 0.62%, 0.66%

LAB 61.74, 47.21, -5.31

 

CMYK 25 / 49 / 0 / 13

HEX #A772DE

RGB 167 114 222

HSL 269.44, 0.62%, 0.66%

LAB 57.58, 41.69, -47.52

 

CMYK 38 / 49 / 0 / 13

HEX #8A72DE

RGB 138 114 222

HSL 253.33, 0.62%, 0.66%

LAB 54.77, 34.17, -52.16

 

CMYK 49 / 49 / 0 / 13

HEX #7272DE

RGB 114 114 222

HSL 240, 0.62%, 0.66%

LAB 52.82, 28.51, -55.39

 

CMYK 25 / 49 / 0 / 13

HEX #A772DE

RGB 167 114 222

HSL 269.44, 0.62%, 0.66%

LAB 57.58, 41.69, -47.52

 

CMYK 29 / 58 / 0 / 7

HEX #A764EC

RGB 167 100 236

HSL 269.56, 0.78%, 0.66%

LAB 55.47, 52.48, -58.74

 

CMYK 33 / 66 / 0 / 2

HEX #A756FA

RGB 167 86 250

HSL 269.63, 0.94%, 0.66%

LAB 53.79, 62.7, -69.25

 

CMYK 25 / 49 / 0 / 13

HEX #A772DE

RGB 167 114 222

HSL 269.44, 0.62%, 0.66%

LAB 57.58, 41.69, -47.52

 

CMYK 20 / 38 / 0 / 18

HEX #A780D0

RGB 167 128 208

HSL 269.25, 0.46%, 0.66%

LAB 60.08, 30.61, -35.73

 

CMYK 13 / 26 / 0 / 24

HEX #A88EC1

RGB 168 142 193

HSL 270.59, 0.29%, 0.66%

LAB 62.95, 19.62, -22.85

 

CMYK 6 / 13 / 0 / 30

HEX #A89CB3

RGB 168 156 179

HSL 271.3, 0.13%, 0.66%

LAB 66.03, 8.79, -10.33

 

CMYK 1 / 0 / 3 / 33

HEX #A8AAA5

RGB 168 170 165

HSL 84, 0.03%, 0.66%

LAB 69.32, -1.65, 2.32

 

CMYK 49 / 46 / 0 / 13

HEX #7277DE

RGB 114 119 222

HSL 237.22, 0.62%, 0.66%

LAB 54.07, 25.5, -53.39

 

CMYK 38 / 49 / 0 / 13

HEX #8972DE

RGB 137 114 222

HSL 252.78, 0.62%, 0.66%

LAB 54.69, 33.92, -52.3

 

CMYK 25 / 49 / 0 / 13

HEX #A672DE

RGB 166 114 222

HSL 268.89, 0.62%, 0.66%

LAB 57.48, 41.42, -47.69

 

CMYK 12 / 49 / 0 / 13

HEX #C372DE

RGB 195 114 222

HSL 285, 0.62%, 0.66%

LAB 60.7, 49.34, -42.39

 

CMYK 0 / 49 / 1 / 13

HEX #DE72DC

RGB 222 114 220

HSL 301.11, 0.62%, 0.66%

LAB 63.94, 56.5, -35.96

 

CMYK 39 / 77 / 0 / 20

HEX #7E30CD

RGB 126 48 205

HSL 269.81, 0.62%, 0.5%

LAB 39.51, 61.47, -67.15

 

CMYK 31 / 62 / 0 / 16

HEX #9351D6

RGB 147 81 214

HSL 269.77, 0.62%, 0.58%

LAB 48.19, 52.47, -58.13

 

CMYK 25 / 49 / 0 / 13

HEX #A772DE

RGB 167 114 222

HSL 269.44, 0.62%, 0.66%

LAB 57.58, 41.69, -47.52

 

CMYK 18 / 36 / 0 / 10

HEX #BC93E5

RGB 188 147 229

HSL 270, 0.61%, 0.74%

LAB 67.44, 30.96, -35.8

 

CMYK 12 / 24 / 0 / 7

HEX #D1B5ED

RGB 209 181 237

HSL 270, 0.61%, 0.82%

LAB 77.71, 20.44, -24.19

 

CMYK 25 / 49 / 0 / 13

HEX #A771DE

RGB 167 113 222

HSL 269.72, 0.62%, 0.66%

LAB 57.37, 42.24, -47.87

 

CMYK 0 / 49 / 33 / 13

HEX #DE7294

RGB 222 114 148

HSL 341.11, 0.62%, 0.66%

LAB 61.4, 45.67, 1.08

 

CMYK 49 / 0 / 45 / 13

HEX #72DE7B

RGB 114 222 123

HSL 125, 0.62%, 0.66%

LAB 80.32, -51.29, 39.1

 

CMYK 25 / 49 / 0 / 13

HEX #A771DE

RGB 167 113 222

HSL 269.72, 0.62%, 0.66%

LAB 57.37, 42.24, -47.87

 

CMYK 0 / 25 / 49 / 13

HEX #DEA672

RGB 222 166 114

HSL 28.89, 0.62%, 0.66%

LAB 72.24, 14.48, 34.87

 

CMYK 49 / 0 / 25 / 13

HEX #72DEA6

RGB 114 222 166

HSL 148.89, 0.62%, 0.66%

LAB 81.06, -43.83, 18.06

 

CMYK 25 / 49 / 0 / 13

HEX #A771DE

RGB 167 113 222

HSL 269.72, 0.62%, 0.66%

LAB 57.37, 42.24, -47.87

 

CMYK 0 / 49 / 33 / 13

HEX #DE7294

RGB 222 114 148

HSL 341.11, 0.62%, 0.66%

LAB 61.4, 45.67, 1.08

 

CMYK 23 / 0 / 49 / 13

HEX #AADE72

RGB 170 222 114

HSL 88.89, 0.62%, 0.66%

LAB 82.92, -34.55, 47.3

 

CMYK 49 / 0 / 15 / 13

HEX #72DEBC

RGB 114 222 188

HSL 161.11, 0.62%, 0.66%

LAB 81.54, -39.17, 7.14

 

CMYK 25 / 49 / 0 / 13

HEX #A771DE

RGB 167 113 222

HSL 269.72, 0.62%, 0.66%

LAB 57.37, 42.24, -47.87

 

CMYK 0 / 49 / 48 / 13

HEX #DE7274

RGB 222 114 116

HSL 358.89, 0.62%, 0.66%

LAB 60.63, 42.19, 18.4

 

CMYK 23 / 0 / 49 / 13

HEX #AADE72

RGB 170 222 114

HSL 88.89, 0.62%, 0.66%

LAB 82.92, -34.55, 47.3

 

CMYK 49 / 0 / 1 / 13

HEX #72DEDC

RGB 114 222 220

HSL 178.89, 0.62%, 0.66%

LAB 82.37, -31.51, -8.62

 

Description

Color code: HEX #A771DE | qconv.com Color code: HEX #A771DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 113 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 113 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 49 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 49% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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