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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A76DC0 it is the complementary color #58923F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A76DC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A76DC0 shade: #AC6DBB, #BD7FCE, #CE91E1, #DFA3F4 and #F0B5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A76DC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A76DC0 shade: #A76DC0, #965BAD, #85499A, #743787 and #632574

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A76DC0 shade: #A76CC0, #BD6CC0, #C06CAC, #C06C95 and #C06C7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A76DC0 shade: #A76CC0, #906CC0, #796CC0 and #6C6CC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A76DC0 shade matches the following richer shades: #A76CC0, #AD5BD1, #B44AE2 and #BB39F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A76DC0 shade: #A76CC0, #A07DAF, #998E9E, #929F8D and #8CB07C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A76DC0 shade: #796CC0, #8F6CC0, #A56CC0, #BC6CC0 and #C06CAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A76DC0 shade: #7E4198, #954FB3, #A76CC0, #B889CC and #C9A6D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A76DC0 shade: #A76DC0, #C06C76 and #6CC084

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A76DC0 shade: #A76DC0, #C0A56C and #6CC0A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A76DC0 shade: #A76DC0, #C06C76, #87C06C and #6CC0B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A76DC0 shade: #A76DC0, #C07B6C, #87C06C and #6CB0C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 43 / 0 / 25

HEX #A76DC0

RGB 167 109 192

HSL 281.93, 0.4%, 0.59%

LAB 55.03, 37.71, -34.54

 

Complementary color

CMYK 40 / 0 / 57 / 43

HEX #58923F

RGB 88 146 63

HSL 101.93, 0.4%, 0.41%

LAB 55.06, -34.91, 37.59

 

CMYK 8 / 42 / 0 / 27

HEX #AC6DBB

RGB 172 109 187

HSL 288.46, 0.36%, 0.58%

LAB 55.38, 38.18, -31.09

 

CMYK 8 / 38 / 0 / 19

HEX #BD7FCE

RGB 189 127 206

HSL 287.09, 0.45%, 0.65%

LAB 62.04, 37.41, -31.37

 

CMYK 8 / 36 / 0 / 12

HEX #CE91E1

RGB 206 145 225

HSL 285.75, 0.57%, 0.73%

LAB 68.61, 36.67, -31.63

 

CMYK 9 / 33 / 0 / 4

HEX #DFA3F4

RGB 223 163 244

HSL 284.44, 0.79%, 0.8%

LAB 75.09, 35.97, -31.88

 

CMYK 6 / 29 / 0 / 0

HEX #F0B5FF

RGB 240 181 255

HSL 287.84, 1%, 0.85%

LAB 81.18, 33.76, -28.3

 

CMYK 13 / 43 / 0 / 25

HEX #A76DC0

RGB 167 109 192

HSL 281.93, 0.4%, 0.59%

LAB 55.03, 37.71, -34.54

 

CMYK 13 / 47 / 0 / 32

HEX #965BAD

RGB 150 91 173

HSL 283.17, 0.33%, 0.52%

LAB 48.24, 38.53, -34.32

 

CMYK 14 / 53 / 0 / 40

HEX #85499A

RGB 133 73 154

HSL 284.44, 0.36%, 0.45%

LAB 41.35, 39.34, -34.04

 

CMYK 14 / 59 / 0 / 47

HEX #743787

RGB 116 55 135

HSL 285.75, 0.42%, 0.37%

LAB 34.39, 40.05, -33.64

 

CMYK 15 / 68 / 0 / 55

HEX #632574

RGB 99 37 116

HSL 287.09, 0.52%, 0.3%

LAB 27.4, 40.49, -33

 

CMYK 13 / 44 / 0 / 25

HEX #A76CC0

RGB 167 108 192

HSL 282.14, 0.4%, 0.59%

LAB 54.81, 38.27, -34.88

 

CMYK 2 / 44 / 0 / 25

HEX #BD6CC0

RGB 189 108 192

HSL 297.86, 0.4%, 0.59%

LAB 57.41, 44.86, -30.62

 

CMYK 0 / 44 / 10 / 25

HEX #C06CAC

RGB 192 108 172

HSL 314.29, 0.4%, 0.59%

LAB 56.99, 42.23, -19.77

 

CMYK 0 / 44 / 22 / 25

HEX #C06C95

RGB 192 108 149

HSL 330.71, 0.4%, 0.59%

LAB 56.19, 38.57, -7.63

 

CMYK 0 / 44 / 34 / 25

HEX #C06C7F

RGB 192 108 127

HSL 346.43, 0.4%, 0.59%

LAB 55.55, 35.53, 4.28

 

CMYK 13 / 44 / 0 / 25

HEX #A76CC0

RGB 167 108 192

HSL 282.14, 0.4%, 0.59%

LAB 54.81, 38.27, -34.88

 

CMYK 25 / 44 / 0 / 25

HEX #906CC0

RGB 144 108 192

HSL 265.71, 0.4%, 0.59%

LAB 52.35, 31.52, -38.91

 

CMYK 37 / 44 / 0 / 25

HEX #796CC0

RGB 121 108 192

HSL 249.29, 0.4%, 0.59%

LAB 50.21, 25.11, -42.43

 

CMYK 44 / 44 / 0 / 25

HEX #6C6CC0

RGB 108 108 192

HSL 240, 0.4%, 0.59%

LAB 49.15, 21.73, -44.18

 

CMYK 13 / 44 / 0 / 25

HEX #A76CC0

RGB 167 108 192

HSL 282.14, 0.4%, 0.59%

LAB 54.81, 38.27, -34.88

 

CMYK 17 / 56 / 0 / 18

HEX #AD5BD1

RGB 173 91 209

HSL 281.69, 0.56%, 0.59%

LAB 52.92, 52.52, -47.53

 

CMYK 20 / 67 / 0 / 11

HEX #B44AE2

RGB 180 74 226

HSL 281.84, 0.72%, 0.59%

LAB 51.94, 65.53, -58.69

 

CMYK 23 / 77 / 0 / 5

HEX #BB39F3

RGB 187 57 243

HSL 281.94, 0.89%, 0.59%

LAB 51.79, 76.56, -68.44

 

CMYK 13 / 44 / 0 / 25

HEX #A76CC0

RGB 167 108 192

HSL 282.14, 0.4%, 0.59%

LAB 54.81, 38.27, -34.88

 

CMYK 9 / 29 / 0 / 31

HEX #A07DAF

RGB 160 125 175

HSL 282, 0.24%, 0.59%

LAB 57.3, 22.82, -21.33

 

CMYK 3 / 10 / 0 / 38

HEX #998E9E

RGB 153 142 158

HSL 281.25, 0.08%, 0.59%

LAB 60.42, 7.16, -6.98

 

CMYK 8 / 0 / 11 / 38

HEX #929F8D

RGB 146 159 141

HSL 103.33, 0.09%, 0.59%

LAB 64.02, -8.09, 7.82

 

CMYK 20 / 0 / 30 / 31

HEX #8CB07C

RGB 140 176 124

HSL 101.54, 0.25%, 0.59%

LAB 68.08, -22.06, 22.76

 

CMYK 37 / 44 / 0 / 25

HEX #796CC0

RGB 121 108 192

HSL 249.29, 0.4%, 0.59%

LAB 50.21, 25.11, -42.43

 

CMYK 26 / 44 / 0 / 25

HEX #8F6CC0

RGB 143 108 192

HSL 265, 0.4%, 0.59%

LAB 52.25, 31.23, -39.07

 

CMYK 14 / 44 / 0 / 25

HEX #A56CC0

RGB 165 108 192

HSL 280.71, 0.4%, 0.59%

LAB 54.59, 37.67, -35.25

 

CMYK 2 / 44 / 0 / 25

HEX #BC6CC0

RGB 188 108 192

HSL 297.14, 0.4%, 0.59%

LAB 57.29, 44.56, -30.82

 

CMYK 0 / 44 / 9 / 25

HEX #C06CAE

RGB 192 108 174

HSL 312.86, 0.4%, 0.59%

LAB 57.06, 42.57, -20.8

 

CMYK 17 / 57 / 0 / 40

HEX #7E4198

RGB 126 65 152

HSL 282.07, 0.4%, 0.43%

LAB 38.7, 41.25, -37.09

 

CMYK 17 / 56 / 0 / 30

HEX #954FB3

RGB 149 79 179

HSL 282, 0.4%, 0.51%

LAB 45.96, 46, -41.44

 

CMYK 13 / 44 / 0 / 25

HEX #A76CC0

RGB 167 108 192

HSL 282.14, 0.4%, 0.59%

LAB 54.81, 38.27, -34.88

 

CMYK 10 / 33 / 0 / 20

HEX #B889CC

RGB 184 137 204

HSL 282.09, 0.4%, 0.67%

LAB 63.71, 29.92, -27.72

 

CMYK 7 / 24 / 0 / 15

HEX #C9A6D9

RGB 201 166 217

HSL 281.18, 0.4%, 0.75%

LAB 72.69, 21.99, -21.02

 

CMYK 13 / 43 / 0 / 25

HEX #A76DC0

RGB 167 109 192

HSL 281.93, 0.4%, 0.59%

LAB 55.03, 37.71, -34.54

 

CMYK 0 / 44 / 39 / 25

HEX #C06C76

RGB 192 108 118

HSL 352.86, 0.4%, 0.59%

LAB 55.32, 34.42, 9.23

 

CMYK 44 / 0 / 31 / 25

HEX #6CC084

RGB 108 192 132

HSL 137.14, 0.4%, 0.59%

LAB 71.25, -38.71, 22.49

 

CMYK 13 / 43 / 0 / 25

HEX #A76DC0

RGB 167 109 192

HSL 281.93, 0.4%, 0.59%

LAB 55.03, 37.71, -34.54

 

CMYK 0 / 14 / 44 / 25

HEX #C0A56C

RGB 192 165 108

HSL 40.71, 0.4%, 0.59%

LAB 68.9, 2.09, 33.15

 

CMYK 44 / 0 / 14 / 25

HEX #6CC0A5

RGB 108 192 165

HSL 160.71, 0.4%, 0.59%

LAB 71.96, -31.95, 5.68

 

CMYK 13 / 43 / 0 / 25

HEX #A76DC0

RGB 167 109 192

HSL 281.93, 0.4%, 0.59%

LAB 55.03, 37.71, -34.54

 

CMYK 0 / 44 / 39 / 25

HEX #C06C76

RGB 192 108 118

HSL 352.86, 0.4%, 0.59%

LAB 55.32, 34.42, 9.23

 

CMYK 30 / 0 / 44 / 25

HEX #87C06C

RGB 135 192 108

HSL 100.71, 0.4%, 0.59%

LAB 72.18, -33.91, 36.48

 

CMYK 44 / 0 / 5 / 25

HEX #6CC0B6

RGB 108 192 182

HSL 172.86, 0.4%, 0.59%

LAB 72.41, -27.95, -2.94

 

CMYK 13 / 43 / 0 / 25

HEX #A76DC0

RGB 167 109 192

HSL 281.93, 0.4%, 0.59%

LAB 55.03, 37.71, -34.54

 

CMYK 0 / 36 / 44 / 25

HEX #C07B6C

RGB 192 123 108

HSL 10.71, 0.4%, 0.59%

LAB 58.47, 25.14, 19.38

 

CMYK 30 / 0 / 44 / 25

HEX #87C06C

RGB 135 192 108

HSL 100.71, 0.4%, 0.59%

LAB 72.18, -33.91, 36.48

 

CMYK 44 / 8 / 0 / 25

HEX #6CB0C0

RGB 108 176 192

HSL 191.43, 0.4%, 0.59%

LAB 68.05, -17.3, -14.91

 

Description

Color code: HEX #A76DC0 | qconv.com Color code: HEX #A76DC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 109 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 109 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 43 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 43% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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