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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A76A30 it is the complementary color #5895CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A76A30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A76A30 shade: #AC6A2B, #BD7C3E, #CE8E51, #DFA064 and #F0B277

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A76A30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A76A30 shade: #A76A30, #96581D, #85460A, #743400 and #632200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A76A30 shade: #A66930, #A64930 and #A63030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A76A30 shade: #A66930, #A68930, #A2A630, #83A630 and #63A630

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A76A30 shade matches the following richer shades: #A66930, #B7691E and #C8680D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A76A30 shade: #A66930, #946A41, #836A52, #726A64 and #606B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A76A30 shade: #A63036, #A64930, #A66930, #A68830 and #A4A630

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A76A30 shade: #66401D, #865526, #A66930, #C57D39 and #CF9259

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A76A30 shade: #A76A30, #55A630 and #3A30A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A76A30 shade: #A76A30, #30A669 and #6930A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A76A30 shade: #A76A30, #55A630, #306DA6 and #8030A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A76A30 shade: #A76A30, #32A630, #306DA6 and #A430A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 71 / 35

HEX #A76A30

RGB 167 106 48

HSL 29.24, 0.55%, 0.42%

LAB 50.38, 19.12, 41.54

 

Complementary color

CMYK 57 / 28 / 0 / 19

HEX #5895CF

RGB 88 149 207

HSL 209.24, 0.55%, 0.58%

LAB 59.96, -2.68, -35.77

 

CMYK 0 / 38 / 75 / 33

HEX #AC6A2B

RGB 172 106 43

HSL 29.3, 0.6%, 0.42%

LAB 50.98, 21.06, 44.78

 

CMYK 0 / 34 / 67 / 26

HEX #BD7C3E

RGB 189 124 62

HSL 29.29, 0.51%, 0.49%

LAB 57.64, 19.45, 43.32

 

CMYK 0 / 31 / 61 / 19

HEX #CE8E51

RGB 206 142 81

HSL 29.28, 0.56%, 0.56%

LAB 64.21, 18.06, 41.78

 

CMYK 0 / 28 / 55 / 13

HEX #DFA064

RGB 223 160 100

HSL 29.27, 0.66%, 0.63%

LAB 70.7, 16.87, 40.27

 

CMYK 0 / 26 / 50 / 6

HEX #F0B277

RGB 240 178 119

HSL 29.26, 0.8%, 0.7%

LAB 77.1, 15.83, 38.83

 

CMYK 0 / 37 / 71 / 35

HEX #A76A30

RGB 167 106 48

HSL 29.24, 0.55%, 0.42%

LAB 50.38, 19.12, 41.54

 

CMYK 0 / 41 / 81 / 41

HEX #96581D

RGB 150 88 29

HSL 29.26, 0.68%, 0.35%

LAB 43.58, 20.9, 42.87

 

CMYK 0 / 47 / 92 / 48

HEX #85460A

RGB 133 70 10

HSL 29.27, 0.86%, 0.28%

LAB 36.72, 23.01, 43.26

 

CMYK 0 / 55 / 100 / 55

HEX #743400

RGB 116 52 0

HSL 26.9, 1%, 0.23%

LAB 29.83, 25.42, 40.76

 

CMYK 0 / 66 / 100 / 61

HEX #632200

RGB 99 34 0

HSL 20.61, 1%, 0.19%

LAB 22.99, 27.86, 33.46

 

CMYK 0 / 37 / 71 / 35

HEX #A66930

RGB 166 105 48

HSL 28.98, 0.55%, 0.42%

LAB 50.01, 19.25, 41.11

 

CMYK 0 / 56 / 71 / 35

HEX #A64930

RGB 166 73 48

HSL 12.71, 0.55%, 0.42%

LAB 42.89, 36.66, 33.22

 

CMYK 0 / 71 / 71 / 35

HEX #A63030

RGB 166 48 48

HSL 0, 0.55%, 0.42%

LAB 38.61, 48.06, 28.24

 

CMYK 0 / 37 / 71 / 35

HEX #A66930

RGB 166 105 48

HSL 28.98, 0.55%, 0.42%

LAB 50.01, 19.25, 41.11

 

CMYK 0 / 17 / 71 / 35

HEX #A68930

RGB 166 137 48

HSL 45.25, 0.55%, 0.42%

LAB 58.24, 1.24, 49.72

 

CMYK 2 / 0 / 71 / 35

HEX #A2A630

RGB 162 166 48

HSL 62.03, 0.55%, 0.42%

LAB 65.88, -16.05, 57.22

 

CMYK 21 / 0 / 71 / 35

HEX #83A630

RGB 131 166 48

HSL 77.8, 0.55%, 0.42%

LAB 63.6, -29.15, 54.2

 

CMYK 40 / 0 / 71 / 35

HEX #63A630

RGB 99 166 48

HSL 94.07, 0.55%, 0.42%

LAB 61.77, -41.27, 51.76

 

CMYK 0 / 37 / 71 / 35

HEX #A66930

RGB 166 105 48

HSL 28.98, 0.55%, 0.42%

LAB 50.01, 19.25, 41.11

 

CMYK 0 / 43 / 84 / 28

HEX #B7691E

RGB 183 105 30

HSL 29.41, 0.72%, 0.42%

LAB 52.13, 25.88, 51.93

 

CMYK 0 / 48 / 94 / 22

HEX #C8680D

RGB 200 104 13

HSL 29.2, 0.88%, 0.42%

LAB 54.25, 33.2, 59.74

 

CMYK 0 / 37 / 71 / 35

HEX #A66930

RGB 166 105 48

HSL 28.98, 0.55%, 0.42%

LAB 50.01, 19.25, 41.11

 

CMYK 0 / 28 / 56 / 42

HEX #946A41

RGB 148 106 65

HSL 29.64, 0.39%, 0.42%

LAB 48.24, 11.92, 29.46

 

CMYK 0 / 19 / 37 / 49

HEX #836A52

RGB 131 106 82

HSL 29.39, 0.23%, 0.42%

LAB 46.63, 6.31, 17.23

 

CMYK 0 / 7 / 12 / 55

HEX #726A64

RGB 114 106 100

HSL 25.71, 0.07%, 0.42%

LAB 45.37, 2, 4.49

 

CMYK 18 / 9 / 0 / 54

HEX #606B75

RGB 96 107 117

HSL 208.57, 0.1%, 0.42%

LAB 44.64, -1.85, -6.99

HEX #606B75

CMYK 0 / 71 / 67 / 35

HEX #A63036

RGB 166 48 54

HSL 356.95, 0.55%, 0.42%

LAB 38.7, 48.38, 24.69

 

CMYK 0 / 56 / 71 / 35

HEX #A64930

RGB 166 73 48

HSL 12.71, 0.55%, 0.42%

LAB 42.89, 36.66, 33.22

 

CMYK 0 / 37 / 71 / 35

HEX #A66930

RGB 166 105 48

HSL 28.98, 0.55%, 0.42%

LAB 50.01, 19.25, 41.11

 

CMYK 0 / 18 / 71 / 35

HEX #A68830

RGB 166 136 48

HSL 44.75, 0.55%, 0.42%

LAB 57.97, 1.8, 49.45

 

CMYK 1 / 0 / 71 / 35

HEX #A4A630

RGB 164 166 48

HSL 61.02, 0.55%, 0.42%

LAB 66.04, -15.18, 57.44

 

CMYK 0 / 37 / 72 / 60

HEX #66401D

RGB 102 64 29

HSL 28.77, 0.56%, 0.26%

LAB 30.83, 12.93, 27.66

 

CMYK 0 / 37 / 72 / 47

HEX #865526

RGB 134 85 38

HSL 29.38, 0.56%, 0.34%

LAB 40.74, 15.84, 34.95

 

CMYK 0 / 37 / 71 / 35

HEX #A66930

RGB 166 105 48

HSL 28.98, 0.55%, 0.42%

LAB 50.01, 19.25, 41.11

 

CMYK 0 / 37 / 71 / 23

HEX #C57D39

RGB 197 125 57

HSL 29.14, 0.55%, 0.5%

LAB 58.82, 22.04, 47.34

 

CMYK 0 / 29 / 57 / 19

HEX #CF9259

RGB 207 146 89

HSL 28.98, 0.55%, 0.58%

LAB 65.39, 16.91, 39.08

 

CMYK 0 / 37 / 71 / 35

HEX #A76A30

RGB 167 106 48

HSL 29.24, 0.55%, 0.42%

LAB 50.38, 19.12, 41.54

 

CMYK 49 / 0 / 71 / 35

HEX #55A630

RGB 85 166 48

HSL 101.19, 0.55%, 0.42%

LAB 61.15, -45.85, 50.92

 

CMYK 65 / 71 / 0 / 35

HEX #3A30A6

RGB 58 48 166

HSL 245.08, 0.55%, 0.42%

LAB 28.82, 40.36, -61.89

 

CMYK 0 / 37 / 71 / 35

HEX #A76A30

RGB 167 106 48

HSL 29.24, 0.55%, 0.42%

LAB 50.38, 19.12, 41.54

 

CMYK 71 / 0 / 37 / 35

HEX #30A669

RGB 48 166 105

HSL 148.98, 0.55%, 0.42%

LAB 60.71, -46.72, 22.44

 

CMYK 37 / 71 / 0 / 35

HEX #6930A6

RGB 105 48 166

HSL 268.98, 0.55%, 0.42%

LAB 33.71, 48.3, -53.69

 

CMYK 0 / 37 / 71 / 35

HEX #A76A30

RGB 167 106 48

HSL 29.24, 0.55%, 0.42%

LAB 50.38, 19.12, 41.54

 

CMYK 49 / 0 / 71 / 35

HEX #55A630

RGB 85 166 48

HSL 101.19, 0.55%, 0.42%

LAB 61.15, -45.85, 50.92

 

CMYK 71 / 34 / 0 / 35

HEX #306DA6

RGB 48 109 166

HSL 208.98, 0.55%, 0.42%

LAB 44.69, -0.25, -36.33

 

CMYK 23 / 71 / 0 / 35

HEX #8030A6

RGB 128 48 166

HSL 280.68, 0.55%, 0.42%

LAB 36.85, 53.04, -48.46

 

CMYK 0 / 37 / 71 / 35

HEX #A76A30

RGB 167 106 48

HSL 29.24, 0.55%, 0.42%

LAB 50.38, 19.12, 41.54

 

CMYK 70 / 0 / 71 / 35

HEX #32A630

RGB 50 166 48

HSL 118.98, 0.55%, 0.42%

LAB 60.04, -54.66, 49.42

 

CMYK 71 / 34 / 0 / 35

HEX #306DA6

RGB 48 109 166

HSL 208.98, 0.55%, 0.42%

LAB 44.69, -0.25, -36.33

 

CMYK 1 / 71 / 0 / 35

HEX #A430A6

RGB 164 48 166

HSL 298.98, 0.55%, 0.42%

LAB 42.4, 60.98, -39.27

 

Description

Color code: HEX #A76A30 | qconv.com Color code: HEX #A76A30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 106 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 106 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 71 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 71% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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