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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A76323 it is the complementary color #589CDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A76323. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A76323 shade: #AC631E, #BD7531, #CE8744, #DF9957 and #F0AB6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A76323. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A76323 shade: #A76323, #965110, #853F00, #742D00 and #631B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A76323 shade: #A86323, #A84023 and #A82323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A76323 shade: #A86323, #A88723, #A5A823, #81A823 and #5DA823

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A76323 shade matches the following richer shades: #A86323, #B86313 and #C96202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A76323 shade: #A86323, #976434, #876444, #766555 and #666565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A76323 shade: #A8232A, #A84023, #A86323, #A88723 and #A6A823

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A76323 shade: #643B15, #864F1C, #A86323, #CA782A and #D78D46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A76323 shade: #A76323, #4DA823 and #2E23A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A76323 shade: #A76323, #23A863 and #6323A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A76323 shade: #A76323, #4DA823, #2368A8 and #7E23A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A76323 shade: #A76323, #25A823, #2368A8 and #A623A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 79 / 35

HEX #A76323

RGB 167 99 35

HSL 29.09, 0.65%, 0.4%

LAB 48.59, 22.44, 45.82

 

Complementary color

CMYK 60 / 29 / 0 / 14

HEX #589CDC

RGB 88 156 220

HSL 209.09, 0.65%, 0.6%

LAB 62.52, -2.51, -39

 

CMYK 0 / 42 / 83 / 33

HEX #AC631E

RGB 172 99 30

HSL 29.15, 0.7%, 0.4%

LAB 49.24, 24.44, 48.78

 

CMYK 0 / 38 / 74 / 26

HEX #BD7531

RGB 189 117 49

HSL 29.14, 0.59%, 0.47%

LAB 55.85, 22.61, 47.68

 

CMYK 0 / 34 / 67 / 19

HEX #CE8744

RGB 206 135 68

HSL 29.13, 0.58%, 0.54%

LAB 62.4, 21.02, 46.23

 

CMYK 0 / 31 / 61 / 13

HEX #DF9957

RGB 223 153 87

HSL 29.12, 0.68%, 0.61%

LAB 68.87, 19.64, 44.71

 

CMYK 0 / 29 / 56 / 6

HEX #F0AB6A

RGB 240 171 106

HSL 29.1, 0.82%, 0.68%

LAB 75.26, 18.44, 43.21

 

CMYK 0 / 41 / 79 / 35

HEX #A76323

RGB 167 99 35

HSL 29.09, 0.65%, 0.4%

LAB 48.59, 22.44, 45.82

 

CMYK 0 / 46 / 89 / 41

HEX #965110

RGB 150 81 16

HSL 29.1, 0.81%, 0.33%

LAB 41.85, 24.46, 46.44

 

CMYK 0 / 53 / 100 / 48

HEX #853F00

RGB 133 63 0

HSL 28.42, 1%, 0.26%

LAB 35.09, 26.74, 45.57

 

CMYK 0 / 61 / 100 / 55

HEX #742D00

RGB 116 45 0

HSL 23.28, 1%, 0.23%

LAB 28.35, 29.22, 39.59

 

CMYK 0 / 73 / 100 / 61

HEX #631B00

RGB 99 27 0

HSL 16.36, 1%, 0.19%

LAB 21.71, 31.28, 32.12

 

CMYK 0 / 41 / 79 / 34

HEX #A86323

RGB 168 99 35

HSL 28.87, 0.66%, 0.4%

LAB 48.72, 22.88, 46

 

CMYK 0 / 62 / 79 / 34

HEX #A84023

RGB 168 64 35

HSL 13.08, 0.66%, 0.4%

LAB 41.4, 41.25, 38.79

 

CMYK 0 / 79 / 79 / 34

HEX #A82323

RGB 168 35 35

HSL 0, 0.66%, 0.4%

LAB 37.2, 52.68, 34.48

 

CMYK 0 / 41 / 79 / 34

HEX #A86323

RGB 168 99 35

HSL 28.87, 0.66%, 0.4%

LAB 48.72, 22.88, 46

 

CMYK 0 / 20 / 79 / 34

HEX #A88723

RGB 168 135 35

HSL 45.11, 0.66%, 0.4%

LAB 57.82, 2.65, 54.53

 

CMYK 2 / 0 / 79 / 34

HEX #A5A823

RGB 165 168 35

HSL 61.35, 0.66%, 0.4%

LAB 66.62, -16.34, 62.35

 

CMYK 23 / 0 / 79 / 34

HEX #81A823

RGB 129 168 35

HSL 77.59, 0.66%, 0.4%

LAB 63.99, -31.61, 59.01

 

CMYK 45 / 0 / 79 / 34

HEX #5DA823

RGB 93 168 35

HSL 93.83, 0.66%, 0.4%

LAB 62.04, -44.97, 56.49

 

CMYK 0 / 41 / 79 / 34

HEX #A86323

RGB 168 99 35

HSL 28.87, 0.66%, 0.4%

LAB 48.72, 22.88, 46

 

CMYK 0 / 46 / 90 / 28

HEX #B86313

RGB 184 99 19

HSL 29.09, 0.81%, 0.4%

LAB 50.88, 29.29, 54.69

 

CMYK 0 / 51 / 99 / 21

HEX #C96202

RGB 201 98 2

HSL 28.94, 0.98%, 0.4%

LAB 53.12, 36.59, 61.28

 

CMYK 0 / 41 / 79 / 34

HEX #A86323

RGB 168 99 35

HSL 28.87, 0.66%, 0.4%

LAB 48.72, 22.88, 46

 

CMYK 0 / 34 / 66 / 41

HEX #976434

RGB 151 100 52

HSL 29.09, 0.49%, 0.4%

LAB 46.9, 15.7, 35.05

 

CMYK 0 / 26 / 50 / 47

HEX #876444

RGB 135 100 68

HSL 28.66, 0.33%, 0.4%

LAB 45.2, 9.93, 23.6

 

CMYK 0 / 14 / 28 / 54

HEX #766555

RGB 118 101 85

HSL 29.09, 0.16%, 0.4%

LAB 43.97, 4.1, 11.57

 

CMYK 0 / 1 / 1 / 60

HEX #666565

RGB 102 101 101

HSL 0, 0%, 0.4%

LAB 42.87, 0.39, 0.13

 

CMYK 0 / 79 / 75 / 34

HEX #A8232A

RGB 168 35 42

HSL 356.84, 0.66%, 0.4%

LAB 37.29, 52.95, 30.43

 

CMYK 0 / 62 / 79 / 34

HEX #A84023

RGB 168 64 35

HSL 13.08, 0.66%, 0.4%

LAB 41.4, 41.25, 38.79

 

CMYK 0 / 41 / 79 / 34

HEX #A86323

RGB 168 99 35

HSL 28.87, 0.66%, 0.4%

LAB 48.72, 22.88, 46

 

CMYK 0 / 20 / 79 / 34

HEX #A88723

RGB 168 135 35

HSL 45.11, 0.66%, 0.4%

LAB 57.82, 2.65, 54.53

 

CMYK 1 / 0 / 79 / 34

HEX #A6A823

RGB 166 168 35

HSL 60.9, 0.66%, 0.4%

LAB 66.7, -15.9, 62.46

 

CMYK 0 / 41 / 79 / 61

HEX #643B15

RGB 100 59 21

HSL 28.86, 0.65%, 0.24%

LAB 29.14, 14.58, 30.09

 

CMYK 0 / 41 / 79 / 47

HEX #864F1C

RGB 134 79 28

HSL 28.87, 0.65%, 0.32%

LAB 39.15, 18.84, 38.27

 

CMYK 0 / 41 / 79 / 34

HEX #A86323

RGB 168 99 35

HSL 28.87, 0.66%, 0.4%

LAB 48.72, 22.88, 46

 

CMYK 0 / 41 / 79 / 21

HEX #CA782A

RGB 202 120 42

HSL 29.25, 0.66%, 0.48%

LAB 58.19, 26.22, 53.62

 

CMYK 0 / 34 / 67 / 16

HEX #D78D46

RGB 215 141 70

HSL 29.38, 0.64%, 0.56%

LAB 64.91, 21.68, 48.35

 

CMYK 0 / 41 / 79 / 35

HEX #A76323

RGB 167 99 35

HSL 29.09, 0.65%, 0.4%

LAB 48.59, 22.44, 45.82

 

CMYK 54 / 0 / 79 / 34

HEX #4DA823

RGB 77 168 35

HSL 101.05, 0.66%, 0.4%

LAB 61.4, -49.89, 55.65

 

CMYK 73 / 79 / 0 / 34

HEX #2E23A8

RGB 46 35 168

HSL 244.96, 0.66%, 0.4%

LAB 25.59, 46.88, -68.44

 

CMYK 0 / 41 / 79 / 35

HEX #A76323

RGB 167 99 35

HSL 29.09, 0.65%, 0.4%

LAB 48.59, 22.44, 45.82

 

CMYK 79 / 0 / 41 / 34

HEX #23A863

RGB 35 168 99

HSL 148.87, 0.66%, 0.4%

LAB 61.01, -50.53, 26.03

 

CMYK 41 / 79 / 0 / 34

HEX #6323A8

RGB 99 35 168

HSL 268.87, 0.66%, 0.4%

LAB 31.07, 53.49, -59.23

 

CMYK 0 / 41 / 79 / 35

HEX #A76323

RGB 167 99 35

HSL 29.09, 0.65%, 0.4%

LAB 48.59, 22.44, 45.82

 

CMYK 54 / 0 / 79 / 34

HEX #4DA823

RGB 77 168 35

HSL 101.05, 0.66%, 0.4%

LAB 61.4, -49.89, 55.65

 

CMYK 79 / 38 / 0 / 34

HEX #2368A8

RGB 35 104 168

HSL 208.87, 0.66%, 0.4%

LAB 42.89, 1.85, -40.38

 

CMYK 25 / 79 / 0 / 34

HEX #7E23A8

RGB 126 35 168

HSL 281.05, 0.66%, 0.4%

LAB 34.93, 58.1, -52.78

 

CMYK 0 / 41 / 79 / 35

HEX #A76323

RGB 167 99 35

HSL 29.09, 0.65%, 0.4%

LAB 48.59, 22.44, 45.82

 

CMYK 78 / 0 / 79 / 34

HEX #25A823

RGB 37 168 35

HSL 119.1, 0.66%, 0.4%

LAB 60.36, -58.5, 54.29

 

CMYK 79 / 38 / 0 / 34

HEX #2368A8

RGB 35 104 168

HSL 208.87, 0.66%, 0.4%

LAB 42.89, 1.85, -40.38

 

CMYK 1 / 79 / 0 / 34

HEX #A623A8

RGB 166 35 168

HSL 299.1, 0.66%, 0.4%

LAB 41.43, 65.8, -41.98

 

Description

Color code: HEX #A76323 | qconv.com Color code: HEX #A76323 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 99 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 99 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 79 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 79% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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