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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A74C98 it is the complementary color #58B367. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A74C98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A74C98 shade: #AC4C93, #BD5EA6, #CE70B9, #DF82CC and #F094DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A74C98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A74C98 shade: #A74C98, #963A85, #852872, #74165F and #63044C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A74C98 shade: #A74D98, #A74D80, #A74D67, #A74D4F and #A74D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A74C98 shade: #A74D98, #9E4DA7, #854DA7, #6D4DA7 and #544DA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A74C98 shade matches the following richer shades: #A74D98, #BB39A6, #CF25B3 and #E311C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A74C98 shade: #A74D98, #93608B, #80747E, #6C8870 and #589C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A74C98 shade: #844DA7, #9D4DA7, #A74D9A, #A74D81 and #A74D69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A74C98 shade: #6F3365, #8B407F, #A74D98, #B865AA and #C581BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A74C98 shade: #A74C98, #A76C4D and #4DA791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A74C98 shade: #A74C98, #9AA74D and #4D9AA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A74C98 shade: #A74C98, #A76C4D, #4DA75A and #4D87A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A74C98 shade: #A74C98, #A7874D, #4DA75A and #4D6CA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 9 / 35

HEX #A74C98

RGB 167 76 152

HSL 309.89, 0.37%, 0.48%

LAB 46.51, 47.4, -24.43

 

Complementary color

CMYK 51 / 0 / 42 / 30

HEX #58B367

RGB 88 179 103

HSL 129.89, 0.37%, 0.52%

LAB 65.98, -43.62, 30.66

 

CMYK 0 / 56 / 15 / 33

HEX #AC4C93

RGB 172 76 147

HSL 315.63, 0.39%, 0.49%

LAB 47.03, 48.08, -20.57

 

CMYK 0 / 50 / 12 / 26

HEX #BD5EA6

RGB 189 94 166

HSL 314.53, 0.42%, 0.55%

LAB 53.58, 47.48, -21.54

 

CMYK 0 / 46 / 10 / 19

HEX #CE70B9

RGB 206 112 185

HSL 313.4, 0.49%, 0.62%

LAB 60.08, 46.78, -22.34

 

CMYK 0 / 42 / 9 / 13

HEX #DF82CC

RGB 223 130 204

HSL 312.26, 0.59%, 0.69%

LAB 66.53, 46.04, -23.01

 

CMYK 0 / 38 / 7 / 6

HEX #F094DF

RGB 240 148 223

HSL 311.09, 0.75%, 0.76%

LAB 72.91, 45.3, -23.6

 

CMYK 0 / 54 / 9 / 35

HEX #A74C98

RGB 167 76 152

HSL 309.89, 0.37%, 0.48%

LAB 46.51, 47.4, -24.43

 

CMYK 0 / 61 / 11 / 41

HEX #963A85

RGB 150 58 133

HSL 311.09, 0.44%, 0.41%

LAB 39.92, 47.81, -23.36

 

CMYK 0 / 70 / 14 / 48

HEX #852872

RGB 133 40 114

HSL 312.26, 0.54%, 0.34%

LAB 33.39, 47.79, -21.9

 

CMYK 0 / 81 / 18 / 55

HEX #74165F

RGB 116 22 95

HSL 313.4, 0.68%, 0.27%

LAB 27.05, 46.91, -19.78

 

CMYK 0 / 96 / 23 / 61

HEX #63044C

RGB 99 4 76

HSL 314.53, 0.92%, 0.2%

LAB 21.06, 44.65, -16.69

 

CMYK 0 / 54 / 9 / 35

HEX #A74D98

RGB 167 77 152

HSL 310, 0.37%, 0.48%

LAB 46.7, 46.91, -24.14

 

CMYK 0 / 54 / 23 / 35

HEX #A74D80

RGB 167 77 128

HSL 326, 0.37%, 0.48%

LAB 45.75, 43.1, -11.16

 

CMYK 0 / 54 / 38 / 35

HEX #A74D67

RGB 167 77 103

HSL 342.67, 0.37%, 0.48%

LAB 44.95, 39.76, 2.89

 

CMYK 0 / 54 / 53 / 35

HEX #A74D4F

RGB 167 77 79

HSL 358.67, 0.37%, 0.48%

LAB 44.36, 37.24, 16.75

 

CMYK 0 / 54 / 54 / 35

HEX #A74D4D

RGB 167 77 77

HSL 0, 0.37%, 0.48%

LAB 44.32, 37.06, 17.9

 

CMYK 0 / 54 / 9 / 35

HEX #A74D98

RGB 167 77 152

HSL 310, 0.37%, 0.48%

LAB 46.7, 46.91, -24.14

 

CMYK 5 / 54 / 0 / 35

HEX #9E4DA7

RGB 158 77 167

HSL 294, 0.37%, 0.48%

LAB 46.13, 47.02, -34.02

 

CMYK 20 / 54 / 0 / 35

HEX #854DA7

RGB 133 77 167

HSL 277.33, 0.37%, 0.48%

LAB 42.89, 40.06, -39.36

 

CMYK 35 / 54 / 0 / 35

HEX #6D4DA7

RGB 109 77 167

HSL 261.33, 0.37%, 0.48%

LAB 40.16, 33.63, -43.87

 

CMYK 50 / 54 / 0 / 35

HEX #544DA7

RGB 84 77 167

HSL 244.67, 0.37%, 0.48%

LAB 37.81, 27.54, -47.77

 

CMYK 0 / 54 / 9 / 35

HEX #A74D98

RGB 167 77 152

HSL 310, 0.37%, 0.48%

LAB 46.7, 46.91, -24.14

 

CMYK 0 / 70 / 11 / 27

HEX #BB39A6

RGB 187 57 166

HSL 309.69, 0.53%, 0.48%

LAB 47.29, 63.17, -31.3

 

CMYK 0 / 82 / 14 / 19

HEX #CF25B3

RGB 207 37 179

HSL 309.88, 0.7%, 0.48%

LAB 49.31, 75.28, -35.57

 

CMYK 0 / 93 / 15 / 11

HEX #E311C0

RGB 227 17 192

HSL 310, 0.86%, 0.48%

LAB 52.44, 84, -37.98

 

CMYK 0 / 54 / 9 / 35

HEX #A74D98

RGB 167 77 152

HSL 310, 0.37%, 0.48%

LAB 46.7, 46.91, -24.14

 

CMYK 0 / 35 / 5 / 42

HEX #93608B

RGB 147 96 139

HSL 309.41, 0.21%, 0.48%

LAB 47.54, 27.81, -15.32

 

CMYK 0 / 9 / 2 / 50

HEX #80747E

RGB 128 116 126

HSL 310, 0.05%, 0.48%

LAB 50.2, 6.57, -3.8

 

CMYK 21 / 0 / 18 / 47

HEX #6C8870

RGB 108 136 112

HSL 128.57, 0.11%, 0.48%

LAB 53.99, -15.02, 9.65

 

CMYK 44 / 0 / 37 / 39

HEX #589C63

RGB 88 156 99

HSL 129.71, 0.28%, 0.48%

LAB 58.74, -34.17, 23.31

 

CMYK 21 / 54 / 0 / 35

HEX #844DA7

RGB 132 77 167

HSL 276.67, 0.37%, 0.48%

LAB 42.77, 39.78, -39.56

 

CMYK 6 / 54 / 0 / 35

HEX #9D4DA7

RGB 157 77 167

HSL 293.33, 0.37%, 0.48%

LAB 46, 46.74, -34.25

 

CMYK 0 / 54 / 8 / 35

HEX #A74D9A

RGB 167 77 154

HSL 308.67, 0.37%, 0.48%

LAB 46.79, 47.25, -25.2

 

CMYK 0 / 54 / 23 / 35

HEX #A74D81

RGB 167 77 129

HSL 325.33, 0.37%, 0.48%

LAB 45.78, 43.24, -11.71

 

CMYK 0 / 54 / 37 / 35

HEX #A74D69

RGB 167 77 105

HSL 341.33, 0.37%, 0.48%

LAB 45, 40, 1.75

 

CMYK 0 / 54 / 9 / 56

HEX #6F3365

RGB 111 51 101

HSL 310, 0.37%, 0.32%

LAB 31.08, 33.79, -17.48

 

CMYK 0 / 54 / 9 / 45

HEX #8B407F

RGB 139 64 127

HSL 309.6, 0.37%, 0.4%

LAB 39.05, 40.57, -21.15

 

CMYK 0 / 54 / 9 / 35

HEX #A74D98

RGB 167 77 152

HSL 310, 0.37%, 0.48%

LAB 46.7, 46.91, -24.14

 

CMYK 0 / 45 / 8 / 28

HEX #B865AA

RGB 184 101 170

HSL 310.12, 0.37%, 0.56%

LAB 54.45, 43, -22.59

 

CMYK 0 / 35 / 6 / 23

HEX #C581BA

RGB 197 129 186

HSL 309.71, 0.37%, 0.64%

LAB 62.61, 35.06, -19.15

 

CMYK 0 / 54 / 9 / 35

HEX #A74C98

RGB 167 76 152

HSL 309.89, 0.37%, 0.48%

LAB 46.51, 47.4, -24.43

 

CMYK 0 / 35 / 54 / 35

HEX #A76C4D

RGB 167 108 77

HSL 20.67, 0.37%, 0.48%

LAB 51.24, 20.11, 26.95

 

CMYK 54 / 0 / 13 / 35

HEX #4DA791

RGB 77 167 145

HSL 165.33, 0.37%, 0.48%

LAB 62.73, -32.39, 3.23

 

CMYK 0 / 54 / 9 / 35

HEX #A74C98

RGB 167 76 152

HSL 309.89, 0.37%, 0.48%

LAB 46.51, 47.4, -24.43

 

CMYK 8 / 0 / 54 / 35

HEX #9AA74D

RGB 154 167 77

HSL 68.67, 0.37%, 0.48%

LAB 65.78, -17.91, 44.36

 

CMYK 54 / 8 / 0 / 35

HEX #4D9AA7

RGB 77 154 167

HSL 188.67, 0.37%, 0.48%

LAB 59.42, -19.98, -14.07

 

CMYK 0 / 54 / 9 / 35

HEX #A74C98

RGB 167 76 152

HSL 309.89, 0.37%, 0.48%

LAB 46.51, 47.4, -24.43

 

CMYK 0 / 35 / 54 / 35

HEX #A76C4D

RGB 167 108 77

HSL 20.67, 0.37%, 0.48%

LAB 51.24, 20.11, 26.95

 

CMYK 54 / 0 / 46 / 35

HEX #4DA75A

RGB 77 167 90

HSL 128.67, 0.37%, 0.48%

LAB 61.61, -43.61, 31.76

 

CMYK 54 / 19 / 0 / 35

HEX #4D87A7

RGB 77 135 167

HSL 201.33, 0.37%, 0.48%

LAB 53.7, -9.64, -22.78

 

CMYK 0 / 54 / 9 / 35

HEX #A74C98

RGB 167 76 152

HSL 309.89, 0.37%, 0.48%

LAB 46.51, 47.4, -24.43

 

CMYK 0 / 19 / 54 / 35

HEX #A7874D

RGB 167 135 77

HSL 38.67, 0.37%, 0.48%

LAB 58.11, 4.88, 35.52

 

CMYK 54 / 0 / 46 / 35

HEX #4DA75A

RGB 77 167 90

HSL 128.67, 0.37%, 0.48%

LAB 61.61, -43.61, 31.76

 

CMYK 54 / 35 / 0 / 35

HEX #4D6CA7

RGB 77 108 167

HSL 219.33, 0.37%, 0.48%

LAB 45.76, 6.36, -35.14

 

Description

Color code: HEX #A74C98 | qconv.com Color code: HEX #A74C98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 76 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 76 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 9 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 9% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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