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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A74C70 it is the complementary color #58B38F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A74C70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A74C70 shade: #AC4C6B, #BD5E7E, #CE7091, #DF82A4 and #F094B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A74C70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A74C70 shade: #A74C70, #963A5D, #85284A, #741637 and #630424

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A74C70 shade: #A74D70, #A74D58 and #A74D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A74C70 shade: #A74D70, #A74D89, #A74DA1, #954DA7 and #7C4DA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A74C70 shade matches the following richer shades: #A74D70, #BB396C, #CF2568 and #E31164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A74C70 shade: #A74D70, #936075, #807479, #6C887D and #589C81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A74C70 shade: #A74DA1, #A74D89, #A74D71, #A74D59 and #A7594D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A74C70 shade: #6F334A, #8B405D, #A74D70, #B86586 and #C5819C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A74C70 shade: #A74C70, #A7954D and #4D95A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A74C70 shade: #A74C70, #71A74D and #4D71A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A74C70 shade: #A74C70, #A7954D, #4DA783 and #4D5FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A74C70 shade: #A74C70, #9EA74D, #4DA783 and #564DA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 33 / 35

HEX #A74C70

RGB 167 76 112

HSL 336.26, 0.37%, 0.48%

LAB 45.02, 41.39, -2.51

 

Complementary color

CMYK 51 / 0 / 20 / 30

HEX #58B38F

RGB 88 179 143

HSL 156.26, 0.37%, 0.52%

LAB 66.75, -35.87, 10.15

 

CMYK 0 / 56 / 38 / 33

HEX #AC4C6B

RGB 172 76 107

HSL 340.63, 0.39%, 0.49%

LAB 45.64, 42.49, 1.54

 

CMYK 0 / 50 / 33 / 26

HEX #BD5E7E

RGB 189 94 126

HSL 339.79, 0.42%, 0.55%

LAB 52.21, 41.65, -0.02

 

CMYK 0 / 46 / 30 / 19

HEX #CE7091

RGB 206 112 145

HSL 338.94, 0.49%, 0.62%

LAB 58.75, 40.78, -1.32

 

CMYK 0 / 42 / 26 / 13

HEX #DF82A4

RGB 223 130 164

HSL 338.06, 0.59%, 0.69%

LAB 65.23, 39.92, -2.44

 

CMYK 0 / 38 / 24 / 6

HEX #F094B7

RGB 240 148 183

HSL 337.17, 0.75%, 0.76%

LAB 71.64, 39.08, -3.43

 

CMYK 0 / 54 / 33 / 35

HEX #A74C70

RGB 167 76 112

HSL 336.26, 0.37%, 0.48%

LAB 45.02, 41.39, -2.51

 

CMYK 0 / 61 / 38 / 41

HEX #963A5D

RGB 150 58 93

HSL 337.17, 0.44%, 0.41%

LAB 38.38, 42.08, -0.78

 

CMYK 0 / 70 / 44 / 48

HEX #85284A

RGB 133 40 74

HSL 338.06, 0.54%, 0.34%

LAB 31.8, 42.45, 1.49

 

CMYK 0 / 81 / 53 / 55

HEX #741637

RGB 116 22 55

HSL 338.94, 0.68%, 0.27%

LAB 25.45, 42.08, 4.63

 

CMYK 0 / 96 / 64 / 61

HEX #630424

RGB 99 4 36

HSL 339.79, 0.92%, 0.2%

LAB 19.5, 40.45, 9.05

 

CMYK 0 / 54 / 33 / 35

HEX #A74D70

RGB 167 77 112

HSL 336.67, 0.37%, 0.48%

LAB 45.21, 40.88, -2.22

 

CMYK 0 / 54 / 47 / 35

HEX #A74D58

RGB 167 77 88

HSL 352.67, 0.37%, 0.48%

LAB 44.56, 38.1, 11.53

 

CMYK 0 / 54 / 54 / 35

HEX #A74D4D

RGB 167 77 77

HSL 0, 0.37%, 0.48%

LAB 44.32, 37.06, 17.9

 

CMYK 0 / 54 / 33 / 35

HEX #A74D70

RGB 167 77 112

HSL 336.67, 0.37%, 0.48%

LAB 45.21, 40.88, -2.22

 

CMYK 0 / 54 / 18 / 35

HEX #A74D89

RGB 167 77 137

HSL 320, 0.37%, 0.48%

LAB 46.08, 44.46, -16.09

 

CMYK 0 / 54 / 4 / 35

HEX #A74DA1

RGB 167 77 161

HSL 304, 0.37%, 0.48%

LAB 47.1, 48.47, -28.87

 

CMYK 11 / 54 / 0 / 35

HEX #954DA7

RGB 149 77 167

HSL 288, 0.37%, 0.48%

LAB 44.92, 44.5, -36.01

 

CMYK 26 / 54 / 0 / 35

HEX #7C4DA7

RGB 124 77 167

HSL 271.33, 0.37%, 0.48%

LAB 41.82, 37.6, -41.13

 

CMYK 0 / 54 / 33 / 35

HEX #A74D70

RGB 167 77 112

HSL 336.67, 0.37%, 0.48%

LAB 45.21, 40.88, -2.22

 

CMYK 0 / 70 / 42 / 27

HEX #BB396C

RGB 187 57 108

HSL 336.46, 0.53%, 0.48%

LAB 45.04, 55.79, 0.37

 

CMYK 0 / 82 / 50 / 19

HEX #CF2568

RGB 207 37 104

HSL 336.35, 0.7%, 0.48%

LAB 46.43, 67.1, 5.31

 

CMYK 0 / 93 / 56 / 11

HEX #E31164

RGB 227 17 100

HSL 336.29, 0.86%, 0.48%

LAB 49.07, 75.08, 12.06

 

CMYK 0 / 54 / 33 / 35

HEX #A74D70

RGB 167 77 112

HSL 336.67, 0.37%, 0.48%

LAB 45.21, 40.88, -2.22

 

CMYK 0 / 35 / 20 / 42

HEX #936075

RGB 147 96 117

HSL 335.29, 0.21%, 0.48%

LAB 46.78, 23.92, -3.25

 

CMYK 0 / 9 / 5 / 50

HEX #807479

RGB 128 116 121

HSL 335, 0.05%, 0.48%

LAB 50.05, 5.58, -1.07

 

CMYK 21 / 0 / 8 / 47

HEX #6C887D

RGB 108 136 125

HSL 156.43, 0.11%, 0.48%

LAB 54.32, -12.35, 2.62

 

CMYK 44 / 0 / 17 / 39

HEX #589C81

RGB 88 156 129

HSL 156.18, 0.28%, 0.48%

LAB 59.38, -28.12, 7.46

 

CMYK 0 / 54 / 4 / 35

HEX #A74DA1

RGB 167 77 161

HSL 304, 0.37%, 0.48%

LAB 47.1, 48.47, -28.87

 

CMYK 0 / 54 / 18 / 35

HEX #A74D89

RGB 167 77 137

HSL 320, 0.37%, 0.48%

LAB 46.08, 44.46, -16.09

 

CMYK 0 / 54 / 32 / 35

HEX #A74D71

RGB 167 77 113

HSL 336, 0.37%, 0.48%

LAB 45.24, 41.01, -2.79

 

CMYK 0 / 54 / 47 / 35

HEX #A74D59

RGB 167 77 89

HSL 352, 0.37%, 0.48%

LAB 44.58, 38.2, 10.95

 

CMYK 0 / 47 / 54 / 35

HEX #A7594D

RGB 167 89 77

HSL 8, 0.37%, 0.48%

LAB 46.84, 30.69, 21.25

 

CMYK 0 / 54 / 33 / 56

HEX #6F334A

RGB 111 51 74

HSL 337, 0.37%, 0.32%

LAB 30.01, 29.35, -1.58

 

CMYK 0 / 54 / 33 / 45

HEX #8B405D

RGB 139 64 93

HSL 336.8, 0.37%, 0.4%

LAB 37.75, 35.24, -1.91

 

CMYK 0 / 54 / 33 / 35

HEX #A74D70

RGB 167 77 112

HSL 336.67, 0.37%, 0.48%

LAB 45.21, 40.88, -2.22

 

CMYK 0 / 45 / 27 / 28

HEX #B86586

RGB 184 101 134

HSL 336.14, 0.37%, 0.56%

LAB 53.19, 37.31, -3.4

 

CMYK 0 / 35 / 21 / 23

HEX #C5819C

RGB 197 129 156

HSL 336.18, 0.37%, 0.64%

LAB 61.63, 30.07, -3.54

 

CMYK 0 / 54 / 33 / 35

HEX #A74C70

RGB 167 76 112

HSL 336.26, 0.37%, 0.48%

LAB 45.02, 41.39, -2.51

 

CMYK 0 / 11 / 54 / 35

HEX #A7954D

RGB 167 149 77

HSL 48, 0.37%, 0.48%

LAB 61.87, -2.84, 40.04

 

CMYK 54 / 11 / 0 / 35

HEX #4D95A7

RGB 77 149 167

HSL 192, 0.37%, 0.48%

LAB 57.91, -17.34, -16.36

 

CMYK 0 / 54 / 33 / 35

HEX #A74C70

RGB 167 76 112

HSL 336.26, 0.37%, 0.48%

LAB 45.02, 41.39, -2.51

 

CMYK 32 / 0 / 54 / 35

HEX #71A74D

RGB 113 167 77

HSL 96, 0.37%, 0.48%

LAB 63.08, -34.02, 40.51

 

CMYK 54 / 32 / 0 / 35

HEX #4D71A7

RGB 77 113 167

HSL 216, 0.37%, 0.48%

LAB 47.21, 3.29, -32.87

 

CMYK 0 / 54 / 33 / 35

HEX #A74C70

RGB 167 76 112

HSL 336.26, 0.37%, 0.48%

LAB 45.02, 41.39, -2.51

 

CMYK 0 / 11 / 54 / 35

HEX #A7954D

RGB 167 149 77

HSL 48, 0.37%, 0.48%

LAB 61.87, -2.84, 40.04

 

CMYK 54 / 0 / 22 / 35

HEX #4DA783

RGB 77 167 131

HSL 156, 0.37%, 0.48%

LAB 62.38, -35.71, 10.55

 

CMYK 54 / 43 / 0 / 35

HEX #4D5FA7

RGB 77 95 167

HSL 228, 0.37%, 0.48%

LAB 42.08, 14.51, -40.96

 

CMYK 0 / 54 / 33 / 35

HEX #A74C70

RGB 167 76 112

HSL 336.26, 0.37%, 0.48%

LAB 45.02, 41.39, -2.51

 

CMYK 5 / 0 / 54 / 35

HEX #9EA74D

RGB 158 167 77

HSL 66, 0.37%, 0.48%

LAB 66.09, -16.24, 44.8

 

CMYK 54 / 0 / 22 / 35

HEX #4DA783

RGB 77 167 131

HSL 156, 0.37%, 0.48%

LAB 62.38, -35.71, 10.55

 

CMYK 49 / 54 / 0 / 35

HEX #564DA7

RGB 86 77 167

HSL 246, 0.37%, 0.48%

LAB 37.98, 27.99, -47.49

 

Description

Color code: HEX #A74C70 | qconv.com Color code: HEX #A74C70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 76 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 76 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 33 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 33% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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