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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A748A5 it is the complementary color #58B75A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A748A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A748A5 shade: #AC48A0, #BD5AB3, #CE6CC6, #DF7ED9 and #F090EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A748A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A748A5 shade: #A748A5, #963692, #85247F, #74126C and #630059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A748A5 shade: #A747A5, #A7478B, #A74772, #A74758 and #A74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A748A5 shade: #A747A5, #8F47A7, #7647A7, #5C47A7 and #4747A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A748A5 shade matches the following richer shades: #A747A5, #BB34B8, #CE21CA and #E10DDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A748A5 shade: #A747A5, #945B93, #816E80, #6D826E and #5A955B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A748A5 shade: #7647A7, #8F47A7, #A747A6, #A7478C and #A74773

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A748A5 shade: #6E2F6C, #8A3B89, #A747A5, #BA5EB8 and #C67BC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A748A5 shade: #A748A5, #A75C47 and #47A783

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A748A5 shade: #A748A5, #A6A747 and #47A6A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A748A5 shade: #A748A5, #A75C47, #47A749 and #4793A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A748A5 shade: #A748A5, #A77947, #47A749 and #4776A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 1 / 35

HEX #A748A5

RGB 167 72 165

HSL 301.26, 0.4%, 0.47%

LAB 46.4, 51.58, -32.33

 

Complementary color

CMYK 52 / 0 / 51 / 28

HEX #58B75A

RGB 88 183 90

HSL 121.26, 0.4%, 0.53%

LAB 67.04, -47.23, 38.62

 

CMYK 0 / 58 / 7 / 33

HEX #AC48A0

RGB 172 72 160

HSL 307.2, 0.41%, 0.48%

LAB 46.9, 52.1, -28.53

 

CMYK 0 / 52 / 5 / 26

HEX #BD5AB3

RGB 189 90 179

HSL 306.06, 0.43%, 0.55%

LAB 53.37, 51.63, -29.43

 

CMYK 0 / 48 / 4 / 19

HEX #CE6CC6

RGB 206 108 198

HSL 304.9, 0.5%, 0.62%

LAB 59.82, 51.01, -30.14

 

CMYK 0 / 43 / 3 / 13

HEX #DF7ED9

RGB 223 126 217

HSL 303.71, 0.6%, 0.68%

LAB 66.23, 50.31, -30.73

 

CMYK 0 / 40 / 2 / 6

HEX #F090EC

RGB 240 144 236

HSL 302.5, 0.76%, 0.75%

LAB 72.58, 49.59, -31.24

 

CMYK 0 / 57 / 1 / 35

HEX #A748A5

RGB 167 72 165

HSL 301.26, 0.4%, 0.47%

LAB 46.4, 51.58, -32.33

 

CMYK 0 / 64 / 3 / 41

HEX #963692

RGB 150 54 146

HSL 302.5, 0.47%, 0.4%

LAB 39.91, 51.79, -31.31

 

CMYK 0 / 73 / 5 / 48

HEX #85247F

RGB 133 36 127

HSL 303.71, 0.57%, 0.33%

LAB 33.52, 51.45, -29.87

 

CMYK 0 / 84 / 7 / 55

HEX #74126C

RGB 116 18 108

HSL 304.9, 0.73%, 0.26%

LAB 27.38, 50.06, -27.73

 

CMYK 0 / 100 / 10 / 61

HEX #630059

RGB 99 0 89

HSL 306.06, 1%, 0.19%

LAB 21.48, 47.51, -24.81

 

CMYK 0 / 57 / 1 / 35

HEX #A747A5

RGB 167 71 165

HSL 301.25, 0.4%, 0.47%

LAB 46.23, 52.05, -32.6

 

CMYK 0 / 57 / 17 / 35

HEX #A7478B

RGB 167 71 139

HSL 317.5, 0.4%, 0.47%

LAB 45.06, 47.7, -18.86

 

CMYK 0 / 57 / 32 / 35

HEX #A74772

RGB 167 71 114

HSL 333.13, 0.4%, 0.47%

LAB 44.14, 44.12, -5.03

 

CMYK 0 / 57 / 47 / 35

HEX #A74758

RGB 167 71 88

HSL 349.38, 0.4%, 0.47%

LAB 43.4, 41.12, 9.91

 

CMYK 0 / 57 / 57 / 35

HEX #A74747

RGB 167 71 71

HSL 0, 0.4%, 0.47%

LAB 43.03, 39.59, 19.84

 

CMYK 0 / 57 / 1 / 35

HEX #A747A5

RGB 167 71 165

HSL 301.25, 0.4%, 0.47%

LAB 46.23, 52.05, -32.6

 

CMYK 14 / 57 / 0 / 35

HEX #8F47A7

RGB 143 71 167

HSL 285, 0.4%, 0.47%

LAB 42.97, 45.95, -39.16

 

CMYK 29 / 57 / 0 / 35

HEX #7647A7

RGB 118 71 167

HSL 269.38, 0.4%, 0.47%

LAB 39.83, 39.4, -44.35

 

CMYK 45 / 57 / 0 / 35

HEX #5C47A7

RGB 92 71 167

HSL 253.13, 0.4%, 0.47%

LAB 37.06, 33.07, -48.94

 

CMYK 57 / 57 / 0 / 35

HEX #4747A7

RGB 71 71 167

HSL 240, 0.4%, 0.47%

LAB 35.27, 28.61, -51.92

 

CMYK 0 / 57 / 1 / 35

HEX #A747A5

RGB 167 71 165

HSL 301.25, 0.4%, 0.47%

LAB 46.23, 52.05, -32.6

 

CMYK 0 / 72 / 2 / 27

HEX #BB34B8

RGB 187 52 184

HSL 301.33, 0.56%, 0.47%

LAB 47.6, 67.7, -41.42

 

CMYK 0 / 84 / 2 / 19

HEX #CE21CA

RGB 206 33 202

HSL 301.39, 0.72%, 0.47%

LAB 50.07, 79.19, -47.76

 

CMYK 0 / 94 / 2 / 12

HEX #E10DDD

RGB 225 13 221

HSL 301.13, 0.89%, 0.47%

LAB 53.51, 87.9, -52.96

 

CMYK 0 / 57 / 1 / 35

HEX #A747A5

RGB 167 71 165

HSL 301.25, 0.4%, 0.47%

LAB 46.23, 52.05, -32.6

 

CMYK 0 / 39 / 1 / 42

HEX #945B93

RGB 148 91 147

HSL 301.05, 0.24%, 0.47%

LAB 46.82, 32.54, -21.17

 

CMYK 0 / 15 / 1 / 49

HEX #816E80

RGB 129 110 128

HSL 303.16, 0.08%, 0.47%

LAB 48.73, 10.88, -7.16

 

CMYK 16 / 0 / 15 / 49

HEX #6D826E

RGB 109 130 110

HSL 122.86, 0.09%, 0.47%

LAB 52.22, -11.78, 8.31

 

CMYK 40 / 0 / 39 / 42

HEX #5A955B

RGB 90 149 91

HSL 121.02, 0.25%, 0.47%

LAB 56.51, -31.65, 24.74

 

CMYK 29 / 57 / 0 / 35

HEX #7647A7

RGB 118 71 167

HSL 269.38, 0.4%, 0.47%

LAB 39.83, 39.4, -44.35

 

CMYK 14 / 57 / 0 / 35

HEX #8F47A7

RGB 143 71 167

HSL 285, 0.4%, 0.47%

LAB 42.97, 45.95, -39.16

 

CMYK 0 / 57 / 1 / 35

HEX #A747A6

RGB 167 71 166

HSL 300.63, 0.4%, 0.47%

LAB 46.28, 52.23, -33.12

 

CMYK 0 / 57 / 16 / 35

HEX #A7478C

RGB 167 71 140

HSL 316.88, 0.4%, 0.47%

LAB 45.1, 47.86, -19.4

 

CMYK 0 / 57 / 31 / 35

HEX #A74773

RGB 167 71 115

HSL 332.5, 0.4%, 0.47%

LAB 44.18, 44.25, -5.59

 

CMYK 0 / 57 / 2 / 57

HEX #6E2F6C

RGB 110 47 108

HSL 301.9, 0.4%, 0.31%

LAB 30.47, 36.93, -22.92

 

CMYK 0 / 57 / 1 / 46

HEX #8A3B89

RGB 138 59 137

HSL 300.76, 0.4%, 0.39%

LAB 38.44, 44.6, -28.26

 

CMYK 0 / 57 / 1 / 35

HEX #A747A5

RGB 167 71 165

HSL 301.25, 0.4%, 0.47%

LAB 46.23, 52.05, -32.6

 

CMYK 0 / 49 / 1 / 27

HEX #BA5EB8

RGB 186 94 184

HSL 301.3, 0.4%, 0.55%

LAB 53.93, 49.67, -31.48

 

CMYK 0 / 38 / 1 / 22

HEX #C67BC5

RGB 198 123 197

HSL 300.8, 0.4%, 0.63%

LAB 61.83, 40.62, -26.55

 

CMYK 0 / 57 / 1 / 35

HEX #A748A5

RGB 167 72 165

HSL 301.26, 0.4%, 0.47%

LAB 46.4, 51.58, -32.33

 

CMYK 0 / 45 / 57 / 35

HEX #A75C47

RGB 167 92 71

HSL 13.13, 0.4%, 0.47%

LAB 47.4, 28.53, 25.5

 

CMYK 57 / 0 / 22 / 35

HEX #47A783

RGB 71 167 131

HSL 157.5, 0.4%, 0.47%

LAB 62.18, -37.07, 10.24

 

CMYK 0 / 57 / 1 / 35

HEX #A748A5

RGB 167 72 165

HSL 301.26, 0.4%, 0.47%

LAB 46.4, 51.58, -32.33

 

CMYK 1 / 0 / 57 / 35

HEX #A6A747

RGB 166 167 71

HSL 60.63, 0.4%, 0.47%

LAB 66.67, -13.35, 48.46

 

CMYK 57 / 1 / 0 / 35

HEX #47A6A7

RGB 71 166 167

HSL 180.63, 0.4%, 0.47%

LAB 62.85, -27.33, -8.95

 

CMYK 0 / 57 / 1 / 35

HEX #A748A5

RGB 167 72 165

HSL 301.26, 0.4%, 0.47%

LAB 46.4, 51.58, -32.33

 

CMYK 0 / 45 / 57 / 35

HEX #A75C47

RGB 167 92 71

HSL 13.13, 0.4%, 0.47%

LAB 47.4, 28.53, 25.5

 

CMYK 57 / 0 / 56 / 35

HEX #47A749

RGB 71 167 73

HSL 121.25, 0.4%, 0.47%

LAB 61.18, -47.59, 39.76

 

CMYK 57 / 12 / 0 / 35

HEX #4793A7

RGB 71 147 167

HSL 192.5, 0.4%, 0.47%

LAB 57.07, -17.54, -17.64

 

CMYK 0 / 57 / 1 / 35

HEX #A748A5

RGB 167 72 165

HSL 301.26, 0.4%, 0.47%

LAB 46.4, 51.58, -32.33

 

CMYK 0 / 28 / 57 / 35

HEX #A77947

RGB 167 121 71

HSL 31.25, 0.4%, 0.47%

LAB 54.39, 12.23, 34.2

 

CMYK 57 / 0 / 56 / 35

HEX #47A749

RGB 71 167 73

HSL 121.25, 0.4%, 0.47%

LAB 61.18, -47.59, 39.76

 

CMYK 57 / 29 / 0 / 35

HEX #4776A7

RGB 71 118 167

HSL 210.63, 0.4%, 0.47%

LAB 48.37, -1.08, -31.07

 

Description

Color code: HEX #A748A5 | qconv.com Color code: HEX #A748A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 72 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 72 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 1 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 1% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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