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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A745D2 it is the complementary color #58BA2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A745D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A745D2 shade: #AC45CD, #BD57E0, #CE69F3, #DF7BFF and #F08DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A745D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A745D2 shade: #A745D2, #9633BF, #8521AC, #740F99 and #630086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A745D2 shade: #A746D2, #CD46D2, #D246B1, #D2468B and #D24665

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A745D2 shade: #A746D2, #8146D2, #5C46D2 and #4646D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A745D2 shade matches the following richer shades: #A746D2, #AE33E4 and #B621F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A745D2 shade: #A746D2, #A058BF, #996BAD, #917D9A and #8A9087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A745D2 shade: #5B46D2, #8046D2, #A546D2, #CB46D2 and #D246B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A745D2 shade: #7A269F, #942EC0, #A746D2, #B767DA and #C688E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A745D2 shade: #A745D2, #D24656 and #46D26D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A745D2 shade: #A745D2, #D2A546 and #46D2A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A745D2 shade: #A745D2, #D24656, #72D246 and #46D2C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A745D2 shade: #A745D2, #D25F46, #72D246 and #46B8D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 67 / 0 / 18

HEX #A745D2

RGB 167 69 210

HSL 281.7, 0.61%, 0.55%

LAB 48.42, 61.62, -55.34

 

Complementary color

CMYK 53 / 0 / 76 / 27

HEX #58BA2D

RGB 88 186 45

HSL 101.7, 0.61%, 0.45%

LAB 67.56, -52.92, 58.48

 

CMYK 16 / 66 / 0 / 20

HEX #AC45CD

RGB 172 69 205

HSL 285.44, 0.58%, 0.54%

LAB 48.8, 61.72, -51.81

 

CMYK 16 / 61 / 0 / 12

HEX #BD57E0

RGB 189 87 224

HSL 284.67, 0.69%, 0.61%

LAB 55.09, 61.43, -52.45

 

CMYK 15 / 57 / 0 / 5

HEX #CE69F3

RGB 206 105 243

HSL 283.91, 0.85%, 0.68%

LAB 61.39, 60.91, -52.91

 

CMYK 13 / 52 / 0 / 0

HEX #DF7BFF

RGB 223 123 255

HSL 285.45, 1%, 0.74%

LAB 67.33, 58.89, -49.97

 

CMYK 6 / 45 / 0 / 0

HEX #F08DFF

RGB 240 141 255

HSL 292.11, 1%, 0.78%

LAB 72.76, 54.55, -41.32

 

CMYK 20 / 67 / 0 / 18

HEX #A745D2

RGB 167 69 210

HSL 281.7, 0.61%, 0.55%

LAB 48.42, 61.62, -55.34

 

CMYK 21 / 73 / 0 / 25

HEX #9633BF

RGB 150 51 191

HSL 282.43, 0.58%, 0.47%

LAB 42.17, 61.57, -54.52

 

CMYK 23 / 81 / 0 / 33

HEX #8521AC

RGB 133 33 172

HSL 283.17, 0.68%, 0.4%

LAB 36.09, 60.82, -53.25

 

CMYK 24 / 90 / 0 / 40

HEX #740F99

RGB 116 15 153

HSL 283.91, 0.82%, 0.33%

LAB 30.29, 58.9, -51.3

 

CMYK 26 / 100 / 0 / 47

HEX #630086

RGB 99 0 134

HSL 284.33, 1%, 0.26%

LAB 24.87, 55.46, -48.47

 

CMYK 20 / 67 / 0 / 18

HEX #A746D2

RGB 167 70 210

HSL 281.57, 0.61%, 0.55%

LAB 48.57, 61.19, -55.09

 

CMYK 2 / 67 / 0 / 18

HEX #CD46D2

RGB 205 70 210

HSL 297.86, 0.61%, 0.55%

LAB 54.04, 69.65, -46.04

 

CMYK 0 / 67 / 16 / 18

HEX #D246B1

RGB 210 70 177

HSL 314.14, 0.61%, 0.55%

LAB 53.23, 65.71, -28.24

 

CMYK 0 / 67 / 34 / 18

HEX #D2468B

RGB 210 70 139

HSL 330.43, 0.61%, 0.55%

LAB 51.78, 60.8, -8.04

 

CMYK 0 / 67 / 52 / 18

HEX #D24665

RGB 210 70 101

HSL 346.71, 0.61%, 0.55%

LAB 50.71, 57.05, 13.26

 

CMYK 20 / 67 / 0 / 18

HEX #A746D2

RGB 167 70 210

HSL 281.57, 0.61%, 0.55%

LAB 48.57, 61.19, -55.09

 

CMYK 39 / 67 / 0 / 18

HEX #8146D2

RGB 129 70 210

HSL 265.29, 0.61%, 0.55%

LAB 43.8, 53.26, -63.03

 

CMYK 56 / 67 / 0 / 18

HEX #5C46D2

RGB 92 70 210

HSL 249.43, 0.61%, 0.55%

LAB 40.1, 46.59, -69.23

 

CMYK 67 / 67 / 0 / 18

HEX #4646D2

RGB 70 70 210

HSL 240, 0.61%, 0.55%

LAB 38.44, 43.42, -72.01

 

CMYK 20 / 67 / 0 / 18

HEX #A746D2

RGB 167 70 210

HSL 281.57, 0.61%, 0.55%

LAB 48.57, 61.19, -55.09

 

CMYK 24 / 78 / 0 / 11

HEX #AE33E4

RGB 174 51 228

HSL 281.69, 0.77%, 0.55%

LAB 48.22, 73.34, -65.87

 

CMYK 26 / 87 / 0 / 3

HEX #B621F7

RGB 182 33 247

HSL 281.78, 0.93%, 0.55%

LAB 49.19, 82.85, -74.95

 

CMYK 20 / 67 / 0 / 18

HEX #A746D2

RGB 167 70 210

HSL 281.57, 0.61%, 0.55%

LAB 48.57, 61.19, -55.09

 

CMYK 16 / 54 / 0 / 25

HEX #A058BF

RGB 160 88 191

HSL 281.94, 0.45%, 0.55%

LAB 49.76, 46.83, -42.32

 

CMYK 12 / 38 / 0 / 32

HEX #996BAD

RGB 153 107 173

HSL 281.82, 0.29%, 0.55%

LAB 52.18, 30.43, -28.14

 

CMYK 6 / 19 / 0 / 40

HEX #917D9A

RGB 145 125 154

HSL 281.38, 0.13%, 0.55%

LAB 55.09, 13.25, -12.72

 

CMYK 4 / 0 / 6 / 44

HEX #8A9087

RGB 138 144 135

HSL 100, 0.04%, 0.55%

LAB 59.07, -3.94, 4.02

 

CMYK 57 / 67 / 0 / 18

HEX #5B46D2

RGB 91 70 210

HSL 249, 0.61%, 0.55%

LAB 40.01, 46.43, -69.37

 

CMYK 39 / 67 / 0 / 18

HEX #8046D2

RGB 128 70 210

HSL 264.86, 0.61%, 0.55%

LAB 43.69, 53.06, -63.22

 

CMYK 21 / 67 / 0 / 18

HEX #A546D2

RGB 165 70 210

HSL 280.71, 0.61%, 0.55%

LAB 48.3, 60.76, -55.54

 

CMYK 3 / 67 / 0 / 18

HEX #CB46D2

RGB 203 70 210

HSL 297, 0.61%, 0.55%

LAB 53.74, 69.2, -46.54

 

CMYK 0 / 67 / 15 / 18

HEX #D246B3

RGB 210 70 179

HSL 313.29, 0.61%, 0.55%

LAB 53.32, 65.99, -29.27

 

CMYK 23 / 76 / 0 / 38

HEX #7A269F

RGB 122 38 159

HSL 281.65, 0.61%, 0.39%

LAB 34.04, 54.38, -48.83

 

CMYK 23 / 76 / 0 / 25

HEX #942EC0

RGB 148 46 192

HSL 281.92, 0.61%, 0.47%

LAB 41.3, 63.23, -56.52

 

CMYK 20 / 67 / 0 / 18

HEX #A746D2

RGB 167 70 210

HSL 281.57, 0.61%, 0.55%

LAB 48.57, 61.19, -55.09

 

CMYK 16 / 53 / 0 / 15

HEX #B767DA

RGB 183 103 218

HSL 281.74, 0.61%, 0.63%

LAB 56.91, 50.93, -46.22

 

CMYK 12 / 40 / 0 / 11

HEX #C688E2

RGB 198 136 226

HSL 281.33, 0.61%, 0.71%

LAB 65.83, 39.33, -36.57

 

CMYK 20 / 67 / 0 / 18

HEX #A745D2

RGB 167 69 210

HSL 281.7, 0.61%, 0.55%

LAB 48.42, 61.62, -55.34

 

CMYK 0 / 67 / 59 / 18

HEX #D24656

RGB 210 70 86

HSL 353.14, 0.61%, 0.55%

LAB 50.4, 55.92, 21.84

 

CMYK 67 / 0 / 48 / 18

HEX #46D26D

RGB 70 210 109

HSL 136.71, 0.61%, 0.55%

LAB 75.14, -58.83, 39.18

 

CMYK 20 / 67 / 0 / 18

HEX #A745D2

RGB 167 69 210

HSL 281.7, 0.61%, 0.55%

LAB 48.42, 61.62, -55.34

 

CMYK 0 / 21 / 67 / 18

HEX #D2A546

RGB 210 165 70

HSL 40.71, 0.61%, 0.55%

LAB 70.21, 6.61, 53.97

 

CMYK 67 / 0 / 21 / 18

HEX #46D2A5

RGB 70 210 165

HSL 160.71, 0.61%, 0.55%

LAB 76.14, -48, 11.48

 

CMYK 20 / 67 / 0 / 18

HEX #A745D2

RGB 167 69 210

HSL 281.7, 0.61%, 0.55%

LAB 48.42, 61.62, -55.34

 

CMYK 0 / 67 / 59 / 18

HEX #D24656

RGB 210 70 86

HSL 353.14, 0.61%, 0.55%

LAB 50.4, 55.92, 21.84

 

CMYK 46 / 0 / 67 / 18

HEX #72D246

RGB 114 210 70

HSL 101.14, 0.61%, 0.55%

LAB 76.14, -52.64, 58.33

 

CMYK 67 / 0 / 8 / 18

HEX #46D2C1

RGB 70 210 193

HSL 172.71, 0.61%, 0.55%

LAB 76.83, -41.06, -2.53

 

CMYK 20 / 67 / 0 / 18

HEX #A745D2

RGB 167 69 210

HSL 281.7, 0.61%, 0.55%

LAB 48.42, 61.62, -55.34

 

CMYK 0 / 55 / 67 / 18

HEX #D25F46

RGB 210 95 70

HSL 10.71, 0.61%, 0.55%

LAB 54.37, 43.69, 36.09

 

CMYK 46 / 0 / 67 / 18

HEX #72D246

RGB 114 210 70

HSL 101.14, 0.61%, 0.55%

LAB 76.14, -52.64, 58.33

 

CMYK 67 / 12 / 0 / 18

HEX #46B8D2

RGB 70 184 210

HSL 191.14, 0.61%, 0.55%

LAB 69.64, -23.85, -22.54

 

Description

Color code: HEX #A745D2 | qconv.com Color code: HEX #A745D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 69 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 69 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 67 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 67% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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