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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A72EDF it is the complementary color #58D120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A72EDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A72EDF shade: #AC2EDA, #BD40ED, #CE52FF, #DF64FF and #F076FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A72EDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A72EDF shade: #A72EDF, #961CCC, #850AB9, #7400A6 and #630093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A72EDF shade: #A72FDE, #D62FDE, #DE2FB7, #DE2F88 and #DE2F59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A72EDF shade: #A72FDE, #782FDE, #482FDE and #2F2FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A72EDF shade matches the following richer shades: #A72FDE and #AE1CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A72EDF shade: #A72FDE, #A043CB, #9956B7, #9169A4 and #8A7D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A72EDF shade: #492FDE, #782FDE, #A72FDE, #D52FDE and #DE2FB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A72EDF shade: #7719A2, #911EC6, #A72FDE, #B653E4 and #C577E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A72EDF shade: #A72EDF, #DE2F44 and #2FDE61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A72EDF shade: #A72EDF, #DEA72F and #2FDEA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A72EDF shade: #A72EDF, #DE2F44, #67DE2F and #2FDECA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A72EDF shade: #A72EDF, #DE4F2F, #67DE2F and #2FBEDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 79 / 0 / 13

HEX #A72EDF

RGB 167 46 223

HSL 281.02, 0.73%, 0.53%

LAB 46.31, 72.74, -66.18

 

Complementary color

CMYK 58 / 0 / 85 / 18

HEX #58D120

RGB 88 209 32

HSL 101.02, 0.73%, 0.47%

LAB 74.69, -61.86, 68.72

 

CMYK 21 / 79 / 0 / 15

HEX #AC2EDA

RGB 172 46 218

HSL 283.95, 0.7%, 0.52%

LAB 46.69, 72.63, -62.66

 

CMYK 20 / 73 / 0 / 7

HEX #BD40ED

RGB 189 64 237

HSL 283.35, 0.83%, 0.59%

LAB 52.51, 73.39, -63.91

 

CMYK 19 / 68 / 0 / 0

HEX #CE52FF

RGB 206 82 255

HSL 283.01, 1%, 0.66%

LAB 58.39, 73.38, -64.34

 

CMYK 13 / 61 / 0 / 0

HEX #DF64FF

RGB 223 100 255

HSL 287.61, 1%, 0.7%

LAB 63.36, 69.57, -56.27

 

CMYK 6 / 54 / 0 / 0

HEX #F076FF

RGB 240 118 255

HSL 293.43, 1%, 0.73%

LAB 68.53, 65.65, -47.94

 

CMYK 25 / 79 / 0 / 13

HEX #A72EDF

RGB 167 46 223

HSL 281.02, 0.73%, 0.53%

LAB 46.31, 72.74, -66.18

 

CMYK 26 / 86 / 0 / 20

HEX #961CCC

RGB 150 28 204

HSL 281.59, 0.76%, 0.45%

LAB 40.69, 71.19, -64.49

 

CMYK 28 / 95 / 0 / 27

HEX #850AB9

RGB 133 10 185

HSL 282.17, 0.9%, 0.38%

LAB 35.41, 68.36, -62.08

 

CMYK 30 / 100 / 0 / 35

HEX #7400A6

RGB 116 0 166

HSL 281.93, 1%, 0.33%

LAB 30.56, 63.91, -58.76

 

CMYK 33 / 100 / 0 / 42

HEX #630093

RGB 99 0 147

HSL 280.41, 1%, 0.29%

LAB 26.04, 58.05, -54.66

 

CMYK 25 / 79 / 0 / 13

HEX #A72FDE

RGB 167 47 222

HSL 281.14, 0.73%, 0.53%

LAB 46.34, 72.24, -65.55

 

CMYK 4 / 79 / 0 / 13

HEX #D62FDE

RGB 214 47 222

HSL 297.26, 0.73%, 0.53%

LAB 53.6, 80.62, -53.48

 

CMYK 0 / 79 / 18 / 13

HEX #DE2FB7

RGB 222 47 183

HSL 313.37, 0.73%, 0.53%

LAB 52.93, 76.61, -32.05

 

CMYK 0 / 79 / 39 / 13

HEX #DE2F88

RGB 222 47 136

HSL 329.49, 0.73%, 0.53%

LAB 51.08, 71.22, -7.05

 

CMYK 0 / 79 / 60 / 13

HEX #DE2F59

RGB 222 47 89

HSL 345.6, 0.73%, 0.53%

LAB 49.84, 67.44, 19.68

 

CMYK 25 / 79 / 0 / 13

HEX #A72FDE

RGB 167 47 222

HSL 281.14, 0.73%, 0.53%

LAB 46.34, 72.24, -65.55

 

CMYK 46 / 79 / 0 / 13

HEX #782FDE

RGB 120 47 222

HSL 265.03, 0.73%, 0.53%

LAB 40.08, 65.02, -76.03

 

CMYK 68 / 79 / 0 / 13

HEX #482FDE

RGB 72 47 222

HSL 248.57, 0.73%, 0.53%

LAB 35.37, 59.59, -83.96

 

CMYK 79 / 79 / 0 / 13

HEX #2F2FDE

RGB 47 47 222

HSL 240, 0.73%, 0.53%

LAB 33.8, 57.78, -86.61

 

CMYK 25 / 79 / 0 / 13

HEX #A72FDE

RGB 167 47 222

HSL 281.14, 0.73%, 0.53%

LAB 46.34, 72.24, -65.55

 

CMYK 28 / 88 / 0 / 5

HEX #AE1CF2

RGB 174 28 242

HSL 280.93, 0.89%, 0.53%

LAB 47.29, 81.79, -75.29

 

CMYK 25 / 79 / 0 / 13

HEX #A72FDE

RGB 167 47 222

HSL 281.14, 0.73%, 0.53%

LAB 46.34, 72.24, -65.55

 

CMYK 21 / 67 / 0 / 20

HEX #A043CB

RGB 160 67 203

HSL 281.03, 0.57%, 0.53%

LAB 46.71, 59.53, -54.11

 

CMYK 16 / 53 / 0 / 28

HEX #9956B7

RGB 153 86 183

HSL 281.44, 0.4%, 0.53%

LAB 48.07, 44.26, -40.4

 

CMYK 12 / 36 / 0 / 36

HEX #9169A4

RGB 145 105 164

HSL 280.68, 0.24%, 0.53%

LAB 50.46, 27.06, -25.63

 

CMYK 5 / 14 / 0 / 43

HEX #8A7D91

RGB 138 125 145

HSL 279, 0.08%, 0.53%

LAB 54.15, 8.88, -8.98

 

CMYK 67 / 79 / 0 / 13

HEX #492FDE

RGB 73 47 222

HSL 248.91, 0.73%, 0.53%

LAB 35.45, 59.68, -83.83

 

CMYK 46 / 79 / 0 / 13

HEX #782FDE

RGB 120 47 222

HSL 265.03, 0.73%, 0.53%

LAB 40.08, 65.02, -76.03

 

CMYK 25 / 79 / 0 / 13

HEX #A72FDE

RGB 167 47 222

HSL 281.14, 0.73%, 0.53%

LAB 46.34, 72.24, -65.55

 

CMYK 4 / 79 / 0 / 13

HEX #D52FDE

RGB 213 47 222

HSL 296.91, 0.73%, 0.53%

LAB 53.44, 80.43, -53.75

 

CMYK 0 / 79 / 17 / 13

HEX #DE2FB8

RGB 222 47 184

HSL 313.03, 0.73%, 0.53%

LAB 52.98, 76.74, -32.56

 

CMYK 27 / 85 / 0 / 36

HEX #7719A2

RGB 119 25 162

HSL 281.17, 0.73%, 0.37%

LAB 32.32, 58.77, -53.46

 

CMYK 27 / 85 / 0 / 22

HEX #911EC6

RGB 145 30 198

HSL 281.07, 0.74%, 0.45%

LAB 39.62, 68.79, -62.78

 

CMYK 25 / 79 / 0 / 13

HEX #A72FDE

RGB 167 47 222

HSL 281.14, 0.73%, 0.53%

LAB 46.34, 72.24, -65.55

 

CMYK 20 / 64 / 0 / 11

HEX #B653E4

RGB 182 83 228

HSL 280.97, 0.73%, 0.61%

LAB 53.74, 62.44, -56.91

 

CMYK 15 / 49 / 0 / 9

HEX #C577E9

RGB 197 119 233

HSL 281.05, 0.72%, 0.69%

LAB 62.46, 49.55, -45.74

 

CMYK 25 / 79 / 0 / 13

HEX #A72EDF

RGB 167 46 223

HSL 281.02, 0.73%, 0.53%

LAB 46.31, 72.74, -66.18

 

CMYK 0 / 79 / 69 / 13

HEX #DE2F44

RGB 222 47 68

HSL 352.8, 0.73%, 0.53%

LAB 49.47, 66.3, 31.85

 

CMYK 79 / 0 / 56 / 13

HEX #2FDE61

RGB 47 222 97

HSL 137.14, 0.73%, 0.53%

LAB 78.29, -68.09, 48.65

 

CMYK 25 / 79 / 0 / 13

HEX #A72EDF

RGB 167 46 223

HSL 281.02, 0.73%, 0.53%

LAB 46.31, 72.74, -66.18

 

CMYK 0 / 25 / 79 / 13

HEX #DEA72F

RGB 222 167 47

HSL 41.14, 0.73%, 0.53%

LAB 71.81, 9.64, 65.19

 

CMYK 79 / 0 / 25 / 13

HEX #2FDEA7

RGB 47 222 167

HSL 161.14, 0.73%, 0.53%

LAB 79.41, -55.37, 14.98

 

CMYK 25 / 79 / 0 / 13

HEX #A72EDF

RGB 167 46 223

HSL 281.02, 0.73%, 0.53%

LAB 46.31, 72.74, -66.18

 

CMYK 0 / 79 / 69 / 13

HEX #DE2F44

RGB 222 47 68

HSL 352.8, 0.73%, 0.53%

LAB 49.47, 66.3, 31.85

 

CMYK 54 / 0 / 79 / 13

HEX #67DE2F

RGB 103 222 47

HSL 100.8, 0.73%, 0.53%

LAB 79.23, -61.82, 69.19

 

CMYK 79 / 0 / 9 / 13

HEX #2FDECA

RGB 47 222 202

HSL 173.14, 0.73%, 0.53%

LAB 80.24, -46.64, -2.38

 

CMYK 25 / 79 / 0 / 13

HEX #A72EDF

RGB 167 46 223

HSL 281.02, 0.73%, 0.53%

LAB 46.31, 72.74, -66.18

 

CMYK 0 / 64 / 79 / 13

HEX #DE4F2F

RGB 222 79 47

HSL 10.97, 0.73%, 0.53%

LAB 53.31, 54.22, 47.66

 

CMYK 54 / 0 / 79 / 13

HEX #67DE2F

RGB 103 222 47

HSL 100.8, 0.73%, 0.53%

LAB 79.23, -61.82, 69.19

 

CMYK 79 / 14 / 0 / 13

HEX #2FBEDE

RGB 47 190 222

HSL 190.97, 0.73%, 0.53%

LAB 71.35, -25.92, -26.51

 

Description

Color code: HEX #A72EDF | qconv.com Color code: HEX #A72EDF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 46 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 46 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 79 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 79% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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